Деветта Роднокрајна средба на битолските писатели од Македонија : Зборник на излагања : тркалезна маса, Битола, 30 мај 2014 година

Деветта роднокрајна средба…


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ДЕВЕТТА РОДНОКРАЈНА СРЕДБА СО
БИТОЛСКИТЕ ПИСАТЕЛИ ОД МАКЕДОНИЈА



Зборник на излагања


Тркалезна маса, Битола, 30 мај 2014 година














НУУБ „Св. Климент Охридски“– Битола


2



National Institution – University Library


“St Kliment Ohridski” Bitola









THE NINTH HOMELAND MEETING
OF THE BITOLA WRITERS FROM MACEDONIA



Collection of presentations,


Round Тable, Bitola, May 30, 2014















Bitola, 2014




Деветта роднокрајна средба…


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Национална установа – Универзитетска библиотека
„Св. Климент Охридски“, Битола











ДЕВЕТТА РОДНОКРАЈНА СРЕДБА СО
БИТОЛСКИТЕ ПИСАТЕЛИ ОД МАКЕДОНИЈА



Зборник на излагања


Тркалезна маса, Битола, 30 мај 2014 година















Битола, 2014




НУУБ „Св. Климент Охридски“– Битола


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ДЕВЕТТА РОДНОКРАЈНА СРЕДБА НА
БИТОЛСКИТЕ ПИСАТЕЛИ ОД МАКЕДОНИЈА
Зборник на излагања
Тркалезна маса, Битола, 30 мај 2014 година

Издава
Националната установа – Универзитетска библиотека
„Св. Климент Охридски“, Битола, ул. Ленинова бр. 39, Битола

За издавачот
Науме Ѓоргиевски

Издавачки совет
Науме Ѓоргиевски
д-р Николче Вељановски
проф. д-р Владимир Костов

Главен и одговорен уредник
д-р Николче Вељановски


CIP - Ʉɚɬɚɥɨɝɢɡɚɰɢʁɚ ɜɨ ɩɭɛɥɢɤɚɰɢʁɚ
ɇɚɰɢɨɧɚɥɧɚ ɭɫɬɚɧɨɜɚ – ɍɧɢɜɟɪɡɢɬɟɬɫɤɚ ɛɢɛɥɢɨɬɟɤɚ „ɋɜ. Ʉɥɢɦɟɧɬ Ɉɯɪɢɞɫɤɢ“, Ȼɢɬɨɥɚ

821.163.3(63)
ɊɈȾɇɈɄɊȺȳɇȺ ɫɪɟɞɛɚ ɧɚ ɛɢɬɨɥɫɤɢɬɟ ɩɢɫɚɬɟɥɢ ɨɞ Ɇɚɤɟɞɨɧɢʁɚ
(9 ; 2014 ; Ȼɢɬɨɥɚ)


Ⱦɟɜɟɬɬɚ Ɋɨɞɧɨɤɪɚʁɧɚ ɫɪɟɞɛɚ ɧɚ ɛɢɬɨɥɫɤɢɬɟ ɩɢɫɚɬɟɥɢ ɨɞ Ɇɚɤɟɞɨɧɢʁɚ : Ɂɛɨɪɧɢɤ ɧɚ
ɢɡɥɚɝɚʃɚ : ɬɪɤɚɥɟɡɧɚ ɦɚɫɚ, Ȼɢɬɨɥɚ 30 ɦɚʁ 2014 ɝɨɞɢɧɚ / [Ƚɥɚɜɟɧ ɢ ɨɞɝɨɜɨɪɟɧ ɭɪɟɞɧɢɤ ɇɢɤɨɥɱɟ
ȼɟʂɚɧɨɜɫɤɢ]; [ɩɪɟɜɨɞ ɢ ɪɟɡɢɦɟɚ ɧɚ ɚɧɝɥɢɫɤɢ ʁɚɡɢɤ ɇɢɤɨɥɱɟ ȼɟʂɚɧɨɜɫɤɢ]. - Ȼɢɬɨɥɚ: ɇɍɍȻ „ɋɜ.
Ʉɥɢɦɟɧɬ Ɉɯɪɢɞɫɤɢ“, 2014. - 92 ɫɬɪ.: ɢɥɭɫɬɪ.; 24 ɫɦ


ɇɚ ɧɚɫɩɨɪ. ɧɚɫɥ. ɫɬɪ.: The Ninth Homeland Meeting of the Bitola writers from Macedonia :
Collection of presentations, Round Table, Bitola May 30, 2014. - Ɍɢɪɚɠ 100. - Summaries ɤɨɧ
ɬɪɭɞɨɜɢɬɟ

ISBN 978-608-4538-50-9

ɚ) Ɇɚɤɟɞɨɧɫɤɢ ɩɢɫɚɬɟɥɢ – Ȼɢɬɨɥɚ – ɋɨɛɢɪɢ

COBISS.MK-ID 19616065



Ɍɟɥ.: 047/220-208; ɮɚɤɫ: 220-515; ɬɟɥ. ɢɡɞ. 232-999;


www.nuub.mk; e-mail: nuub@nuub.mk




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ДЕВЕТТА РОДНОКРАЈНА СРЕДБА





















Ⱦɟɜɟɬɬɚɬɚ ɪɨɞɧɨɤɪɚʁɧɚ ɫɪɟɞɛɚ ɧɚ ɛɢɬɨɥɫɤɢɬɟ ɩɢɫɚɬɟɥɢ ɨɞ Ɇɚɤɟɞɨɧɢʁɚ ɫɟ


ɨɞɪɠɚ ɜɨ ɩɟɬɨɤ, 30.5.2014 ɝɨɞ., ɫɨ ɩɨɱɟɬɨɤ ɜɨ 10 ɱɚɫɨɬ ɢ 30 ɦɢɧɭɬɢ. ɋɜɨɢ
ɬɪɭɞɨɜɢ ɢɡɥɚɝɚɚ: ɩɪɨɮ. ɞ-ɪ ȼɥɚɞɢɦɢɪ Ʉɨɫɬɨɜ (ɨɬɫɭɬɟɧ), ɞ-ɪ ȼɟɪɚ ɋɬɨʁɱɟɜɫɤɚ–
Ⱥɧɬɢʅ, ɩɪɨɮ. ɞ-ɪ Ȼɥɚɝɨʁɚ Ȼɪɚʁɚɧɨɜɫɤɢ (ɨɬɫɭɬɟɧ), ɞɨɰ. ɞ-ɪ ɏɪɢɫɬɨ ɉɟɬɪɟɫɤɢ,
ɉɟɬɪɟ Ⱦɢɦɨɜɫɤɢ, Ⱦɨɛɪɟ Ɍɨɞɨɪɨɜɫɤɢ, ɉɟɬɤɨ ɒɢɩɢɧɤɚɪɨɫɤɢ, Ȼɨɝɨʁɚ Ɍɚɧɟɜɫɤɢ,
Ⱦɢɦɢɬɚɪ Ȼɨɝɞɚɧɨɜɫɤɢ, ɇɢɤɨɥɚ Ʉɨɱɨɜɫɤɢ, ȼɚɧɞɟ Ƚɚɧɱɟɜɫɤɢ, ɇɢɤɨɥɚ Ȯɭɪɨɜɫɤɢ,
ȼɟɫɧɚ Ɇɭɧɞɢɲɟɜɫɤɚ ȼɟʂɚɧɨɜɫɤɚ, ɋɚʃɚ Ɇɭɱɤɚʁɟɜɚ ȼɢɞɚɧɨɜɫɤɚ, Ȯɨɪɼɢ ɉɪɱ-
ɤɨɜ, Ȼɢʂɚɧɚ Ɍɚɥɟɜɫɤɚ - Ⱦɨɦɤɨ ɢ ȿɥɢɡɚɛɟɬɚ ȳɨɧɱɢʅ .



ɂ ɨɜɨʁ ɩɚɬ ɞɨɛɪɟɞɨʁɞɟ ɧɚ ɩɪɢɫɭɬɧɢɬɟ ɩɢɫɚɬɟɥɢ ɧɚ ɬɪɚɞɢɰɢɨɧɚɥɧɚɬɚ


Ɋɨɞɧɨɤɪɚʁɧɚ ɫɪɟɞɛɚ, ɨɞɧɨɫɧɨ Ɍɪɤɚɥɟɡɧɚ ɦɚɫɚ ɧɚ ɬɟɦɚ: „Ɇɨʁɚɬɚ ɩɢɫɚɬɟɥɫɤɚ
ɪɚɛɨɬɚ – ɬɜɨɪɟɱɤɨ ɞɟɥɨ ɢɥɢ ɦɨʁɚ ɡɚɛɥɭɞɚ“ ɜɨ ɢɦɟ ɧɚ ɨɪɝɚɧɢɡɚɬɨɪɨɬ ɧɚ
ɢɫɬɚɬɚ ɇɍɍȻ „ɋɜ. Ʉɥɢɦɟɧɬ Ɉɯɪɢɞɫɤɢ“ – Ȼɢɬɨɥɚ, ɢɦ ɩɨɫɚɤɚ ɦɟɞɢʁɚɬɨɪɨɬ ɧɚ
ɋɪɟɞɛɚɬɚ, ɞ-ɪ ɇɢɤɨɥɱɟ ȼɟʂɚɧɨɜɫɤɢ... „Ɉɜɨɝɨɞɢɲɧɚɬɚ ɬɟɦɚ ʁɚ ɡɚɨɤɪɭɠɢɜ ɫɨ
ɩɨɦɨɲ ɧɚ ɫɭɝɟɫɬɢɢɬɟ ɧɚ Ⱦɨɛɪɟ Ɍɨɞɨɪɨɜɫɤɢ. ɂ ɩɨɤɪɚʁ ɬɨɚ ɲɬɨ ɡɚ ɋɪɟɞɛɚɬɚ,
ɤɚɤɨ ɢ ɫɟɤɨʁɚ ɩɪɟɬɯɨɞɧɚ ɩɪɢɫɬɢɝɧɚɚ ɩɨɜɟʅɟ ɬɪɭɞɨɜɢ, ɧɟ ɫɚɤɚɜ ɞɚ ɨɞɚɦ ɩɨ
ɢɫɬɢɨɬ ɲɚɛɥɨɧ ɧɚ ɦɨʁɨɬ ɜɨɜɟɞ. Ʉɚʁ ɧɟɤɨɢ ɨɞ ɜɚɫ ɫɟ ɩɪɨʁɚɜɢ ɧɟɤɚɤɨɜ ɫɨɦɧɟɠ
ɞɚɥɢ ɜɚɤɚ ɩɨɫɬɚɜɟɧɚɬɚ ɬɟɦɚ ɟ ɦɨɠɟɛɢ „ɢɡɥɟɡɟɧɚ ɨɞ ɪɚɦɤɢɬɟ“, ɨɞɧɨɫɧɨ ɤɚɤɨ
ɬɚɤɜɚ ɞɚɥɢ ɜɨɨɩɲɬɨ ɬɪɟɛɚɲɟ ɞɚ ɛɢɞɟ ɩɨɫɬɚɜɟɧɚ ɧɚ Ɍɪɤɚɥɟɡɧɚɬɚ ɦɚɫɚ. Ⱦɚɥɢ
ɦɨɠɟɛɢ ɧɟ ʁɚ ɧɚɜɪɟɞɭɜɚ ɩɢɫɚɬɟɥɫɤɚɬɚ ɮɟɥɚ ɢɬɧ... ɉɨɜɟʅɟɬɨ ɨɞ ɩɢɫɚɬɟɥɢɬɟ ɤɚɤɨ




НУУБ „Св. Климент Охридски“– Битола


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ɢ ɨɛɢɱɧɨ ɜɨ ɞɚɞɟɧɢɨɬ ɪɨɤ ɫɢ ɝɢ ɧɚɩɢɲɚɚ ɫɜɨɢɬɟ ɬɟɤɫɬɨɜɢ... ɧɟɤɨɢ ɝɨ ɱɟɤɚɚ
ɩɨɫɥɟɞɧɢɨɬ ɦɨɦɟɧɬ, ɢɥɢ ɦɨɠɟɛɢ ɫɟ ɩɪɟɦɢɫɥɭɜɚɚ. ȿɞɧɨ ɫɚɦɨ ɧɟ ɦɢ ɛɟɲɟ
ʁɚɫɧɨ. Ɂɨɲɬɨ ȼɥɚɞɢɦɢɪ Ʉɨɫɬɨɜ, ɤɨʁ ɨɛɢɱɧɨ ɦɟɼɭ ɩɪɜɢɬɟ ɦɢ ɝɢ ɢɫɩɪɚʅɚɲɟ
ɫɜɨɢɬɟ ɬɟɤɫɬɨɜɢ, ɨɜɨʁɩɚɬ ɢ ɞɜɚ ɞɟɧɚ ɩɪɟɞ ɋɪɟɞɛɚɬɚ ɧɟ ɫɟ ɛɟɲɟ ɨɝɥɚɫɢɥ. Ʉɨɝɚ
ɦɭ ɫɟ ʁɚɜɢɜ ɦɢ ɪɟɱɟ ɞɟɤɚ ɬɨʁ ɢɦɚ ɬɟɤɫɬ – ɨɞɝɨɜɨɪ ɧɚ ɨɜɚɚ ɬɟɦɚ ɜɨ ɪɚɤɨɩɢɫ ɤɨʁ
ɝɨ ɞɨɫɬɚɜɢɥ ɜɨ Ȼɢɛɥɢɨɬɟɤɚɬɚ ɜɨ 2009 ɝɨɞɢɧɚ ɤɨɝɚ ɛɟɲɟ ɩɪɟɬɫɬɚɜɟɧ ɢ ɧɟɝɨɜɢɨɬ
ɩɨɪɬɪɟɬ ɢ ɞɟɤɚ ɬɨʁ ɬɟɤɫɬ ɫɟ ɧɚɨɼɚ ɜɨ Ɋɨɞɧɨɤɪɚʁɧɨɬɨ ɤɚɬɱɟ ɜɨ ɧɟɝɨɜɢɬɟ
ɪɚɤɨɩɢɫɢ“.


Ɉɞ ɫɬɪɚɧɚ ɧɚ ɨɪɝɚɧɢɡɚɬɨɪɨɬ ɧɚ ɩɢɫɚɬɟɥɢɬɟ ɢɦ ɛɟɚ ɞɚɞɟɧɢ ɨɞɪɟɞɟɧɢ ɫɭ-
ɝɟɫɬɢɢ ɜɨ ɩɨɝɥɟɞ ɧɚ ɬɟɦɚɬɚ ɤɨɢ ɬɪɟɛɚɲɟ ɞɚ ʁɚ ɩɪɨɜɨɰɢɪɚɚɬ ɧɢɜɧɚɬɚ ɬɜɨɪɟɱɤɚ
ɢɦɚɝɢɧɚɰɢʁɚ, ɨɞɧɨɫɧɨ ɞɚ ɝɢ ɪɚɡɛɭɞɢ ɢɥɢ ɨɫɜɟɫɬɢ ɡɚ ɧɟɲɬɨ ɤɨɟ ɬɢɟ ɩɨɥɭɫɜɟɫɧɨ
ɢɥɢ ɧɟɫɜɟɫɧɨ ɝɨ ɩɨɬɬɭɪɧɚɥɟ ɜɨ ɡɚɛɨɪɚɜ: ȳɚɫ – ɩɢɫɚɬɟɥɨɬ, ɡɚɞɨɜɨɥɟɧ ɫɭɦ ɲɬɨ
ɦɟ ɱɢɬɚɚɬ, ɡɧɚɱɢ, ɫɭɦ ɫɬɚɧɚɥ ɩɢɫɚɬɟɥ, ɫɭɦ ɩɨɫɬɢɝɧɚɥ ɤɨɦɭɧɢɤɚɰɢʁɚ ɫɨ
ɱɢɬɚɬɟɥɨɬ. ȳɚɫ – ɩɢɫɚɬɟɥɨɬ ɩɨɫɬɢɝɧɭɜɚɦ ɤɨɦɭɧɢɤɚɰɢʁɚ ɫɨ ɦɨɢɬɟ ɨɛɨɠɚɜɚ-
ɬɟɥɢ ɤɨɢ ɦɢ ɩɪɢɨɼɚɚɬ ɢ ɫɟ ɡɚɞɨɜɨɥɧɢ ɲɬɨ ɫɟ ɞɪɭɠɚɬ ɫɨ ɦɨɢɬɟ ʁɭɧɚɰɢ, ɩɨ-
ɜɟʅɟɬɨ ɢɡɥɟɡɟɧɢ ɨɞ ɦɨʁɚɬɚ ɢɦɚɝɢɧɚɰɢʁɚ. ȳɚɫ – ɩɢɫɚɬɟɥɨɬ, ɦɨɠɟ ɞɚ ɫɟ ɪɟɱɟ
ɞɟɤɚ ɫɨɡɞɚɜɚɦ ɞɟɥɚ, ɩɨ ɤɨɢ ɦɟ ɩɪɟɩɨɡɧɚɜɚɚɬ – ɢ ɬɨɚ ɟ ɦɚʁɫɬɨɪɢʁɚ ɩɨɫɬɢɝ-
ɧɚɬɚ ɫɨ ɩɟɪɨɬɨ. Ƚɨɪɞ ɫɭɦ, ɫɟɤɚɤɨ ɞɟɤɚ ɬɨɚ ɦɭ ɝɨɞɢ ɧɚ ɦɨɟɬɨ ɟɝɨ. Ⱦɪɭɝɢɬɟ
ʁɚ ɝɥɟɞɚɚɬ ɦɨʁɚɬɚ ɜɪɟɞɧɨɫɬ, ɦɟ ɩɨɱɢɬɭɜɚɚɬ. ɇɢɟ ɦɟɼɭɫɟɛɧɨ ɫɟ ɩɨɱɢɬɭɜɚɦɟ
ɫɨ ɱɢɬɚɬɟɥɢɬɟ, ɧɨ ɲɬɨ ɚɤɨ ɟɞɟɧ ɞɟɧ ɦɟ ɧɚɩɭɲɬɚɬ ɢ ɧɟ ɫɭɦ ɩɨɜɟʅɟ ɢɧɬɟɪɟ-
ɫɟɧ ɡɚ ɧɢɜ, ɧɟɦɚ ɥɢ ɞɚ ɛɢɞɚɦ ɩɨɜɟʅɟ ɩɢɫɚɬɟɥ!? ɇɟ, ɧɟ ɫɭɦ ʁɚɫ ɩɢɫɚɬɟɥ, ɧɟ ɟ
ɜɚɠɧɚ ɦɨʁɚɬɚ ɤɨɦɭɧɢɤɚɰɢʁɚ ɫɨ ɱɢɬɚɬɟɥɨɬ, ɫɢ ɩɢɲɭɜɚɦ ɫɚɦɨ ɡɚ ɫɜɨʁɚ ɞɭ-
ɲɚ. Ɂɨɲɬɨ ɞɚ ʁɚ ɩɪɟɧɟɫɭɜɚɦ ɦɨʁɚɬɚ ɢɦɚɝɢɧɚɰɢʁɚ ɜɪɡ ɞɪɭɝɢɬɟ ɢ ɞɚ ɝɢ ɡɚɥɚ-
ɠɭɜɚɦ ɫɨ ɡɚɞɨɜɨɥɫɬɜɨɬɨ ɲɬɨ ɢɦ ɝɨ ɧɚɦɟɬɧɭɜɚɦ? ɇɚ ɱɢɬɚɬɟɥɢɬɟ ɢɦ ɪɚɫɤɚ-
ɠɭɜɚɦ ɢ ɡɚ ɠɢɜɢ ɥɢɤɨɜɢ – ɦɨɢ ɫɨɝɪɚɼɚɧɢ, ɡɚ ɧɢɜɧɢɬɟ ɞɨɛɪɢ ɫɬɪɚɧɢ ɢ ɦɚ-
ɚɧɢ (ɜɚɠɢ ɢ ɡɚ ɧɟɤɨɢ ɦɨɢ ɤɨɥɟɝɢ-ɩɢɫɚɬɟɥɢ ɤɨɢ ɧɟ ɝɢ ɩɪɢɡɧɚɜɚɦ), ɡɚ ɡɚ-
ɜɢɫɬɚ, ɨɦɪɚɡɚɬɚ ɤɚɤɨ ɢ ɡɚ ɥɨɲɢɬɟ ɩɚɬɢɲɬɚ ɧɚ ɞɟɰɚɬɚ, ɡɚ ɫɬɪɚɞɚʃɟɬɨ ɢ
ʂɭɛɨɜɬɚ. ɋɚɤɚɦ ɞɚ ɢɦ ɩɨɞɚɪɚɦ, ɩɪɨɞɚɞɚɦ ɟɞɧɚ ɤɧɢɝɚ – ɟɞɧɚ ɫɥɢɤɚ, ɟɞɧɨ
ɞɟɥɨ, ɆɈȿ ɂɋɄɍɋɌȼɈ – ɎɂɅɈɁɈɎɂȳȺ, ɚ ɩɪɢɬɨɚ ɞɚ ɫɢ ɤɚɠɚɦ ɢ ɲɬɨ
ɦɢ ɥɟɠɢ ɧɚ ɞɭɲɚ... Ɇɨɪɟ ɬɜɨɪɚɦ ɢ ɬɨɚ ɤɚɤɨ ɬɜɨɪɚɦ, ɫɨ ɫɜɨɢɬɟ ɞɟɥɚ ʅɟ ɫɢ
ɩɨɞɢɝɧɚɦ ɫɩɨɦɟɧɢɤ, ʅɟ ɦɟ ɡɚɩɚɦɟɬɚɬ, ɚ ɢ ɞɚ ɧɟ ɦɟ ɡɚɩɚɦɟɬɚɬ... ɧɟ ɫɭɦ ɧɢ-
ɬɭ ɒɟɤɫɩɢɪ, ɧɢɬɭ, ɩɚɤ, ɉɭɲɤɢɧ, ɩɢɲɭɜɚʃɟɬɨ ɦɢ ɞɚɜɚ ɠɢɜɨɬɧɚ ɫɢɥɚ...
ɂɥɭɡɢʁɚ! Ɂɚɛɥɭɞɚ! Ʉɚɞɟ ɟ Ɍɚɚ? ɋɟɤɚɤɨ ɞɟɤɚ ɩɨɫɬɨɢ ɢ ɦɨɠɧɨɫɬ ɡɚ ɟɞɧɚ ɞɨ-
ɛɪɚ ɮɢɥɨɡɨɮɫɤɚ ɪɚɫɩɪɚɜɚ ɡɚ ɩɨɢɦɢɬɟ ɩɢɫɚɬɟɥ, ɞɟɥɨ ɢ ɬɜɨɪɟɰ, ɧɨ ɫɚɦɨ ɜɨ
ɨɞɧɨɫ ɧɚ ɫɚɦɢɬɟ ɫɟɛɟ.





Деветта роднокрајна средба…


7




Проф. д-р Вера Стојчевска–Антиќ





КОН МОЕТО АВТОРСКО ДЕЛО


Ƚɨ ɢɡɛɪɚɜ ɨɜɨʁ ɧɚɫɥɨɜ, ɜɟɞɧɚɲ ɩɨ ɨɛʁɚɜɭɜɚʃɟɬɨ ɧɚ ɬɟɦɚɬɚ ɨɞ ɨɜɨɝɨɞɢɲ-


ɧɚɬɚ Ɋɨɞɧɨɤɪɚʁɧɚ ɫɪɟɞɛɚ ɧɚ ɩɢɫɚɬɟɥɢɬɟ ɨɞ Ȼɢɬɨɥɚ. ɋɨ ɨɝɥɟɞ ɧɚ ɬɨɚ ɲɬɨ ɦɨɟɬɨ
ɬɜɨɪɟɱɤɨ ɞɟɥɨ ɢɦ ɩɪɢɩɚɼɚ ɢ ɧɚ ɭɦɟɬɧɢɱɤɚɬɚ ɥɢɬɟɪɚɬɭɪɚ, ɤɚɤɨ ɢ ɧɚ ɧɚɭɱɧɚɬɚ
ɤɧɢɠɟɜɧɚ ɢɫɬɨɪɢʁɚ, ɫɢ ɞɨɡɜɨɥɢɜ ɞɚ ɧɚɩɪɚɜɚɦ ɟɞɧɚ ɪɟɬɪɨɫɩɟɤɬɢɜɚ, ɤɨʁɚ ɩɨɱɭɜ-
ɫɬɜɭɜɚɜ ɞɟɤɚ ɟ ɞɭɪɢ ɧɟɨɩɯɨɞɧɚ, ɫɨ ɨɝɥɟɞ ɧɚ ɩɨɱɟɬɨɰɢɬɟ ɢ ɞɢɫɬɚɧɰɚɬɚ ɫɨɝɥɟɞɚ-
ɧɚ ɨɞ ɟɞɟɧ ɩɨɞɨɥɝ ɢɡɦɢɧɚɬ ɩɚɬ ɧɚ ɬɜɨɪɟɲɬɜɨ. ɂɧɬɟɪɟɫɧɨ ɟ ɲɬɨ, ɜɟɞɧɚɲ ɞɚ
ɧɚɩɨɦɟɧɚɦ, ɫɨɝɥɟɞɛɢɬɟ ɢ ɫɨɡɧɚɧɢʁɚɬɚ ɫɟ ɦɨɲɧɟ ɢɧɬɟɪɟɫɧɢ. Ɍɨʁ ɦɨʁ ɫɩɟɰɢɮɢ-
ɱɟɧ ɪɚɡɜɨʁ ɧɚʁɭɛɚɜɨ ɝɨ ɫɨɝɥɟɞɭɜɚɦ ɞɟɧɟɫ.



ȼɨ ɦɨɟɬɨ ɨɫɭɦɝɨɞɢɲɧɨ ɨɫɧɨɜɧɨ ɨɛɪɚɡɨɜɚɧɢɟ ɜɨ Ȼɢɬɨɥɚ ɫɟ ɡɚɛɟɥɟɠɭɜɚ-


ɲɟ ɦɨʁɨɬ ɢɧɬɟɪɟɫ ɤɨɧ ɩɨɟɡɢʁɚɬɚ. ɉɟɫɧɢɬɟ ɤɨɢ ɧɢ ɛɟɚ ɞɟɥ ɨɞ ɧɚɫɬɚɜɚɬɚ ɝɢ ɭɱɟɜ
ɦɧɨɝɭ ɛɪɡɨ, ɞɭɪɢ ɢ ɧɚɩɚɦɟɬ, ɢɚɤɨ ɬɨɚ ɧɟ ɛɟɲɟ ɛɚɪɚɧɨ ɨɞ ɧɚɫ ɭɱɟɧɢɰɢɬɟ. ɉɨɬɨɚ
ɨɛʁɚɜɢɜ ɧɟɤɨɥɤɭ ɩɟɫɧɢɱɤɢ. ɇɟ ɫɟ ɫɟʅɚɜɚɦ ɞɭɪɢ ɧɢ ɤɨɝɚ ɢ ɤɚɞɟ ɛɟɚ ɨɛʁɚɜɟɧɢ.
ɋɟ ɩɪɢɫɟɬɭɜɚɦ ɞɟɤɚ ɫɟ ɨɞɧɟɫɭɜɚɚ ɧɚ ɉɟɥɢɫɬɟɪ ɢ ɩɪɢɪɨɞɧɢɬɟ ɩɪɨɥɟɬɧɢ ɭɛɚɜɢ-
ɧɢ. ȼɨ ɝɢɦɧɚɡɢɫɤɢɨɬ ɩɟɪɢɨɞ ɜɟʅɟ ɡɧɚɟɜ ɞɟɤɚ ɥɢɬɟɪɚɬɭɪɚɬɚ ɟ ɦɨʁɨɬ ɧɚʁɨɦɢɥɟɧ




НУУБ „Св. Климент Охридски“– Битола


8


ɩɪɟɞɦɟɬ. Ɂɚ ɬɨɚ ɩɪɢɞɨɧɟɫɭɜɚɚ ɢ ɨɞɥɢɱɧɢɬɟ ɩɪɨɮɟɫɨɪɢ ɩɨ ɬɨʁ ɩɪɟɞɦɟɬ, ɤɨɢ ɛɟɚ
ɜɪɫɧɢ ɩɨɡɧɚɜɚɱɢ ɧɚ ɫɜɟɬɫɤɚɬɚ ɢ ɧɚɲɚɬɚ ɥɢɬɟɪɚɬɭɪɚ. Ɇɢ ɩɪɟɞɚɜɚɚ Ȼɨʁɤɚ Ⱥɧɞɨ-
ɧɨɜɫɤɚ, ȼɚɫɤɚ Ⱦɭɦɚ, Ʉɨɱɨ ɉɨɩɨɜ. ɉɨɫɥɟɞɧɢɨɬ ɩɪɨɮɟɫɨɪ ɨɫɬɚɜɢ ɜɢɞɥɢɜɢ ɬɪɚɝɢ
ɢ ɜɨ ɦɨʁɨɬ ɩɪɢɨɞ ɤɨɧ ɨɜɨʁ ɩɪɟɞɦɟɬ. ɋɟ ɩɪɢɫɟɬɭɜɚɦ, ɬɨʁ ɬɨɥɤɭ ɫɟ ɜɧɟɫɭɜɚɲɟ ɜɨ
ɮɚɛɭɥɢɬɟ ɧɚ ɩɪɟɞɜɢɞɟɧɢɬɟ ɫɩɨɪɟɞ ɧɚɫɬɚɜɚɬɚ ɫɨɞɪɠɢɧɢ, ɲɬɨ ɱɚɫɨɬ ɦɢɧɭɜɚɲɟ
ɛɟɡ ɞɚ ɝɨ ɩɨɱɭɜɫɬɜɭɜɚɦ ɜɪɟɦɟɧɫɤɢɨɬ ɨɞ. Ɍɨʁ ɛɟɲɟ ɩɪɢɫɭɬɟɧ ɢ ɜɨ ɱɟɫɬɢɬɟ ɫɨɫ-
ɬɚɧɨɰɢ ɧɚ Ʌɢɬɟɪɚɬɭɪɧɢɬɟ ɫɪɟɞɛɢ ɜɨ ɝɢɦɧɚɡɢʁɚɬɚ „ȳɨɫɢɩ Ȼɪɨɡ Ɍɢɬɨ“.


ȳɚɫ ɨɞɜɚʁ ɝɢ ɞɨɱɟɤɭɜɚɜ ɨɜɢɟ ɫɪɟɞɛɢ. ɋɨ ɱɚɫɨɜɢ ɝɢ ɱɢɬɚɜɦɟ ɫɜɨɢɬɟ ɬɜɨɪ-
ɛɢ, ɚ ɩɨɬɨɚ ɫɥɟɞɭɜɚɲɟ ɞɨɥɝɚ ɞɢɫɤɭɫɢʁɚ ɡɚ ɪɟɞ ɥɢɬɟɪɚɬɭɪɧɢ ɩɪɚɲɚʃɚ. ɇɚ ɨɜɢɟ
ɫɪɟɞɛɢ ɝɥɚɜɟɧ ɡɛɨɪ ɢɦɚɚ ɋɥɨɛɢɨɞɚɧ Ɇɢɰɤɨɜɢʅ, ɉɟɬɚɪ Ȼɨɲɤɨɜɫɤɢ, ɉɟɬɪɟ Ⱥɧ-
ɞɪɟɟɜɫɤɢ, ɤɚɤɨ ɢ ɪɟɞ ɞɪɭɝɢ ɢɦɢʃɚ ɨɞ ɛɨɝɚɬɚɬɚ Ʌɢɬɟɪɚɬɭɪɧɚ ɞɪɭɠɢɧɚ. Ɇɨɢɬɟ
ɢɧɬɟɪɟɫɢ ɤɨɧ ɥɢɬɟɪɚɬɭɪɚɬɚ ɝɢ ɡɛɨɝɚɬɭɜɚɚ ɨɜɢɟ ɜɟʅɟ ɨɬɬɨɝɚɲ ɚɮɢɪɦɢɪɚɧɢ ɢɦɢ-
ʃɚ ɤɚɤɨ ɩɨɱɟɬɧɢɰɢ ɢ ɢɞɧɢ ɦɚɤɟɞɨɧɫɤɢ ɬɜɨɪɰɢ. ɇɚɲɚɬɚ ɝɢɦɧɚɡɢɫɤɚ Ʌɢɬɟɪɚɬɭ-
ɪɧɚ ɞɪɭɠɢɧɚ ɝɨɫɬɭɜɚɲɟ ɧɚʁɱɟɫɬɨ ɜɨ ɥɢɬɟɪɚɬɭɪɧɢɬɟ ɞɪɭɲɬɜɚ ɜɨ ɋɤɨɩʁɟ, Ɉɯ-
ɪɢɞ, ɉɪɢɥɟɩ. ɉɚɬɭɜɚʃɚɬɚ ɛɟɚ ɢɧɬɟɪɟɫɧɢ, ɫɟ ɪɚɡɜɢɜɚɲɟ ɧɚɲɢɨɬ ɤɨɥɟɝɢʁɚɥɟɧ
ɨɞɧɨɫ ɢ ɞɨɝɪɚɞɛɚ ɧɚ ɧɚɲɢɬɟ ɥɢɬɟɪɚɬɭɪɧɢ ɫɨɡɧɚɧɢʁɚ. ɉɨɤɪɚʁ ɧɚɲɢɬɟ ɝɨɫɬɭɜɚ-
ʃɚ, ɜɨ Ȼɢɬɨɥɫɤɚɬɚ ɝɢɦɧɚɡɢʁɚ ɝɨɫɬɭɜɚɚ ɩɢɫɚɬɟɥɢ ɢ ɦɥɚɞɢ ɬɜɨɪɰɢ ɨɞ Ɋɟɩɭɛɥɢ-
ɤɚɬɚ. ɋɟ ɩɪɢɫɟɬɭɜɚɦ ɧɚ ɟɞɧɚ ɬɚɤɜɚ ɛɨɝɚɬɚ ɫɪɟɞɛɚ ɤɨɝɚ ɩɪɜɩɚɬ ɝɨ ɡɚɩɨɡɧɚɜ ɦɥɚ-
ɞɢɨɬ ɩɨɟɬ Ƚɚɧɟ Ɍɨɞɨɪɨɜɫɤɢ, ɩɨɬɨɚ ɂɥʁɚɦɢɧ ȿɦɢɧ. Ⱥɧɬɟ ɉɨɩɨɜɫɤɢ ɝɨ ɩɨɡɧɚɜɚɜ
ɨɞɚɦɧɚ, ɡɚɲɬɨ ɡɚɜɪɲɢ ɦɚɬɭɪɚ ɜɨ Ȼɢɬɨɥɫɤɚɬɚ ɝɢɦɧɚɡɢʁɚ ɢ ɛɟɲɟ ɝɨɥɟɦ ɞɪɭɝɚɪ
ɫɨ ɦɨʁɚɬɚ ɩɨɫɬɚɪɚ ɫɟɫɬɪɚ ȴɭɩɤɚ.


ȼɨ ɬɢɟ ɪɚɡɜɨʁɧɢ ɝɨɞɢɧɢ ʁɚɫ ɨɛʁɚɜɭɜɚɜ ɦɨɢ ɩɨɟɬɫɤɢ ɢ ɩɪɨɡɧɢ ɬɜɨɪɛɢ ɜɨ
ɜɟɫɧɢɤɨɬ „Ɋɟɩɨɪɬɟɪ“, ɤɚɤɨ ɢ ɜɨ ɝɢɦɧɚɡɢɫɢɬɟ ɝɥɚɫɢɥɚ. Ɇɟ ɪɚɞɭɜɚɲɟ ɮɚɤɬɨɬ
ɲɬɨ ɬɢɟ ɦɨɢ ɬɜɨɪɛɢ ɛɟɚ ɨɛʁɚɜɭɜɚɧɢ ɢ ɧɢɬɭ ɟɞɧɚ ɧɟ ɦɢ ɛɟɲɟ ɜɪɚɬɟɧɚ ɢɥɢ ɧɟ-
ɨɛʁɚɜɟɧɚ.


ɇɚ ɫɬɭɞɢɢ, ɛɚɪɟɦ ɜɨ ɩɪɜɢɬɟ ɞɜɟ ɝɨɞɢɧɢ, ɛɟɜ ɚɤɬɢɜɟɧ ɫɨɪɚɛɨɬɧɢɤ ɧɚ ɫɬɭ-
ɞɟɧɬɫɤɢɨɬ ɜɟɫɧɢɤ „ɋɬɭɞɟɧɬɫɤɢ ɡɛɨɪ“ ɢ ɨɛʁɚɜɭɜɚɜ ɫɜɨɢ ɬɜɨɪɛɢ. Ɉɜɢɟ ɤɨɧɬɚɤɬɢ
ɫɟ ɞɨɥɠɟɚ ɨɫɨɛɟɧɨ ɧɚ ɦɨɟɬɨ ɝɨɥɟɦɨ ɝɢɦɧɚɡɢɫɤɨ ɞɪɭɝɚɪɭɜɚʃɟ ɫɨ ɇɚɫɬɟ ɋɬɨʁ-
ɤɨɜɫɤɢ, ɞɨɥɝɨɝɨɞɢɲɟɧ ɞɢɪɟɤɬɨɪ ɧɚ „ɋɭɞɟɧɬɫɤɢ ɡɛɨɪ“. ȼɨ ɨɞɪɟɞɟɧ ɩɟɪɢɨɞ, ɫɟ
ɩɪɢɫɟɬɭɜɚɦ, ɩɪɟɫɬɚɧɚɜ ɞɚ ɨɛʁɚɜɭɜɚɦ ɫɜɨɢ ɬɜɨɪɛɢ ɨɞ ɫɥɟɞɧɚɬɚ ɦɧɨɝɭ ɜɚɠɧɚ
ɩɪɢɱɢɧɚ.


Ɉɞɪɟɞɟɧ ɩɟɪɢɨɞ ɝɥɚɜɟɧ ɢ ɨɞɝɨɜɨɪɟɧ ɭɪɟɞɧɢɤ ɧɚ ɢɫɬɢɨɬ ɜɟɫɧɢɤ ɛɟɲɟ
ɋɥɨɛɨɞɚɧ Ɇɢɰɤɨɜɢʅ. ȼɨ ɫɥɭɱɚʁɨɜ ɫɚɤɚɦ ɞɚ ɩɨʁɚɫɧɚɦ ɞɟɤɚ ɭɲɬɟ ɨɞ ɨɫɧɨɜɧɨɬɨ
ɨɛɪɚɡɨɜɚɧɢɟ ʁɚɫ ɤɨɧɬɚɤɬɢɪɚɜ ɫɨ ɦɨʁɨɬ ɛɢɬɨɥɫɤɢ ɤɨɦɲɢʁɚ ɋɥɨɛɨɞɚɧ, ɨɫɨɛɟɧɨ ɢ
ɩɨɪɚɞɢ ɞɨɛɪɨɫɟɞɫɤɢɬɟ ɜɪɫɤɢ ɧɚ ɧɚɲɢɬɟ ɪɨɞɢɬɟɥɢ. Ɂɚ ɧɟɝɨ ɢɦɚɜ ɫɨɡɧɚɧɢʁɚ ɞɟɤɚ
ɟ ɨɞɥɢɱɟɧ ɭɱɟɧɢɤ, ɧɚʁɞɨɛɚɪ ɜɨ Ȼɢɬɨɥɫɤɚɬɚ ɝɢɦɧɚɡɢʁɚ. Ɉɜɚ ɞɭɪɢ ɦɟ ɡɚɱɭɞɭɜɚ-
ɲɟ, ɛɢɞɟʁʅɢ ɋɥɨɛɨɞɚɧ ɦɧɨɝɭ ɦɚɥɤɭ ɜɪɟɦɟ ɩɨɫɜɟɬɭɜɚɲɟ ɧɚ ɭɱɟʃɟɬɨ. Ɂɧɚɟɲɟ ɞɚ
ɞɨʁɞɟ ɜɨ Ƚɢɦɧɚɡɢʁɚɬɚ ɫɚɦɨ ɫɨ ɟɞɧɚ ɬɟɬɪɚɬɤɚ ɜɨ ʇɟɛɨɬ, ɡɚ ɫɢɬɟ ɩɟɬ ɩɪɟɞɜɢɞɟɧɢ
ɱɚɫɨɜɢ. ɇɨ, ɢɫɬɨ ɬɚɤɚ, ɡɧɚɟɜ ɨɞ ɧɟɝɨɜɢɬɟ ɫɨɭɱɟɧɢɰɢ ɞɟɤɚ ɟ ɦɧɨɝɭ ɜɧɢɦɚɬɟɥɟɧ
ɧɚ ɫɢɬɟ ɱɚɫɨɜɢ, ɚ ɞɨɦɚ ɦɚɥɤɭ ɭɱɢ.


ȿɞɟɧ ɞɟɧ ɢɦɚɜ ɩɨɞɨɥɝ ɪɚɡɝɨɜɨɪ ɬɨɤɦɭ ɫɨ ɧɟɝɨ ɜɨ ɩɪɨɫɬɨɪɢɢɬɟ ɧɚ „ɋɬɭ-
ɞɟɧɬɫɤɢ ɡɛɨɪ“. Ɍɨʁ ɞɨɛɪɨɧɚɦɟɪɧɢ ɝɨ ɢɫɤɚɠɚ ɫɜɨʁɨɬ ɢɫɤɪɟɧ ɫɬɚɜ ɡɚ ɦɨɟɬɨ ɦɥɚ-
ɞɨ ɬɜɨɪɟɲɬɜɨ. Ɍɨʁ ɦɢ ɤɚɠɚ, ɫɨ ɟɞɟɧ ɢɫɤɪɟɧ ɢ ɞɨɛɪɨɧɚɦɟɪɟɧ ɬɨɧ: „ȼɟɪɚ, ɡɨɲɬɨ
ɬɢ ɫɢ ɰɟɥɚɬɚ ɫɜɪɬɟɧɚ ɤɨɧ ɩɪɢɪɨɞɚɬɚ, ɤɨɧ ɟɡɟɪɚɬɚ, ɧɟɛɨɬɨ, ɾɜɟɡɞɢɬɟ, ɩɥɚɧɢɧɢ-




Деветта роднокрајна средба…


9


ɬɟ, ɚ ɬɟ ɧɟɦɚ ɜɨ ɨɩɲɬɟɫɬɜɟɧɚɬɚ ɫɪɟɞɢɧɚ ɧɚɲɚ? Ɍɢ ɝɥɟɞɚɲɟ ɜɨ Ƚɢɦɧɚɡɢʁɚɬɚ ɤɚ-
ɤɨ ɉɟɬɪɟ Ⱥɧɞɪɟɟɜɫɤɢ ɧɢ ɝɨɜɨɪɢ ɡɚ ɡɚɞɪɭɝɢɬɟ, ɡɚ ɟɜɢɞɟɧɬɧɢɬɟ ɪɚɡɜɨʁɧɢ ɩɚɬɢɲ-
ɬɚ ɧɚ ɫɨɜɪɟɦɟɧɨɬɨ ɨɩɲɬɟɫɬɜɨ? Ɍɟɛɟ ɬɟ ɧɟɦɚ ɦɟɼɭ ɥɭɼɟɬɨ. ɉɢɲɭɜɚɲ ɡɚ ɝɨɥɟɦɢ-
ɧɚɬɚ ɧɚ ʂɭɛɨɜɬɚ, ɚ ɬɢ ɝɨ ɧɟɦɚɲɟ ɬɨɚ ɜɢɫɬɢɧɫɤɢ ɞɨɠɢɜɟɚɧɨ. Ⱦɚɥɢ ɬɢ ɫɚɤɚɲɟ
ɇȿɄɈȽɈ“?...


ɉɨ ɨɜɢɟ ɞɨɛɪɨɧɚɦɟɪɧɢ ɡɚɛɟɥɟɲɤɢ ʁɚɫ ɩɪɜɩɚɬ ɫɟ ɡɚɦɢɫɥɢɜ ɡɚ ɦɨɟɬɨ ɪɚɧɨ
ɬɜɨɪɟɲɬɜɨ. ɋɟ ɭɜɟɪɢɜ ɞɟɤɚ ɦɨɢɬɟ ɧɚɫɥɨɜɢ ɛɟɚ: Ƚɚɥɟɛ, ȼɢɫɢɧɢ, ȿɡɟɪɨ, Ʉɪɚʁ
ɟɡɟɪɨ, Ⱦɨɠɞɥɢɜɚ ɟɫɟɧ. ɉɪɨɧɢɤɧɚɜ ɩɨ ɨɜɨʁ ɪɚɡɝɨɜɨɪ ɜɨ ɦɨɢɬɟ ɞɨɥɝɢ ɬɟɤɫɬɨɜɢ
ɜɨ ɩɪɨɡɚ ɧɚɫɥɨɜɟɧɢ „Ɂɟɥɟɧɢ ɜɢɬɪɢɧɢ“. Ʉɚɤɨ ɞɚ ɝɢ ɫɮɚɬɢɜ ɦɨɢɬɟ ɜɧɚɬɪɟɲɧɢ
ɩɨɪɢɜɢ ɬɨɤɦɭ ɬɨɝɚɲ ɤɨɝɚ ɦɢ ɝɢ ɪɚɡɨɬɤɪɢ ɢɥɢ ɜɨ ɧɢɜ ɩɪɨɧɢɤɧɚ ɋɥɨɛɨɞɚɧ Ɇɢ-
ɰɤɨɜɢʅ?! Ƚɢ ɩɪɢɮɚɬɢɜ ɧɟɝɨɜɢɬɟ ɡɚɛɟɥɟɲɤɢ ɞɪɭɝɚɪɫɤɢ, ɛɟɡ ɧɢɤɚɜɨ ɫɩɪɨɬɢɜɫɬɚ-
ɜɭɜɚʃɟ, ɛɢɞɟʁʅɢ ɛɟɚ ɝɥɚɫɧɨ ɢɡɝɨɜɨɪɟɧɢ ɦɨɢɬɟ ɧɚɤɥɨɧɨɫɬɢ ɤɨɧ ɫɟɬɨ ɨɧɚ ɲɬɨ
ɛɟɲɟ ɞɚɥɟɤɭ ɨɞ ɧɚɲɟɬɨ ɠɢɜɟɟʃɟ.


ȼɨ ɫɥɭɱɚʁɨɜ ʁɚɫ ɩɨ ɞɨɥɝɢ ɝɨɞɢɧɢ ɨɜɢɟ ɞɟɧɨɜɢ ɪɚɡɦɢɫɥɭɜɚɜ ɡɚ ɦɨʁɨɬ ɫɬɚɜ,
ɟɞɟɧ ɜɢɞ ɛɟɝɫɬɜɨ ɨɞ ɪɟɚɥɧɢɨɫɬɚ ɲɬɨ ɦɟ ɨɩɤɪɭɠɭɜɚɲɟ. ɋɟ ɜɪɚɬɢɜ ɞɥɚɛɨɤɨ ɡɚ-
ɦɢɫɥɟɧɚ ɜɨ ɪɚɧɢɬɟ ɦɨɢ ɝɨɞɢɧɢ. ɋɟ ɩɪɢɫɟɬɢɜ ɞɟɤɚ ɦɚʁɤɚ ɦɢ ɨɞ ɦɚɥɢ ɧɨɡɟ ɦɟ
ɭɩɚɬɭɜɚɲɟ ɤɨɧ ɦɨɥɢɬɜɢɬɟ ɤɨɧ Ȼɨɝɚ ɢ ɡɚɩɚɦɟɬɢɜ ɤɨɝɚ ɢɡɜɟɫɬɢ ɞɟɤɚ ɩɨ ɦɨʁɨɬ
ɩɪɜ ɝɥɚɫɧɨ ɢɡɪɟɱɟɧ ɡɛɨɪ – ɆȺɆȺ, ɦɟ ɧɚɭɱɢɥɚ ɩɨɬɨɚ ɞɚ ɝɨ ɢɡɝɨɜɨɪɚɦ ɧɚɫɥɨ-
ɜɨɬ ɧɚ ɦɨɥɢɬɜɚɬɚ Ɉɑȿ ɇȺɒ. ɉɨɦɧɚɦ ɪɚɧɨ ɦɟ ɡɚɩɢɲɚɚ ɜɨ ɩɪɟɬɲɤɨɥɫɤɚ ɜɨɡ-
ɪɚɫɬ ɜɨ Ȼɢɬɨɥɫɤɢɨɬ ɮɪɚɧɰɭɫɤɢ ɤɨɥɟʇ. Ɍɚɦɭ ɫɟ ɜʂɭɛɢɜ ɜɨ ɦɨʁɚɬɚ ɩɪɜɚ ɭɱɢɬɟɥ-
ɤɚ, ɤɚɬɨɥɢɱɤɚɬɚ ɫɟɫɬɪɚ ɋȿɊ ɆȺɊɂ. Ɍɚɚ ɛɟɲɟ ɩɪɟɭɛɚɜɚ ɫɢɧɨɨɤɚ ɞɟɜɨʁɤɚ, ɤɨʁɚ
ɧɚʁɱɟɫɬɨ ɫɨ ɦɨɥɢɬɜɢɬɟ ɧè ɜɢɜɧɭɜɚɲɟ ɤɨɧ ɫɢɧɨɬɨ ɧɟɛɨ, ɤɨɧ Ȼɨɝɚ. Ɇɨɢɬɟ ɩɪɜɢ
ɠɟɥɛɢ ɛɟɚ ɞɚ ɝɨ ɫɥɟɞɚɦ ɧɟʁɡɢɧɢɨɬ ɩɚɬ ɤɨɧ Ȼɨɝɚ. ɉɨɬɨɚ ɡɚɩɨɱɧɚ ɩɪɜɨɬɨ ɨɞɞɟɥɟ-
ɧɢɟ, ɝɟɧɟɪɚɰɢʁɚ ɤɨʁɚ ɫɜɨɟɬɨ ɨɛɪɚɡɨɜɚɧɢɟ ɝɨ ɡɚɩɨɱɧɚ ɧɚ ɦɚɤɟɞɨɧɫɤɢ ʁɚɡɢɤ, ɛɟɡ
ɧɢɤɚɤɜɨ ɫɨɫɟɞɫɤɨ ɜɥɢʁɚɧɢɟ. ɂ ɬɨɝɚɲ, ɤɨɝɚ ɦɢɫɥɟɜ „ɞɨɫɬɢɝɧɚɜ ɞɨ Ȼɨɝɚ“, ɟɞɧɚ
ɭɱɢɬɟɥɤɚ ɝɥɚɫɧɨ ɩɪɨɝɨɜɨɪɢ ɩɪɟɞ ɧɚɫ ɞɟɰɚɬɚ: „ɇɟ ɩɨɫɬɨɢ Ȼɨɝ, ɫɚɦɨ ɧɟɩɢɫɦɟɧɢ-
ɬɟ ɜɟɪɭɜɚɚɬ ɜɨ ɇɟɝɨ, ɚ ɇɟɝɨ ɧɢɤɨʁ ɧɟ ɝɨ ɜɢɞɟɥ“! ȳɚɫ ɩɪɟɬɪɧɚɜ. ɂ ɜɟɞɧɚɲ ɩɨ-
ɦɢɫɥɢɜ ɞɚ ɧɟ б ɝɨ ɤɚɠɚɦ ɧɚ ɦɚʁɤɚ ɦɢ ɪɟɱɟɧɨɬɨ ɡɚ Ȼɨɝɚ, ɡɚɲɬɨ ɡɧɚɟɜ, ɬɚɚ ʅɟ ɫɟ
ɪɚɡɠɚɥɨɫɬɢ. ɂ ɞɨɥɝɢ ɝɨɞɢɧɢ ɝɨ ɤɪɢɟɜ ɢɡɪɟɱɟɧɨɬɨ ɛɨɝɨɯɭɥɢɟ. ɉɨɬɨɚ, ɫɟ ɩɪɢɫɟ-
ɬɢɜ, ɧɚ ɮɚɦɢɥɢʁɚɪɧɢɨɬ ɭɞɚɪ, ɤɨɝɚ ɫɪɩɫɤɢ ɨɮɢɰɟɪ ɩɨ ɇɈȻ, ɫɦɟɫɬɟɧ ɜɨ ɧɚɲɚɬɚ
ɝɨɥɟɦɚ ɤɭʅɚ, ɨɞ ɤɨʁɚ ɛɟɡ ɪɟɲɟɧɢɟ ɧè ɩɪɟɫɟɥɢʁɚ ɜɨ ɟɞɧɚ ɤɚɥɥɢɜɚ ɜɢɡɛɚ ɤɨɧ
ɀɟɥɟɡɧɢɱɤɚɬɚ ɫɬɚɧɢɰɚ, ɫɟ ɜʂɭɛɢ ɜɨ ɦɨʁɚɬɚ ɭɛɚɜɢɰɚ Ɂɞɪɚɜɤɚ, ɭɱɟɧɢɱɤɚ ɬɪɟɬɚ
ɝɨɞɢɧɚ ɝɢɦɧɚɡɢʁɚ, ɚ ɤɨɝɚ ɧɟ ɭɫɩɟɚ ɞɚ ʁɚ ɞɨɛɢɟ ɫɨɝɥɚɫɧɨɫɬɚ ɧɚ ɪɨɞɢɬɟɥɢɬɟ ɞɚ ʁɚ
ɨɠɟɧɢ, ɬɨʁ ʁɚ ɭɛɢ ɫɨ ɫɟɞɭɦ ɤɭɪɲɭɦɢ, ɩɪɟɞ ɪɨɞɢɬɟɥɢɬɟ. Ʉɨɝɚ ɦɨʁɚɬɚ ɫɬɪɢɧɚ
ɇɢɤɨɥɢɧɚ ɫɟ ɡɚɪɟɱɟ ɞɚ ɫɟ ɭɛɢɟ ɧɚ ɝɪɨɛɨɬ ɨɞ Ɂɞɪɚɜɤɚ, ɦɚʁɤɚ ɦɢ ʁɚ ɩɪɢɞɪɭɠɭ-
ɜɚɲɟ ɧɚ ɬɨʁ ɋɜɟɬɨɧɟɞɟɥɫɤɢ ɝɪɨɛ ɰɟɥɢ ɬɪɢ ɝɨɞɢɧɢ, ɡɚɟɞɧɨ ɫɨ ɦɟɧɟ. Ɍɚɦɭ ɡɚɧɟ-
ɦɟɜ, ɩɨɱɧɚɜ ɞɚ ɝɨ ɡɚɛɨɪɚɜɚɦ ɫɜɟɬɨɬ ɨɤɨɥɭ ɦɟɧɟ ɢ ɫɨɡɞɚɜ ɟɞɟɧ ɫɤɪɢɟɧ ɦɨʁ ɫɜɟɬ,
ɧɟɞɨɩɪɟɧ ɨɞ ɧɢɤɨɝɨ, ɬɚɟɧ, ɤɨʁ ɦɟ ɨɞɪɠɭɜɚɲɟ. Ɍɨɝɚɲ ɡɚ ɧɟɝɨ ʁɚɫ ɧɟ ɛɟɜ ɫɜɟɫɧɚ,
ɤɚɤɨ ɲɬɨ ɟ ɬɨɚ ɞɟɧɟɫ.


ɋɨ ɦɨʁɨɬ ɢɡɛɨɪ ɡɚ ɚɫɢɫɬɟɧɬ ɩɪɢ Ʉɚɬɟɞɪɚɬɚ ɡɚ ɢɫɬɨɪɢʁɚ ɧɚ ɤɧɢɠɟɜɧɨɫɬɢɬɟ
ɧɚ ɋɎɊȳ, ɩɪɢ Ɏɢɥɨɡɨɮɫɤɢɨɬ ɮɚɤɥɭɥɬɟɬ ɜɨ ɋɤɨɩʁɟ, ʁɚɫ ɫɟ ɧɚʁɞɨɜ ɩɪɟɞ ɩɪɚɲɚɥ-
ɧɢɰɢɬɟ ɧɚ ɧɚɭɱɧɨɬɨ ɩɪɢɮɚʅɚʃɟ ɧɚ ɤɧɢɠɟɜɧɨɫɬɚ. Ƚɨ ɢɡɛɪɚɜ ɨɜɨʁ ɩɨɡɢɜ ɧɚɫɩɪɨ-
ɬɢ ɢɧɫɢɫɬɢɪɚʃɟɬɨ ɧɚ ɦɨɢɬɟ ɪɨɞɢɬɟɥɢ ɞɚ ɫɬɭɞɢɪɚɦ ɤɚɤɨ ɨɞɥɢɱɟɧ ɭɱɟɧɢɤ ɦɟɞɢ-




НУУБ „Св. Климент Охридски“– Битола


10


ɰɢɧɚ ɢɥɢ ɚɪɯɢɬɟɤɬɭɪɚ. ȼɨ ɬɨʁ ɢɡɛɨɪ ɩɪɜɩɚɬ ɢɦ ɫɟ ɫɩɪɨɬɢɜɫɬɚɜɢɜ ɨɞɥɭɱɧɨ ɢ ɝɨ
ɢɡɛɪɚɜ ɫɜɨʁɨɬ ɠɢɜɨɬɟɧ ɩɨɡɢɜ, ɤɨʁ ɝɨ ɩɪɚɤɬɢɤɭɜɚɦ ɫɨ ɝɨɥɟɦɚ ʂɭɛɨɜ ɞɨ ɞɟɧɟɫ.


Ⱦɟɧɟɫ ɪɚɡɦɢɫɥɭɜɚɦ ɡɚ ɦɨɢɬɟ ɩɪɜɢ ɱɟɤɨɪɢ ɜɨ ɥɢɬɟɪɚɬɭɪɧɢɬɟ ɤɨɥɨɫɟɰɢ,
ɤɚɤɨ ɢ ɡɚ ɩɨɱɟɬɧɢɬɟ ɦɨɢ ɩɪɢɛɥɢɠɭɜɚʃɚ ɤɨɧ ɢɫɬɨɪɢʁɚɬɚ ɧɚ ɤɧɢɠɟɜɧɨɫɬɚ. ȼɨ
ɩɚɬɢɲɬɚɬɚ ɧɚ ɦɨɟɬɨ ɧɚɭɱɧɨ ɧɚɩɪɟɞɭɜɚʃɟ ɞɨɠɢɜɭɜɚɜ ɪɚɡɧɨɜɢɞɧɢ ɜɨɡɛɭɞɭɜɚ-
ʃɚ, ɡɚɲɬɨ ɞɨɞɟɤɚ ɜɨ ɭɦɟɬɧɢɱɤɚɬɚ ɥɢɬɟɪɚɬɭɪɚ ɫɚɦɢɨɬ ɚɜɬɨɪ ɝɨ ɪɚɫɱɢɫɬɭɜɚ ɫɜɨ-
ʁɨɬ ɩɚɬ, ɜɨ ɧɚɭɤɚɬɚ ɫɟ ɪɚɡɨɬɤɪɢɜɚɚɬ ɧɨɜɢ ɜɨɡɛɭɞɥɢɜɢ ɜɢɞɢɰɢ, ɦɟɫɬɨ ɦɨʁɚɬɚ
ɭɦɟɬɧɢɱɤɚ ɮɚɧɬɚɡɢʁɚ, ɢɥɢ ɱɢɫɬɢɨɬ ɥɚɪ-ɩɭɪ-ɥɚɪɬɢɡɚɦ ɲɬɨ ɝɨ ɩɪɢɮɚɬɢɜ ɫɩɨɧɬɚ-
ɧɨ, ɫɟ ɧɚɦɟɬɧɚɚ ɧɚɭɱɧɢ ɫɨɡɧɚɧɢʁɚ. Ɉɜɞɟ ɦɨɪɚɦ ɞɚ ɧɚɝɥɚɫɚɦ ɞɟɤɚ ɦɨɢɬɟ ɚɮɢɧɢ-
ɬɟɬɢ ɜɨ ɫɬɭɞɢɢɬɟ ɫɟ ɧɚɫɨɱɢʁɚ ɤɨɧ ɬɟɨɪɢʁɚɬɚ ɧɚ ɥɢɬɟɪɚɬɭɪɚɬɚ, ɡɚ ɲɬɨ ɩɪɢɞɨɧɟɫɟ
ɨɫɨɛɟɧɨ ɩɪɨɮɟɫɨɪ Ⱦɢɦɢɬɚɪ Ɇɢɬɪɟɜ, ɱɢʁ ɝɨɜɨɪɧɢɱɤɢ ɬɚɥɟɧɬ ɧè ɩɪɢɜɥɟɱɟ ɧɚɫ
ɫɬɭɞɟɧɬɢɬɟ ɞɚ ɛɢɞɟɦɟ ɧɚʁɪɟɞɨɜɢ ɧɚ ɧɟɝɨɜɢɬɟ ɱɚɫɨɜɢ. ɉɨ ɦɨʁɨɬ ɪɟɮɟɪɚɬ ɡɚ ɬɟɨ-
ɪɢʁɚɬɚ ɧɚ ɨɞɪɚɡɨɬ, ɤɨʁ ɢ ɝɢ ɫɦɟɧɢ ɦɨɢɬɟ ɢɞɧɢ ɥɢɬɟɪɚɬɭɪɧɢ ɱɟɤɨɪɢ, ɞɨɛɢɜ ɢɡ-
ɜɨɧɪɟɞɧɨ ɜɢɫɨɤɢ ɨɰɟɧɤɢ ɨɞ ɤɨɥɟɝɢɬɟ, ɨɫɨɛɟɧɨ ɨɞ ɩɪɨɮɟɫɨɪɨɬ (ɩɪɟɞ ɧɟɤɨɥɤɭ
ɝɨɞɢɧɢ ɦɟ ɢɡɪɚɞɭɜɚ ɢɧɮɨɪɦɚɰɢʁɚɬɚ ɲɬɨ ʁɚ ɞɨɛɢɜ ɨɞ ɤɨɥɟɲɤɚɬɚ ɂɥɢɧɤɚ Ɇɢɬ-
ɟɪɜɚ, ʅɟɪɤɚ ɧɚ ɩɪɨɮɟɫɨɪɨɬ, ɤɨʁɚ ɫɥɭɲɧɚɥɚ ɨɞ ɫɜɨʁɨɬ ɬɚɬɤɨ ɞɟɤɚ ɧɚʁɡɚɫɥɭɠɟɧɚɬɚ
ɞɟɫɟɬɤɚ ʁɚ ɞɚɥ ɧɚ ɫɬɭɞɟɧɬɤɚɬɚ ȼɟɪɚ ɋɬɨʁɱɟɜɫɤɚ–Ⱥɧɬɢʅ, ɢ ɬɨɚ ɢɫɤɚɠɚɧɚ ɩɪɟɞ
ɩɨɜɟʅɟ ɤɨɥɟɝɢ.).


Ɇɟɫɬɨ ɬɟɨɪɢʁɚ ɧɚ ɥɢɬɟɪɚɬɭɪɚɬɚ ɤɚɤɨ ɚɫɢɫɬɟɧɬ ɩɪɢ ɢɫɬɚɬɚ Ʉɚɬɟɞɪɚ ɝɨ
ɩɪɢɦɢɜ ɩɪɟɞɦɟɬɨɬ ɋɪɟɞɧɨɜɟɤɨɜɧɚ ɤɧɢɠɟɜɧɨɫɬ. ȼɨ ɨɜɨʁ ɫɥɭɱɚʁ ʁɚɫ ɩɨɜɬɨɪɧɨ
ɫɟ ɧɚɜɪɚɬɢɜ ɤɨɧ ɡɚɬɟɦɟɥɭɜɚʃɟɬɨ ɧɚ ɫɬɚɪɨɫɥɨɜɟɧɫɤɢɨɬ ʁɚɡɢɤ ɤɚʁ ɢɡɜɨɧɪɟɞɧɚɬɚ
ɩɪɨɮɟɫɨɪɤɚ Ɋɚɞɦɢɥɚ ɍɝɪɢɧɨɜɚ–ɋɤɚɥɨɜɫɤɚ. ɋɥɟɞɭɜɚɚ ɢ ɡɚɧɚɬɫɤɢ ɩɪɨɭɱɭɜɚʃɚ
ɧɚ ɫɥɨɜɟɧɫɤɢɬɟ ɪɚɤɨɩɢɫɢ. Ɍɨɤɦɭ ɜɨ ɬɨʁ ɩɨɱɟɬɟɧ ɩɟɪɢɨɞ ɢɦɚɜ ɫɪɟʅɚ ɞɚ ɫɟ ɜɤɥɭ-
ɱɚɦ ɜɨ ɢɡɜɨɧɪɟɞɧɨ ɩɨɞɝɨɬɜɟɧɢɬɟ ɩɥɚɧɢɪɚɧɢ ɱɚɫɨɜɢ ɡɚ ɢɡɭɱɭɜɚʃɟ ɧɚ ɪɚɤɨɩɢɫ-
ɧɚɬɚ ɩɟɥɚɨɝɪɚɮɢʁɚ, ɤɚʁ ɩɪɨɮɟɫɨɪɨɬ ȼɥɚɞɢɦɢɪ Ɇɨɲɢɧ, ɫɜɟɬɫɤɢ ɚɜɬɨɪɢɬɟɬ ɦɟ-
ɼɭ ɩɨɡɧɚɬɢɬɟ ɫɥɚɜɢɫɬɢ. ɉɪɟɞɦɟɬɨɬ ɛɚɪɚɲɟ ɝɨɥɟɦɨ ɜɧɢɦɚɧɢɟ ɢ ɩɪɟɰɢɡɧɨɫɬ, ɤɨɢ
ɝɢ ɩɪɢɮɚɬɢɜ ɨɞɥɭɱɧɨ ɢ ɫɨ ʂɭɛɨɜ.


ɀɢɜɨɬɧɚɬɚ ɜɪɜɢɰɚ ɦɟ ɨɞɧɟɫɟ ɜɨ ɞɚɥɟɱɧɢ ɡɟɦʁɢ, ɚ ɨɫɨɛɟɧɨ ɫɚɤɚɦ ɞɚ ɝɨ
ɢɫɬɚɤɧɚɦ ɜɨ ɫɥɭɱɚʁɨɜ ɩɟɬɧɚɟɫɟɬɝɨɞɢɲɧɨɬɨ ɤɨɨɪɞɢɧɚɬɨɪɫɬɜɨ ɜɨ ɋȺȾ,
ɩɨɜɪɡɚɧɨ ɫɨ ɦɚɤɟɞɨɧɢɫɬɢɤɚɬɚ. ɉɨɤɪɚʁ ɫɭɲɬɢɧɫɤɨɬɨ ɩɪɨɞɢɪɚʃɟ ɢ ɛɚɪɚʃɟ ɧɚ
ɜɪɫɤɢ ɫɨ ɫɜɟɬɫɤɢɬɟ ɰɟɧɬɪɢ ɜɨ ɋȺȾ ɢ Ʉɚɧɚɞɚ, ʁɚɫ ɞɨɠɢɜɟɚɜ ɛɪɨʁɧɢ ɫɪɟɞɛɢ ɫɨ
ɡɧɚɦɟɧɢɬɢ ɥɢɱɧɨɫɬɢ, ɤɨɢ ɦɧɨɝɭ ɩɪɢɞɨɧɟɫɭɜɚɚ ɡɚ ɪɚɡɜɨʁɨɬ ɧɚ ɦɚɤɟɞɨɧɢɫɬɢɤɚ-
ɬɚ. Ɍɢɟ ɫɪɟɞɛɢ ɦɟ ɡɛɥɢɠɭɜɚɚ ɫɨ ɬɢɟ ɥɭɼɟ, ɱɢɢ ɠɢɜɨɬɧɢ ɩɚɬɢɲɬɚ ɝɨ ɩɪɟɞɢɡɜɢ-
ɤɚɚ ɦɨʁɨɬ ɥɢɬɟɪɚɬɭɪɟɧ ɨɫɜɪɬ, ɢɧɢɰɢɪɚɧ ɦɨɠɟɛɢ ɢ ɫɩɨɪɟɞ ɜɬɨɪɨɫɬɟɩɟɧɨɬɨ ɨɬ-
ɤɪɢɜɚʃɟ ɧɚ ɠɢɜɨɩɢɫɧɢɬɟ ɩɪɟɞɟɥɢ, ɜɨ ɤɨɢ ɦɟ ɞɨɧɟɫɟ ɧɚɭɱɧɢɨɬ ɩɚɬ. ɂ ɫɩɨɪɟɞ
ɨɜɢɟ ɠɢɜɨɬɧɢ ɨɞɪɟɞɧɢɰɢ, ɫɟ ɩɨʁɚɜɢʁɚ ɦɨɢɬɟ ɲɟɫɬ ɤɧɢɝɢ ɧɚ ɩɚɬɨɩɢɫɢ, ɤɨɢ ɝɢ
ɨɛɟɞɢɧɢʁɚ ɦɨɢɬɟ ɧɚɭɱɧɢ ɢ ɭɦɟɬɧɢɱɤɢ ɚɮɢɧɢɬɟɬɢ ɤɨɧ ɪɚɡɧɨɜɢɞɧɢɬɟ ɫɪɟɞɢɧɢ.
Ɍɢɟ ɝɢ ɫɩɨɢʁɚ ɦɨɢɬɟ ɦɥɚɞɟɲɤɢ ɩɨɪɢɜɢ ɫɨ ɝɪɚɧɞɢɨɡɧɨɫɬɚ ɢ ɭɛɚɜɢɧɢɬɟ ɧɚ ɩɪɢ-
ɪɨɞɚɬɚ, ɧɨ ɨɜɨʁ ɩɚɬ ɢɫɩɨɥɧɟɬɚ ɫɨ ɩɪɟɬɫɬɚɜɧɢɰɢ ɧɚ ɫɨɜɪɟɦɟɧɢɨɬ ɠɢɜɨɬ, ɩɨɬɪɟ-
ɛɟɧ ɢ ɩɨɥɟɡɟɧ ɡɚ ɧɚɲɚɬɚ Ɍɚɬɤɨɜɢɧɚ.




Деветта роднокрајна средба…


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Prof. d-r Vera Stojchevska Antic



ON MY LITERARY WORK

During the eight years of my primary education in Bitola my interest in


poetry was evident. The poems which were a part of the education program I was
learning very quickly by heart, although it was not asked from us. I don’t even
remember when my own songs were published or where they appeared. I can
remember only that their theme was Pelister with its spring beauties. During the
secondary school period I realized that Literature was my favorite subject. This
was due to my good teachers who were well educated in the foreign and domestic
literature, Bojka Andonovska, Vaska Duma and Kocha Popov.


My life brought me in foreign countries, especially my fifteen years as a
coordinator between USA and Macedonia regarding the Macedonian language. I
came in contact with many distinguished persons who has a great contribution to
the development of the Macedonian language. All these contacts made me closer to
these people whose life inspired my literary potential. Also, I was inspired by the
picturesque landscapes of my country. Thus how my six books of travelogues
appeared unifying my scientific and artistic affinities towards the varieties of
surroundings. They unified my youthful ambitions with the beauty of the nature
mixed with the representatives of the modern life so much needed and so beneficial
to our Fatherland / Motherland.




НУУБ „Св. Климент Охридски“– Битола


12





Проф. д-р Благоја Брајановски



ВИСТИНАТА Е ЕДНА, НО СЕКОЈ ЈА ПОИМА


НА СВОЈ НАЧИН



Вовед
Koga ɝɨ otvoriv pismoto – pokana za Sredbata, bev malku zbunet


od naslovot. No, koga posmireno i podlaboko navlegov vo su{tinata na
ɬemata na Sredbata, konstatirav deka se raboti za eden navistina {i-
rok opfat, taka {to za sekoj segment (na primer, za zavista na omraza-
ta kaj pisateli, {to, na odreden na~in, e i op{testveno obele`je), mo-
`e da se napi{e tema.



Sekoe delo, a vo slu~ajot – umetni~koto, kako {to e literaturnoto,
nosi svoja vrednost – umetni~ka.


1. Sosema razbirlivo, za postoeweto na golemi umetni~ki dela.
No fakt e deka celokupnoto tvore{tvo na umetnikot (pisatelot), {to
e sosema razbirlivo, ne mo`e da se oceni kako delo so golemi, vrvni
umetni~ki vrednosti. Toa zna~i deka za vakviot pisatel ɟ dovolno ako
go „krepi“ duri i samo edno vakvo negovo delo. A toa zna~i deka e sose-
mo razbirlivo, kako i s¡ vo `ivotot, vakviot pisatel da ima delo ili
dela {to bi bile pod kvalifikativot da mo`at da se nare~at dela so
visoki umetni~ki dostreli, ramni na umetni~kiot dostrel, na deloto,
so koe avtorot, so pravo (samo, mo`ebi, so toa edinstveno literaturno
delo), mo`e da bide okvalifikuvan kako golem pisatel.


Sekoj pisatel, pa i jas, koga go pi{uva deloto, ne trgnuva od toa
kakva sudbina }e do`ivee deloto; ednostavno, kako }e bide primeno od
~itatelskata publika, a ona {to najmalku mu pa|a na pamet, e dali de-
loto }e go napravi slaven, iako vo samata priroda na sekoj ~ovek, na se-
koj avtor, posakuvaweto na takvo ne{to e sosema normalna rabota.


Dokolku avtorot postapuva poinaku od ona {to pogore be{e re-
~eno, toa zna~i deka stanuva zbor za ~ovek bez bogata fantazija, a
tamu kade vo sè se gleda kalkulacija, nekakva dobivka, benefit, nema
fantazija, a najmalku entuɡijazam.1 A kade {to nema entuɡijazam, ne-

1„Kolku e pobogata ~ovekovata fantazija, pi{uva N. Rerih, tolku e poraznovidno
negovoto tvore{tvo, zatoa site umetnici, poeti, slikari tamu imaat beskrajni
mo`nosti da gi primenat svoite sposobnosti i streme`i“ (cit. delo, str. 70).




Деветта роднокрајна средба…


13


ma tvore~ki ~in. Toa zna~i, vo vakov slu~aj, avtorot go vodi vi{o-
kot na sueta, kako sigurna podloga za ra|awe na golem broj gre{ki vo
`ivotot, kako eden vid naru{uvawe na nepromenlivite kosmi~ki za-
koni. Toa zboruva za faktot deka avtorot, sozdavaj}i delo bez zanes,
bez entuɡijazam (ne samo vo vremeto na sozdavaweto na deloto, tuku i
vo `ivotot voop{to, zna~i – po{iroko), dejstvuva mlitavo, mr-
zlivo, kako i vo sè drugo vo `ivotot, namesto napregnuvawe do sos-
tojba na „kinewe“ na strunite na entuɡijazmot.


2. Zo{to vo podnaslovot na ovoj trud se iska`uvame za toa deka se-
koe literaturno (umetni~ko) delo nosi svoja umeni~ka (literaturna)
vrednost? Toa taka bi mo`elo da se podrazbere, dokolku onoj {to go
~ita e dorasnat da navleze vo su{tinata na toa {to avtorot na deloto
saka da mu ja otkrie. Za{to ne e ni{to slu~ajno {to avtorot sednal i
go napi{al deloto; kolku pristapot, iniciranosta za pi{uvaweo na de-
loto da e negova individualna odluka, tolku e i odluka na nekoj „drug“
(kosmosot a, vsu{nost, sme nie samite; avtorot, vo slu~ajot), a toj drug
go „odbral“ avtorot, ne vlijaej}i na negovata slobodna volja, sakaj}i da
ja naso~i sekoja prirodna sila kon dobroto, zaradi sozdavawe sostojba
na „sobirawe na silnite misli vo edna“ (Rerih), koga tie imaat silna
mo} da vlijaat vo promenata na odnesuvaweto, mislite, i na delata, kak-
vi i da se, na lu|eto.


Kako eden vid na zaklu~ok na ovoj podnaslov, {to bi mo`elo da
bide? Deka ni{to {to e sozdadeno (niedno delo), a toa soodvetno se
odnesuva i na literaturnoto tvore{tvo, ne e za otfrlawe; }e dojde
vreme koga napredokot na Mislata, koja e najveli~enstveniot isceli-
tel na ~ove{tvoto, poradi soodvetniot (povisokiot) stepen na evolu-
cijata na svesta kaj lu|eto, deloto }e bide soodvetno vrednuvano. Nie,
na ovoj stepen na nivoto na razvojot na svesta, ne sme stasale dotamu za
da mo`eme soodvetno da ja vrednuvame su{tinata na deloto, za{to sme
na ova nivo na svesta. Sekoja ~est na isklu~ocite.


Ne e na{a golema gri`a {to mo`eme da go „o{tetime“ deloto,
ako sme trgnale od sega{noto nivo na razvojot na svesta, od na{ite ube-
duvawa, stavovi i sli~no, po odredeni pra{awa, samo poradi toa {to
ne sme gi na{le vo deloto. Pa, spored toa {to ne sme gi na{le vo delo-
to, tuku ponisko, spored nas, soodvetno, da go vrednuvame. Ako vaka trg-
neme vo ocenuvaweto na umetni~kata vrednost na koe i da bilo delo,
toga{ toa e porazitelen znak za nas deka vo ocenkata na deloto sme nas-
tapile so na{ite predrasudi, a ne so ona {to treba da n¡ vodi kon pre-
obrazbi (~itaj: na podobro). So vakvata na{a postapka, nie ne go {iri-
me Znaeweto, Tvore~kata misla. Kako nekoja uteha, kako i da posta-
pime, Tvore{toto, Tvore~kata misla nema da nè „pra{a“ nas (mene –
tebe), tuku }e si go zazemat svoeto vistinsko mesto {to im
pripa|a. Bidej}i vo Beskrajot, vo EDNOTATA, sè e mo`no, zatoa {to
sè postoi samo kako EDNO, zna~i sozdavawe na uslovi za nenadmenost




НУУБ „Св. Климент Охридски“– Битола


14


kon sè {to ni e nepoznato za da se stekneme so hrabrosta da priznaeme
deka, vo odredeni momenti, ne znaeme, odnosno deka ni e nepoznato.


Do Vistinata, koja e edinstvena, samo najrazli~no ja poimame, mo-
`e da se dojde samo preku napu{taweto na predrasudite.


E, sega, sakale ili ne, kako dopolnitelno se nametnuva i pra{aweto:
{to ako bideme, na primer, zamoleni od avtorot da dademe kriti~ki osvrt
na nekoe negovo literaturno delo, a, nie, intimno, a toa ne go znae avto-
rot, odbieme, ne se soglasime, se razbira, naveduvaj}i pri~ini za toa, na-
mesto da mu ja ka`eme vistinata? Spored ona {to be{e ponapred istakna-
to deka sekoe literaturno delo nosi svoja umetni~ka vrednost, a deka nie,
ne mo`ej}i da navlezeme vo esencijata na deloto, go smetame za delo so
niski umetni~ki vrednosti, ne bi trebalo da se zafatime so kriti~ki os-
vrt na deloto, no bez da ja povredime avtorovata sueta. No, ako nema kalku-
lɚcii. Toa, otprilika bi bilo isto kako da go navreduvate {to nekoj nedo-
uk dogramaxija {to napravil most za da mo`at lu|eto da minuvaat od edna-
ta na drugata strana na rekata.



Dali mojata pisatelska rabota e tvore{tvo ili samo moja zabluda?


Ako avtorot si postavi vakvo pra{awe deka ona {to go raboti (pi-
satelskata rabota) e negova zabluda, vedna{ treba da si go postavi pra{a-
weto: „Zo{to da se zanimavam so ovaa rabota, od koja nema da ima nikakva
vrednost, deka toa e samo beskorisno tro{ewe na dragoceno vreme“, treba
da se svrti kon ona na {to go tera negovoto srce. Toa zna~i deka, toj,
sledej}i ja sopstvenata karma, treba da ja napu{ti pisatelskata rabota.


A onoj pisatel koj nema da se najde vo vakva polo`ba, nema zo{to da
si go postavuva pra{aweto, dali ona {to kako pisatel, kako tvorec go
sozdava e samo negova zabluda deka raboti ne{to {to }e bide pridones vo
literaturnata riznica. Pisatelot sednuva da pi{uva, kako {to be{e i
pogore spomenato, poradi {to nekoj silen vnatre{en poriv go naveduva na
toa, a ne za nekoj da mu podigne spomenik (ako nekoj i toa go napravi toa e
negova rabota; ne e lo{o). Pisatelstvoto, kako i sekoja druga umetni~ka an-
ga`iranost, ne e sozdavawe na kni`evni dela {to se negov isklu~iv prido-
nes, tuku i pridones od EDNOTATA na koja pripa|ame; i taa, spoznajno ili
ne od avtorot, pi{uva so avtorot. Toa ne se slu~uva samo so sozdavaweto na
literaturno (umetni~ko delo), tuku toa se slu~uva i so sozdavaweto na
nau~no delo. Vselenata2 saka, preku deloto na nau~nikot, da prenese novo
spoznanie za lu|eto. Dojdeno e vreme. Nadminato e vremeto koga naukata, a
zaedno so toa i umetnosta, podrazbira ograni~uvawe na tvore{tvoto.3

2
3„Ako nau~nikot ne mo`e da gi pre~ekori ograni~uvawata od v~era{niot den,
podobro e da ne se bavi so nauka. Uslovite na novite nau~ni dostignuvawa tre-
ba da odgovaraat na potrebite na idninata“ (N. Rerih, Sedumte golemi tajni
na Kosmosot, str. 157).




Деветта роднокрајна средба…


15


Zaklu~ok

Ne navleguvaj}i vo elaboracija na site potto~ki vo pokanata za


Sredbata, {to e i razbirlivo, od aspekt na prostorot, na krajot }e se
zadr`ime na u{te edno, ako ne i najva`no pra{awe, a toa e Znaeweto,
{to, na odreden na~in, e vo kontekst na glavnata tema na Sredbata.


Imeno, literaturnoto tvore{tvo, pokraj toa {to e umetnost, vo-
edno pretstavuva i Znaewe. Vistinskiot sozdavatel na literaturnoto
delo e takov samo koga ~itatelot go prepoznava ne samo literaturen
tvorec, tuku i voedno, i kako prenesuva~ na Znaewe, Nauka, so toa {to,
pokraj voshitot vo na{eto srce {to go sozdava deloto kako i muzikata,
n¡ pou~uva kako ne treba da se `ivee `ivotot, odnosno kako treba da se
`ivee za da se namali tovarot na karmata (sudbinata) i kako, so grevo-
vite (gre{kite) vo `ivotot, da ne se zgolemi toj tovar vo ovozemskiot
`ivot. Veli~ieto na eden pisatel, kako i na nau~nikot, se sogleduva vo
faktot dali deloto otvora {iroka hipoteza za spoznavawe za nas na sè
u{te navodno skrieni vistini; koga ~itatelot }e ja priznae mo`nos-
ta za spoznavawe na Beskrajot, i koga }e spoznae deka Tvore{tvoto ne
treba so ni{to da se ograni~uva. BESKRAJNO E KAKO I BESKRA-
JOT, SEMIROT.


Pisatelot, isto kako i nau~nikot, ne treba da se dovede vo sostoj-
ba na vozgordeanost pa da go zaboravi na seto ona {to ne go znae.





НУУБ „Св. Климент Охридски“– Битола


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Prof. d-r Blagoya Brayanovski



THE TRUTH IS ONE, EVERYONE HAS HIS OWN ATTITUDE

If an author is in doubt whether his work is delusion then it is better to ask


himself: „Why should I be in this job when it is worthless, that it is only wasting of
time?“ Perhaps his heart speaks differently. This means, the writer in accordance
with his karma must leave this job. All writers including myself when writing their
works he doesn’t think of the work’s destiny or how the readers will accept it, and
what is at least important is to think whether the work will make him famous /
known, although inherent in one’s nature is such a wish.





Деветта роднокрајна средба…


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Димитар Богдановски



П И С А Т Е Л С К А ТА РАБ О Т А


ПРЕТСТАВУВА УМЕТНОСТ



ɇɚ ɝɨɞɢɧɚɲɧɚɜɚ ɋɪɟɞ-


ɛɚ ɧɚ ɪɨɞɧɨɤɪɚʁɧɢɬɟ ɩɢɫɚɬɟ-
ɥɢ ɜɨ ɧɚɲɢɨɜ ɝɪɚɞ ɟ ɞɚɞɟɧɚ
ɩɨ ɫɜɨɟɬɨ ɡɧɚɱɟʃɟ ɢɡɜɨɧ-
ɪɟɞɧɚ ɢɧɬɟɪɟɫɧɚ, ɢ ɲɬɨ ɟ
ɧɚʁɫɭɲɬɟɫɬɜɟɧɨ, ɜɟɱɧɨ ɚɤɬɭ-
ɟɥɧɚ ɬɟɦɚ: ,,Ɇɨʁɚɬɚ ɩɢɫɚɬɟɥ-
ɫɤɚ ɪɚɛɨɬɚ – ɬɜɨɪɟɱɤɨ ɞɟɥɨ
ɢɥɢ ɦɨʁɚ ɡɚɛɥɭɞɚ“.


Ɂɚ ɠɚɥ, ɩɪɢɧɭɞɟɧ ɫɭɦ
ɩɨ ɨɞɧɨɫ ɧɚ ɮɨɪɦɭɥɚɰɢʁɚɬɚ
ɧɚ ɬɟɦɚɬɚ ɞɚ ɡɚɛɟɥɟɠɚɦ ɞɟɤɚ
ɜɬɨɪɢɨɬ ɧɟʁɡɢɧ ɞɟɥ, ɛɚɪɟɦ
ɩɨ ɦɨɟ ɦɢɫɥɟʃɟ, ɩɪɟɬɫɬɚɜɭ-
ɜɚ ɫɜɨɟɜɢɞɧɚ ɤɨɧɬɪɚɞɢɤɬɨɪɧɨɫɬ: ,,...ɢɥɢ ɦɨʁɚ ɡɚɛɥɭɞɚ“.


ɋɦɟɬɚɦ ɞɟɤɚ ɞɚɞɟɧɚɬɚ ɬɟɦɚ ɛɟɡ ɨɜɚɚ ɮɨɪɦɭɥɚɰɢʁɚ ʅɟ ɛɟɲɟ ɩɨɢɡɞɪɠɚɧɚ.
ȼɨ ɫɟɤɨʁ ɫɥɭɱɚʁ ɩɢɫɚɬɟɥɫɤɨɬɨ ɬɜɨɪɟɲɬɜɨ ɧɚ ɤɨʁ ɛɢɥɨ ɩɢɫɚɬɟɥ (ɢɥɢ ɚɤɨ ɬɚɤɚ ɫɟ
ɫɚɤɚ, ɬɚɤɚɧɚɪɟɱɟɧ ɩɢɫɚɬɟɥ), ɧɟ ɦɨɠɟ ɢɥɢ ɜɨ ɧɢɤɨʁ ɫɥɭɱɚʁ ɧɟ ɛɢ ɬɪɟɛɚɥɨ ɞɚ ɫɟ
ɤɜɚɥɢɮɢɤɭɜɚ ɤɚɤɨ ɡɚɛɥɭɞɚ, ɛɢɞɟʁʅɢ ɡɚɛɥɭɞɚ ɧɟ ɦɨɠɟ ɞɚ ɛɢɞɟ. Ⱦɭɪɢ ɧɢ ɨɧɚ ɧɚʁ-
ɥɨɲɨɬɨ, ɧɚʁɧɟɢɡɞɪɠɚɧɨɬɨ ɩɨ ɩɨɬɪɟɛɧɢɬɟ ɤɜɚɥɢɬɟɬɢ ɞɟɥɨ ɧɟ ɛɢ ɬɪɟɛɚɥɨ ɞɚ ɫɟ
ɬɪɟɬɢɪɚ ɤɚɤɨ ɡɚɛɥɭɞɚ.


Ɂɧɚɱɢ, ɧɚɤɭɫɨ ɤɚɠɚɧɨ, ɧɟ ɦɨɠɚɦ ɢ ɧɟ ɫɚɤɚɦ ɞɚ ɫɟ ɫɨɝɥɚɫɚɦ ɫɨ ɞɚɞɟɧɨɬɨ
ɨɛɪɚɡɥɨɠɟɧɢɟ ɨɞ ɚɜɬɨɪɢɬɟ ɧɚ ɬɟɦɚɬɚ, ɫɦɟɬɚʁʅɢ ɝɨ ɡɚ ɤɪɚʁɧɨ ɧɟɢɡɞɪɠɚɧɨ. ɋɚ-
ɤɚɦ ɞɚ ɩɨɬɫɟɬɚɦ, ɢɥɢ ɩɨɬɨɱɧɨ ɞɚ ɤɚɠɚɦ, ɞɟɤɚ ɩɢɫɚɬɟɥɢɬɟ ɧɟ ɫɟ ɝɨɪɞɢ ɥɭɼɟ ɜɨ
ɨɧɚɚ ɫɦɢɫɥɚ ɤɚɤɨ ɫɟ ɨɛɪɚɡɥɨɠɭɜɚ ɨɜɞɟ. Ⱦɚ, ɬɨɱɧɨ ɟ, ɫɟɤɨʁ ɬɜɨɪɟɰ ɤɨɝɚ ʅɟ ɫɨɡ-
ɞɚɞɟ ɧɟɲɬɨ ɟ ɡɚɞɨɜɨɥɟɧ, ɦɨɠɟɛɢ ɞɨ ɢɡɜɟɫɟɧ ɫɬɟɩɟɧ ɝɨɪɞ, ɧɨ ɜɨ ɧɢɤɨʁ ɫɥɭɱɚʁ ɧɟ
ɝɨɪɞ ɞɨ ɫɚɦɨɡɚɛɨɪɚɜ. ɇɚɩɪɨɬɢɜ, ɛɚɪɟɦ ɨɧɢɟ ɩɢɫɚɬɟɥɢ ɤɨɢ ɝɢ ɩɨɡɧɚɜɚɦ, ɩɚ ɢ
ɨɧɢɟ ɱɢɢ ɛɢɨɝɪɚɮɢɢ ɞɨɛɪɨ ɝɢ ɩɨɡɧɚɜɚɦ (ɂɜɨ Ⱥɧɞɪɢʅ, Ɇɚɤɫɢɦ Ƚɨɪɤɢ, ɂɜɚɧ
ȼɚɡɨɜ), ɧɟ ɫɟ ɝɨɪɞɟɥɢɜɢ, ɧɚɩɪɨɬɢɜ ɫɤɪɨɦɧɨɫɬɚ ɟ ɨɫɧɨɜɧɚɬɚ ɧɢɜɧɚ ɤɚɪɚɤɬɟɪɧɚ
ɨɞɥɢɤɚ.


ɇɟ ɝɭɛɟʁʅɢ ɨɞ ɩɪɟɞɜɢɞ ɞɟɤɚ ɩɢɫɚɬɟɥɫɤɚɬɚ ɪɚɛɨɬɚ, ɛɟɡ ɫɨɦɧɟɜɚʃɟ ɩɪɟɬ-
ɫɬɚɜɭɜɚ (ɚ ɬɨɚ ɧɚɦ ɤɚɤɨ ɬɜɨɪɰɢ ɧɢ ɟ ɞɨɛɪɨ ɩɨɡɧɚɬɨ) ɢɡɜɨɧɪɟɞɧɨ ɜɚɠɟɧ ɭɦɟɬ-




НУУБ „Св. Климент Охридски“– Битола


18


ɧɢɱɤɢ ɩɪɨɢɡɜɨɞ ɩɪɟɬɫɬɜɚɜɟɧ ɩɪɟɤɭ ɡɛɨɪɨɜɢ, ɟ ɭɦɟɬɧɢɱɤɚ ɥɢɬɟɪɚɬɭɪɚ (ɩɨɬɨɱɧɨ
ɭɛɚɜɚ ɥɢɬɟɪɚɬɭɪɚ, ɛɟɥɟɬɪɢɫɬɢɤɚ).


Ƚɟɧɟɪɚɥɧɨ, ɧɟɡɚɜɢɫɧɨ ɨɞ ɤɨʁ ɚɫɩɟɤɬ ɩɨɝɥɟɞɧɚɬɨ, ɥɢɬɟɪɚɬɭɪɧɨɬɨ ɬɜɨɪɟɲ-
ɬɜɨ ɩɪɟɬɫɬɚɜɭɜɚ ɫɜɨɟɜɢɞɟɧ ɨɫɨɛɟɧɨ ɬɟɠɨɤ ɩɪɟɞɢɡɜɢɤ ɜɨ ɱɢʁ ɩɨɫɬɭɥɚɬ ɩɪɟɬɯɨɞ-
ɧɨ ɟ ɜɝɪɚɞɟɧɨ ɝɨɥɟɦɨ ɡɧɚɟʃɟ, ɩɨɡɧɚɜɚʃɟ ɧɟ ɫɚɦɨ ɧɚ ɩɫɢɯɨɥɨɝɢʁɚɬɚ ɧɚ ɱɨɜɟɤɨ-
ɜɚɬɚ ɩɪɢɪɨɞɚ, ɬɭɤɭ, ɩɪɟɞ ɫè, ɢ ɩɚɪɚɥɟɥɧɨ ɫɨ ɧɟɚ, ɞɥɚɛɨɤɨ ɩɨɡɧɚɜɚʃɟ ɧɚ ɨɩ-
ɲɬɟɫɬɜɟɧɨ-ɩɨɥɢɬɢɱɤɢɬɟ ɫɨɫɬɨʁɛɢ ɢ ɞɜɢɠɟʃɚ.


Ⱦɚ ɫɟ ɫɨɡɞɚɜɚɚɬ ɥɢɬɟɪɚɬɭɪɧɢ ɞɟɥɚ ɡɧɚɱɢ ɧɟ ɫɚɦɨ ɦɚɤɫɢɦɚɥɧɨ ɚɧɝɚɠɢɪɚ-
ʃɟ ɧɚ ɫɨɩɫɬɜɟɧɢɨɬ ɢɧɬɟɥɟɤɬɭɚɥɟɧ ɩɨɬɟɧɰɢʁɚɥ (ɪɚɡɛɢɪɥɢɜɨ, ɩɪɢ ɩɪɟɬɩɨɫɬɚɜɤɚ
ɞɟɤɚ ɧɢɜ ɝɢ ɢɦɚ), ɚɦɢ ɥɢɬɟɪɚɬɭɪɧɨɬɨ ɬɜɨɪɟɲɬɜɨ ɩɪɟɬɫɬɚɜɭɜɚ ɩɪɨɞɭɤɰɢʁɚ ɧɚ
ɧɟɛɪɨɟɧɢ ɩɨɪɚɤɢ ɞɨ ɩɨɬɟɧɰɢʁɚɥɧɢɬɟ ɱɢɬɚɬɟɥɢ, ɫɜɨɟɜɢɞɧɨ ɫɨɮɢɫɬɢɰɢɪɚɧɨ ɧɚ-
ɦɟɬɧɭɜɚʃɟ ɧɚ ɫɨɩɫɬɜɟɧɢɬɟ ɫɮɚʅɚʃɚ, ɧɚ ɫɜɟɫɬɚ, ɢɡɝɪɚɞɟɧɚɬɚ ɫɨɜɟɫɬ, ɩɨɝ-
ɥɟɞɢ, ɩɨɬɪɟɛɚɬɚ ɞɚ ɫɟ ɢɡɧɟɫɟ ɫɜɨɟɬɨ.


Ʌɢɬɟɪɚɬɭɪɧɨɬɨ ɬɜɨɪɟɲɬɜɨ ɩɪɟɬɩɨɱɢɬɭɜɚ ɩɨɛɭɞɭɜɚʃɟ ɢɧɬɟɪɟɫ ɡɚ ɡɚɩɨɡ-
ɧɚɜɚʃɟ, ɨɞɧɨɫɧɨ ɨɬɤɪɢɜɚʃɟ ɧɚ ɧɟɲɬɨ ɧɟ ɫɚɦɨ ɧɨɜɨ, ɚɦɢ ɧɟɲɬɨ ɤɨɟɲɬɨ ɩɨɛɭ-
ɞɭɜɚ ɢɧɬɟɪɟɫ ɧɟɨɩɯɨɞɟɧ ɡɚ ɡɛɨɝɚɬɭɜɚʃɟ ɧɚ ɡɧɚɟʃɚɬɚ ɢ, ɢɫɬɨɜɪɟɦɟɧɨ, ɩɪɢɞɨɧɟ-
ɫɭɜɚʃɟ ɤɨɧ ɪɚɡɜɨʁɨɬ ɧɚ ɢɧɬɟɥɟɤɬɭɚɥɧɚɬɚ ɦɨʅ ɤɚʁ ɱɨɜɟɲɬɜɨɬɨ. ɂɦɟɧɨ, ɧɚʁɱɟɫɬɚ
ɢɥɢ ɢɫɤɥɭɱɢɜɚ ɡɚɞɚɱɚ ɧɚ ɫɨɥɢɞɧɚɬɚ ɭɦɟɬɧɢɱɤɚ ɥɢɬɟɪɚɬɭɪɧɚ ɬɜɨɪɛɚ ɟ ɨɬɜɨɪɚʃɟ
ɧɚ ɩɨɞɨɛɪɢ ɩɚɬɢɲɬɚ ɤɨɧ ɡɛɨɝɚɬɭɜɚʃɟ ɧɚ ɢɧɬɟɥɟɤɬɭɚɥɧɢɬɟ ɫɩɨɫɨɛɧɨɫɬɢ, ɨɫɨ-
ɛɟɧɨ ɤɚʁ ɩɨɦɥɚɞɢɬɟ ɱɢɬɚɬɟɥɢ, ɤɚʁ ɤɨɢ ɩɨɬɟɧɰɢʁɚɥɨɬ ɧɚ ɢɧɬɟɥɢɝɟɧɰɢʁɚɥɧɚɬɚ
ɫɩɨɫɨɛɧɨɫɬ ɟ ɝɨɥɟɦ, ɧɨ, ɡɚ ɠɚɥ, ɧɚʁɱɟɫɬɨ ɧɟɢɫɩɨɥɡɭɜɚɧ.


Ʉɚɬɟɝɨɪɢɱɧɨ ɩɪɟɬɟɧɞɢɪɚɦ (ɲɬɨ ɪɟɚɥɧɨ ɩɨɝɥɟɞɧɚɬɨ ɦɨɠɟ ɞɚ ɫɟ ɫɮɚɬɢ ɤɚ-
ɤɨ ɧɟɫɤɪɨɦɧɨɫɬ) ɞɟɤɚ ɦɨʁɚɬɚ ɩɢɫɚɬɟɥɫɤɚ ɪɚɛɨɬɚ ɜɨ ɜɢɫɬɢɧɫɤɨɬɨ ɡɧɚɱɟʃɟ ɧɚ
ɡɛɨɪɨɬ ɧɟɨɫɩɨɪɧɨ ɩɪɟɬɫɬɚɜɭɜɚ ɢɡɞɪɠɚɧɨ ɥɢɬɟɪɚɬɭɪɧɨ ɬɜɨɪɟɲɬɜɨ. Ɉɞɧɨɫɧɨ,
ʁɚɫ ɫɥɨɛɨɞɧɨ, ɛɟɡ ɧɢɤɚɤɜɢ ɤɨɦɩɥɟɤɫɢ, ɦɨɠɧɨ ɟ ɞɚ ɫɟ ɜɛɪɨʁɚɦ ɜɨ ɪɟɞɨɬ ɧɚ ɥɢɬɟ-
ɪɚɬɭɪɧɢɬɟ ɬɜɨɪɰɢ. ɋɩɨɪɟɞ ɬɨɚ, ʁɚɫ ɫɭɦ ɩɢɫɚɬɟɥ, ɡɧɚɱɢ ɦɨɢɬɟ ɥɢɬɟɪɚɬɭɪɧɢ ɞɟɥɚ
ɧɢ ɫɥɭɱɚʁɧɨ ɧɟ ɩɪɟɬɫɬɚɜɭɜɚɚɬ ɡɚɛɥɭɞɚ, ɩɚ ɧɟ ɩɨɫɬɨɢ ɩɪɢɱɢɧɚ ɡɚ ɝɚɟʃɟ ɧɚ ɧɟ-
ɤɚɤɜɢ ɢɥɭɡɢɢ ɡɚ ʁɚɫ ɫɟɛɟɫɢ ɞɚ ɫɟ ɩɪɟɬɫɬɚɜɭɜɚɦ ɡɚ ɨɧɚ ɲɬɨ ɮɚɤɬɢɱɤɢ ɧɟ ɫɭɦ ɧɢ-
ɬɭ, ɩɚɤ, ɡɚ ɨɧɚɤɨɜ ɤɚɤɨɜ ɧɢɤɨɝɚɲ ɧɟ ɫɭɦ ɛɢɥ ɧɢɬɭ ʅɟ ɛɢɞɚɦ.


ɂɧɚɤɭ, ɩɪɢɡɧɚɜɚɦ, ɩɨ ɬɨɚ ɩɪɚɲɚʃɟ ɧɟɦɚ ɲɬɨ ɞɚ ɫɟ ɤɪɢɟ, ɧɚʁɧɚɩɪɟɞ ɩɪɟɞ
ɫè ɢ ɧɚɞ ɫè ɩɢɲɭɜɚɦ ɡɚ ɫɜɨʁɚɬɚ ɫɨɩɫɬɜɟɧɚ ɞɭɲɚ. ɇɟɲɬɨ ɩɨɫɢɥɧɨ ɨɞ ɦɟɧɟ, ɲɬɨ,
ɡɚ ɠɚɥ, ɧɟ ɫɭɦ ɜɨ ɫɨɫɬɨʁɛɚ ʁɚɫɧɨ ɞɚ ɝɨ ɞɟɮɢɧɢɪɚɦ, ɦɟ ɩɪɢɧɭɞɭɜɚ ɞɚ ɫɟ ɨɛɢɞɚɦ
ɩɪɟɤɭ ɥɢɬɟɪɚɬɭɪɚɬɚ ɞɚ ɝɨ ɨɛɢɫɬɢɧɚɦ ɨɧɚ ɲɬɨ ɝɨ ɱɭɜɫɬɜɭɜɚɦ, ɢ ɟɜɟɧɬɭɚɥɧɢɨɬ
ɭɫɩɟɯ ɦɟ ɜɨɫɯɢɬɭɜɚ, ʁɚ ɢɫɩɨɥɧɭɜɚ ɦɨʁɚɬɚ ɞɭɲɚ. ɇɨ, ɞɚ ɛɢɞɟ ʁɚɫɧɨ ɩɪɢ ɬɨɚ ɩɚ-
ɪɚɥɟɥɧɨ, ɩɚ ɞɭɪɢ ɢ ɦɧɨɝɭ ɩɨɩɪɨɞɥɚɛɨɱɟɧɨ, ɬɜɨɪɟʃɟɬɨ ɟ ɧɚɦɟɧɟɬɨ ɡɚ ɩɨɬɟɫɧɨ-
ɬɨ ɢ ɩɨɲɢɪɨɤɨɬɨ ɦɨɟ ɨɩɤɪɭɠɭɜɚʃɟ, ɡɚ ɧɚɫɬɚɧɢɬɟ, ɡɚ ɱɨɜɟɤɨɜɢɬɟ ɩɪɟɠɢɜɭɜɚ-
ʃɚ, ɫɟɤɨʁɞɧɟɜɧɢɬɟ ɠɢɜɨɬɧɢ ɩɪɨɛɥɟɦɢ


Ɇɨɟɬɨ ɥɢɬɟɪɚɬɭɪɧɨ ɬɜɨɪɟɲɬɜɨ ɩɨ ɫɜɨʁɨɬ ɨɛɟɦ ɧɟ ɟ ɝɨɥɟɦɨ. ȼɨ ɬɟɤɨɬ ɧɚ
ɢɡɦɢɧɚɬɢɬɟ ɝɨɞɢɧɢ, ɬ.ɟ. ɝɨɞɢɧɢɬɟ ɨɬɤɚɤɨ ɫɭɦ ɩɟɧɡɢɨɧɟɪ, ɫɭɦ ɫɨɡɞɚɥ (ɢɡɞɚɥ)
ɜɤɭɩɧɨ ɨɫɭɦ ɞɟɥɚ, ɞɨɞɟɤɚ ɟɞɟɧ ɪɨɦɚɧ ɢ ɟɞɧɚ ɧɨɜɚ ɡɛɢɪɤɚ ɪɚɫɤɚɡɢ, ɤɚɤɨ ɢ ɱɟɬɢ-
ɪɢ ɧɨɜɢ ɦɨɧɨɞɪɚɦɢ, ɨɱɟɤɭɜɚɚɬ ɩɨɞɨɛɪɢ ɞɟɧɨɜɢ, ɨɞɧɨɫɧɨ ɮɢɧɚɧɫɢɫɤɢ ɫɪɟɞ-
ɫɬɜɚ.


Ⱦɨɫɟɝɚ ɜɢɞɟɥɢɧɚɬɚ ɧɚ ɞɟɧɨɬ ɨɞ ɦɨɟɬɨ ɬɜɨɪɟɲɬɜɨ ɜɢɞɟɥɟ: ɟɞɧɚ ɡɛɢɪɤɚ ɦɨɧɨ-
ɞɪɚɦɢ (ɩɟɬ ɦɨɧɨɞɪɚɦɢ), ɟɞɧɚ ɡɛɢɪɤɚ ɪɚɫɤɚɡɢ (ɱɟɬɢɪɢɧɚɟɫɟɬ ɧɚ ɛɪɨʁ), ɩɟɬ ɪɨɦɚɧɢ.




Деветта роднокрајна средба…


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ɇɨ, ɛɪɨʁɨɬ ɧɚ ɢɡɞɚɞɟɧɢɬɟ ɞɟɥɚ, ɨɩɲɬɨ ɩɨɡɧɚɬɨ ɟ, ɧɟ ɫɟ ɝɚɪɚɧɰɢʁɚ ɢ ɡɚ
ɧɢɜɧɢɨɬ ɤɜɚɥɢɬɟɬ. ȼɨ ɬɨʁ ɤɨɧɬɟɤɫɬ ɡɚ ɦɟɧɟ ɨɞ ɢɡɜɨɧɪɟɞɧɨ ɡɧɚɱɟʃɟ ɩɪɟɬɫɬɚɜɭ-
ɜɚ ɦɢɫɥɟʃɟɬɨ ɡɚ ɟɞɧɨ ɦɨɟ ɞɟɥɨ (ɪɨɦɚɧɨɬ ,,Ɉɞ ɦɨʁɚɬɚ ɚɜɬɨɛɢɨɝɪɚɮɢʁɚ“) ɨɞ ɧɚ-
ɲɢɨɬ ɩɨɡɧɚɬ ɢ ɨɩɲɬɨ ɩɪɢɡɧɚɬ ɥɢɬɟɪɚɬ ȼɥɚɞɢɦɢɪ Ʉɨɫɬɨɜ. ɇɟ ɜɟɪɭɜɚɦ ɞɟɤɚ ɬɨʁ
ɨɧɚ ɲɬɨ ɦɟɧɟ ɦɢ ɝɨ ɤɚɠɚɥ ɝɨ ɩɨɦɧɢ, ɧɨ ʁɚɫ ɧɟ ɦɨɠɚɦ ɞɚ ɝɨ ɡɚɛɨɪɚɜɚɦ. ɂɦɟɧɨ,
ɧɚ 14 ɦɚɪɬ 2007 ɝɨɞɢɧɚ, ɩɪɟɞ ɞɚ ɡɚɩɨɱɧɟ ɩɪɟɡɟɧɬɢɪɚʃɟɬɨ ɧɚ ɫɩɢɫɚɧɢɟɬɨ
,,ɋɭɦ“ ɨɞ ɝɪɚɞɨɬ ɒɬɢɩ, ɦɟ ɩɨɜɢɤɚ ɞɚ ɫɟɞɧɚɦ ɞɨ ɧɟɝɨ.


,,ɋɚɤɚɦ ɞɚ ɩɨɡɛɨɪɭɜɚɦɟ ɡɚ ɬɜɨʁɚɬɚ ɤɧɢɝɚ ,,Ɉɞ ɦɨʁɨɬ ɚɜɬɨɥɟɬɨɩɢɫ“ (ɦɢ ɤɚ-
ɠɚ). ɂɦɚɲ ɪɚɮɢɧɢɪɚɧ ʁɚɡɢɤ, ɨɞɥɢɱɟɧ ɩɪɢɨɞ, ɨɞɥɢɱɟɧ ɫɬɢɥɫɤɢ ɢɡɪɚɡ. Ʉɧɢɝɚɬɚ
ɢɦɚ ɪɚɪɢɬɟɬɧɚ ɜɪɟɞɧɨɫɬ ɤɚɤɨ ɩɨ ɩɪɢɫɭɬɧɚɬɚ ɬɟɦɚɬɢɤɚ, ɬɚɤɚ ɢ ɩɨ ɫɜɨʁɚɬɚ ɭɦɟɬ-
ɧɢɱɤɚ ɜɪɟɞɧɨɫɬ“.


ɂɫɬɢɨɬ ɩɪɟɞ ɝɨɞɢɧɢ, ɨɬɤɚɤɨ ɩɪɨɱɢɬɚ ɧɟɤɨɥɤɭ ɦɨɢ ɪɚɫɤɚɡɢ ɩɨɞɨɰɧɚ ɩɟ-
ɱɚɬɟɧɢ ɜɨ ɡɛɢɪɤɚɬɚ ɪɚɫɤɚɡɢ ,,Ɂɚ ɫɥɚɜɚɬɚ ɧɚ...“, ɦɢ ɝɨ ɪɟɱɟ ɫɥɟɞɧɨɬɨ: ,,ɋɟ ɪɨɞɢ
ɧɨɜ ɩɢɫɚɬɟɥ“.


ɋɥɨɛɨɞɟɧ ɫɭɦ ɞɚ ɫɟ ɩɨɮɚɥɚɦ ɞɟɤɚ ɧɚɲɢɨɜ ɩɪɢʁɚɬɟɥ, ɨɜɞɟ ɩɪɢɫɭɬɧɢɨɬ
ɩɢɫɚɬɟɥ ɉɟɬɪɟ Ⱦɢɦɨɜɫɤɢ, ɩɪɢ ɟɞɧɚ ɧɚɲɚ ɩɪɨɲɟɬɤɚ ɜɨ ɚɬɚɪɨɬ ɧɚ ɫɟɥɨɬɨ Ⱦɨɥɧɨ
Ɉɪɟɨɜɨ, ɛɟɡ ʁɚɫ ɞɚ ɝɨ ɩɪɚɲɚɦ, ɫɟ ɢɡɪɚɡɢ: ,,Ɍɜɨɟɬɨ ɩɢɲɭɜɚʃɟ ɟ ɭɛɚɜɨ, ɦɟɧɟ ɦɢ
ɫɟ ɛɟɧɞɢɫɭɜɚ“.


ɋɥɢɱɧɨ ɫɟ ɢɡɪɚɡɢɥɟ ɢ ɧɟɤɨɢ ɞɪɭɝɢ ɦɨɢ ɩɪɢʁɚɬɟɥɢ. ɇɚ ɩɪɢɦɟɪ, ɩɨɤɨʁɧɚɬɚ
ɦɨʁɚ ɫɨɭɱɟɧɢɱɤɚ ɉɚɭɥɚ Ɇɚɟɪ, ɢɡɜɨɧɪɟɞɟɧ ɩɨɡɧɚɜɚɱ ɨɫɨɛɟɧɨ ɧɚ ɤɥɚɫɢɱɧɚɬɚ ɥɢ-
ɬɟɪɚɬɭɪɚ, ɚ ɢ ɫɚɦɚɬɚ ɚɜɬɨɪ ɧɚ ɧɟɤɨɢ ɪɚɫɤɚɡɢ. ɉɨɬɨɚ, Ⱦɢɦɢɬɚɪ Ⱦɢɦɢɬɪɨɜɫɤɢ,
ɞɢɩɥɨɦɢɪɚɧ ɚɪɯɢɬɟɤɬ ɜɨ ɩɟɧɡɢʁɚ, ɱɨɜɟɤ ɱɢɟ ɩɢɲɭɜɚʃɟ ɧɚ ɧɚɩɢɫɢ ɦɟ ɜɨɨɞɭ-
ɲɟɜɭɜɚ ɢ ɞɪ.


Ɇɨɠɟɛɢ, ɧɟɜɟɪɨʁɚɬɧɨ ʅɟ ɩɪɨɡɜɭɱɢ, ɩɨɝɥɟɞɧɚɬɨ ɪɟɚɥɧɨ ɢɦɚʁʅɢ ɝɨ ɩɪɟɞ-
ɜɢɞ ɧɚɲɢɨɜ ɦɟɧɬɚɥɢɬɟɬ, ɧɨ ʁɚɫ ɩɪɟɤɭ ɫɨɡɞɚɜɚʃɟɬɨ ɧɚ ɦɨɢɬɟ ɥɢɬɟɪɚɬɭɪɧɢ ɞɟɥɚ
ɧɢɤɨɝɚɲ ɧɟ ɫɭɦ ɩɨɦɢɫɥɢɥ ɞɚ ɫɨɡɞɚɜɚɦ ɡɚ ɫɟɛɟ ɧɟɤɚɤɨɜ ɫɩɨɦɟɧɢɤ. ɇɟɨɫɩɨɪɧɨ,
ɜɟɪɭɜɚɦ, ɫɨɡɞɚɞɟɧɨɬɨ ɬɜɨɪɟɲɬɜɨ ʅɟ ɨɫɬɚɜɢ ɬɪɚɝɢ. Ʉɚɤɜɢ ɬɪɚɝɢ, ɧɟ ɡɧɚɦ ɢ ɧɟ
ɫɚɤɚɦ ɞɚ ɡɧɚɦ. ɇɨ, ɤɨɝɚ ɩɨ ɢɡɜɟɫɧɨ ɩɨɦɢɧɚɬɨ ɜɪɟɦɟ ɨɞ ɢɡɞɚɜɚʃɟɬɨ ɧɚ ɧɟɤɨɟ
ɦɨɟ ɞɟɥɨ ʅɟ ɫɟ ɜɪɚɬɚɦ ɧɚ ɧɟɝɨ ɢ ʅɟ ɝɨ ɩɪɨɱɢɬɚɦ, ɧɚʁɱɟɫɬɨ ɧɟ ɦɟ ɩɨɫɪɚɦɭɜɚ, ɧɚ-
ɩɪɨɬɢɜ ɦɟ ɩɨɬɬɢɤɧɭɜɚ ɤɨɧ ɩɢɲɭɜɚʃɟ ɧɚ ɧɟɤɨʁ ɧɨɜ ɬɟɤɫɬ.


ɇɚ ɫɚɦɢɨɬ ɤɪɚʁ ɫɚɤɚɦ ɞɚ ɩɨɰɪɬɚɦ ɞɟɤɚ ɡɧɚɦ ɤɨɝɚ ʅɟ ɫɨɡɞɚɞɚɦ ɞɟɥɨ ɨɞ ɧɟ-
ɤɨɝɨ ʅɟ ɛɢɞɟ ɩɪɨɱɢɬɚɧɨ. Ʉɚɤɨɜ ʅɟ ɛɢɞɟ ɜɩɟɱɚɬɨɤɨɬ ɧɚ ɱɢɬɚɬɟɥɨɬ ɧɟ ɡɚɜɢɫɢ
ɫɚɦɨ ɨɞ ɞɟɥɨɬɨ, ɚɦɢ ɢ ɨɞ ɫɚɦɢɨɬ ɱɢɬɚɬɟɥ.


ɋɟ ɫɨɝɥɚɫɭɜɚɦ ɫɨ ɚɜɬɨɪɨɬ (ɚɜɬɨɪɢɬɟ) ɩɪɢ ɨɛɪɚɡɥɨɠɭɜɚʃɟɬɨ ɧɚ ɞɚɞɟɧɚɬɚ
ɬɟɦɚɬɢɤɚ ɞɟɤɚ ,,...ɩɢɲɭɜɚʃɟɬɨ ɦɢ ɞɚɜɚ ɠɢɜɨɬɧɚ ɫɢɥɚ“. Ⱦɚ, ɬɨɚ ɟ ɬɨɱɧɨ. Ʉɨɝɚ
ɫɟ ɩɪɚɜɚɬ ɧɚɩɨɪɢ ɩɪɢ ɫɨɡɞɚɜɚʃɟɬɨ ɧɚ ɧɟɤɨɟ ɞɟɥɨ, ɤɨɝɚ ɬɨɚ ɞɟɥɨ ɫɟ ɪɟɚɥɢɡɢɪɚ,
ɩɚ ɜɨ ɫɥɭɱɚʁ ɤɨɝɚ ʅɟ ɝɨ ɩɪɨɱɢɬɚɦ ɢ ʅɟ ɦɢ ɫɟ ɞɨɩɚɞɧɟ, ɫɟ ɡɞɨɛɢɜɚɦ ɫɨ ɧɨɜɢ
ɬɜɨɪɟɱɤɢ ɫɢɥɢ. Ⱦɚ, ɫɨɡɞɚɜɚʃɟɬɨ ɫɚɦɨ ɩɨ ɫɟɛɟ ɩɪɟɬɫɬɚɜɭɜɚ ɫɢɥɚ, ɤɨʁɚ ɧɟ ɫɟ
ɝɭɛɢ ɩɪɢ ɫɥɭɱɚʁ ɞɚ ɫɟ ɩɪɨɞɨɥɠɢ ɫɨ ɫɨɡɞɚɜɚʃɟ.


ɉɪɟɞɥɚɝɚɦ ɧɟɡɚɜɢɫɧɨ ɨɞ ɩɨʁɚɜɭɜɚʃɟɬɨ ɧɚ ɪɚɡɧɨ-ɪɚɡɧɢ ɩɪɟɱɤɢ, ɞɚ ɫɟ ɫɨɡ-
ɞɚɜɚ, ɞɚ ɫɟ ɬɜɨɪɢ, ɞɚ ɧɟ ɫɟ ɪɚɡɦɢɫɥɭɜɚ ɡɚ ɫɨɡɞɚɜɚʃɟ ɫɩɨɦɟɧɢɰɢ, ɬɭɤɭ ɧɚ ɥɢɬɟ-
ɪɚɬɭɪɧɢ ɞɟɥɚ ɨɞ ɭɛɚɜɚɬɚ ɥɢɬɟɪɚɬɭɪɚ.





НУУБ „Св. Климент Охридски“– Битола


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Dimitar Bogdanovski



WRITER’S JOB IS AN ART

In any way writer’s works should not be treated as delusion, because even


the worst work cannot be treated as delusion. I have never thought that through my
literary works I could make a monument. I must admit that I expect someone to
read my work. The art of creating the work itself creates an urge in the author to
continue with creating more and more. I do not want to hide, I write for my soul, I
try to write down what I feel and every success comforts my soul. Since I retired
I’ve published eight books. I can’t control this. It is stronger than me. I am a writer
and my works are not delusion and I am not in delusion pretending to be what I am
not.





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21





Ванде Ганчевски


ДУШЕВНА ХРАНА ЗА ДУШЕВНА ЛЕСНОТИЈА




[to }e pravev ako ne pi{uvav? Mo`ebi }e kisnev vo kafeana.


Ili bolna kockarska strast }e navale{e, nejzina `rtva da bidam...
Ili drogata..., daleku lo{oto da bide. Mo`ebi ako bev bez porok, po
cel den i no} }e bezdelni~ev, }e se dosaduvav, }e tresev nepostoe~ka,
neprisutna pra{ina od oblekata na mene, denot }e go ispra}av vo
nezna~ajni sitnici... Mo`ebi za~esteno }e zapa|av vo apatija, a nejzi-
niot virus bolno }e me rie{e. Vaka odbiraj}i go pi{uvaweto dozvoliv
da me rie poseben virus vlezen vo mene koj nosi bla`ina niz mene i de-
not mi go razubavuva. Vo mene pravi duhovna harmonija, za po pi{uva-
weto da sledi du{evna lesnotija.


Za toa dali moeto pisatelsko rabotno tvore{tvo e zabluda ili
e ne{to drugo, eve eden izvadok od mojot roman, „Bev tamu i se vrativ“:


„A ova utro, sortniot petel Ko~o ~uvan vo dekorativen kafez,
koga go pu{ti rapaviot monoton glas za da ja ka`e kusata sopstvena
monodrama niz utrinskoto premre`e, sigurno so razmavtani ra{ireni
krila kako da se sprema za letnuvawe, ili da si dade sila vo glasot, jas
sum dizel-motor koj ne saka da zapali. Mojot mozok vo utrinskoto sivi-
lo ne saka da se aktivira. Deneska denot }e bide ispolnet so neostva-
rena `elba i nezadovolstvo? ]e bide tragedija? Deneska }e sum bo-
len? Ne }e mo`am da zemam dnevna doza du{evna hrana?


Kafeto se lade{e, nade` gledam vo nego i vo toplinata {to ja
dava kvarcnata pe~ka, vpe~atlivo be{e studeniloto. ^ekav ubavina da
napravat.


Ne pomaga, ne odi... Ne saka da trgne. Kako otka~en kinam, tutkam
nani`ani zborovi...Ko{nicata za otpadoci se polni. Ne mo`am da iz-
lezam vo presret na `elbata vo mene, a taa bara, saka da bide zadovole-
na, dnevnata doza da bide ispolneta. Vo stutkanite listovi ispletkani
se zborovi vo misli koi ne mi se dopa|aat. Se pletkaat i vo mojata gla-
va, vo mene, jas vo niv, zaedno i tie i celiot jas... Gi raspletkuvam su-
redeno da gi stavam na hartija... Ne uspevam. I toj se tutka, vadam
drug ~ist, mazen bel, `eden na nego da nalegnat misli, izbor ne pra-
vi... Toa e moja obvrska, selekcija da se pravi kako pri vezewe na gob-
len, boite da se pogodat. Ne mo`am, ednostavno ne odi. Go slu{am ~eko-
rot na utroto, sam osamen, a sakam da sum so moite misli, tie, pak,
lo{o dru{tvo se ova utro. Neposlu{ni, ra{trkani, kako str{en da gi




НУУБ „Св. Климент Охридски“– Битола


22


kasnal. Taze rodeni vo mojata glava, vedna{ stanuvaat ne~ij plen...
Ne{to mi gi tol~i, potoa gi golta, jas ostanuvam bez niv.


I povtorno se obiduvam, so nova nade` `elbata se sili, se razgo-
ruva, i... ni{to. Uf, kolku e ma~no ambicijata da ne mo`e{ da ja zado-
voli{. A taa, pak, dominantna ostanuva, nikoga{ ne mi ostava slobod-
no vreme vo glavata, bara sekoga{ da ima misli, kakvi-takvi.


I povtorno, sega so drska sigurnost na rutiniran qubovnik, pov-
torno vadam ~ist list, nevin. Nade`no nalegnuva na biroto pred mene i
~eka na nego da nalegnat izvieni top~esti i aglesti bukvi. Nade`na e
i `elbata, i strasta, i virusot vo mene, bolesta... Da, i bolesta nedi-
jagnosticirana. Ja nema vo nitu eden medicinski re~nik, leksikon ili
vo praksata. Samo generalno, pasija, opsesija, vokacija... Ponekade du-
{evna hrana, zadovoluvawe na strasta... Ne e bitno, bitno e {to jas sum
zarazen bolen... Od neotkriena bolest. More i toa ne e mnogu va`no, ne
me zagri`uva dali }e se izle~am ili ne, dali }e mi se debelee zadnikot
sedej}i, a mozokot }e go ma~am i rijam, va`no za mene e da primam dnev-
na doza... Ne{to da napi{am.


I ovoj e stutkan, nervozno napraven vo forma na jajce. Dodeka le-
ta, se pot~inuva na silata od mojot zamav, niz letot e promenliv, za-
baven koga }e dojde posebno na najvisokata to~ka. Zavisen e od mojot
zamav, za~esteno nervozen i silen, se podveduva na Zemjinata te`a vo
mene. Dodeka leta se sprotivstavuva kon nego veterot od prekorniot
pogled na prepolnetata ko{nica, kako da veli, „Kade, kade leta{, za-
rem ne gleda{ prepolna sum, nema mesto za tebe, }e treba ostanatite da
se pritiskaat i da negoduvaat, komocija ne mo`am da im dadam...“.


Jas pak go ostram vidot za da ja zabele`am najvisokata to~ka od
letot na topkata hartija od kade }e po~ne da se strmoglavuva vo ko{-
nicata. E, do sega ne mi uspeva{e, sega ja zabele`uvam... Zastanuva vo
mig, siten mig, kako da se odmora, kako da razmisluva kade le`i{te
da najde vo ko{nicata, ili kako da se sozema od uplav dobien od ner-
vozniot zamav moj i pag, a ramnodu{no, so vidlivo namalena brzina,
oladena od mojata `e{tina...Presmetav, leta dve metra vo sekunda.


Ko{nicata se polni, pepelnikot se polni, jas ova utro ostanuvam
prazen.


Utrinskoto sivilo zaminuva.
Maalskata prodavnica se otvora, rastovaraat leb, mleko... Za de-


setina minuti znam }e navalat doma}inkite da pazaruvaat. A jas ne na-
pi{av nitu eden doma}inski list, onakov kakov {to sakam. Ednostav-
no, stutkanite ne mi se dopa|aa“.


E, jas bez gornata ispolnata navika, ne mo`am da go zamislam po-
~etokot na denot, negoviot kraj ili po~etokot na no}ta. Deneska mi e
potrebna duhovnata harmonija {to mi ja nosi pi{uvaweto, isto kako
{to mu bila potrebna na nekogo i vo antikata. Zatoa ja neguvam, ~uvam
i ja hranam so pi{uvaweto i ja kanam za~esteno da me plakni. Zna~i




Деветта роднокрајна средба…


23


gledano od strana na profilot, ne mo`e da se re~e deka moeto tvorewe
niz pi{uvaweto e zabluda. Ako se zavrtime na sprotivnata strana, e
tamu }e ja najdeme zabludata na toj {to tvori, pi{uva i si go cepi umot
za da dojde do prodaden pogolem tira`, da dojde do nagrada, do slava
ili ubava kritika i sli~no za li~no zadovolstvo, posebno niz materi-
jalni sredstva. Ovaa strana ne ja gleda ubavinata i zadovolstvoto samo
niz pi{uvaweto. Potragata niz pi{uvaweto po ubavina i zadovolstvo
e ve}e ~ista ubavina koja zra~i zadovolstvo. I da bide zabluda, gleda-
no od nekoe }o{e na materijalnoto perde, za mene ne e zabluda, bidej}i
si napravil vizija, si aktiviral akcija i si pliva{ niz svoj son, a za
vlo`eniot trud, da go par~osuva{ mozokot so ovoj porok za da go otvo-
ri{ materijalnoto perde e ~ista akcija bez vizija, a toa ne e ni{to
drugo deneska, samo e vistinski ko{mar i zabluda, deka }e stane pisa-
telot slaven i bogat vo dene{niov stadium na razvoj od dene{noto ma-
kedonsko podra~je.


Stavaj}i gi na palanza profilot i negoviot avers, nate`nuva vo
mojot pogled duhovnata harmonija koja nosi labavewe na mozo~nite me-
ni, ja vra}a samodoverbata, ponekoga{ nosi nasmevka i za~esteno zado-
volstvo i otstranuva sekakvo du{evno mrclaewe. A toga{ koncentra-
cijata i motivacijata se spravuvaat so mislite {to ma~at i so proble-
mite nakalemeni vo glavata. Ona {to ti{ti i ma~i vo du{ata sega e
kanalizirano i lesno se spravuva preku i niz pi{uvaweto. Mene denes-
ka mi e milo pi{uvaweto {to mi stana rutina. Najbitno niz penzio-
nerskite denono}ija e {to go gazi i vremeto i topi eventualni pro-
blemi i problem~iwa {to denovi zasednale, i toa bez nikakov primen
medikament ili psihoterapija. Stanuva{ po~ist, pospremen za soo~u-
vawe so naredni problemi od denot na `ivotot. Zatoa gledano niz
blagodetot na duhovnata skladnost {to go nosi pi{uvaweto, moeto pi-
{uvawe nema zabluda. U{te pove}e {to dene{novo vreme na kakvo-
takvo `iveewe, bara pove}e misla i smisla, no i emotivna sila i
upornost, za da se otfrlat ili zgaznat crnite misli, nakalemeni od
dene{niov uriet {to demnat i niz denot i niz no}ta i nosat niza
negativni poroci, a nie sme dol`ni da gi otfrlime, da ne visat pred
nas kako zdebelena paja`ina, da gi otstranime, da gi zaboravime...





НУУБ „Св. Климент Охридски“– Битола


24




Vande Ganchevski





SOUL FOOD FOR EMOTIONAL EASE

The small street shop opens, unloads bread, milk… In ten minutes the


housewives will hurry inside for their morning shopping. I hav not still written any
page, only those thrown in the trash can. With this habit I start my day, the end of
the day and the start of the night is all the same. Today, I need my peace which I
get from writing, same as writers needed in the antic times, too. That is why I
cherish, guard and feed it with writing, at the same time inviting it to calm me
down. From this point of view there is no any delusion in writing, especially
nowadays when life needs more sense and respect, as well as an emotional strength
and persistence, in order to reject the black thoughts accumulated from the daily
events and even more from the misfortunes in the past.


The quest for beauty and satisfaction through writing is pure beauty which
emanates from the writer as self-satisfaction.




Деветта роднокрајна средба…


25




Петре Димовски





МОЈАТА ПИСАТЕЛСКА РАБОТА – ТВОРЕЧКО ДЕЛО
СО МАГИЈА ОД ЗАНЕС





ȳɚɫ ɦɨɠɚɦ ɥɢ ɢ ɫɦɟɚɦ


ɥɢ ɧɚ ɨɧɚ ɞɟɬɟ ɨɞ ɜɬɨɪɨ ɨɞ-
ɞɟɥɟɧɢɟ ɤɨɟ ʁɚ ɩɪɢɝɪɚɛɢɥɨ
ɦɚɝɢʁɚɬɚ ɧɚ ɩɟɫɧɢɱɤɚɬɚ ɢ ɫɟ
ɡɚɪɟɤɭɜɚ ɞɟɤɚ ʅɟ ɧɚɩɪɚɜɢ ɫè
ɜɨ ɠɢɜɨɬɨɬ ɡɚ ɞɚ ʁɚ ɨɜɥɚɞɟɟ ɢ
ɞɚ ɡɚɰɚɪɭɜɚ ɫɨ ɧɟɚ, ɞɚ ɦɭ ɝɨ
ɢɡɝɨɜɨɪɚɦ ɡɛɨɪɨɬ ɞɟɤɚ ɬɨɚ
ɬɨɝɚɲ ɛɢɥɨ ɜɨ ɡɚɛɥɭɞɚ?! ɇɟ,
ɬɨʁ ɡɛɨɪ ɜɨɨɩɲɬɨ ɧɟ ɫɦɟɚɦ
ɞɚ ɝɨ ɢɡɝɨɜɨɪɚɦ, ɡɚɲɬɨ ɧɟɦɚ
ɩɨɫɬɨɟʃɟ ɧɚ ɧɢɤɚɤɜɚ ɞɢɥɟɦɚ.


ɂɡɛɨɪɨɬ ɩɢɫɚɬɟɥ ɡɚ ɦɟɧɟ ɟ ɢɞɟɚɥ, ɫɨɧ, ɦɚɝɢʁɚ ɢ ɜɨ ɧɚʁɫɢɥɧɨ ɜɟɪɭɜɚʃɟ –
ɛɨɠʁɚ ɞɚɪɛɚ. ɉɢɫɚɬɟɥɫɤɚɬɚ ɪɚɛɨɬɚ ɟ ɟɞɟɧ ɩɚɬ, ɟɞɧɚ ɰɟɥ, ɟɞɟɧ ɤɨɩɧɟɠ, ɤɨʁ ɫɟ
ɫɥɟɞɢ ɢɧɫɬɢɧɤɬɢɜɧɨ, ɨɞɛɟɝɧɭɜɚʁʅɢ ɢɦ ɧɚ ɦɨɦɟɧɬɚɥɧɢɬɟ ɩɪɟɞɢɡɜɢɰɢ ɞɚ ɫɟ ɫɤɪ-
ɲɧɟ ɩɨ ɩɚɬɢɲɬɚ ɤɨɢ ɧɭɞɚɬ ɢɞɟɚɥɟɧ ɠɢɜɨɬ ɨɬɮɪɥɚʁʅɢ ɝɨ ɩɢɫɚɬɟɥɨɬ.


ɉɢɲɭɜɚʃɟɬɨ ɡɚ ɦɟɧɟ ɟ ɞɜɢɠɟʃɟ, ɩɚɬɭɜɚʃɟ ɤɨɧ ɟɞɧɚ ɰɟɥ, ɧɟɜɢɞɥɢɜɚ ɧɨ
ɩɪɢɫɭɬɧɚ ɞɚɥɟɤɭ ɡɚɞ ɜɢɫɨɤɢ ɫɩɢɥɟɫɬɢ ɝɪɟɛɟɧɢ, ɡɚɞ ɧɟɢɫɬɪɚɠɟɧɢ ɩɭɫɬɢɧɢ, ɩɪɟ-
ɤɭ ɧɚɞɨʁɞɟɧɢ ɪɟɤɢ, ɧɢɡ ɧɟɨɬɜɨɪɟɧɢ ɧɟɩɪɨɨɞɢ. ɋɟ ɨɞɢ ɧɢɡ ɧɟɨɫɜɨɟɧɢ ɬɟɪɟɧɢ
ɤɚɞɟ ɰɟɥɚɬɚ ɢɞɧɢɧɚ ɬɪɟɛɚ ɞɚ ɫɟ ɨɫɜɨʁɭɜɚ, ɢ ɬɚɚ ɲɬɨ ɦɭ ɨɫɬɚɧɭɜɚ ɧɚ ɠɢɜɨɬɨɬ, ɢ
ɬɚɚ ɲɬɨ ɞɨɚɼɚ ɩɨ ɧɟɝɨ.


Ⱥ ɩɨ ɬɨʁ ɫɜɨʁ ɩɚɬ ɫɥɟɞɚɦ ɟɞɧɚ ɫɜɟɬɥɢɧɚ, ɢɡɜɨɪ ɧɚ ɫɜɟɬɥɢɧɚ ɤɨʁ ɧɟ ɫɟ ɨɬ-
ɜɨɪɚ ɨɞɟɞɧɚɲ, ɧɨ ɦɧɨɝɭ ɩɨɫɬɚɩɧɨ, ɬɚɢɧɫɬɜɟɧɨ ɢ ɫɤɪɠɚɜɨ, ɚ ɦɨʁɚɬɚ ɧɚɫɨɱɟɧɨɫɬ
ɟ ɬɨʁ ɨɞɟɞɧɚɲ ɞɚ ɛɥɢɤɧɟ ɢ ɞɚ ɪɚɡɥɟɟ ɤɚɤɨ ɩɨɩɥɚɜɚ ɧɢɡ ɞɭɯɨɜɧɢɨɬ ɩɪɨɫɬɨɪ. ɉɢ-
ɫɚɬɟɥɫɤɚɬɚ ɞɚɪɛɚ ʁɚ ɨɬɤɪɢɜɚɦɟ ɧɢɟ ɜɨ ɫɟɛɟ, ɧɨ ʁɚ ɩɪɟɩɨɡɧɚɜɚɚɬ ɞɪɭɝɢɬɟ ɜɨ ɧɚɫ.
Ⱥ ɢ ɞɚ ɧɟ ʁɚ ɨɬɤɪɢɟɦɟ, ɩɨɜɢɤɚɧɢɬɟ ɡɚ ɬɨɚ ʅɟ ʁɚ ɩɪɟɩɨɡɧɚɚɬ.


ɉɢɫɚɬɟɥ ɧɟ ɫɟ ɫɬɚɧɭɜɚ, ɩɢɫɚɬɟɥɨɬ ɫɟ ɪɚɼɚ ɩɢɫɚɬɟɥ. ɉɢɫɚɬɟɥɨɬ ɟ ɱɨɜɟɤ ɫɨ
ɞɨɫɬɨɢɧɫɬɜɨ. ɋɨ ɝɨɥɟɦɨ ɞɨɫɬɨɢɧɫɬɜɨ, ɢ ɩɢɫɚɬɟɥɨɬ ɝɨ ɢɫɩɨɥɧɭɜɚ, ɝɨ ɪɚɞɭɜɚ
ɞɨɫɬɢɝɧɭɜɚʃɟɬɨ ɨɞ ɞɪɭɝɢɨɬ ɢ ɩɨɫɚɤɭɜɚ ɩɨɫɬɨʁɚɧɨ ɞɚ ɫɟ ɫɪɟʅɚɜɚ ɫɨ ɤɜɚɥɢɬɟɬɨɬ
ɤɚʁ ɞɪɭɝɢɨɬ. ɇɟɤɜɚɥɢɬɟɬɨɬ ɩɪɨʁɚɜɟɧ ɤɚʁ ɞɪɭɝɢɨɬ ɝɨ ɬɪɟɜɨɠɢ, ɝɨ ɢɪɢɬɢɪɚ, ɝɨ
ɨɛɟɫɩɨɤɨʁɭɜɚ ɢ ɧɟ ɦɨɠɟ ɞɚ ɝɨ ɩɪɢɮɚɬɢ. ɋɨ ɬɚɤɜɚɬɚ ɫɨɝɥɟɞɛɚ ɫɟ ɨɬɤɪɢɜɚ ɞɟɤɚ
ɬɨʁ ɧɟ ɫɟ ɩɥɚɲɢ ɨɞ ɤɨɧɤɭɪɟɧɰɢʁɚ ɧɨ ʁɚ ɫɚɤɚ ɤɨɧɤɭɪɟɧɰɢʁɚɬɚ, ɧɟ ɝɨ ɦɢɧɢɦɢɡɢɪɚ




НУУБ „Св. Климент Охридски“– Битола


26


ɧɨ ɝɨ ɨɛɨɠɚɜɚ ɤɜɚɥɢɬɟɬɨɬ, ɩɨɫɬɢɝɧɭɜɚʃɟɬɨ ɤɚʁ ɞɪɭɝɢɨɬ. Ɍɚɤɨɜ ɟ ɩɢɫɚɬɟɥɨɬ ɜɨ
ɦɟɧɟ. ɋɟɤɨʁ ɩɢɫɚɬɟɥ ɬɨɚ ɝɨ ɩɪɨɧɚɨɼɚ ɜɨ ɫɟɛɟ ɢ ɬɨɚ ɝɨ ɢɫɩɨɥɧɭɜɚ ɫɨ ɱɭɜɫɬɜɨ ɧɚ
ɜɨɡɜɢɲɟɧɨɫɬ. ɋɚɦɚ ɩɨ ɫɟɛɟ ɤɨɧɤɭɪɟɧɰɢʁɚɬɚ ɜɨ ɩɪɨɮɟɫɢɢɬɟ ɩɨɞɪɚɡɛɢɪɚ ɛɟɫɤɨ-
ɦɩɪɨɦɢɫɧɚ ɛɨɪɛɚ ɜɨ ɭɪɢɜɚʃɟ, ɚ ɤɚʁ ɩɢɫɚɬɟɥɨɬ ɩɨɫɬɨɢ ɜɨɡɞɢɝɧɚɬɨ ɱɭɜɫɬɜɨ ɭɫ-
ɩɟɯɨɬ, ɤɜɚɥɢɬɟɬɨɬ, ɞɨɫɬɢɝɧɭɜɚʃɟɬɨ ɤɚʁ ɞɪɭɝɢɨɬ ɞɚ ɫɟ ɚɮɢɪɦɢɪɚ, ɞɚ ɫɟ ɩɪɨʁɚɜɢ
ɱɭɜɫɬɜɨ ɤɚɤɨ ɤɚʁ ɫɜɨʁ ɭɫɩɟɯ. ɋɟɛɢɱɧɨɫɬɚ ɧɟ ɟ ɫɜɨʁɫɬɜɟɧɚ ɡɚ ɩɢɫɚɬɟɥɢɬɟ.


Ʉɨɧ ɩɢɫɚɬɟɥɫɤɚɬɚ ɪɚɛɨɬɚ ɦɨɠɚɦ ɞɚ ɜɟɪɭɜɚɦ ɞɟɤɚ ɫɭɦ ɫɟ ɨɩɪɟɞɟɥɢɥ ɭɲɬɟ
ɨɞ ɜɬɨɪɨ ɨɞɞɟɥɟɧɢɟ ɢ ɩɨɬɨɚ ɫɭɦ ɱɢɬɚɥ ɫè ɲɬɨ ɦɢ ɞɨɲɥɨ ɡɚ ɱɢɬɚʃɟ. ȼɨ ɬɢɟ ɝɨ-
ɞɢɧɢ ɫɟ ʁɚɜɢɥ ɩɪɜɢɨɬ ɩɪɟɞɢɡɜɢɤ ɞɚ ɧɚɩɢɲɚɦ ɧɟɲɬɨ, ɚ ɧɟɫɩɨɫɨɛɟɧ ɞɚ ɧɚɩɢ-
ɲɚɦ, ɞɚ ɫɨɡɞɚɞɚɦ, ɞɚ ɪɚɫɤɚɠɚɦ, ɞɚ ɫɨɫɬɚɜɚɦ. Ɍɚɚ ɨɩɪɟɞɟɥɛɚ ɦɟ ɜɨɞɟɥɚ ɩɨɫɬɨ-
ʁɚɧɨ ɞɚ ɨɬɤɪɢɜɚɦ ɢ ɨɫɨɡɧɚɜɚɦ, ɡɚɲɬɨ ɩɢɫɚɬɟɥɨɬ ɝɨ ɫɮɚʅɚɜ ɫɟɡɧɚʁɤɨ ɢ ɡɚ ɞɚ ɨɞ-
ɝɨɜɨɪɚɦ ɧɚ ɬɨʁ ɩɨɜɢɤ ɜɨ ɦɟɧɟ ɫɟ ɨɩɪɟɞɟɥɭɜɚɜ ɤɨɧ ɩɪɨɭɱɭɜɚʃɚ ɢ ɨɬɤɪɢɜɚʃɚ.
ɇɢɡ Ⱥɜɫɬɪɚɥɢʁɚ ɤɚɤɨ ɦɥɚɞ ɩɟɱɚɥɛɚɪ ɦɢɧɭɜɚɜ ɤɚɤɨ ɭɪɚɝɚɧ. ɉɪɟɞ ɜɢɤɟɧɞɨɬ ʁɚ
ɧɚɩɭɲɬɚɜ ɟɞɧɚɬɚ ɪɚɛɨɬɚ ɢ ɩɨ ɜɢɤɟɧɞɨɬ ɩɨɱɧɭɜɚɜ ɫɨ ɪɚɛɨɬɚ ɜɨ ɞɪɭɝ ɝɪɚɞ, ɜɨ
ɞɪɭɝɢ ɭɫɥɨɜɢ, ɜɨ ɮɚɛɪɢɤɢ, ɜɨ ɬɭɧɟɥɢ, ɜɨ ɪɭɞɧɢɰɢ, ɩɨ ɩɥɚɧɢɧɢ, ɧɚɞ ɦɨɪɢʃɚ.
Ɇɟ ɜɨɞɟɥ ɩɚɬɨɬ ɧɚ ɩɢɫɚɬɟɥɨɬ. ɉɨɤɪɚʁ Ɏɢɥɨɥɨɲɤɢɨɬ ɮɚɤɭɥɬɟɬ, ɡɧɚɟʃɚ ɫɨɛɢɪɚɜ
ɩɚɪɚɥɟɥɧɨ ɫɬɭɞɢɪɚʁʅɢ ɧɚ ɟɤɨɧɨɦɫɤɢ ɧɚɭɤɢ, ɩɚ ɧɚ ɪɭɫɤɢ ʁɚɡɢɤ. ɂɡɜɨɪɧɨ ɧɚ ɚɧ-
ɝɥɢɫɤɢ ɫɭɦ ɩɪɨɱɢɬɚɥ ɛɢɛɥɢɨɬɟɤɚ ɤɧɢɝɢ, ɧɚ ɚɧɝɥɢɫɤɢ ɝɢ ɱɢɬɚɦ ɢ ɫɟɝɚ ɧɚʁɝɨɥɟ-
ɦɢɬɟ ɞɨɫɬɢɝɧɭɜɚʃɚ ɧɚ ɱɨɜɟɤɨɜɢɨɬ ɭɦ. ɉɚɪɚɥɟɥɧɨ ɫɭɦ ɫɟ ɢɡɝɪɚɞɭɜɚɥ ɢ ɧɚ ɮɢ-
ɡɢɱɤɚ ɢɡɞɪɠɥɢɜɨɫɬ ɢ ɧɚ ɭɦɫɬɜɟɧɚ ɞɥɚɛɨɱɢɧɚ ɢ ɲɢɪɨɱɢɧɚ. ɋè ɫɭɦ ɩɨɞɪɟɞɭɜɚɥ
ɧɚ ɩɢɫɚɬɟɥɨɬ ɜɨ ɦɟɧɟ. ɋɭɦ ɪɚɛɨɬɟɥ ɚɜɬɨɦɨɛɢɥɫɤɚ ɦɟɯɚɧɢɤɚ, ɪɚɞɢɨ ɢ Ɍȼ-ɦɟɯɚ-
ɧɢɱɚɪɫɬɜɨ, ɟɥɟɤɬɪɢɱɧɚ ɦɪɟɠɚ, ɩɥɚɧɢɧɫɤɨ ɛɢɥɤɚɪɫɬɜɨ, ɧɨɜɢɧɚɪɫɬɜɨ, ɛɢɛɥɢɨɬɟ-
ɤɚɪɫɬɜɨ, ɩɪɨɮɟɫɨɪɫɬɜɨ, ɢɧɮɨɪɦɚɬɢɤɚ. ɋɭɦ ɭɱɟɫɬɜɭɜɚɥ ɜɨ ɤɨɦɢɫɢɢ ɨɞ ɪɚɡɧɢ
ɫɩɟɰɢʁɚɥɧɨɫɬɢ, ɜɨ ɩɨɩɢɫɢ, ɦɧɨɝɭ ɝɨɞɢɧɢ ɫɭɦ ɛɢɥ ɩɨɜɪɟɦɟɧ ɫɭɞɢʁɚ, ɩɪɨɭɱɭɜɚʁ-
ʅɢ ʁɚ ɩɫɢɯɨɥɨɝɢʁɚɬɚ ɧɚ ɨɛɜɢɧɟɬɢɬɟ, ɢ ɜɨ ɫɟɬɨ ɬɨɚ ɜɨɞɟɱɤɚɬɚ ɰɟɥ ɛɢɥɚ ɩɨɰɟɥɨɫ-
ɧɨ ɞɚ ɫɟ ɩɨɞɝɨɬɜɚɦ ɡɚ ɢɡɛɨɪɨɬ ɤɨʁ ɫɭɦ ɝɨ ɧɚɩɪɚɜɢɥ, ɡɚ ɨɩɪɟɞɟɥɛɚɬɚ ɲɬɨ ɫɭɦ ʁɚ
ɩɪɢɮɚɬɢɥ ɤɚɤɨ ɠɢɜɨɬɟɧ ɩɚɬ. ɋɟɦɟʁɧɚɬɚ ɤɭʅɚ ʁɚ ɢɡɝɪɚɞɢɜ ɫɚɦɨ ɫɨ ɫɜɨʁ ɮɢɡɢɱɤɢ
ɢ ɫɨ ɫɜɨʁ ɭɦɫɬɜɟɧ ɬɪɭɞ. ɋɟɬɨ ɬɨɚ ɟ ɞɟɥ ɨɞ ɦɨɟɬɨ ɫɨɡɞɚɜɚʃɟ, ɨɞ ɦɨɟɬɨ ɬɜɨɪɟɲ-
ɬɜɨ, ɨɞ ɦɨɟɬɨ ɤɧɢɠɟɜɧɨ ɞɟɥɨ, ɤɨɟ ɧɟ ɟ ɚɜɬɨɛɢɨɝɪɚɮɫɤɨ, ɧɨ ɚɜɬɨɛɢɨɝɪɚɮɫɤɨɬɨ
ɧɟ ɦɨɠɟ ɞɚ ɫɟ ɨɬɮɪɥɢ ɡɚɲɬɨ ɜɨ ɧɟɝɨ ɜɥɟɝɭɜɚɚɬ ɦɨɢɬɟ ɫɮɚʅɚʃɚ, ɦɨɢɬɟ ɩɨɝɥɟɞɢ
ɢ ɦɨɟɬɨ ɥɢɬɟɪɚɪɧɨ ɢ ɞɭɯɨɜɧɨ ɠɢɜɟɟʃɟ ɤɚɤɨ ɢ ɦɨɢɬɟ ɠɢɜɨɬɧɢ ɨɬɤɪɢɬɢʁɚ.


Ʉɨɝɚ ɩɢɲɭɜɚɦ, ɟ ɬɨɝɚɲ ɫɭɦ ɜɟʅɟ ɜɨ ɞɪɭɝ ɫɜɟɬ. ɉɨɜɟʅɟ ɧɟ ɝɨ ɞɨɩɢɪɚɦ
ɨɜɨʁ ɪɟɚɥɧɢɨɬ. Ɂɚɟɞɧɨ ɫɭɦ ɫɨ ɥɢɤɨɜɢɬɟ, ɩɪɨɛɢɜɚɦɟ ɧɨɜɢ ɩɚɬɢɲɬɚ, ɨɬɤɪɢɜɚɦɟ
ɧɟɫɩɨɡɧɚɟɧɢ ɩɪɟɞɟɥɢ, ɡɚɜɥɟɝɭɜɚɦɟ ɧɢɡ ɛɟɫɩɚɬʁɚ, ɚ ɫɭɦ ɫɟ ɨɩɪɟɞɟɥɢɥ ɡɚ ɜɨɞɚɱ,
ɡɚ ɧɟɩɪɢɤɨɫɧɨɜɟɧ ɜɥɚɞɟɬɟɥ, ɫɭɦ ɫɟ ɩɪɨɝɥɚɫɢɥ ɫɚɦ ɡɚ ɫɬɜɨɪɢɬɟɥ ɧɚ ɬɨʁ ɫɜɟɬ ɢ
ɰɟɥɚɬɚ ɨɞɝɨɜɨɪɧɨɫɬ ɫɭɦ ʁɚ ɩɪɟɡɟɥ ɞɟɤɚ ɛɟɡɛɟɞɧɨ ʅɟ ɫɟ ɫɬɢɝɧɟ ɧɚ ɩɨɫɚɤɭɜɚɧɨɬɨ
ɦɟɫɬɨ, ɤɨɟ ɩɪɟɬɯɨɞɧɨ ɛɢɥɨ ɜɢɞɟɧɨ ɜɨ ɜɢɡɢʁɚɬɚ ɧɚ ɫɨɡɞɚɜɚʃɟ, ɢɥɢ ɜɢɡɢʁɚɬɚ ɧɚ
ɫɨɡɞɚɜɚʃɟ ɲɬɨɬɭɤɭ ɝɨ ɫɨɡɞɚɜɚ.


ɉɥɨɜɢɦɟ ɧɢɡ ɧɟɩɨɡɧɚɬɨɬɨ. ɋɟ ɨɬɜɨɪɚ ɟɞɟɧ ɧɨɜ ɭɧɢɜɟɪɡɭɦ, ɫɟ ʁɚɜɭɜɚɚɬ
ɛɥɟɫɤɨɬɧɢ ɫɜɟɬɥɨɫɬɢ ɨɞ ɩɪɢɤɪɢɟɧɢ ɫɬɪɚɧɢ ɲɬɨ ɩɪɢɦɚɦɭɜɚɚɬ ɢ ɫɟ ɜɥɟɝɭɜɚ ɜɨ
ɟɞɧɚ ɞɢɥɟɦɚ ɩɨ ɤɨʁɚ ɩɚɬɟɤɚ ɞɚ ɫɟ ɧɚɫɨɱɢ ɡɚɲɬɨ ɢɡɥɟɝɭɜɚɚɬ ɩɨɩɪɢɦɚɦɥɢɜɢ ɨɞ
ɬɚɚ ɲɬɨ ɛɢɥɚ ɢɡɛɪɚɧɚ ɢ ɩɨɫɬɚɜɟɧɚ ɜɨ ɰɟɧɬɚɪɨɬ ɧɚ ɢɧɬɟɪɟɫɨɬ. ȷɟ ɫɟ ɩɪɢɮɚɬɢ
ɩɪɟɞɢɡɜɢɤɨɬ? Ⱥ ɨɩɚɫɧɨɫɬɚ ɚɤɨ ɫɟ ɡɚɥɭɬɚ? ȼɪɚʅɚʃɟ ɬɨɝɚɲ ɧɟɦɚ, ɫɢɬɟ ɞɪɭɝɢ ɡɚ-
ɦɢɫɥɟɧɢ ɩɚɬɢɲɬɚ ɫɟ ɢɡɛɪɢɲɚɧɢ ɢ ɩɨɜɬɨɪɧɨ ɧɟ ɦɨɠɟ ɞɚ ɫɟ ɩɪɨɧɚʁɞɚɬ. Ɇɨɠɟ ɞɚ




Деветта роднокрајна средба…


27


ɫɟ ɡɚɥɭɬɚ ɧɟɩɨɜɪɚɬɧɨ. Ɇɨɠɟ ɰɟɥɨɫɧɨ ɞɚ ɫɟ ɡɚɥɭɬɚ ɢ ɬɨɝɚɲ ɞɚ ɧɟ ɫɟ ɫɨɡɞɚɞɟ ɧɢ-
ɲɬɨ ɢɥɢ ɩɨɢɧɚɤɭ ɤɚɠɚɧɨ ɫɨɡɞɚɞɟɧɨɬɨ ɞɚ ɧɟ ɦɨɠɟ ɞɚ ɫɟ ɩɪɟɩɨɡɧɚɟ ɤɚɤɨ ɞɟɥɨ ɢ
ɞɚ ɧɟ ɦɨɠɟ ɞɚ ɫɟ ɩɪɢɮɚɬɢ.


ɉɚɬɟɤɚɬɚ ɰɟɥɨɫɧɨ ɟ ɧɟɢɡɜɟɫɧɚ, ɚ ɫɬɚɧɚɥɚ ɦɨʁ ɢɡɛɨɪ, ɦɨʁ ɤɧɢɠɟɜɟɧ ɠɢɜɨɬ
ɢ ɦɟ ɩɪɢɦɚ ɫɨ ɫɜɨʁɚɬɚ ɬɚɢɧɫɬɜɟɧɨɫɬ, ɩɪɢɦɚɦɥɢɜɚɬɚ ɪɚɫɤɨɲɧɨɫɬ ɧɚ ɦɨɠɧɨɫɬɢ-
ɬɟ ɞɚ ɫɟ ɨɬɜɨɪɢ ɜɨ ɧɟɜɢɞɥɢɜɢɬɟ ɧɚɫɨɤɢ ɧɚ ɢɞɧɢɧɚɬɚ ɢ ɞɚ ʁɚ ɜɨɡɛɭɞɢ ɫɟɬɚ ɦɨʁɚ
ɬɜɨɪɟɱɤɚ ɡɚɧɟɫɟɧɨɫɬ ɨɞ ɤɨʁɚ ɬɪɟɛɚ ɞɚ ɫɟ ɫɨɡɞɚɞɟ ɞɟɥɨ, ɤɨɟ, ɤɚɤɨ ɬɚʁɧɚ ɲɬɨ ɧɟ-
ɤɨʁ ʅɟ ɩɪɢʁɞɟ ɞɚ ʁɚ ɨɬɜɨɪɚ, ʅɟ ɦɭ ɩɪɟɞɢɡɜɢɤɚ ɱɭɜɫɬɜɨ ɧɚ ɜɨɡɛɭɞɚ ɢ ɡɚɞɨɜɨɥ-
ɫɬɜɨ.


Ƚɨ ɫɥɟɞɚɦ ɩɚɬɨɬ. Ʉɨɥɤɭ ɩɨɜɟʅɟ ɡɚɛɪɡɭɜɚɦ ɞɨ ɬɨɥɤɭ ɩɪɨɫɬɨɪɨɬ ɫɟ ɩɪɨɲɢ-
ɪɭɜɚ, ɫɟ ɨɬɜɨɪɚ, ɦɟ ɩɨɞɡɟɦɚ ɢ ɦɟ ɜɨɞɢ ɩɨ ɝɨɥɟɦɢɨɬ ɫɥɢɜ ɲɬɨ ɩɨɫɬɨʁɚɧɨ ɨɬɜɨɪɚ
ɧɨɜɢ ɩɚɬɢɲɬɚ ɢ ɧɨɜɢ ɤɪɚɰɢ, ɚ ʁɚɫ ɬɪɟɛɚ ɞɚ ɝɨ ɫɥɟɞɚɦ ɧɚʁɜɨɡɛɭɞɥɢɜɢɨɬ. ɇɨ, ɤɚ-
ɤɨ ɞɚ ɝɨ ɩɪɟɩɨɡɧɚɚɦ ɤɨɝɚ ɫɢɬɟ ʁɚ ɧɭɞɚɬ ɫɜɨʁɚɬɚ ɬɚɢɧɫɬɜɟɧɚ ɪɚɫɤɨɲɧɨɫɬ ɤɨɧ ɧɟ-
ɩɨɡɧɚɬɨɬɨ ɢ ɫɟ ɨɬɜɨɪɚɚɬ ɫɨ ɧɨɜɢ ɫɨɡɧɚɧɢʁɚ ɢ ɧɨɜɢ ɧɚɫɨɤɢ? ȼɟʅɟ ɫɭɦ ɜɥɟɡɟɧ ɜɨ
ɛɭɢɰɚɬɚ ɤɨʁɚ ʁɭɪɢ ɢ ɩɪɨɛɢɜɚ ɧɚɩɪɟɞ. Ɇɢɫɥɚɬɚ ɟ ɲɢɪɨɤɚ ɢ ɛɪɡɚ, ɩɪɟɧɚɬɪɭɩɭɜɚ
ɩɨɢɦɢ, ɮɚɤɬɢ ɢ ɫɟ ɫɨɡɞɚɜɚ ɟɞɧɨ ɪɚɫɬɪɱɭɜɚʃɟ, ɩɪɟɫɬɢɝɧɭɜɚʃɟ. ɇɨ, ɫɟɤɨɝɚɲ
ɦɢɫɥɚɬɚ ɢɡɥɟɝɭɜɚ ɩɨɛɪɡɚ ɢ ɧɟɩɪɟɞɜɢɞɥɢɜɚ ɢ ɩɨ ɫɢɬɟ ɧɚɫɬɨʁɭɜɚʃɚ ɞɚ ɫɟ ɫɥɟɞɢ
ɬɪɚɫɢɪɚʃɟɬɨ ɫɨ ɡɛɨɪɨɜɢɬɟ ɝɨ ɡɚɛɚɜɭɜɚ ɜɪɟɦɟɬɨ, ɡɚɲɬɨ ɬɨɚ ɟ ɜɟɲɬɢɧɚ ɧɚ ɧɚɢ-
ɦɚɪ ɤɚɞɟ ɬɪɟɛɚ ɜɨ ɛɪɡɚ ɨɞɥɭɤɚ ɞɚ ɦɭ ɫɟ ɧɚʁɞɟ ɧɚʁɫɨɨɞɜɟɬɧɨɬɨ ɦɟɫɬɨ ɧɚ ɡɛɨɪɨ-
ɜɢɬɟ ɲɬɨ ɝɢ ɧɨɫɢ ɛɭɢɰɚɬɚ ɢ ɧɚɜɚɥɭɜɚɚɬ ɜɨ ɩɪɟɧɚɬɪɭɩɭɜɚʃɟ, ɚ ɚɤɨ ɡɛɨɪɨɬ ɧɟ ɫɟ
ɩɨɫɬɚɜɢ ɧɚ ɧɚʁɫɨɨɞɜɟɬɧɨɬɨ ɦɟɫɬɨ, ɝɪɚɞɛɚɬɚ ɦɨɠɟ ɞɚ ɧɚɤɪɢɜɢ, ɞɚ ɩɨɩɭɲɬɢ, ɞɚ
ɫɟ ɪɚɫɬɭɪɢ. Ʉɚɤɨ ɬɚɤɜɚ ɝɪɚɞɛɚ, ʅɟ ɝɢ ɢɡɝɭɛɢ ɫʁɚʁɨɬ ɢ ɜɨɥɲɟɛɧɚɬɚ ɦɨʅ ɞɚ ɫɨɡɞɚ-
ɞɟ ɧɨɜ ɠɢɜɨɬ ɩɪɟɡɟɦɟɧ ɨɞ ɪɟɚɥɧɨɫɬɚ ɢɥɢ ɩɪɟɫɨɡɞɚɞɟɧ ɤɚɤɨ ɪɟɚɥɧɨɫɬ.


Ɍɨɚ ɟ ɭɛɚɜɨ ɞɚ ɫɢ ɜɨ ɧɨɜ ɫɜɟɬ. ȼɨɡɛɭɞɥɢɜɨ. Ⱦɚ ɨɬɤɪɢɜɚɲ ɧɟɞɨɩɪɟɧɢ ɫɜɟ-
ɬɨɜɢ. ȼɨ ɬɨʁ ɬɜɨɪɟɱɤɢ ɨɞ ɫɟ ɡɚɩɨɡɧɚɜɚɦ ɫɨ ɧɨɜɢ ɥɢɤɨɜɢ, ɜɨ ɧɨɜɢ ɫɪɟɞɛɢ, ɧɚ ɧɨ-
ɜɢ ɩɪɟɞɟɥɢ. ȼɟʅɟ ɝɨ ɧɟɦɚɦ ɱɭɜɫɬɜɨɬɨ ɞɟɤɚ ʁɚɫ ɫɭɦ ɝɢ ɫɨɡɞɚɜɚɥ, ɧɨ ɞɟɤɚ ɫɚɦɨ
ɫɭɦ ɫɟ ɜɤɥɭɱɢɥ ɜɨ ɬɨʁ ɬɟɤ ɢ ɩɪɨɞɨɥɠɭɜɚɦ ɧɢɡ ɧɟɝɨ ɨɫɜɨʁɭɜɚʁʅɢ ɝɢ ɜɪɟɦɟɬɨ ɢ
ɩɪɨɫɬɨɪɨɬ ɤɨɢ ɢɦ ɩɪɢɩɚɼɚɚɬ ɧɢɦ. Ⱦɨɞɟɤɚ ɫɨɡɞɚɜɚɦ, ɝɨ ɱɭɜɫɬɜɭɜɚɦ ɡɚɞɨɜɨɥ-
ɫɬɜɨɬɨ ɧɚ ɬɨʁ ɧɨɜ ɠɢɜɨɬ. ɋɟɤɚɤɨ, ɨɬɤɪɢɜɚɦ ɢ ɫɮɚʅɚɦ ɞɟɤɚ ɝɨ ɫɨɡɞɚɜɚɦ ʁɚɫ, ɧɨ ɢ
ɞɟɤɚ ɜɨ ɬɨɚ ɫɨɡɞɚɜɚʃɟ ɫɟ ɢɡɦɟɧɢɥɟ ɭɥɨɝɢɬɟ. Ɇɟ ɫɨɡɞɚɜɚ ɬɨʁ ɢ ɧɟɦɨʅɟɧ ɫɭɦ ɞɚ
ɝɨ ɢɡɦɟɧɚɦ ɚ ɦɟ ɢɡɦɟɧɢɥ. Ɇɟ ɜɨɜɟɞɭɜɚ ɜɨ ɧɚɫɨɤɢ ɩɨ ɤɨɢ ɩɪɟɬɯɨɞɧɨ ɧɟ ɫɭɦ ɧɚ-
ɦɢɫɥɭɜɚɥ ɞɚ ɨɞɚɦ. ɂ ɧɟ ɫɭɦ ɩɨɫɚɤɭɜɚɥ ɧɨ ɦɟ ɩɨɧɟɥɟ, ɦɟ ɜɨɜɥɟɤɥɟ, ɦɟ ɩɨɫɬɚɜɢ-
ɥɟ ɜɨ ɬɟɤɨɬ ɧɚ ɞɜɢɠɟʃɟɬɨ ɲɬɨ ɫɬɚɧɚɥɨ ɧɟɢɡɦɟɧɥɢɜɨ. ɇɚɩɚɬɢ ɡɚɞɭɜɭɜɚɚɬ ɧɟɫ-
ɤɪɨɬɥɢɜɢ ɜɟɬɪɢɲɬɚ, ɩɨɞɡɟɦɚɚɬ ɢɧɬɟɧɡɢɜɧɨ ɢɡɜɢɟɧɢ ɜɢɨɪɢ ɢ ɬɨɝɚɲ ɰɟɥɬɚ ɰɟ-
ɥɨɫɧɨ ɟ ɧɟɩɪɟɞɜɢɞɥɢɜɚ ɡɚɲɬɨ ɪɚɡɭɪɧɚɬɢ ɫɟ ɫɢɬɟ ɦɚɤɟɬɢ ɤɚɤɨ ɩɪɜɢ ɤɨɧɰɟɩɬɢ
ɩɨ ɤɨɢ ɫɟ ɝɪɚɞɢ, ɢɫɤɢɧɚɬɢ ɫɟ ɥɢɧɢɢɬɟ ɧɚ ɩɨɫɬɚɜɟɧɢɬɟ ɰɪɬɟɠɢ, ɩɨɦɟɲɚɧɢ ɫɟ
ɡɛɨɪɨɜɢɬɟ ɩɨɞɝɨɬɜɟɧɢ ɡɚ ɝɪɚɞɛɚɬɚ ɢ ɧɚɫɬɚɧɭɜɚ ɰɟɥɨɫɧɨ ɧɨɜɚ ɫɢɬɭɚɰɢʁɚ ɧɚ ɤɨʁɚ
ɦɨɪɚ ɞɚ £ ɫɟ ɨɬɜɨɪɚɬ ɧɨɜɢ ɬɟɤɨɜɢ ɡɚ ɞɚ ɧɟ ɫɟ ɡɚɞɭɲɢ ɜɨ ɠɟɥɛɚɬɚ ɞɚ ɫɟ ɛɢɞɟ ɧɟ-
ɲɬɨ ɤɨɟ ɢɫɱɟɡɧɚɥɨ ɨɞ ɜɢɡɢʁɚɬɚ.


ɂɦɚɝɢɧɚɰɢʁɚɬɚ ɫɟ ɡɚɮɚʅɚ ɞɚ ɝɨ ɨɬɜɨɪɢ ɩɚɬɨɬ ɞɨ ɰɟɥɬɚ. ɋɟɬɚ ɬɟɦɧɢɧɚ,
ɲɬɨ ɫɟ ɡɚɤɚɧɭɜɚ ɞɚ ɝɨ ɡɚɬɜɨɪɢ ɩɪɨɫɬɨɪɨɬ ɜɨ ɜɪɟɦɟɬɨ ɤɚɤɨ ɜɨ ɦɪɚɱɧɢɬɟ ɜɟɤɨɜɢ,
ɦɨɪɚ ɞɚ ɛɢɞɟ ɪɚɡɛɢɟɧɚ ɫɨ ɤɪɢɫɬɚɥɧɢ ɛɥɟɫɨɰɢ. ɇɨ ɫɟɬɨ ɧɚɬɚɦɭ ɟ ɬɚʁɧɚ. Ʉɚɞɟ ɫɟ
ɪɭɞɧɢɰɢɬɟ ɨɞ ɤɨɢ ɬɪɟɛɚ ɞɚ ɫɟ ɢɫɤɨɩɚ ɤɪɢɫɬɚɥɨɬ? Ɍɢɟ ɬɪɟɛɚ ɛɪɡɨ ɞɚ ɫɟ ɩɪɨɧɚʁ-
ɞɚɬ ɢ ɨɬɜɨɪɚɬ, ɡɚɲɬɨ ɛɭɢɰɚɬɚ ɧɚ ɦɢɫɥɚɬɚ ɧɟɡɚɩɢɪɥɢɜɨ ɩɪɨɛɢɜɚ ɢ ɚɤɨ ɧɟ ɫɟ




НУУБ „Св. Климент Охридски“– Битола


28


ɩɪɟɫɬɢɝɧɟ, ɢɥɢ ɚɤɨ ɧɟ ɫɟ ɭɦɟɟ ɫɨ ɜɟɲɬɢɧɚɬɚ ɞɚ ɫɟ ɨɩɥɟɦɟɧɚɬ ɤɪɢɫɬɚɥɢɬɟ, ɞɢʁɚ-
ɦɚɧɬɨɬ ʅɟ ɫɬɚɧɟ ɨɛɢɱɟɧ ɝɪɚɧɢɬ ɤɨʁ ɧɟ ɦɨɠɟ ɞɚ ɫɨɡɞɚɞɟ ɜɟɥɢɱɟɫɬɜɟɧ ɫʁɚʁ ɧɚ ɧɨ-
ɜɢɬɟ ɩɚɥɚɬɢ, ɧɨ ɫɚɦɨ ɟɞɧɚ ɤɭɥɚ ɡɚ ɤɨʁɚ ɫɟ ɢɡɨɫɬɚɜɢɥɟ ɜɪɚɬɢɬɟ ɡɚ ɜɥɟɡ ɜɨ ɧɟɚ, ɚ
ɧɚɞɜɨɪɟɲɧɢɨɬ ɢɡɝɥɟɞ ɧɟ ʁɚ ɪɚɡɞɜɢɠɭɜɚ ɮɚɧɬɚɡɢʁɚɬɚ ɢ ɧɟ ɝɨ ɡɚɞɪɠɭɜɚ ɢɧɬɟɪɟ-
ɫɨɬ ɞɚ ɫɟ ɩɪɨɛɢɜɚ ɜɨ ɧɟɚ, ɞɚ ɫɟ ɪɚɡɨɬɜɨɪɚ ɢ ɞɚ ɫɟ ɜɥɟɡɢ ɜɨ ɬɚɚ ɧɟɩɪɢɦɚɦɥɢɜɚ
ɤɪɟɚɰɢʁɚ.


Ʉɪɢɫɬɚɥɧɢɬɟ ɛɥɟɫɨɰɢ ɧɚ ɞɢʁɚɦɚɧɬɨɬ ɨɬɜɨɪɚɚɬ ɧɨɜɢ ɩɪɨɫɬɨɪɢ ɤɨɢ ɢɦɚɚɬ
ɫɢɥɧɚ ɦɨʅ ɞɚ ɝɨ ɡɚɞɪɠɚɬ ɢɧɬɟɪɟɫɨɬ ɢ ɞɚ ʁɚ ɨɛɧɨɜɚɬ ɜɢɡɢʁɚɬɚ, ɢ ɜɟɪɛɚɬɚ ɞɟɤɚ
ɧɟɢɡɨɫɬɚɜɧɨ ʅɟ ɫɟ ɫɬɢɝɧɟ ɞɨ ɩɨɫɬɚɜɟɧɚɬɚ ɰɟɥ.


ɉɚɬɭɜɚʃɟɬɨ ɬɪɚɟɥɨ ɦɟɫɟɰɢ ɢ ɝɨɞɢɧɢ. ɋɟ ɡɚɛɨɪɚɜɢɥɨ ɢ ɜɪɟɦɟɬɨ. ɂ ɩɚ-
ɬɢɲɬɚɬɚ ɩɨ ɤɨɢ ɫɟ ɦɢɧɭɜɚɥɨ. ɂ ɩɪɟɞɟɥɢɬɟ ɤɨɢ ɫɟ ɨɫɜɨʁɭɜɚɥɟ. ɂ ɚɤɬɟɪɢɬɟ ɫɨ
ɤɨɢ, ɞɨɞɟɤɚ ɬɢɟ ɫɟ ɫɨɡɞɚɜɚɥɟ, ɫɟ ɫɨɡɞɚɜɚɥɨ ɢ ɞɟɥɨɬɨ. ɋɟɬɨ ɦɢɧɭɜɚ ɤɚɤɨ ɟɞɟɧ
ɫɨɧ, ɩɨ ɤɨʁ ɞɨɚɼɚ ɛɭɞɟʃɟɬɨ. ɂ ɦɧɨɝɭ ɧɟʁɚɫɧɨɬɢɢ, ɢɡɝɭɛɟɧɢ ɫɟʅɚɜɚʃɚ, ɧɟɞɨɩɪɟ-
ɧɢ ɫɨɫɬɨʁɛɢ, ɧɟɜɢɞɟɧɢ ɩɪɨɫɬɨɪɢ. ɂɚɤɨ ɧɢɡ ɧɢɜ ɫɟ ɦɢɧɭɜɚɥɨ ɫɨ ɜɟɥɢɱɟɫɬɜɟɧɚ
ɫɜɟɬɥɢɧɚ. ɇɨ, ɜɨ ɝɪɚɞɛɚɬɚ ɫɟɬɨ ɬɨɚ ɟ ɜɧɟɫɟɧɨ. ɋɨɡɞɚɞɟɧɨ ɜɨ ɞɟɥɨɬɨ ɲɬɨ ɫɟ ɫɨɡ-
ɞɚɜɚɥɨ.


Ⱦɨɥɝɢɨɬ ɧɚɩɨɪɟɧ ɩɚɬ ɩɨ ɩɨɫɬɚɜɟɧɨɫɬɚ ɧɚ ɧɟɲɬɚɬɚ, ɡɚɲɬɨ ɛɚɪɚ ɟɧɟɪɝɢʁɚ,
ɨɬɩɨɪɧɨɫɬ ɢ ɭɩɨɪɧɨɫɬ, ɩɪɨɛɢɜ ɢ ɛɢɬɤɚ, ɡɚɦɨɪɭɜɚ, ɢɫɰɪɩɭɜɚ, ɢɫɬɪɨɲɭɜɚ, ɲɬɨ
ɧɚɜɟɞɭɜɚ ɡɚ ɩɨʁɚɜɚ ɧɚ ɱɭɜɫɬɜɨ ɧɚ ɦɚɱɧɢɧɚ. ɇɨ, ɫɟ ɫɥɭɱɭɜɚ ɫɨɫɟɦɚ ɞɪɭɝɚ ɫɨɫɬɨʁ-
ɛɚ. Ɂɚɲɬɨ ɧɟɦɚ ɩɨɪɚɡ, ɬɭɤɭ ɩɨɛɟɞɚ. ɂɫɩɨɥɧɭɜɚ ɫɢɥɧɨ, ɨɛɡɟɦɚɱɤɨ ɡɚɞɨɜɨɥɫɬɜɨ
ɤɨɟ ɨɩɢɜɚ ɢ ɪɟɥɚɤɫɢɪɚ ɫɨ ɦɟɤɨɫɬɚ ɧɚ ɭɛɚɜɢɧɚɬɚ ɢ ɥɟɫɧɨɬɢʁɚɬɚ ɧɚ ɫɨɧɨɬ.


Ʉɨɝɚ ɝɨ ɩɪɟɩɪɨɱɢɬɭɜɚɦ ɞɟɥɨɬɨ, ɝɨ ɨɬɤɪɢɜɚɦ ɫɨɡɞɚɞɟɧɨɬɨ, ɧɨ ɧɟ ɦɨɠɚɦ
ɞɚ ɝɨ ɩɪɟɩɨɡɧɚɚɦ ɫɨɡɞɚɜɚɱɨɬ ɜɨ ɦɟɧɟ, ɢ ɬɨɝɚɲ ɢɦɚɦ ɱɭɜɫɬɜɨ ɞɟɤɚ ɫɟɬɨ ɬɨɚ ɝɨ
ɫɨɡɞɚɥ ɧɟɤɨʁ ɞɪɭɝ, ɚ ʁɚɫ ɝɨ ɢɦɚɦ ɡɚɞɨɜɨɥɫɬɜɨɬɨ ɞɚ ɭɠɢɜɚɦ ɜɨ ɫɨɡɞɚɞɟɧɨɬɨ ɞɟɥɨ.


Ɍɨɚ ɟ ɭɲɬɟ ɟɞɧɨ, ɧɨɜɨ, ɩɪɢʁɚɬɧɨ ɱɭɜɫɬɜɨ.




Деветта роднокрајна средба…


29



Petre Dimovski



MY WORK AS A WRITER – CREATIVE WORK WITH


MAGIC OF ELATION

One cannot become a writer. The writer should be born as such and realize


that what he was destined to. The writer is a man with dignity. He is also glad to
see his colleagues’ success. He wishes to learn from their quality. The writer
should always have a high feelings and satisfaction because of the achivements of
his colleagues. The egoism is not the right of the writers, it is inherent in those who
are in delusion to become writers, because God had deprived them from such a gift.
But here we talk only about the writer.


When I was in Australia I worked in two shifts and even then I was led by
the way of the writer. I have read many books in English. Parallely I was building
myself in a physical endurance and in psychological depth. My family house I was
building with my oun hands and mind. All this is part of my literary creation which
is not autobiographical, but autobiographical are my ideas, beliefs, views and my
literary life.


The thought is wide and fast lubered with facts, so I have to find the right
place for the vigorously flowing words. On contrary, if the words are not on its
proper place, the construction might bend, crack and break. Such a building could
lose its magic power to create new life taken from reality, or created anew as a
reality. When I am rereading the work, I use to discover the newly created, but I
still cannot recognize the creator in myself, instead, I always have a feeling that
someone else have created it, but I have the satisfaction to enjoy in the created
work.





НУУБ „Св. Климент Охридски“– Битола


30





Јован Ѓуровски



ЧОВЕШТИНАТА НЕ Е САМО ВО ХРИСТОС


„ɇɚɫɬɚɜɧɢɱɟ, ɧɚɦ ɧɢ ɪɟ-


ɤɨɚ ɞɟɤɚ ɨɜɚɚ ɤɭʅɚ ɟ ɚɥɛɚɧɫɤɚ ɢ
ɡɨɲɬɨ ɫɬɨɢɲ ɬɢ ɩɪɟɞ ɧɟɚ?!“ – ɝɨ
ɩɨɡɧɚɜ ɞɟɥɢɤɜɟɧɬɨɬ ɨɞ Ȼɚɢɪɨɬ,
ɧɟɤɨɝɚɲɟɧ ɦɨʁ ɭɱɟɧɢɤ.


– Ȼɨɪɱɟ, ɚɤɨ ɨɜɚɚ ɤɭʅɚ ɝɨ-
ɪɢ, ɬɨɝɚɲ ɧɟɤɚ ɢɡɝɨɪɚɦ ɢ ʁɚɫ ɫɨ
ɧɟɚ!.. ɂɥɢ, ɩɪɜɨ, ɡɚɩɚɥɟɬɟ ʁɚ ɦɨ-
ʁɚɬɚ, ɟɜɟ, ɨɜɚɚ ɞɨ ɧɟɚ, ɚ ɩɨɬɨɚ ɢ
ɧɟɚ... ɇɟ ɦɨɠɟ, ɛɪɟ Ȼɨɪɱɟ, ɫɢɬɟ
ɞɚ ɫɟ ɫɬɚɜɚɬ ɜɨ ɢɫɬ ɤɨɲ!.. Ⱦɚʁɬɟ
ɦɢ ɞɨɤɚɡ ɞɟɤɚ Ⱥɞɟɦ Ɇɚɥɢɤ ɧɚ
ɤɨʁ ɛɢɥɨ ɧɚɱɢɧ ɩɨɦɚɝɚɥ ɧɟɤɚɤɜɚ
ɫɢ ɚɪɦɢʁɚ ɧɚ Ⱥɥɛɚɧɰɢɬɟ“!


(„ɉɪɢʁɚɬɟɥɢɬɟ ɧɚ Ⱦɚɫɤɚɥɨɬ“)
„– Ⱦɨɬɤɨ Ɋɢɡɨ, ɲɬɨ ɞɚ ɩɪɚɜɚɦ, ɧɨʅɟ ɦɢ ɞɨɚɼɚ ɜɚɦɩɢɪɨɬ ɢ ɫɨ ɦɟɧɟ ɫɩɢɟ


ɤɨɝɚ Ɍɪɚʁɤɨ ɦɨʁ ɧɟ ɟ ɞɨɦɚ? Ⱦɭɪɢ ɢ ɧɟɤɨɢ ɨɞ ɤɨɦɲɢɢɬɟ ɝɨ ɡɚɛɟɥɟɠɚɥɟ ɤɚɤɨ
ɜɥɟɝɭɜɚ ɜɨ ɤɭʅɚɬɚ! – ɢ҄ ɫɟ ɨɛɪɚɬɢ Ʉɢɪɚ ɧɚ Ɋɢɡɚ ɜɨ ɩɪɢɫɭɫɬɜɨ ɧɚ ȳɨɲɤɨ“.


(„Ʉɨɝɚ ɜɚɦɩɢɪɢ ɲɟɬɚɚ ɩɨ ɫɟɥɨɬɨ“)
„– Ⱦɨɫɬɚɚ, ɑɭɪɭɤ!.. ȷɟ ɩɪɟɫɬɚɧɟɲ ɥɢ ɟɞɧɚɲ ɫɨ ɬɨɚ ɬɜɨɟ ɡɚɤɚɧɭɜɚʃɟ?!.


Ɂɧɚɟɲ ɥɢ ɬɢ ... ɢɥɢ ɧɟ ɡɧɚɟɲ ɞɟɤɚ ɬɨʁ ɉɚɧɞɨ ɦɢ ɟ ɛɪɚɬ?!. ȼɧɭɤ ɦɢ ʅɟ ɝɨ ɭɛɢɟɲ,
ɢ ɬɨɚ ɧɚ ɧɟɝɨɜɚɬɚ ɫɜɚɞɛɚ?!. ɋɚɦɨ ɩɪɟɤɭ ɦɟɧɟ ɦɪɬɨɜ!.. Ɍɢ ɧɟ ɡɧɚɟɲ ɞɟɤɚ ɬɨʁ
ɉɚɧɞɨ ɦɢ ɟ ɛɪɚɬ, ɢɚɤɨ ɫɨ ɧɟɝɨ ɧɟ ɡɛɨɪɭɜɚɦ ɝɨɞɢɧɢ ɢ ɝɨɞɢɧɢ! – ɝɪɦɟɲɟ Ʌɚɡɨ ɢ
ɫɟ ɬɪɟɫɟɲɟ ɨɞ ɥɭɬɢɧɚ“!


(„Ʉɪɜɬɚ ɜɨɞɚ ɧɟ ɛɢɞɭɜɚ“)
„– ɉɟɪɭɧɟ, ɧɟ ɞɚɜɚʁ ɦɟ! ȿɜɟ, ɢɞɟ ɫɦɪɬɬɚ, ɧɟ ɞɚɜɚʁ ɦɟ, ɉɟɪɭɧɟ! ɋɚɦɨ ɬɢ


ɦɨɠɟɲ ɞɚ ɧɟ ɦɟ ɞɚɞɟɲ ɧɚ ɧɢɤɨɝɨ! ɇɟ ɞɚɜɚʁ ɦɟ, ɉɟɪɭɧɟ, ɧɟ ɫɚɤɚɦ ɞɚ ɭɦɪɚɦ! –
ɜɢɤɚɲɟ ɜɨ ɛɭɧɢɥɨ ɢ ɢɡɛɟɡɭɦɟɧɨɫɬ“.


(„ɇɟɩɨɞɨɛɟɧ“)
„– ȳɚɫ ɫɭɦ, ɬɚɬɟ, Ⱥɪɡɚ ɋɬɨʁɚɧ... ɞɨɞɟɤɚ ɫɟ ɨɦɚɠɢɜ, ɚ ɫɟɝɚ Ⱥɪɡɚ ɒɱɟɤɢɧ...


ȿɟɟʁ, ɤɨɥɤɭ ɫɚɤɚɜ ɞɚ ɢɦɚɦ ɬɚɬɤɨ, ɞɨɞɟɤɚ ɛɟɜ ɜɨ Ⱦɨɦɨɬ ɡɚ ɫɢɪɚɱɢʃɚ ɢ ɦɚɥɢ ɞɟ-
ɰɚ?!. Ɇɚɦɚ, ɩɨɫɬɨʁɚɧɨ ɦɟ ɬɟɲɟɲɟ ɞɟɤɚ, ɟɞɧɚɲ, ɛɢɥɨ ɤɨɝɚ, ʅɟ ɬɟ ɜɢɞɚɦ .. ɢ, ɟɜɟ,
ɤɨɝɚ ɨɫɬɚɪɟɜ, ɬɟ ɝɥɟɞɚɦ... ɍɛɚɜ ɬɚɬɤɨ ɫɭɦ ɢɦɚɥɚ!.. ɍɬɪɟ ʅɟ ɬɟ ɩɨɤɚɠɚɦ ɧɚ ɫɢɬɟ
ɜɨ ɂɡɦɢɪ ɲɬɨ ɦɟ ɡɧɚɚɬ ɤɚɤɨ ɤɨɩɢɥɟ... ʅɟ ɢɦ ɤɚɠɚɦ: ,Ƚɥɟɞɚʁɬɟ, ɨɜɨʁ ɟ ɦɨʁɨɬ ɬɚɬ-
ɤɨ“!





Деветта роднокрајна средба…


31


(„Ƚɭɥɚɛɢɰɚɬɚ ɨɞ Ƚɭɩɫɤɢ Ȼɚɢɪ“)
„– Ɂɧɚɟɲ ɥɢ ɤɨʁɚ ɫɚɦ ʁɚ... ɛɪɟ, ɩɢʁɚɧɚɰ ɛɟɡɨɛɪɚɡɚɧ!!! ȳɚ ɫɚɦ ɇɢɤɨɥ ȼɚɝɚ


... ɬɜɨʁɚ ɤɱɟɪ, ɛɪɟ ɛɢɬɚɧɝɨ ɥɭɞɚ!.. Ʉɚɤɜɚ ʁɟ ɨɜɚ ɫɭɞɛɚ ɞɚ ɬɟ ɧɚʇɟɦ ɛɚɲ ɬɟɛɟ, ɛɪɟ
ɥɭɞɚɤɭ ɧɢʁɟɞɚɧ!.. – ɢɡɧɟɧɚɞɟɧɨ ɢ ɜɱɭɞɨɧɟɜɢɞɟɧɨ ɡɚ ɫɢɬɟ ɦɭ ɜɢɤɚɲɟ ɧɚ ȼɚɝɚɬɚ,
ɢ ɬɨɚ ɧɚ ɫɪɩɫɤɢ. ɉɥɚɱɟɲɟ ɢ ɜɢɤɚɲɟ ɜɨ ɬɪɚɧɫ, ɜɨ ɨɱɚʁ, ɚ ɞɨɦɚʅɢɧɢɬɟ ɪɚɡɛɪɚɚ
ɲɬɨ ɫɟ ɫɥɭɱɭɜɚ. Ɏɪɚɧɰɭɡɢɬɟ ɫɟ ɱɭɞɟɚ, ɢ ɫɟ ɩɪɚɲɭɜɚɚ ɲɬɨ ɢ҄ ɫɬɚɧɚ ɧɚ ɇɢɤɨɥ“.


(„ɋɟɤɨʁ ɱɨɜɟɤ ɛɚɲɤɚ ɛɭɞɚɥɚ“)
„Ȼɚɪɟɦ ɧɚ ɫɨɧ ɝɢ ɜɢɞɨɜ ɞɟɰɚɬɚ ɤɚɤɨ ɲɬɨ ɫɚɤɚɜ ɞɚ ɝɢ ɜɢɞɚɦ ɧɚ ʁɚɜɟ!.. ȿɬɟ,


Ƚɨɫɩɨɞ ɦɟ ɩɨɦɢɥɭɜɚ, ɢ ɧɚ ɫɨɧ ɦɢ ɝɢ ɤɚɠɚ, ɢɚɤɨ ɧɟ ɜɨ ɫɬɜɚɪɧɨɫɬ“!..
(„ɇɚ ɩɨɱɟɬɨɤɨɬ ɨɞ ɤɪɚʁɨɬ“)
„Ɍɚɬɟ, – ɦɭ ɫɟ ɨɛɪɚɬɢ ɦɚʁɤɚ ɦɢ ɧɚ ɞɟɞɨ Ɇɢɥɚɧ, – ɧɚɫ ɧɢɤɨʁ ɧɟ ɧɟ҄ ɩɪɢɦɚ


ɜɨ ɩɪɜɨ ɨɞɞɟɥɟɧɢɟ, ɲɬɨ ɞɚ ɩɪɚɜɢɦɟ!?. Ʉɚʁ ɞɚ ɫɟ ɞɚɜɢɦɟ, ɜɨ ɤɨɟ ɞɪɭɝɨ ɭɱɢɥɢɲ-
ɬɟ, ɞɚ ɫɟ ɦɨɥɢɦɟ, ɤɨɝɚ ɨɜɞɟ .. ɜɨ ɬɜɨɟɬɨ ɢ ɦɨɟɬɨ, ɧɟ ɧɟ҄ ɫɚɤɚɚɬ“?!.


(„ɂ ɫɭɞɛɢɧɚɬɚ ɧɟ ɞɨɚɼɚ ɫɚɦɚ“)
„– ɒɬɨ ɡɛɨɪɭɜɚɲ, ɇɚʁɞɟɧ, ɞɚɥɢ ɡɧɚɟɲ ɲɬɨ ɤɚɠɚ?! – ɩɪɚɲɭɜɚɲɟ


Ʉɪɢɫɬɢɧɚ.
– ɇɚʁɞɟɧ, ɇɚʁɞɟɧ!!! ɉɚ ɬɢ ɧɢ ɫɢ ɛɪɚɬ, ɩɨ ɬɚɬɤɨ!!! Ɂɚɪɟɦ ɟ ɦɨɠɧɨ ɨɜɚ?! –


ɡɚ ɦɚɥɤɭ ʅɟ ɫɟ ɨɧɟɫɜɟɫɬɟɲɟ ɂɥɢɧɤɚ“.
(„ɋɥɟɩ ɡɚ ɫɟɤɫ“)

ȳɚɫ – ɩɢɫɚɬɟɥ! Ɇɨɠɟɛɢ ɫɭɦ, ɡɚ ɦɨɢɬɟ ɱɢɬɚɬɟɥɢ ɤɨɢ ɫɟ ɧɚʁɦɚɥɤɭ ɫɬɨɬɢɧɚ,


ɛɢɞɟʁʅɢ ɬɨɥɤɚɜ ɟ ɢ ɬɢɪɚɠɨɬ ɧɚ ɨɛʁɚɜɟɧɢɬɟ ɞɟɫɟɬɢɧɚ ɪɨɦɚɧɢ, ɩɨɤɪɚʁ ɞɪɭɝɢɬɟ
ɞɜɚɟɫɟɬɢɧɚ ɤɧɢɝɢ ɫɨ: ɯɭɦɨɪɟɫɤɢ, ɪɚɫɤɚɡɢ, ɩɟɫɧɢ, ɫɬɪɭɱɧɚ ɥɢɬɟɪɚɬɭɪɚ, ɧɚɩɢɫɢ,
ɩɨɥɟɦɢɤɢ ɢ ɫɥ.


ɋɟ ɬɟɲɚɦ ɫɨ ɟɞɧɚ ɦɢɫɥɚ, ɦɨɠɟɛɢ ɬɨɱɧɚ ɢɥɢ ɧɟɬɨɱɧɚ, ɞɟɤɚ ɢ ɞɨɫɬɚ ɜɪɜɧɢ
ɧɚɲɢ ɩɢɫɚɬɟɥɢ ɲɬɨ ɩɢɲɭɜɚɚɬ ɧɟɪɚɡɛɢɪɥɢɜɨ ɡɚ ɨɛɢɱɧɢɨɬ ɱɨɜɟɤ ɢɦɚɚɬ ɬɨɥɤɭ
ɱɢɬɚɬɟɥɢ: ɫɢ ɝɢ ɱɢɬɚɚɬ ɞɟɥɚɬɚ ɫɚɦɨ ɦɟɼɭ ɫɟɛɟ. Ʉɨɝɚ ʁɚɫ, ɩɪɨɮɟɫɨɪ ɩɨ ɥɢɬɟɪɚɬɭ-
ɪɚ ɢ ɱɟɬɢɪɢɟɫɟɬ ɝɨɞɢɧɢ ɩɪɚɤɫɚ, ɧɟ ɦɨɠɚɦ ɞɚ ɢɦ ɝɢ ɪɚɡɛɟɪɚɦ, ɤɚɤɨ ʅɟ ɝɢ ɱɢɬɚ ɢ
ɪɚɡɛɟɪɟ ɨɛɢɱɧɢɨɬ ɱɨɜɟɤ?!. Ⱥ ɨɞ ɞɪɭɝɚ ɫɬɪɚɧɚ, ɧɚ ɫɢɬɟ ɧɟɛɟɥɨɜɰɢ ɢ ɥɚɭɪɟɚɬɢ ɧɚ
ɋɬɪɭɲɤɢɬɟ ɜɟɱɟɪɢ ɧɚ ɩɨɟɡɢʁɚɬɚ ɢɥɢ ɧɚ ɧɚɲɢɬɟ: ɉɟɬɪɟ ɢ Ȼɥɚɠɟ, ɢɦ ɝɢ ɪɚɡɛɢ-
ɪɚɦ ɢ ɫɬɨɩɚɬɢ ɢɦ ɝɢ ɩɪɟɩɪɨɱɢɬɭɜɚɦ.


Ɂɨɲɬɨ ɩɢɲɭɜɚɦ?!.
ȳɚɫ ɩɨ ɜɨɤɚɰɢʁɚ ɫɭɦ ɩɪɨɮɟɫɨɪ ɩɨ ɦɚɤɟɞɨɧɫɤɢ ʁɚɡɢɤ, ɚ ɰɟɥ ɫɜɨʁ ɪɚɛɨɬɟɧ


ɜɟɤ ɝɨ ɩɨɦɢɧɚɜ ɫɨ ɭɱɟɧɢɰɢɬɟ ɜɨ ɨɫɧɨɜɧɨɬɨ ɭɱɢɥɢɲɬɟ, ɩɨɬɨɱɧɨ ɦɟɼɭ ɩɭɛɟɪɬɟɬ-
ɥɢɢɬɟ (V-VIII). Ⱦɚɥɢ ɩɨɪɚɞɢ ɬɨɚ ɲɬɨ ʁɚ ɩɨɡɧɚɜɚɜ ɧɢɜɧɚɬɚ ɩɫɢɯɨɥɨɝɢʁɚ, ɞɨɞɟɤɚ
ɛɟɜ ɫɨ ɧɢɜ, ɩɢɲɭɜɚɜ ɪɚɫɤɚɡɢ ɡɚ ɧɢɜ, ɤɚɤɨ ɧɚʁɪɚɧɥɢɜɢ, ɜɪɡ ɤɨɢ ɜɨɡɪɚɫɧɢɬɟ ɦɨ-
ɠɟɚ ɞɚ ɧɚɩɪɚɜɚɬ ɮɢɡɢɱɤɢ ɢ ɩɫɢɯɢɱɤɢ ɝɪɟɜ. Ɍɢɟ ɦɨɠɟɚ, ɢ ɦɨɠɚɬ, ɧɚʁɬɟɲɤɨ ɞɚ
ɫɬɪɚɞɚɚɬ ɨɞ ɫɬɪɚɧɚ ɧɚ ɜɨɡɪɚɫɧɢɬɟ ɢ ɨɩɲɬɟɫɬɜɨɬɨ. Ɂɚ ɬɨɚ ɫɜɟɞɨɱɚɬ ɢ ɫɚɦɢɬɟ
ɧɚɫɥɨɜɢ ɧɚ ɧɟɤɨɢ ɨɞ ɬɢɟ ɪɚɫɤɚɡɢ: „Ⱥɯ ɬɢ ɦɢɥɨ, ɞɟɬɟɧɰɟ“, „Ɍɟɠɢɧɚɬɚ ɧɚ ɡɛɨ-
ɪɨɬ“, „ɂ ʁɚɫ ɢɦɚɦ ɪɨɞɧɢɧɢ“, „Ƚɚɜɪɨɲ ɧɚ ɛɢɬɨɥɫɤɢɬɟ ɭɥɢɰɢ“ ɢ ɞɪ. Ɇɟ
ɬɪɨɝɧɚɥɚ ɧɟɤɨʁɚ ɧɢɜɧɚ ɫɨɥɡɚ, ɧɟɤɨʁɚ ɧɟɩɪɚɜɞɚ ɜɪɡ ɦɥɚɞɚɬɚ ɞɟɬɫɤɚ ɞɭɲɚ ɨɞ ɩɨɫ-
ɬɚɪɢɬɟ ɢɥɢ ɨɩɲɬɟɫɬɜɨɬɨ. ɋɭɦ ɫɚɤɚɥ ɞɚ ɭɤɚɠɚɦ ɧɚ ɧɟɤɨʁ ɝɪɟɜ ɫɬɨɪɟɧ ɜɪɡ ɧɢɜ,
ɤɚɤɨ ɜɨɫɩɢɬɭɜɚɱ ɢ ɧɢɜɧɢ ɧɚɫɬɚɜɧɢɤ.




НУУБ „Св. Климент Охридски“– Битола


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Ɉɬɤɚɤɨ ɫɟ ɩɟɧɡɢɨɧɢɪɚɜ, ɜɟʅɟ ɩɪɟɤɢɧɚ ɦɨʁɚɬɚ ɞɢɪɟɤɬɧɚ ɩɟɞɚɝɨɲɤɚ ɪɚɛɨɬɚ
ɫɨ ɭɱɟɧɢɰɢɬɟ. ɋɟɝɚ ɫɟ ɡɚɮɚɬɢɜ ɫɨ ɩɫɢɯɨɥɨɝɢʁɚɬɚ ɢ ɨɞɧɨɫɢɬɟ ɦɟɼɭ ɜɨɡɪɚɫɧɢɬɟ,
ɝɨɥɟɦɢɬɟ. ɉɨɝɨɥɟɦɢ ɥɭɼɟ ɩɨɝɨɥɟɦɢ ɞɟɥɚ, ɨɞɧɨɫɧɨ ɪɨɦɚɧɢ.


Ɉɞ ɝɨɪɟɢɡɧɟɫɟɧɨɬɨ ɦɨɠɟ ɞɚ ɫɟ ɡɚɤɥɭɱɢ ɞɟɤɚ ɩɢɲɭɜɚɦ, ɦɨɠɟɛɢ ɨɞ ɦɨʁɚɬɚ
ɩɪɨɮɟɫɢɨɧɚɥɧɚ ɞɟɮɨɪɦɚɰɢʁɚ: ɞɚ ɭɤɚɠɚɦ ɧɚ ɧɟɲɬɨ ɲɬɨ ɧɟ ɟ ɜɨ ɪɟɞ ɜɨ ɨɩɲɬɟɫ-
ɬɜɨɬɨ, ɞɚ ɩɨɭɱɚɦ ɤɚɤɨ ɬɪɟɛɚ ɢɥɢ ɧɟ ɬɪɟɛɚ ɞɚ ɫɟ ɠɢɜɟɟ ɠɢɜɨɬɨɬ, ɧɟɱɨɜɟɱɤɢɬɟ
ɨɞɧɨɫɢ ɦɟɼɭ ɥɭɼɟɬɨ, ɨɞɧɨɫɧɨ ɦɟɼɭɟɬɧɢɱɤɢɬɟ, ɩɨɪɨɰɢɬɟ ɢɬɧ. Ⱦɭɪɢ ɢ ɨɞ ɫɚɦɢɬɟ
ɧɚɫɥɨɜɢ ɧɚ ɪɨɦɚɧɢɬɟ ɦɨɠɟ ɞɚ ɫɟ ɨɞɪɟɞɢ ɬɟɦɚɬɚ ɢ ɢɞɟʁɚɬɚ ɲɬɨ ʅɟ ʁɚ ɪɚɡɪɚɛɨ-
ɬɭɜɚɦ ɜɨ ɨɞɪɟɞɟɧɨ ɞɟɥɨ. ɇɚ ɫɢɬɟ ɡɚɟɞɧɨ, ɦɨɠɟ ɞɚ ɢɦ ɛɢɞɟ ɦɨɬɨ ɨɜɨʁ ɧɚɫɥɨɜ ɧɚ
ɦɨʁɨɬ ɨɫɜɪɬ: ɑɨɜɟɲɬɢɧɚɬɚ ɧɟ ɟ ɫɚɦɨ ɜɨ ɏɪɢɫɬɨɫ! ɂɥɢ ɨɛɪɚɬɧɨ: ɇɟɱɨɜɟɲɬɢ-
ɧɚɬɚ ɦɨɠɟ ɞɚ ɫɟ ɧɚʁɞɟ ɢ ɤɚʁ ɯɪɢɫɬɢʁɚɧɢɬɟ, ɦɭɫɥɢɦɚɧɢɬɟ, ɰɪɧɰɢɬɟ, ɛɟɥɰɢɬɟ ɢ
ɥɭɼɟɬɨ ɨɞ ɠɨɥɬɚɬɚ ɪɚɫɚ, ɢ ɤɚʁ Ɇɚɤɟɞɨɧɰɢɬɟ, ɢ ɤɚʁ ȿɜɪɨɩɟʁɰɢɬɟ ɢ ɞɪ.


Ɇɨɢɬɟ ɱɢɬɚɬɟɥɢ ɫɟ ɜɨɫɯɢɬɟɧɢ ɨɞ ɫɟɤɨɟ ɦɨɟ ɪɨɦɚɧɱɟ ɢ ɦɢ ɜɟɥɚɬ ɞɟɤɚ ɜɨ
ɟɞɟɧ ɡɞɢɜ ɝɨ ɱɢɬɚɚɬ, ɫɨ ɝɨɥɟɦɨ ɡɚɞɨɜɨɥɫɬɜɨ. ɇɟɦɚɦ ɩɪɚɜɨ ɞɚ ɧɟ ɢɦ ɜɟɪɭɜɚɦ,
ɛɢɞɟʁʅɢ ɦɟ ɛɚɪɚɚɬ ɡɚ ɞɚ ɩɨɞɢɫɤɭɬɢɪɚɚɬ ɫɨ ɦɟɧɟ ɡɚ ɩɪɨɱɢɬɚɧɨɬɨ ɢɥɢ ɞɚ ɦɟ ɩɪɚ-
ɲɚɚɬ ɞɚɥɢ ɢɦɚɦ ɧɨɜɨ ɞɟɥɨ. Ɇɨɠɟɛɢ ɢ ɡɚɬɨɚ ɩɢɲɭɜɚɦ!


ɋɢɬɟ ɦɨɢ ɤɧɢɝɢ ɝɢ ɨɛʁɚɜɭɜɚɦ ɤɚɤɨ ɫɚɦɨɫɬɨʁɧɢ ɢɡɞɚɧɢʁɚ ɢ ɨɞ ɧɢɤɨɝɨ ɧɟ
ɫɭɦ ɩɨɛɚɪɚɥ ɮɢɧɚɧɫɢɫɤɚ ɢɥɢ ɤɚɤɜɚ ɛɢɥɨ ɩɨɦɨɲ. Ɂɧɚɱɢ, ɫɚɦ ɫɢ ɝɢ ɮɢɧɚɧɫɢɪɚɦ
ɢ ɡɚɬɨɚ ɫɟ ɜɨ ɦɚɥ ɬɢɪɚɠ ɨɞ ɫɬɨɬɢɧɚ ɩɪɢɦɟɪɨɰɢ. Ʉɧɢɝɢɬɟ ɧɟ ɝɢ ɩɪɨɦɨɜɢɪɚɦ ɧɢ
ɩɪɨɞɚɜɚɦ, ɚɦɢ ɢɦ ɝɢ ɩɨɞɚɪɭɜɚɦ ɧɚ ɦɨɢɬɟ ɜɟɪɧɢ ɱɢɬɚɬɟɥɢ ɤɨɢ ɝɢ ɢɦɚ ɜɨ: Ȼɢɬɨ-
ɥɚ, ɉɪɢɥɟɩ, Ʉɚɜɚɞɚɪɰɢ ɢ ɩɨ ɧɟɤɨʁ ɨɞ ɋɤɨɩʁɟ. Ɍɨɚ ɡɧɚɱɢ ɞɟɤɚ ɨɞ ɩɢɲɭɜɚʃɟɬɨ
ɧɟ ɨɱɟɤɭɜɚɦ ɚɦɚ ɧɢɤɚɤɜɚ ɤɨɪɢɫɬ ɢɥɢ ɤɚɤɜɚ ɛɢɥɨ ɫɚɬɢɫɮɚɤɰɢʁɚ. ɋɟ ɜɨɞɚɦ ɨɞ
ɦɢɫɥɚɬɚ ɧɚ ɦɨʁɨɬ ɩɨɱɢɬɭɜɚɦ ɩɪɢʁɚɬɟɥ Ȼɥɚɝɨʁɚ Ȼɪɚʁɚɧɨɜɫɤɢ ɞɟɤɚ ɫɟɤɚɤɜɨ ɞɟɥɨ
ɚɤɨ ɫɟ ɩɪɚɜɢ, ɢɡɪɚɛɨɬɭɜɚ, ɡɚ ɧɟɤɨʁɚ ɤɨɪɢɫɬ, ɤɚɤɜɚ ɛɢɥɨ ɢ ɞɚ ɟ, ɬɨɚ ɧɟ ɟ ɞɨɛɪɨ
ɞɟɥɨ. ɉɚɤ ɧɟɤɨʁ ʅɟ ɪɟɱɟ: „Ɍɨɝɚɲ ɡɨɲɬɨ ɩɢɲɭɜɚɲ, ɚɤɨ ɧɟ ɢ ɡɚ ɧɟɤɨʁɚ ɚɮɢɪɦɚ-
ɰɢʁɚ“?!.


ɇɢ ɧɚ ɤɪɚʁ ɧɟ ɦɢ ɞɨɚɼɚ ɧɚ ɩɚɦɟɬ ɞɟɤɚ ɦɨɠɚɦ ɞɚ ɛɢɞɚɦ ɧɨɜ ɋɬɚɥɟ ɉɨɩɨɜ,
ɉɟɬɪɟ Ⱥɧɞɪɟɟɜɫɤɢ ɢɬɧ. Ƚɟɨɪɝɢ ɋɬɚɥɟɜ ɟ ɫɬɨɩɚɬɢ ɩɨɩɢɫɚɬɟɥ ɨɞ ɬɚɬɤɨ ɦɭ, ɧɨ
ɧɢɤɨɝɚɲ ɧɟɦɚ ɞɚ ɫɬɚɧɟ ɋɬɚɥɟ ɉɨɩɨɜ. Ɇɧɨɝɭ, ɦɧɨɝɭ ɨɤɨɥɧɨɫɬɢ ɩɪɢɞɨɧɟɫɥɟ ɞɚ
ɫɟ ɩɨʁɚɜɢ ɒɟɤɫɩɢɪ, ɏɟɦɢɧɝɜɟʁ, ɂɜɨ Ⱥɧɞɪɢʅ, Ɋɚɰɢɧ, Ʉɨɧɟɫɤɢ ɢ ɞɪ. ɉɚ ɦɨɪɚ ɥɢ
ɞɚ ɧɚɫɬɨʁɭɜɚɦɟ ɫɢɬɟ ɞɚ ɫɬɚɧɟɦɟ ɜɪɜɧɢ ɩɢɫɚɬɟɥɢ?!. Ɍɨɚ ɦɢ ɥɢɱɢ ɤɚɤɨ ɥɚɤɨɦ-
ɲɬɢɧɚɬɚ ɡɚ ɛɨɝɚɬɫɬɜɨ; ɤɨɥɤɭ ɢ ɞɚ ɢɦɚɲ ɩɚɪɢ, ɧɢɤɨɝɚɲ ɧɟ ɫɢ ɡɚɞɨɜɨɥɟɧ –
ɫɚɤɚɲ ɭɲɬɟ ɩɨɜɟʅɟ ɞɚ ɢɦɚɲ!


ɂɥɢ ɜɨ ɩɨɥɢɬɢɤɚɬɚ: ɜɥɚɫɬɚ ɫɢ ɢɦɚ ɩɪɢɜɢɥɟɝɢɢ ɢ ɛɟɧɟɮɢɰɢɢ ɢ ɡɚɬɨɚ, ɩɚ
ɞɭɪɢ ɢ ɩɨ ɰɟɧɚ ɧɚ ɠɢɜɨɬɨɬ, ɧɢɤɨʁ ɧɟ ɫɟ ɨɬɤɚɠɭɜɚ ɨɞ ɧɟɚ. ɉɪɢɦɟɪɨɬ ɫɨ Ƚɚɞɚɮɢ!


ȼɨ ɫɜɟɬɨɬ ɦɢɥɢɨɧɢ ɢ ɦɢɥɢɨɧɢ ɩɢɲɭɜɚɚɬ: ɧɟɤɨɢ ɩɪɨɡɚ, ɧɟɤɨɢ ɩɨɟɡɢʁɚ;
ɞɪɭɝɢ ɥɢɬɟɪɚɬɭɪɧɚ ɤɪɢɬɢɤɚ ɢɥɢ ɥɢɬɟɪɚɬɭɪɧɚ ɢɫɬɨɪɢʁɚ; ɬɪɟɬɢ ɫɰɟɧɚɪɢʁɚ ɡɚ
ɮɢɥɦɨɜɢ ɢ ɞɪ., ɧɨ ɧɢɤɨʁ ɜɨ ɫɜɟɬɨɬ ɢɥɢ ɜɨ ɫɜɨʁɚɬɚ ɡɟɦʁɚ ɧɟ ɝɢ ɡɧɚɟ. ɉɚ ɲɬɨ ɚɤɨ
ɢ ɦɟɧɟ ɧɟ ɦɟ ɡɧɚɚɬ ɢɥɢ ɧɟ ɫɭɦ ɩɨɡɧɚɬ ɤɚɤɨ ɩɢɫɚɬɟɥ?!.


ɇɟɤɨʁ ɰɟɥ ɠɢɜɨɬ ɝɪɚɞɢ ɤɭʅɚ, ɨɝɪɨɦɧɚ ɡɝɪɚɞɚ ɲɬɨ ʅɟ ɢɦ ɤɨɪɢɫɬɢ ɧɚ ɩɨɜɟ-
ʅɟ ɩɨɬɨɦɰɢ ɨɞ ɧɟɝɨɜɨɬɨ ɫɟɦɟʁɫɬɜɨ. Ɍɨʁ ɟ ɫɜɟɫɟɧ ɞɟɤɚ ɰɟɥ ɫɜɨʁ ɬɪɭɞ ɢ ɡɚɲɬɟɞɚ
ʁɚ ɜɥɨɠɭɜɚ, ɧɟ ɡɚ ɧɟɝɨ, ɬɭɤɭ ɡɚ ɧɟɝɨɜɢɬɟ ɧɚɫɥɟɞɧɢɰɢ. Ɍɚɤɚ ʅɟ ɛɢɞɟ ɢ ɫɨ ɦɨɢɬɟ
ɤɧɢɝɢ: ɬɢɟ ɨɫɬɚɧɭɜɚɚɬ ɜɟɱɧɨ, ɚɤɨ ɧɟ ɫɟ ɧɚʁɞɟ ɧɟɤɨʁ ɨɞ ɜɧɭɰɢɬɟ ɞɚ ɝɢ ɢɫɮɪɥɢ
ɤɚɤɨ ɼɭɛɪɟ. Ⱥɪɧɨ ɚɦɚ, ɨɜɞɟ, ɜɨ ɛɢɛɥɢɨɬɟɤɚɬɚ, ɢ ɜɨ ɫɤɨɩɫɤɚɬɚ, ʅɟ ɩɨɫɬɨʁɚɬ ɢ ɤɨʁ




Деветта роднокрајна средба…


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ʅɟ ɫɚɤɚ, ɦɨɠɟ ɞɚ ɝɢ ɡɟɦɟ ɢ ɞɚ ɝɢ ɩɪɨɱɢɬɚ, ɚɤɨ ɫɟ ɡɚɢɧɬɟɪɟɫɢɪɚ ɲɬɨ ɫɭɦ ɩɢɲɭ-
ɜɚɥ ɢ ɤɚɤɨ ɫɭɦ ɪɚɡɦɢɫɥɭɜɚɥ ɡɚ ɨɞɪɟɞɟɧɢ ɩɪɨɛɥɟɦɢ ɜɨ ɦɨɟ ɜɪɟɦɟ. ɇɟɤɨɢ ɨɞ ɦɨ-
ɢɬɟ ɛɥɢɫɤɢ ɩɪɢʁɚɬɟɥɢ ɢɥɢ ɩɨɬɨɦɰɢ! ɂ ɭɲɬɟ ɟɞɧɚɲ ʅɟ ɝɨ ɰɢɬɢɪɚɦ Ȼɪɚʁɚɧɨɜɫɤɢ:
„ɋɟɤɨʁɚ ɤɧɢɝɚ ɢɦɚ ɫɜɨʁɚ ɜɪɟɞɧɨɫɬ“! ɇɟɤɨʁɚ ɫɨ ɫɜɨʁɚɬɚ ɫɨɞɪɠɢɧɚ, ɬɟɦɚ, ɢɞɟʁɚ, ɚ
ɞɪɭɝɚ – ɫɨ ɫɜɨʁɚɬɚ ɮɨɪɦɚ ɧɚ ɪɚɫɤɚɠɭɜɚʃɟ.


ɂɦɚ ɧɟɤɨɢ ɦɨɢ ɤɨɥɟɝɢ ɤɨɢ ɦɢ ɡɚɛɟɥɟɠɭɜɚɚɬ ɞɟɤɚ ɜɧɟɫɭɜɚɦ ɜɨ ɦɨɢɬɟ ɪɨ-
ɦɚɧɢ ɚɜɬɨɛɢɨɝɪɚɮɫɤɢ ɞɨɠɢɜɭɜɚʃɚ ɢ ɧɚɫɬɚɧɢ, ɢɚɤɨ ɜɨ ɧɢɟɞɟɧ ɪɨɦɚɧ ɧɟ ɫɬɨɢ
ɦɨɟɬɨ ɢɦɟ ɢ ɩɪɟɡɢɦɟ. Ɍɢɟ ɡɧɚɚɬ ɢ ɦɟ ɩɪɟɩɨɡɧɚɜɚɚɬ ɜɨ (ȿɞɪɟʁɤɨ Ⱦɚɫɤɚɥɨɬ, ɇɟ-
ɜɟɧ, ɉɟɪɭɧ, Ɇɥɚɞɟɧ, Ɇɢɥɚɧ ɢ ɞɪɭɝɢ ɥɢɤɨɜɢ), ɧɨ, ɫɟɤɚɤɨ, ɧɟ ɛɢ ɦɢ ɡɚɛɟɥɟɠɭɜɚ-
ɥɟ, ɚɤɨ ɧɟ ɦɟ ɡɧɚɚɬ ɦɟɧɟ; ʁɚɫ ɧɟ ɝɨ ɩɢɲɭɜɚɦ ɞɟɥɨɬɨ ɡɚ ɬɨʁ ɲɬɨ ɝɨ ɡɧɚɟ ɦɨʁɨɬ
ɠɢɜɨɬ ɢ ɩɪɨɮɟɫɢʁɚ. ɂɥɢ: ʁɚɫ ɧɟ ɫɭɦ ɢɡɨɥɢɪɚɧ ɫɥɭɱɚʁ ɨɞ ɧɟɤɨʁɚ ɩɥɚɧɢɧɚ, ɚɦɢ
ɱɨɜɟɤ ɨɞ ɫɪɟɞɧɚ ɤɥɚɫɚ ɤɚɤɨ ɩɪɨɫɜɟɬɟɧ ɪɚɛɨɬɧɢɤ. Ɉɩɢɲɚɧɢɬɟ ɧɚɫɬɚɧɢ ɢ ɞɨɠɢ-
ɜɭɜɚʃɚ, ɜɨ ɜɪɟɦɟɬɨ ɜɨ ɤɨɟ ɫɭɦ ɠɢɜɟɟɥ ɢ ɠɢɜɟɚɦ, ɢɦ ɫɟ ɫɥɭɱɢɥɟ ɢɥɢ ɢɦ ɫɟ ɫɥɭ-
ɱɭɜɚɚɬ ɧɚ ɦɧɨɝɭ, ɦɧɨɝɭ ɥɭɼɟ ɤɚɤɨ ɦɟɧɟ. ɉɚ, ɰɟɥɚ ɩɨɟɡɢʁɚ ɟ ɚɜɬɨɛɢɨɝɪɚɮɫɤɚ!
Ɂɧɚɱɢ ɥɢ ɬɨɚ ɞɟɤɚ ɬɚɚ ɤɚɤɨ ɥɢɬɟɪɚɬɭɪɚ ɬɪɟɛɚ ɞɚ ɫɟ ɩɨɬɰɟɧɭɜɚ?!. Ɇɢɫɥɚɦ ɞɟɤɚ
ɜɚɠɧɚ ɟ: ɩɪɢɤɚɡɧɚɬɚ, ɫɨɞɪɠɢɧɚɬɚ, ɢɧɬɟɪɟɫɧɨɫɬɚ ɲɬɨ ɧɟ ɝɨ ɨɫɬɚɜɚ ɱɢɬɚɬɟɥɨɬ
ɪɚɦɧɨɞɭɲɟɧ. Ⱥ ɫɟɤɨʁ ɩɢɫɚɬɟɥ ɜɧɟɫɭɜɚ ɧɟɲɬɨ ɫɜɨɟ ɜɨ ɞɟɥɨɬɨ ɤɚɤɨ ɢɫɤɭɫɬɜɨ,
ɡɧɚɟʃɟ ɢ ɫɮɚʅɚʃɟ, ɞɨɤɨɥɤɭ ɧɟ ɩɢɲɭɜɚ ɡɚ ɠɢɜɨɬɨɬ ɧɚ ɨɧɨʁ ɫɜɟɬ ɢɥɢ ʁɚ ɩɪɨɪɨ-
ɤɭɜɚ ɢɞɧɢɧɚɬɚ. ɂɧɚɤɭ, ɤɚɤɨ ɉɟɬɪɟ Ⱦɢɦɨɜɫɤɢ ʅɟ ʁɚ ɧɚɩɢɲɟɲɟ ɬɨɥɤɭ ɭɛɚɜɚɬɚ
ɤɧɢɝɚ „Ȼɪɨɞɨɜɢ“ ɚɤɨ ɧɟ ɩɪɟɫɬɨʁɭɜɚɲɟ ɧɟɤɨɥɤɭ ɝɨɞɢɧɢ ɜɨ Ⱥɜɫɬɪɚɥɢʁɚ ɢ ɧɟ ɩɚ-
ɬɭɜɚɲɟ ɫɨ ɛɪɨɞ ɞɨ ɬɚɦɭ? Ⱥɦɚ ɫɟɤɨʁ ɬɨɚ ɧɟ ɝɨ ɡɧɚɟ!


ɇɟɤɨɢ ɨɞ ɤɨɥɟɝɢɬɟ ɧɟɦɚɚɬ ɧɢɤɚɤɜɨ ɦɢɫɥɟʃɟ ɢɥɢ ɧɟ ɦɟ ɫɦɟɬɚɚɬ ɡɚ ɩɢɫɚ-
ɬɟɥ, ɚ ɤɚɤɜɨ ɦɢɫɥɟʃɟ ɞɚ ɢɫɤɚɠɚɬ ɤɨɝɚ ɧɟɦɚɚɬ ɩɪɨɱɢɬɚɧɨ ɧɢ ɟɞɧɨ ɞɟɥɨ ɨɞ ɦɟɧɟ.
Ɂɚɬɨɚ ɢ ɧɟ ɢɦ ɡɚɦɟɪɭɜɚɦ ɤɚɤɜɨ ɢ ɞɚ ɢɦɚɚɬ ɦɢɫɥɟʃɟ ɡɚ ɦɨɟɬɨ ɬɜɨɪɟɲɬɜɨ. ɇɨ,
ɡɧɚɱɚʁɧɨ ɦɢ ɛɟɲɟ ɦɢɫɥɟʃɟɬɨ ɧɚ Ⱦɨɧɟ ɉɚɧɨɜɫɤɢ ɤɨʁ ɦɟ ɧɚɪɟɱɟ „ɫɨɡɞɚɬɟɥ ɧɚ
ȿɞɪɟʁɤɨ Ⱦɚɫɤɚɥɨɬ – ɬɨʁ ɧɨɜ ɂɬɚɪ ɉɟʁɨ“ ɢɥɢ Ɋɚɞɨɜɚɧ ɉ. ɐɜɟɬɤɨɜɫɤɢ ɢ ɉɚɧɞɟ
Ɇɚɧɚʁɤɨɜ ɱɢɢ ɦɢɫɥɟʃɚ ɦɟ ɩɨɬɬɢɤɧɭɜɚɚɬ ɢ ɩɨɧɚɬɚɦɭ ɞɚ ɩɢɲɭɜɚɦ, ɭɤɚɠɭɜɚʁʅɢ
ɦɢ ɢ ɧɚ ɞɨɛɪɢɬɟ ɫɬɪɚɧɢ ɜɨ ɦɨɢɬɟ ɪɨɦɚɧɢ, ɧɨ ɢ ɧɚ ɧɢɜɧɢɬɟ ɦɚɧɢ. ɂɦ ɛɥɚɝɨɞɚ-
ɪɚɦ, ɛɢɞɟʁʅɢ ɧɢɤɨɝɚɲ ɧɟɦɚ ɢɞɟɚɥɧɨ ɞɟɥɨ, ɚ ɡɚ ɬɨɚ ʁɚɫ ɫɭɦ ɫɜɟɫɟɧ: ȷɟ ɧɚɫɬɨʁɭ-
ɜɚɦ ɫɥɟɞɧɨɬɨ ɞɚ ɛɢɞɟ ɩɨɞɨɛɪɨ! ɋɩɨɪɟɞ ɦɟɧɟ ɬɨɚ ɟ ɥɢɬɟɪɚɬɭɪɧɚ ɤɪɢɬɢɤɚ, ɚ ɧɟ
ɤɚɤɨ ɧɚ ɦɧɨɝɭ ɞɟɧɟɲɧɢ ɤɪɢɬɢɱɚɪɢ ɤɨɢ ɦɨɠɚɬ ɞɚ ɫɟ ɧɚɪɟɱɚɬ ɥɢɬɟɪɚɬɭɪɧɢ ɮɚ-
ɥɟɧɢɱɚɪɢ; ɡɚ ɧɢɜ, ɫɟɤɨɟ ɞɟɥɨ ɡɚ ɤɨɟ ɩɢɲɭɜɚɚɬ ɟ ɧɟɩɨɜɬɨɪɥɢɜɨ, ɧɟɩɪɨɱɢɬɚɧɨ
ɞɨɫɟɝɚ, ɛɟɡ ɧɢɤɚɤɜɢ ɧɟɞɨɫɬɚɬɨɰɢ, ɫɨɜɪɲɟɧɨ ɢ ɢɞɟɚɥɧɨ, ɚ ɬɚɤɜɨ ɧɟ ɦɨɠɟ ɞɚ ɛɢ-
ɞɟ!




НУУБ „Св. Климент Охридски“– Битола


34



Jovan Gjurovski



HUMANENESS IS NOT ONLY IN JESUS

Maybe I am writing because of my professional deformity: to criticise the


anomalies of the society, to teach how we should live our live, unhuman
relationships among people, interethnic relationships and other vices. Also, the
titles of my books indicate the theme and the idea of my the work. All my works
can have one title: Humaneness is not only in Jesus.


Some of my colleagues think that I am not a writer. Some of them doesn’t
have any opinion. Both of them have never read any work of mine. That’s why I
don’t mind about their opinion. Thanks to the positive criticism of some of the
writers I am still writing.




Деветта роднокрајна средба…


35





Елизабета Јончиќ



ПИСАТЕЛОТ СЕ ДАРУВА СЕБЕСИ И ДРУГИТЕ



„ɍɦɟɬɧɨɫɬɚ ɟ ɧɚʁɝɨ-


ɥɟɦɚɬɚ ɪɚɞɨɫɬ ɲɬɨ ɱɨɜɟɤɨɬ
ɫɢ ʁɚ ɩɨɞɚɪɭɜɚ ɫɚɦɢɨɬ ɧɚ
ɫɟɛɟɫɢ“.


Ʉɚɪɥ Ɇɚɪɤɫ

Ⱥɤɨ ɝɧɟɡɞɨɬɨ ɧɚ ɤɪɟ-


ɚɬɢɜɧɨɫɬɚ ɜɨ ɱɨɜɟɤɨɬ ɧɟɫɟ-
ɛɢɱɧɨ ɫɟ ɨɬɜɨɪɢ ɢ ɫɟ ɩɨ-
ɱɭɜɫɬɜɭɜɚ ɬɚɚ ɤɪɟɚɬɢɜɧɚ
ɜɨɡɜɢɲɟɧɨɫɬ, ɬɨɝɚɲ ɧɢɡ
ɫɩɨɡɧɚɧɢɟɬɨ ɫɟ ɪɚɼɚ ɭɦɟɬ-
ɧɨɫɬɚ. ɉɪɨɞɥɚɛɨɱɭɜɚʃɟɬɨ


ɜɨ ɧɟʁɡɢɧɚɬɚ ɧɟɩɨɫɪɟɞɧɨɫɬ ɝɨ ɢɡɪɚɡɭɜɚ ɜɤɭɫɨɬ ɧɚ ɱɨɜɟɱɤɚɬɚ ɞɭɲɚ, ɬɥɚɧɢɤɨɬ ɧɚ
ɫɟɛɟɩɨɢɦɚʃɟɬɨ ɢ ɪɚɞɨɫɬɚ ɤɨʁɚ ɫɟɤɨʁ ɨɧɨʁ ɤɨʁ ɫɟ ɢɡɪɚɞɭɜɚɥ ɧɚ ɩɨɪɨɞɨɬ ɨɞ ɬɨɚ
ɝɧɟɡɞɨ ʁɚ ɩɨɱɭɜɫɬɜɭɜɚɥ. Ɍɨʁ ɩɨɪɨɞ ɢ ɧɟɝɨɜɨɬɨ ɞɟɥɨ ɢɦɚ ɧɚɱɟɥɨ ɢ ɞɭɯɨɜɧɚ ɫɢɥɚ
ɤɨʁɚ ɫɚɦɚ ɩɨ ɫɟɛɟ ɟ ɤɚɤɨ ɧɟɪɚɫɤɢɧɥɢɜ ɜɪɭɬɨɤ ɲɬɨ ɫɬɪɟɦɢ ɧɢɡ ɟɞɟɧ ɫɥɨɛɨɞɟɧ
ɪɢɬɚɦ ɤɨɧ ɫɜɨʁɨɬ ɚɩɫɨɥɭɬ. Ɍɨɝɚɲ ɟɝɨɬɨ ɫɬɚɧɭɜɚ ɫɚɦɨ ɧɟɝɨɜɚ ɢɝɪɚ, ɚ ɩɪɟɩɭɲ-
ɬɚʃɟɬɨ ɧɚ ɪɢɬɚɦɨɬ ɧɟɢɡɦɟɪɧɚ ɫɪɟʅɚ. ɂ ɧɟ ɟ ɜɚɠɧɚ ɜɪɟɞɧɨɫɬɚ ɧɚ ɫɨɡɞɚɜɚʃɟɬɨ,
ɟɞɧɨɫɬɚɜɧɨɬɨ ɩɪɟɨɛɪɚɡɭɜɚʃɟ ɧɚ ɢɦɚɝɢɧɚɬɢɜɧɢɬɟ ɢɦɩɭɥɫɢ ɧɨɫɢ ɧɨɜɚ ɪɟɚɥ-
ɧɨɫɬ, ɤɨʁɚ ɫɟ ɛɟɥɟɠɢ ɜɨ ɫɨɝɥɚɫɧɨɫɬ ɫɨ ɧɚɦɟɪɚɬɚ ɞɚ ɫɟ ɡɚɞɪɠɢ ɪɚɞɨɫɬɚ ɧɚ ɬɜɨ-
ɪɟɱɤɢɨɬ ɦɨɦɟɧɬ. Ɍɚɤɚ ʁɚɫ ɬɨɚ ɝɨ ɱɭɜɫɬɜɭɜɚɦ. ɇɟ ɦɨɠɟɲ ɞɚ ɝɨ ɩɨɤɨɪɢɲ ɬɨʁ
ɜɞɚɯɧɨɜɟɧ ɞɟɥ ɨɞ ɬɟɛɟ, ɞɟɥɨɬɨ ɞɨɚɼɚ ɫɩɨɧɬɚɧɨ. Ɉɜɚɚ ɤɨɦɭɧɢɤɚɰɢʁɚ ɫɨ ɤɪɟɚɬɢɜ-
ɧɨɫɬɚ ɧɟɤɨɝɚɲ ɢ ɬɜɨɪɟɰɨɬ ɝɨ ɫɬɚɜɚ ɜɨ ɫɨɫɬɨʁɛɚ ɧɚ ɧɟʁɚɫɧɨɫɬ. Ɉɞ ɤɚɞɟ ɫɟ ɰɪɩɚɬ
ɦɚɬɟɪɢʁɚɥɢɬɟ ɡɚ ɦɚʁɫɬɨɪɫɬɜɨɬɨ ɧɚ ɩɟɪɨɬɨ, ɨɞ ɞɨɩɢɪɨɬ ɫɨ ɩɪɢɪɨɞɚɬɚ, ɫɟɬɢɥɧɢɬɟ
ɱɭɜɫɬɜɚ, ɬɟɥɟɫɧɢɬɟ ɫɬɪɚɫɬɢ, ɡɚɜɢɫɬɚ, ɨɦɪɚɡɚɬɚ, ʂɭɛɨɜɬɚ, ɫɬɪɚɞɚʃɟɬɨ? ɑɨɜɟɤɨ-
ɜɚɬɚ ɪɚɡɦɢɫɥɚ ɧɨɫɢ ɫɜɨɟ ɛɨɝɚɬɫɬɜɨ, ɧɨɫɢ ɫɜɨʁ ɫɜɟɬ, ɫɜɟɬ ɤɨʁ ɦɨɠɟ ɜɨ ɢɫɬ ɦɨ-
ɦɟɧɬ ɢ ɞɚ ɜɟɧɟɟ ɢ ɞɚ ɰɜɟɬɚ. ɂɧɞɢɜɢɞɭɚɥɧɨɫɬɚ ɜɨ ɛɟɥɟɠɟʃɟɬɨ ɧɚɨɼɚ ɫɜɨʁ ɢɡɪɚɡ
ɤɨɝɚ ɞɨɩɢɪɚ ɢ ɧɚ ɞɪɭɝɚɬɚ ɫɬɪɚɧɚ, ɬɨɝɚɲ ɤɨɝɚ ɟɧɟɪɝɢɢɬɟ ɧɚ ɡɛɨɪɨɜɢɬɟ ɢ ɦɢɫɥɢ-
ɬɟ ɫɟ ɩɪɨɧɚɲɥɟ ɦɟɼɭɫɟɛɧɨ, ɫɟ ɪɚɡɛɪɚɥɟ ɢɥɢ ɪɚɡɦɟɧɢɥɟ, ɢɥɢ, ɩɚɤ, ɫɟ ɫɬɪɟɦɚɬ
ɤɨɧ ɛɥɚɝɨɫɥɨɜ ɨɞ Ɍɜɨɪɟɰɨɬ. ɉɢɫɚɬɟɥɫɤɚɬɚ ɪɚɛɨɬɚ ɟ ɫɨɡɞɚɜɚʃɟ ɫɨ ʂɭɛɨɜ. ɋè
ɲɬɨ ɫɟ ɫɨɡɞɚɥɨ ɫɨ ʂɭɛɨɜ ɢɦɚ ɫɜɨʁɚ ɫɭɞɛɢɧɚ, ɢɥɢ ɞɚ ɞɨɩɪɟ ɞɨ ɞɪɭɝɨ ɫɪɰɟ ɢɥɢ
ɞɚ ɛɢɞɟ ɨɫɭɞɟɧɨ ɫɨ ɠɟɫɬɨɤɚ ɤɪɢɬɢɤɚ.






НУУБ „Св. Климент Охридски“– Битола


36


Ɋɚɡɝɚɥɟɧɨ


Ƚɨ ɪɚɡɝɚɥɢɜ ɤɨɩɧɟɠɨɬ
ɦɨɟɬɨ ɜɞɚɯɧɨɜɟɧɢɟ ɠɟɫɬɨɤɨ ɦɟ ɨɫɭɞɢ
ɡɨɲɬɨ ɝɨ ɦɚɱɚɦ ɡɛɨɪɨɬ
ɤɨɝɚ ɦɢɫɥɚɬɚ ɩɨɡɧɚɜɚ ɫɬɪɚɫɬ.
ɋɜɟɬɥɢɧɨ ɦɨʁɚ
ɫɢɪɨɦɚɲɟɧ ɟ ɫɟɤɨʁ ɟɩɢɬɟɬ
ɤɨʁ ɜɨ ɨɫɤɭɞɧɨɫɬ ɫɚɤɚɦ
ɩɨɞɚɪɨɤ
ɧɚ ɚɡɭɪɧɢ ɛɢɫɟɪɢ ɞɚ ɝɨ ɞɚɞɚɦ.
ɋɨɞɟʁɫɬɜɭɜɚʁ ɫɨ ɤɨɩɧɟɠɨɬ ɦɨʁ!
ɉɪɟɛɥɢɤɧɭɜɚ ɉɟɪɭɧɢɤɚ
ɡɚ ɡɪɚɱɨɤ ɧɚɫɦɟɜɤɚ ɢ ɧɚɞɟɠ
ɤɨ ɭɬɪɢɧɚ ɩɪɟɞ ɢɡɝɪɟʁɫɨɧɰɟ.
Ⱦɭɯɨɬ ɝɨɜɨɪɢɬɟɥ ɧɚ ʂɭɛɨɜɬɚ ɩɥɚɬɨɧɫɤɚ
ɤɚɤɨ ɞɚ ɡɚɦɟɲɚɥ ɬɚɦɭ ɤɚʁ ɲɬɨ ɧɟ ɬɪɟɛɚ.
Ȼɢɞɢ ɦɢ ɫɜɟɬɥɢɧɚ ɱɢɫɬɚ ɚɧɝɟɥɫɤɚ
ɢ ɜɨɞɢ ɦɟ ɧɚɩɪɟɞ ɜɨ ɨɜɨʁ ɭɛɚɜ ɞɟɧ!


ɇɟ ɦɨɠɟ ɞɚ ɛɢɞɟ ɡɚɛɥɭɞɚ ɫɢɥɚɬɚ ɧɚ ɜɞɚɯɧɨɜɟɧɢɟɬɨ, ɬɚɚ ɦɨɠɟ ɞɚ ɛɢɞɟ ɫɚ-
ɦɨ ɧɚɞɝɪɚɞɛɚ. ɇɚɞɝɪɚɞɛɚ ɧɚ ɢɡɧɟɫɭɜɚʃɟ ɧɚ ɨɛɥɢɤɨɬ ɧɚ ɫɨɫɬɨʁɛɚɬɚ, ɟɞɟɧ ɬɨɱɧɨ
ɨɩɪɟɞɟɥɟɧ ɨɞɧɨɫ ɩɨɦɟɼɭ ɩɨɜɪɡɚɧɨɫɬɚ ɧɚ ɭɦɨɬ ɢ ɤɪɟɚɬɢɜɧɨɫɬɚ. ɇɚɩɨɪɢɬɟ ɞɚ ɫɟ
ɪɚɡɛɟɪɟ ɩɨɬɪɟɛɚɬɚ ɨɞ ɪɟɡɭɥɬɚɬɨɬ ɧɚ ɩɨɫɬɢɝɧɭɜɚʃɟɬɨ ɧɚ ɤɪɚʁɧɚɬɚ ɰɟɥ ɧɚ ɬɨɚ
ɞɟʁɫɬɜɨ ɦɨɠɟ ɞɚ ɫɟ ɩɪɨɬɨɥɤɭɜɚɚɬ ɤɚɤɨ ɡɚɛɥɭɞɚ ɤɨʁɚ ɝɨ ɨɫɢɪɨɦɚɲɭɜɚ ɢ ɝɨ ɡɚɭɡ-
ɞɭɜɚ ɬɟɱɟɧɢɟɬɨ ɧɚ ɦɢɫɥɚɬɚ ɢ ɩɨɫɬɚɜɭɜɚ ɝɪɚɧɢɰɢ ɧɚ ɬɜɨɪɟɱɤɢɨɬ ɟɥɚɧ. ɋɢɥɚɬɚ
ɧɚ ɜɞɚɯɧɨɜɟɧɢɟɬɨ ɫɚɦɚ ɫɢ ɝɨ ɩɪɨɧɚɨɼɚ ɫɜɨʁɨɬ ɩɚɬ ɞɨ ɱɢɬɚɬɟɥɨɬ, ɛɟɡ ɪɚɡɥɢɤɚ
ɞɚɥɢ ɫɟ ɩɢɲɭɜɚ ɡɚ ɜɨɨɞɭɲɟɜɭɜɚʃɟ, ɫɬɪɚɜ, ɪɚɞɨɫɬ, ɛɨɥɤɚ, ɚɝɪɟɫɢʁɚ, ɞɚɥɢ ɫɟ ɩɪɟ-
ɧɟɫɭɜɚ ɱɭɜɫɬɜɨ, ɫɥɢɤɚ ɢɥɢ ɞɨɛɪɢ ɢɥɢ ɥɨɲɢ ɫɬɪɚɧɢ ɧɚ ɤɚɪɚɤɬɟɪɢ, ɫɜɨʁ ɫɜɟɬɨ-
ɝɥɟɞ, ɧɨɜɚ ɫɜɟɠɢɧɚ ɜɨ ɧɨɜɨ ɜɪɟɦɟ, ɢɥɢ, ɩɚɤ, ɨɛɥɢɰɢ ɧɚ ɬɥɟɟɧɢ ɢɫɤɭɫɬɜɚ, ɪɚɫ-
ɤɚɠɭɜɚʃɟ ɡɚ ɠɢɜɢ ɥɢɤɨɜɢ, ɩɢɲɭɜɚʃɟ ɡɚ ɫɜɨʁɚɬɚ ɞɭɲɚ. ɋɟɤɨɝɚɲ ɫɥɢɱɧɨɫɬɢɬɟ
ɫɟ ɩɪɨɧɚɨɼɚɚɬ, ɧɨ ɫɟ ɞɨɠɢɜɭɜɚɚɬ ɧɚ ɫɜɨʁ ɧɚɱɢɧ, ɢɞɟʁɚɬɚ ɜɨ ɩɟɫɧɚɬɚ ɧɚ ɩɨɟɬɨɬ, ɢ
ɬɨɥɤɭɜɚʃɟɬɨ ɧɚ ɧɟʁɡɢɧɚɬɚ ɫɨɞɪɠɢɧɚ ɧɢɡ ɡɚɩɢɲɚɧɢɬɟ ɡɛɨɪɨɜɢ ɩɪɢ ɫɟɤɨɟ ɱɢɬɚ-
ʃɟ, ɦɨɠɟ ɪɚɡɥɢɱɧɨ ɞɚ ɫɟ ɜɨɫɩɪɢɦɢ, ɬɨɚ ɧɟ ɡɧɚɱɢ ɞɟɤɚ ɧɚɩɢɲɚɧɨɬɨ ɟ ɡɚɛɥɭɞɚ
ɢɥɢ ɩɨɝɪɟɲɧɨ ɩɪɟɬɫɬɚɜɭɜɚʃɟ ɧɚ ɬɨɚ ɲɬɨ ɫɦɟ ɝɨ ɫɪɟɬɧɚɥɟ ɧɚ ɩɚɬɨɬ. Ɂɚɞɨɜɨɥ-
ɫɬɜɨɬɨ ɨɞ ɧɟɝɨ ɡɚɜɢɫɢ ɨɞ ɧɚɲɟɬɨ ɜɧɚɬɪɟɲɧɨ ɨɛɟɥɟɠʁɟ ɢ ɧɚɱɢɧɨɬ ɧɚ ɧɟɝɨɜɨɬɨ
ɩɨɢɦɚʃɟ. Ʉɨɝɚ ɦɢɫɥɚɬɚ ɩɪɟɦɢɧɭɜɚ ɧɚ ɯɚɪɬɢʁɚ, ɬɨɝɚɲ ɦɨɥɤɨɬ ɡɛɨɪɭɜɚ ɧɚʁɝɥɚɫɧɨ.


„Ɇɨɥɤɨɬ ɟ ɢɝɪɚ ɦɟɼɭ
ɡɚɡɛɨɪɨɬ ɢ ɦɢɫɥɚɬɚ,
ɞɚ ɝɨ ɡɚɩɪɟɲ ɩɥɚɱɨɬ ɧɚ ɦɢɫɥɚɬɚ ɧɨɜɨɪɨɞɟɧɱɟ
ɟ ɢɫɬɨ
ɤɚɤɨ ɞɚ ʁɚ ɡɚɤɥɭɱɢɲ
ɜɪɚɬɚɬɚ ɧɚ ɩɪɚɝɨɬ
ɧɚ ɫɜɨʁɨɬ ɩɪɚɝ ɫɨ ɱɟɥɢɱɧɢ ɤɚɬɚɧɰɢ
ɚ ɤɥɭɱɨɬ ɞɚ ɝɨ ɢɡɝɭɛɢɲ ɫɜɟɫɧɨ
ɩɨɞ ɞɨɥɚɦɚɬɚ ɧɚ ɡɚɛɨɪɚɜɨɬ“.




Деветта роднокрајна средба…


37


ɉɨɛɟɞɭɜɚʁʅɢ ʁɚ ɫɦɟɥɨ ɤɨɥɟɛɥɢɜɨɫɬɚ ɧɚ ɩɨʁɚɜɚɬɚ, ɦɢɫɥɚɬɚ ɧɟ ɫɟ ɝɪɢɠɢ ɡɚ
ɬɨɚ ɧɚ ɤɨʁ ɧɚɱɢɧ ʅɟ ɞɨɩɪɟ ɞɨ ɱɢɬɚɬɟɥɨɬ, ɧɟ ɟ ɜɚɠɧɨ ɞɚɥɢ ʅɟ ɛɢɞɟ ɩɨɱɢɬɭɜɚɧɚ
ɢɥɢ ɧɟ, ɜɚɠɧɨ ɟ ɫɚɦɨ ɞɚ ɫɟ ɫɥɟɟ ɜɨ ɟɞɢɧɫɬɜɨɬɨ ɫɨ ɡɛɨɪɨɜɢɬɟ ɢ ɞɚ ʁɚ ɡɚɞɪɠɢ
ɰɟɥɨɜɢɬɨɫɬɚ ɧɚ ɩɪɜɨɛɢɬɧɚɬɚ ɧɚɦɟɪɚ, ɞɚ ɫɟ ɢɫɤɚɠɟ, ɞɚ ɫɟ ɨɜɟɤɨɜɟɱɢ ɢ ɞɚ ɫɟ
ɨɫɥɨɛɨɞɢ, ɚ ɧɚɱɢɧɨɬ ɧɚ ɢɡɪɚɡɭɜɚʃɟɬɨ ɫɨ ɫɜɨʁɚɬɚ ɫɩɨɧɬɚɧɨɫɬ ɢ ɟɞɧɨɫɬɚɜɧɨɫɬ,
ɞɚ ɫɟ ɡɝɭɫɧɟ ɢ ɞɚ ɫɟ ɜɤɨɪɟɧɢ ɫɨ ɪɟɚɥɧɨɫɬɚ. Ⱦɚ ɞɨɧɟɫɟ ɪɚɞɨɫɬ.



„ɇɟ ɦɢ ɡɚɦɟɪɭɜɚʁ ɬɢ,
ɲɬɨ ɦɨɢɬɟ ɫɬɢɯɨɜɢ ɝɢ ɱɢɬɚɲ
ɡɚ ɦɨɟɬɨ ɝɪɭɛɨ ɨɛɪɚʅɚʃɟ ɤɨɧ ɬɟɛɟ,
ɦɟɧɟ ɫɚɦɨ ɦɢɫɥɚɬɚ ɦɟ ɜɨɞɢ
ɞɚ ɝɨ ɨɬɤɪɢʁɚɦ ɨɫɥɨɛɨɞɭɜɚʃɟɬɨ ɧɚ ɞɭɯɨɬ
ɡɚɪɨɛɟɧ ɜɨ ɫɬɚɤɥɟɧɨ ɾɜɨɧɨ
ɧɚɬɪɭɩɚɧ ɫɨ ɛɪɟɦɟɬɨ ɧɚ ɜɥɚɞɟɬɟɥɨɬ
ɧɟɪɟɲɢɬɟɥɧɨɫɬɚ...
............................


ɂ ɬɟɛɟ ɲɬɨ ɬɟ ɡɚɦɢɫɥɢɜ
ɧɟ ɦɢ ɡɚɦɟɪɭɜɚʁ,
ɫɚɦɨɫɬɨʁɧɨ ɞɚ ɝɢ ɩɪɨɬɨɥɤɭɜɚɲ ɦɟɬɚɮɨɪɢɬɟ
ɧɚ ɦɨɢɬɟ ɞɨɛɥɟɫɬɢ ɢ ɧɟɞɨɫɬɚɬɨɰɢ
ɡɚɩɢɲɚɧɢ ɜɨ ɦɟɦɨɚɪɢɬɟ ɧɚ ɦɨɟɬɨ ɫɪɰɟ.
ɂ ɧɚ ɤɪɚʁɨɬ ɢ ɬɢ, ɲɬɨ ɧɟ ɱɢɬɚɲ ɧɟ ɦɢ ɡɚɦɟɪɭɜɚʁ,
ɡɨɲɬɨ ɧɟɦɚ ɞɚ ɝɨ ɨɞɪɟɱɚɦ ɦɨʁɨɬ ɩɨɪɢɜ
ɡɚ ɧɟɨɞɨɥɢɜɚɬɚ ɩɪɢɜɥɟɱɧɨɫɬ ɧɚ ɩɢɲɭɜɚʃɟɬɨ
ɢ ɡɚɞɨɜɨɥɫɬɜɨɬɨ ɲɬɨ ɬɨɚ ɦɢ ɝɨ ɩɨɞɚɪɭɜɚ“.

ɉɪɢɜɥɟɱɧɨɫɬɚ ɤɨɧ ɩɢɲɭɜɚʃɟɬɨ ɞɚɜɚ ɠɢɜɨɬɧɚ ɫɢɥɚ, ɞɚɜɚ ɛɨɝɚɬɫɬɜɨ ɧɚ


ɫɨɩɫɬɜɟɧɨɬɨ ɛɢɬɢɟ, ɨɫɥɨɛɨɞɭɜɚʃɟ ɨɞ ɜɧɚɬɪɟɲɧɚɬɚ ɛɨɪɛɚ, ɩɨɫɬɨʁɚɧɢ ɩɪɨɲɟɬɤɢ
ɜɨ ɮɚɧɬɚɡɢʁɚɬɚ ɢ ɚɩɫɬɪɚɤɬɧɢɬɟ ɡɚɦɢɫɥɢ ɢ ɦɨɠɧɨɫɬ ɡɚ ɞɨɩɢɪ ɫɨ ɭɧɢɜɟɪɡɚɥɧɨ-
ɬɨ, ɛɥɚɝɨɞɚɬ ɡɚ ɞɭɲɚɬɚ. ɇɟɨɝɪɚɧɢɱɟɧɢ ɦɨɠɧɨɫɬɢ ɡɚ ɢɡɪɚɡɭɜɚʃɟ ɧɚ ɡɚɦɢɫɥɢɬɟ,
ɨɬɟɥɨɬɜɨɪɭɜɚʃɟ ɧɚ ɧɨɜɢ ɩɨɝɥɟɞɢ, ɩɪɟɧɟɫɭɜɚʃɟ ɧɚ ɧɨɜɢ ɜɢɡɢɢ ɜɨ ɪɟɚɥɧɨɫɬɚ.
Ɍɪɭɞɨɬ ɤɨʁ ɩɪɨɢɡɥɟɝɭɜɚ ɨɞ ɧɟɝɨ ɟ ɧɚɲɚɬɚ ɩɢɫɚɬɟɥɫɤɚ ɞɟʁɧɨɫɬ, ɧɚɲɢɨɬ ɩɪɨɢɡ-
ɜɨɞ, ɧɚɲɢɨɬ ɩɪɢɞɨɧɟɫ ɡɚ ɥɢɬɟɪɚɬɭɪɚɬɚ ɤɚɤɨ ɭɦɟɬɧɨɫɬ. Ⱥɤɨ ɪɢɬɚɦɨɬ ɨɞ ɬɚɤɬɨɬ
ɧɚ ɦɭɡɢɤɚɬɚ ɭɦɟɟ ɞɚ ɝɢ ɪɚɫɩɥɚɦɬɢ, ɞɚ ɝɢ ɫɤɪɨɬɢ ɢ ɞɚ ɝɢ ɩɨɬɱɢɧɢ ɞɜɢɠɟʃɚɬɚ ɧɚ
ɧɚɲɟɬɨ ɮɢɡɢɱɤɨ ɬɟɥɨ, ɬɨɝɚɲ ɪɢɬɚɦɨɬ ɧɚ ɡɛɨɪɨɨɛɪɚɡɭɜɚʃɟɬɨ ʅɟ б ɫɟ ɫɩɪɨɬɢɜ-
ɫɬɚɜɢ ɧɚ ɦɟɬɚɮɢɡɢɤɚɬɚ. Ɂɨɲɬɨ ɬɜɨɪɚɦ?



ɂɫɩɨɜɟɞ

Ƚɢ ɫɚɤɚɦ ɛɭɤɜɢɬɟ,
ɧɢɜɧɚɬɚ ɫɜɨʁɫɬɜɟɧɨɫɬ
ɞɚ ɝɢ ɨɛɪɚɡɭɜɚɚɬ ɡɛɨɪɨɜɢɬɟ
ɜɨ ɛɨɝɚɬɫɬɜɨ ɧɟɢɫɬɪɨɲɥɢɜɨ
ɜɨ ɥɟɤ ɡɚ ɫɟɤɨʁɚ ɛɨɥɤɚ




НУУБ „Св. Климент Охридски“– Битола


38


ɜɨ ɩɟɫɧɚ ɡɚ ɫɟɤɨʁɚ ɪɚɞɨɫɬ
ɜɨ ɧɚɞɟɠ ɡɚ ɫɟɤɨʁɚ ɬɚɝɚ,
ɜɨ ɫɚɪɚʁ ɡɚ ɫɟɤɨʁ ɱɨɜɟɤ
Ƚɢ ɫɚɤɚɦ ɡɛɨɪɨɜɢɬɟ
ɂ ɧɢɜɧɚɬɚ ɫɜɨʁɫɬɜɟɧɨɫɬ
Ⱦɚ ʁɚ ɢɫɤɚɥɚɬ ɦɢɫɥɚɬɚ,
ɞɚ ʁɚ ɨɛɜɢʁɚɬ
ɞɚ ʁɚ ɢɡɦɢʁɚɬ ɫɨ ɢɡɜɨɪɢ ɧɟɩɪɟɫɭɲɧɢ
ɞɚ ʁɚ ɧɚɩɨʁɚɬ ɞɚ ɩɨɬɟɱɟ
ɤɚɤɨ ɟɞɢɧɫɬɜɟɧɚ ɫɢɥɚ ɲɬɨ ɩɨɬɬɢɤ ɞɚɪɭɜɚ
Ɂɚ ɩɨɞɨɛɪɨ ɭɬɪɟ.
Ƚɢ ɫɚɤɚɦ ɪɟɱɟɧɢɰɢɬɟ
ɢ ɧɢɜɧɚɬɚ ɦɨʅ ɡɚ ɢɫɤɚɠɭɜɚʃɟ
ɧɢɡ ɛɭɤɜɢɬɟ ɢ ɡɛɨɪɨɜɢɬɟ
ɜɨɥɲɟɩɫɬɜɨ ɨɞ ɛɟɫɤɨɧɟɱɧɨɫɬɢ,
ɇɟɨɝɪɚɧɢɱɟɧɢ ɦɨɠɧɨɫɬɢ,
ɧɟɦɚ ɩɪɟɩɪɟɤɢ, ɧɟɦɚ ɡɚɩɢɪɚʃɚ
ɋɚɦɨ ʂɭɛɨɜ ɲɬɨ ʁɚ ɢɫɩɨɥɧɭɜɚ ɞɭɲɚɬɚ
ȼɨ ɤɨɲɧɢɰɢ ɨɞ ɱɭɜɫɬɜɚ ɢɡɦɟɲɚɧɢ
Ɂɚ ɫɟɤɨʁɚ ɢɫɩɨɜɟɞ ɨɞ ɧɢɜ ɲɬɨ ɫɟ ɫɬɜɨɪɢɥɚ.




Деветта роднокрајна средба…


39





Elizabeta Jonchic



THE WRITER GIVES A GIFT TO HIMSELF

Man’s thought has its own treasure, bring’s one’s world, world that in the


same moment could blossom or fade away. Individuality finds its own expression
when it reaches the other shore, when the energies of the words and thoughts met
themselves, understood each other, or exchanged among themselves, or they
longed for the blessing of the Creator. Writer’s job is creating with love.
Everything created with love has its own destiny, either to touch someone’s heart
or be criticised with severe criticism.


Overcoming bravely the hesitation of the occurrence, the thought doesn’t
worry how to reach the reader, it doesn’t matter whether it will be paid any respect
or not, all that matters is to melt in unity with the words in order to keep the
wholeness of the pre-intention, to express itself, to become eternal and free itself,
and the way of the expression in its spontaneity and simplicity, to solidify and
uproot in reality.





НУУБ „Св. Климент Охридски“– Битола


40





Проф. д-р Владимир Костов



ЗОШТО ПИШУВАМ?


Ⱥ ɫɟɝɚ ɞɚ ɤɚɠɚɦ ɧɟɲɬɨ ɡɚ ɫɟɛɟ ɢ ɡɚ ɦɨɟɬɨ ɬɜɨɪɟɲɬɜɨ. ɂɦɚɦ ɧɚɩɢɲɚɧɨ


16 ɪɨɦɚɧɢ, 12 ɡɛɢɪɤɢ ɧɨɜɟɥɢ ɢ ɪɚɫɤɚɡɢ, ɦɟɼɭ ɤɨɢ ɢ ɯɟɪɚɤɥɟʁɫɤɢɨɬ ɦɨɡɚɢɤ ɤɨʁ
ɩɪɟɬɫɬɚɜɭɜɚ ɤɨɪɩɭɫ ɨɞ 200, ɫɨɫɟ „ɞɨɞɚɬɨɤɨɬ“ 250 ɛɟɥɟɬɪɢɫɬɢɱɤɨ-ɟɫɟɢɫɬɢɱɤɢ
ɫɨɫɬɚɜɢ, „ɯɟɪɚɤɥɟʁɫɤɢ“, ɪɚɫɩɟɚɧɢ ɧɚ 1 000 ɫɬɪɚɧɢɰɢ. ɇɨ ɡɨɲɬɨ, ɡɨɲɬɨ ɩɢɲɭ-
ɜɚɦ? Ʉɚɤɨɜ ɟ ɬɨʁ ɩɨɪɢɜ ɲɬɨ ɦɟ ɬɟɪɚ, ɛɢɞɟʁʅɢ ɧɚɞ ɛɟɥɚɬɚ ɯɚɪɬɢʁɚ ɭɩɨɪɧɨ ɝɨ ɛɚ-
ɪɚɦ ɨɞɝɨɜɨɪɨɬ ɧɚ ɬɨɚ ɩɪɚɲɚʃɟ. ɋɨ ɧɟɝɨ ɫɟ ɫɭɞɪɢɜ ɭɲɬɟ ɜɨ ɦɨɢɬɟ ɦɥɚɞɟɲɤɢ
ɝɨɞɢɧɢ, ɤɚɤɨ ɭɱɟɧɢɤ ɜɨ Ȼɢɬɨɥɫɤɚɬɚ ɝɢɦɧɚɡɢʁɚ. ɍɲɬɟ ɫɨ ɩɪɜɢɬɟ ɩɨɫɟɪɢɨɡɧɢ ɥɢ-
ɬɟɪɚɬɭɪɧɢ ɨɛɢɞɢ ɬɨɚ ɩɪɚɲɚʃɟ ɦɢ ɫɟ ɧɚɦɟɬɧɚ ɢ ɫɨ ɬɟɤɨɬ ɧɚ ɜɪɟɦɟɬɨ ɩɪɢɞɨɛɢ
ɮɢɥɨɡɨɮɫɤɢ ɤɚɪɚɤɬɟɪ ɤɚɤɨ ɜɚɪɢʁɚɧɬɚ ɧɚ ɨɧɬɨɥɨɲɤɨɬɨ ɩɪɚɲɚʃɟ: Ʉɨɢ ɫɦɟ, ɨɞ
ɤɚɞɟ ɞɨɚɼɚɦɟ, ɤɚɞɟ ɨɞɢɦɟ ɢ ɡɨɲɬɨ ɡɨɲɬɨ ɠɢɜɟɟɦɟ? Ɍɟɲɤɨ ɩɪɚɲɚʃɟ ɫɨ ɬɟɠɢɧɚ
ɪɚɦɧɚ ɧɚ ɬɟɠɢɧɚɬɚ ɧɚ ɫɜɟɬɨɬ ɤɨʁ ɦɢɬɫɤɢɨɬ ɚɬɥɚɧɬ ɝɨ ɧɨɫɟɥ ɧɚ ɫɜɨɢɬɟ ɦɨʅɧɢ
ɩɥɟʅɢ. Ⱦɟɦɢɬɨɥɨɝɢɡɢɪɚɧɚ ɢ ɩɪɢɦɟɧɟɬɚ ɧɚ ɦɨʁɨɬ ɫɥɭɱɚʁ, ɨɜɚɚ ɥɟɝɟɧɞɚ ɫɟ ɦɟɬɚ-
ɦɨɪɮɨɡɢɪɚ ɢ ɦɢɬɫɤɢɨɬ ʇɢɧ ɜɨ ɧɟɚ ɫɟ ɩɪɟɬɜɨɪɚ ɜɨ ɚɦɚɥ ɨɞ ɤɟʁɨɬ ɧɚ Ⱦɪɚɝɨɪɨɬ
ɤɚʁ Ʌɟɧɫɤɢ ɦɨɫɬ ɤɨʁ ɧɚ ɫɜɨɢɬɟ ɫɥɚɛɢ ɩɥɟʅɢ ɡɟɥ ɞɚ ʁɚ ɧɨɫɢ ɬɟɠɢɧɚɬɚ ɧɚ ɫɜɟɬɨɬ
ɫɟɝɚ ɡɚɛɪɟɦɟɧɟɬ ɫɨ ɚɬɨɦɫɤɚ ɛɨɦɛɚ, ɫɨ ɪɢɡɢɤ ɞɚ ɛɢɞɟ ɫɦɚɱɤɚɧ, ɩɨɪɚɞɢ ɲɬɨ ɩɪɟɞ
ɦɚɥɤɭ ɢ ɨɜɞɟ, ɜɨ ɠɢɜɟɚɥɢɲɬɟɬɨ ɧɚ ȿɪɚɬɨ, ɦɭɡɚɬɚ ɧɚ ɩɨɟɡɢʁɚɬɚ, ɧɟ ɦɨɠɟʁʅɢ ɬɨʁ
ɚɦɚɥ ɞɚ ɞɨɫɬɨɢ ɧɚ ɧɨɡɟ ɢ ɞɚ ɝɨ ɞɨɧɨɫɢ ɬɨʁ ɬɨɜɚɪ, ɬɨɚ ɛɪɟɦɟ, ɩɨɛɚɪɚ ɞɚ ɫɟɞɧɟ.
ɇɨ, ɤɨɥɤɭ ɫɚɦɨ ɞɚ ɡɟɦɟ ɡɞɢɜ ɡɚ ɚɩɨɞɢɤɬɢɱɤɢ ɞɚ ɝɨ ɤɚɠɟ ɨɧɚ ɲɬɨ ɦɟɬɚɮɨɪɢɱɤɢ
ɝɨ ɤɚɠɚɥ ɧɚ 6 000 ɫɬɪɚɧɢɰɢ ɜɨ ɫɜɨɢɬɟ 16 ɪɨɦɚɧɢ ɢ ɭɲɬɟ ɬɨɥɤɭ ɡɛɢɪɤɢ ɧɚ ɧɨɜɟ-
ɥɢ ɢ ɪɚɫɤɚɡɢ ɢ ɲɬɨ ɝɨ ɤɚɠɚɥɟ ɜɨ ɧɟɨɞɚɦɧɚ ɨɛʁɚɜɟɧɢɬɟ „130 ɬɨɦɚ ɦɚɤɟɞɨɧɫɤɚ
ɤɧɢɠɟɜɧɨɫɬ“ ɦɚɤɟɞɨɧɫɤɢɬɟ ɩɢɫɚɬɟɥɢ, ɫɮɚʅɚʁʅɢ ʁɚ ɥɢɬɟɪɚɬɭɪɚɬɚ ɤɚɤɨ ɯɭɦɚɧɢ-
ɬɚɪɧɚ ɛɨɦɛɚ ɤɨʁɚ ʅɟ ʁɚ ɧɟɭɬɪɚɥɢɡɢɪɚ ɚɬɨɦɫɤɚɬɚ, ɫɨ ɭɜɟɪɭɜɚʃɟ ɞɟɤɚ ɫɜɟɬɨɬ ʅɟ
ɨɩɫɬɚɧɟ ɫɨ Ɇɚɤɟɞɨɧɢʁɚ ɜɨ ɋɜɟɬɨɬ. ɂɚɤɨ ɜɨ ɨɱɚʁ ɢ ɩɟɱɚɥ ɧɚɪɟɱɟɧɚ „ɫɦɚɱɤɚɧɨ
ɩɥɟɦɟ“, ɬɚɚ ʅɟ ɫɟ ɢɫɩɪɚɜɢ ɤɚɤɨ ɫɜɟɬɢɥɧɢɤ ɧɚ ɛɪɟɝɨɬ ɨɞ ɪɚɡɛɪɚɧɟɬɨɬɨ ɦɨɪɟ.
...ȿɬɟ ɡɚɬɨɚ ɩɢɲɭɜɚɦ, ɡɚɲɬɨ ɫɭɦ ɫɟ ɡɚɮɚɬɢɥ ɫɨ ɬɚɚ ɚɦɚɥɫɤɚ ɪɚɛɨɬɚ ɩɨ ɩɪɢɦɟ-
ɪɨɬ ɧɚ ɏɪɢɫɬɨɫ ɤɨʁ ɫɟ ɧɚɬɨɜɚɪɢɥ ɫɨ ɤɪɫɬɨɬ ɢ ɝɨ ɮɚɬɢɥ ɩɚɬɨɬ ɡɚ Ƚɨɥɝɨɬɚ ɡɚ ɞɚ
ɝɢ ɢɫɤɭɩɢ ɝɪɟɜɨɜɢɬɟ ɧɚ ɱɨɜɟɲɬɜɨɬɨ ɤɨɟ ɫɨɜɪɟɦɟɧɚɬɚ ɰɢɜɢɥɢɡɚɰɢʁɚ ɝɨ ɞɨɬɭɪɤɚ
ɞɨ ɪɚɛɨɬ ɧɚ ɩɪɨɩɚɫɬɚ. ȿɬɟ ɡɚɬɨɚ! ɋɨ ɜɟɪɚ ɜɨ ɜɨɫɤɪɟɫɟɧɢɟ, ɭɩɨɪɧɨ ɝɨ ɫɥɟɞɚɦ
ɦɨʁɨɬ ɩɢɫɚɬɟɥɫɤɢ ɩɨɪɢɜ, ɦɨʁɨɬ spiritus agens, ɩɪɨʁɚɜɟɧ ɫɟ ɧɚɞɟɜɚɦ ɢ ɜɨ ɨɜɨʁ ɚɜ-
ɬɨɝɪɚɮ, ɫɨ ɠɟɥɛɚ ɞɚ ɛɢɞɟ ɩɪɢɤɥɭɱɟɧ ɤɨɧ ɦɨɢɬɟ ɪɚɤɨɩɢɫɢ ɜɨ Ɋɨɞɧɨɤɪɚʁɧɨɬɨ
ɨɞɞɟɥɟɧɢɟ.



13.3.2009 ɝ.
Ȼɢɬɨɥɚ ȼɥɚɞɢɦɢɪ Ʉɨɫɬɨɜ




Деветта роднокрајна средба…


41


Ɍɟɦɚɬɚ „Ɇɨʁɚɬɚ ɩɢɫɚɬɟɥɫɤɚ ɪɚɛɨɬɚ – ɬɜɨɪɟɱɤɨ ɞɟɥɨ ɢɥɢ ɦɨʁɚ ɡɚɛɥɭɞɚ“ ʁɚ
ɩɪɟʁɭɞɢɰɢɪɚɜ ɩɪɟɞ ɱɟɬɢɪɢɟɫɟɬɢɧɚ ɝɨɞɢɧɢ (1976 ɝ.) ɫɨ ɩɨʁɚɜɚɬɚ ɧɚ ɦɨʁɨɬ ɪɨɦɚɧ
„ɍɱɢɬɟɥɨɬ“. ɇɟɝɨɜɨɬɨ ɩɨʁɚɜɭɜɚʃɟ ɩɪɟɞɢɡɜɢɤɚ ɢɧɬɟɪɟɫ ɤɚʁ ɧɚɲɚɬɚ ɤɧɢɠɟɜɧɚ
ʁɚɜɧɨɫɬ ɩɨɪɚɞɢ ɧɟɝɨɜɨɬɨ ɨɬɫɬɚɩɭɜɚʃɟ ɨɞ ɨɩɲɬɨ-ɩɪɢɮɚɬɟɧɢɬɟ ɫɬɚɧɞɚɪɞɢ ɜɨ
ɥɢɬɟɪɚɬɭɪɧɚɬɚ ɩɪɨɞɭɤɰɢʁɚ ɜɨ ɧɚɲɚɬɚ ɫɪɟɞɢɧɚ. ɉɪɨɬɢɜɪɟɱɧɢɬɟ ɫɬɚɜɨɜɢ ɩɪɟ-
ɞɢɡɜɢɤɚɚ ɢ ʁɚɜɧɚ ɩɨɥɟɦɢɤɚ ɨɞ ɤɨʁɚ ɩɪɨɢɡɥɟɡɟ ɢ ɤɧɢɠɟɜɧɨ-ɮɢɥɨɡɨɮɫɤɢɨɬ ɩɨɢɦ
„ɍɱɢɬɟɥɢɡɚɦ“. ɇɨ, ɪɚɫɩɥɚɦɬɟɧɢɨɬ ɢɧɬɟɪɟɫ ɡɚ ɧɟɝɨ, ɩɨɞ ɧɟɨɛʁɚɫɧɢɜɢ ɨɤɨɥɧɨɫ-
ɬɢ, ɧɟɧɚɞɟʁɧɨ ɫɩɥɚɫɧɚ. Ⱦɢɫɬɚɧɰɢɪɚʁʅɢ ɫɟ ɨɞ ɧɟɝɨ, ɬɨɚ ɦɢ ɞɚɞɟ ɦɨɠɧɨɫɬ ɤɪɢ-
ɬɢɱɤɢ ɞɚ ɫɟ ɨɫɜɪɧɚɦ ɧɚ ɧɟɝɨ, ɩɪɟɞ ɫè, ɞɚ ɞɨʁɞɚɦ ɞɨ ɨɞɝɨɜɨɪ ɞɚɥɢ ɩɨɫɬɚɜɟɧɢɬɟ
ɩɪɚɲɚʃɚ ɜɨ ɧɟɝɨ ɩɪɢɞɨɧɟɫɭɜɚɚ ɡɚ ɧɢɜɧɨ ɤɨɥɟɤɬɢɜɧɨ ɪɟɲɚɜɚʃɟ ɢɥɢ ɩɪɢɞɨɧɟ-
ɫɭɜɚɚ ɡɚ ɫɨɡɞɚɜɚʃɟ ɧɚ ɧɨɜɢ ɡɚɛɥɭɞɢ? Ⱦɨ ɞɟɧ-ɞɟɧɟɫ ɫɬɨʁɚɬ ɨɬɜɨɪɟɧɢ ɬɢɟ ɩɪɚɲɚ-
ʃɚ ɛɟɡ ɚɩɨɞɢɤɬɢɱɟɧ ɨɞɝɨɜɨɪ, ɢ ɩɨɤɪɚʁ ɬɨɚ ɲɬɨ ɪɨɦɚɧɨɬ ɝɨ ɩɪɟɪɚɛɨɬɢɜ ɩɟɬ ɩɚ-
ɬɢ ɢ ɲɬɨ ɬɨʁ ɩɪɟɬɪɩɟ ɩɟɬ ɧɨɜɢ ɢɡɞɚɧɢʁɚ.


Ɉɛɢɞɭɜɚʁʅɢ ɫɟ ɤɪɢɬɢɱɤɢ ɞɚ ɫɟ ɩɨɫɬɚɜɚɦ ɫɩɪɟɦɚ ɧɟɝɨɜɚɬɚ ɮɭɬɭɪɢɫɬɢɱɤɚ
ɢɞɟʁɚ, ɜɨ ɩɪɢɥɨɝ ɦɢ ɨɞɟɲɟ ɮɚɤɬɨɬ ɲɬɨ ɮɭɬɭɪɨɥɨɝɢʁɚɬɚ ɜɨ ɬɪɟɬɦɚɧ ɧɚ ɟɝɡɚɤɬɧɢ
ɧɚɭɤɢ ɝɨ ɞɨɧɟɫɟ ɱɨɜɟɲɬɜɨɬɨ ɧɚ ɪɚɛɨɬ ɨɞ ɩɪɨɩɚɫɬɚ (ɮɢɥɨɡɨɮɫɤɢ ɤɚɠɚɧɨ,
ɨɬɭɼɭɜɚʁʅɢ ʁɚ ɫɭɩɫɬɚɧɰɚɬɚ ɨɞ ɟɫɟɧɰɢʁɚɬɚ, ɜɨ ɩɪɚɲɚʃɟ ɞɨʁɞɟ ɱɨɜɟɤɨɜɚɬɚ ɟɝɡɢɫ-
ɬɟɧɰɢʁɚ). ɇɨ, ɤɚɤɨ ɥɢɬɟɪɚɬɭɪɧɚ ɢɞɟʁɚ ɬɪɟɬɦɚɧɨɬ ɧɚ ɮɭɬɭɪɨɥɨɝɢʁɚɬɚ ɧɟ ɛɢɥ ɬɨɥ-
ɤɭ ɚɤɬɭɟɥɟɧ ɤɚɤɨ ɜɨ ɧɚɲɟ ɜɪɟɦɟ. Ʉɚɤɨ ɪɟɡɭɥɬɚɬ ɧɚ ɟɞɧɨ ɦɨɟ ɬɚɤɜɨ ɭɛɟɞɭɜɚʃɟ ɟ
ɩɨɫɥɟɞɧɢɨɬ ɦɨʁ ɪɨɦɚɧ „Ⱦɢɜɚ ɦɢɫɥɚ“, ɫɨ ɤɨʁ ɩɨɞ ɩɪɚɲɚʃɟ ɫɟ ɩɨɫɬɚɜɭɜɚ ɬɟ-
ɦɟɥɧɚɬɚ ɦɢɫɥɚ ɧɚ Ɋɟɧɟ Ⱦɟɤɚɪɬ ɜɪɡ ɤɨʁɚ ɫɟ ɩɨɬɩɢɪɚ ɫɨɜɪɟɦɟɧɚɬɚ ɰɢɜɢɥɢɡɚɰɢʁɚ:
„Ʉɨɝɢɬɨ ɟɪɝɨ ɫɭɦ“ („Ɇɢɫɥɚɦ ɡɧɚɱɢ ɩɨɫɬɨʁɚɦ“), ɢɧɫɢɫɬɢɪɚʁʅɢ ɧɚ ɧɟʁɡɢɧɚ ɪɟɜɢ-
ɡɢʁɚ, ɨɞɧɨɫɧɨ ɧɚ ɧɟʁɡɢɧɨ ɩɪɟɮɨɪɦɭɥɢɪɚʃɟ: ɧɟ ɦɢɫɥɚɦ ɬɭɤɭ ɪɚɡɦɢɫɥɭɜɚɦ: ɝɨ
ɩɨɞɥɨɠɭɜɚɦ ɧɚ ɪɚɫɭɞɨɤ (ɧɚ ɤɪɢɬɢɱɤɨ ɩɪɟɢɫɩɢɬɭɜɚʃɟ) ɪɟɡɭɥɬɚɬ ɧɚ ɚɩɫɬɪɚɤɬ-
ɧɨɬɨ ɦɢɫɥɟʃɟ, ɧɟɝɨɜɚɬɚ ɦɚɬɟɪɢʁɚɥɢɡɚɰɢʁɚ ɩɪɢɦɟɧɟɬɚ ɜɨ ɫɟɤɨʁɞɧɟɜɧɢɨɬ ɠɢɜɨɬ.
ɇɟ ɦɨɠɟ ɥɢ ɜɨ ɬɚɤɜɚ ɲɩɟɤɭɥɚɰɢʁɚ ɞɚ ɫɟ ɩɭɲɬɢ ɦɨɡɨɤɨɬ ɧɚ ɫɨɜɪɟɦɟɧɢɨɬ ɏɨɦɨ-
ɫɚɩɢɟɧɫ ɩɨɫɬɚɜɟɧ ɡɚɞ ɜɨɥɚɧɨɬ ɧɚ ɚɜɬɨɦɨɛɢɥ ɤɨʁ ɫɟ ɞɜɢɠɢ ɫɨ 200 ɤɦ ɧɚ ɱɚɫ? ɇɚ
ɨɜɚ ɩɪɚɲɚʃɟ ɫɟ ɨɞɝɨɜɚɪɚ ɫɨ ɧɨɜɨ ɩɪɚɲɚʃɟ: ɑɨɜɟɤɨɬ ɥɢ ɭɩɪɚɜɭɜɚ ɫɨ ɜɨɡɢɥɨɬɨ
ɢɥɢ ɜɨɡɢɥɨɬɨ ɫɨ ɱɨɜɟɤɨɬ? ɂɥɢ – ɛɢɞɟʁʅɢ ɬɟɦɚɬɚ ɧɚ ɤɨʁɚ ɞɟɛaɬɢɪɚɦɟ ɟ ɡɚɞɚɞɟɧɚ
ɨɞ ɜɪɚɛɨɬɟɧɢɬɟ ɜɨ Ȼɢɛɥɢɨɬɟɤɚɬɚ, (ɛɟɡ ɫɨɦɧɟɧɢɟ ɫɨ ɰɟɥ ɞɚ ɝɨ ɩɪɨɜɨɰɢɪɚɚɬ
ɝɪɚɼɚɧɢɧɨɬ ɧɚ ɨɞɝɨɜɨɪ ɧɚ ɬɨɚ ɩɪɚɲɚʃɟ). ɋɚɦɨ ɤɚɞɟ ɞɚ ɫɟ ɩɪɨɧɚʁɞɟ? ȿɝɡɚɤɬɧɚɬɚ
ɧɚɭɤɚ ɫɨ ɧɚʁɦɨʅɧɢ ɬɟɯɧɢɱɤɢ ɫɪɟɞɫɬɜɚ (ɫɨ ɚɤɰɟɥɟɪɚɬɨɪɢ) ɪɚɡɛɢɜɚʁʅɢ ɝɨ ɚɬɨɦɨɬ
ɧɚ ɫè ɩɨɫɢɬɧɢ ɱɟɫɬɢɱɤɢ, ɚ ɫɨ ɧɚɞɟɠ ɞɟɤɚ ʅɟ ɝɨ ɩɪɨɧɚʁɞɟ ɜɨ ɩɨɫɥɟɞɧɚɬɚ
ɱɟɫɬɢɱɤɚ. Ⱥɦɚ ɫɟ ɩɨɤɚɠɚ ɞɟɤɚ ɧɟ ɩɨɫɬɨɢ ɩɨɫɥɟɞɧɚ ɱɟɫɬɢɱɤɚ, ɞɟɤɚ ɢ ɬɚɚ ɟ ɞɟɥɢ-
ɜɚ. Ɍɨɝɚɲ ɤɚɞɟ ɫɟ ɫɤɪɢɥ? ɇɟ ɜɨ ɰɪɤɜɚ ɢ ɰɪɤɜɢɱɢʃɚ, ɨɩɢɟɧ ɨɞ ɦɚɫɬɢɤɚ. Ⱥɦɚ ɧɟ
ɢ ɜɨ ɱɢɬɚɥɧɢɬɟ ɧɚ ɛɢɛɥɢɨɬɟɤɢɬɟ, ɧɟ ɢ ɜɨ ɪɟɨɧɫɤɢɬɟ ɛɢɛɥɢɨɬɟɤɢ ɡɚɲɬɨ ɢ ɧɢɜ
ɝɢ ɧɟɦɚ; ɧɟ ɜɨ ɛɢɛɥɢɨɬɟɱɧɢɬɟ ɤɚɬɱɢʃɚ ɧɚ ɮɚɛɪɢɤɢɬɟ ɡɚɲɬɨ ɢ ɧɢɜ ɝɢ ɧɟɦɚ. ȷɟ
ɝɨ ɩɪɨɧɚʁɞɚɬ ɜɨ ɤɚɮɟɚɧɢ ɢ ɤɚɮɭɥɢʃɚ ɨɩɢɟɧ ɨɞ ɮɢɥɨɡɨɮɢʁɚɬɚ ɧɚ ɯɟɞɨɧɢɡɦɨɬ
ɤɚɤɨ, ɧɚɦɟɫɬɨ ɫɨ ɝɥɚɜɚ, ɪɚɡɦɢɫɥɭɜɚ ɫɨ ɫɬɨɦɚɤɨɬ.


ɇɨ, ɢ ɩɨɤɪɚʁ ɩɪɟɜɥɚɫɬɚ ɧɚ ɩɪɚɝɦɚɬɢɡɦɨɬ ɢ ɯɟɞɨɧɢɡɦɨɬ, ɤɨɢ ʁɚ ɛɟɡɨɪɭɠɚɚ
ɚɪɦɢʁɚɬɚ ɧɚ ɦɢɫɥɨɜɧɢ ɥɭɼɟ, ɫè ɭɲɬɟ ɢɦɚ ɦɟɼɭ ɧɢɜ „ɫɥɨɛɨɞɧɢ ɫɬɪɟɥɰɢ“. Ɋɚɞɭɜɚ
ɮɚɤɬɨɬ ɲɬɨ ɚɤɬɭɟɥɧɚɬɚ ɜɥɚɞɚ ɟ ɜɨ ɨɮɚɧɡɢɜɚ ɞɚ ɝɨ ɜɪɚɬɢ ɚɜɬɨɪɢɬɟɬɨɬ ɧɚ ɤɧɢɝɚ-
ɬɚ. ɂɦɩɨɧɢɪɚ ɩɨɫɥɟɞɧɢɨɬ ɢɦɩɨɡɚɧɬɟɧ ɩɪɨɟɤɬ ɡɚ ɩɪɢɨɩɲɬɭɜɚʃɟ ɜɨ ɧɚɲɚɬɚ
ɤɭɥɬɭɪɚ ɧɚ 500 ɬɨɦɚ ɧɚ ɜɪɜɧɢ ɞɟɥɚ ɨɞ ɤɥɚɫɢɱɧɚɬɚ ɢ ɫɨɜɪɟɦɟɧɚɬɚ ɥɢɬɟɪɚɬɭɪɚ!




НУУБ „Св. Климент Охридски“– Битола


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(ɋɚɦɨ ɤɚɤɨ ɞɭɯɨɜɧɚ ɯɪɚɧɚ ɡɚ ɱɢɬɚɬɟɥɢ ɢɥɢ ɫɥɚɞɨɫɬɪɚɫɬɢɟ ɡɚ ɝɥɭɜɰɢ? „ɉɪɚ-
ɲɚʃɟ ɟ ɫɟɝɚ“?, ɫɩɨɪɟɞ ɏɚɦɥɟɬ). Ɍɨʁ ɫɨɦɧɟɠ ɩɨɫɬɨɢ ɢ ɤɚʁ ɩɢɫɚɬɟɥɢɬɟ ɨɞ Ȼɢɬɨɥ-
ɫɤɢɨɬ ɤɧɢɠɟɜɟɧ ɤɪɭɝ, ɤɚɤɨ ɢ ɤɚʁ ɧɢɜɧɢɬɟ ɤɨɥɟɝɢ. ɇɨ, ɩɪɟɨɜɥɚɞɭɜɚ ɧɚɞɟɠɬɚ
ɞɟɤɚ ɧɟ ɩɢɲɭɜɚɚɬ ɩɨɩɭɫɬɨ. Ⱦɟɤɚ ʅɟ ɫɟ ɧɚʁɞɚɬ ɱɢɬɚɬɟɥɢ ɤɨɢ ʅɟ ɝɢ ɩɪɨɱɢɬɚɚɬ
ɧɢɜɧɢɬɟ ɤɧɢɝɢ. Ɂɚɟɞɧɨ ɫɨ ɧɢɜ: „Ɇɚɥɤɭ ɫɦɟ, ɬɨɥɤɭ ɫɦɟ ɢ ɞɨɫɬɚ ɫɦɟ“. ɂ ɬɭɤɚ
ɫɦɟ! ɇɟɦɚ ɫɢɥɚ ɲɬɨ ʅɟ ɧè ɡɛɪɢɲɟ ɨɞ ɜɪɟɦɟɬɨ ɢ ɩɪɨɫɬɨɪɨɬ! ɋɨ ɨɜɨʁ ɬɟɤɫɬ ɝɨ
ɩɪɢɥɨɠɭɜɚɦ ɢ ɬɟɤɫɬɨɬ ɲɬɨ ɝɨ ɢɡɧɟɫɨɜ ɩɨ ɩɨɜɨɞ ɩɪɟɬɫɬɚɜɭɜɚʃɟɬɨ ɧɚ ɦɨʁɨɬ
„ɩɨɪɬɪɟɬ“ ɜɨ ɨɪɝɚɧɢɡɚɰɢʁɚ ɧɚ ɛɢɬɨɥɫɤɚɬɚ Ȼɢɛɥɢɨɬɟɤɚ „ɋɜɟɬɢ Ʉɥɢɦɟɧɬ
Ɉɯɪɢɞɫɤɢ“.



29.5.2014 ɝ. ɋɨ ɩɨɱɢɬ,


ȼɥɚɞɢɦɢɪ Ʉɨɫɬɨɜ








Деветта роднокрајна средба…


43





Prof. d-r Vladimir Kostov



WHY I WRITE

This question overwhelmed my mind in the time of my literary beginnings


which with the time received a philosophical character as a kind of an ontological
question: Who are we, where do we come from, where are we going and why we
live? It is a difficult question with a weight equal to the weight of the world that the
mythic atlant carried on his powerful back. Demythologized and applied on my
case, this legend metamorphosed and the mythic giant changed into an amalin
from the bank of the River Dragor at Lenski Most who on his weak back tries to
carry the weight of the world.


The theme of this Meeting I have prejudiced 40 years ago in 1976 by
publishing my novel „The Teacher“ . This novel caused a great interest in the
literary criticism, but very soon it ceased. From these debates appeared a new
literary-philosophical concept „Teachism“. Now, after so many years later and five
more editions, I have the opportunity to criticize it myself, especially its futuristic
idea. As a literary idea the treatment of the futurology was never discussed so
much as it is today. As a result of it appeared my novel „Wild thought“ in which I
have put into reconsideration the essential thought of Rene Decartes „Cogito ergo
sum“ (I think, therefore I am). I insist on its revision: I don’t think, but „I think
over“ or I meditate: I submit it to a critical rethinking the result of the abstract
thinking, its materialization applied in everyday life.





НУУБ „Св. Климент Охридски“– Битола


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Никола Кочовски



ШТО ПРЕТСТАВУВА ЗА МЕНЕ МОЕТО ПИШУВАЊЕ



















ɋɟɤɨʁ ɜɢɫɬɢɧɫɤɢ ɩɢɫɚɬɟɥ, ɚɤɨ ɧɟ ʁɚ ɡɧɚɟɥ ɫɦɢɫɥɚɬɚ ɧɚ ɩɢɲɭɜɚʃɟɬɨ, ɫɢ-


ɝɭɪɧɨ ɞɟɤɚ ɧɟ ɛɢ ɩɢɲɭɜɚɥ. ɇɚɜɥɟɝɭɜɚʁʅɢ ɞɥɚɛɨɤɨ ɜɨ ɧɚʁɱɭɜɫɬɜɢɬɟɥɧɢɬɟ ɤɚɬɟ-
ɝɨɪɢɢ ɧɚ ɱɨɜɟɤɨɜɨɬɨ ɨɩɫɬɨʁɭɜɚʃɟ, ɤɚɤɨ ɧɚ ɛɢɨɥɨɲɤɚ ɟɞɢɧɤɚ ɢ ɤɚɤɨ ɧɚ ɞɟɥ ɨɞ
ɡɚɟɞɧɢɰɚ, ɫɨ ɫɨɩɫɬɜɟɧɢ ɩɫɢɯɨɥɨɲɤɢ ɢ ɦɨɪɚɥɧɢ ɫɨɫɬɨʁɛɢ, ɩɨ ɫɚɦɚɬɚ ɩɪɢɪɨɞɚ
ɧɚ ɫɜɨʁɚɬɚ ɪɚɛɨɬɚ, ɬɨʁ, ɜɢɫɬɢɧɫɤɢɨɬ ɩɢɫɚɬɟɥ, ɫɟ ɧɚɨɼɚ ɢɫɩɪɚɜɟɧ ɩɪɟɞ ɦɨɠɧɨɫ-
ɬɢɬɟ, ɚ ɫɟɤɚɤɨ ɢ ɡɚɞɚɱɢɬɟ, ɞɚ ɜɥɢʁɚɟ ɧɚ ɬɢɟ ɤɚɬɟɝɨɪɢɢ. ɉɪɟɞ ɫè, ɬɭɤɚ ɫɩɚɼɚɚɬ
ɤɚɬɟɝɨɪɢɢɬɟ: ɞɨɛɪɨ, ɡɥɨ, ɢ ɞɪɭɝɢ, ɛɥɢɫɤɢ ɧɚ ɧɢɜ. Ɉɬɬɭɤɚ ɢ ɦɨɟɬɨ ɜɟɪɭɜɚʃɟ ɞɟ-
ɤɚ ɬɟɲɤɨ ɛɢ ɦɨɠɟɥɨ ɞɚ ɫɟ ɡɚɦɢɫɥɢ ɟɞɧɚ ɠɢɜɨɬɧɚ oɩɪɟɞɟɥɟɧɨɫɬ ɧɚ ɫɟɪɢɨɡɟɧ
ɢɧɬɟɥɟɤɬɭɚɥɟɰ ɤɨɧ ɜɢɫɬɢɧɢ ɲɬɨ ɨɞ ɫɚɦɢɨɬ ɤɨɪɟɧ ɝɢ ɡɟɦɚ ɧɚ ɫɨɝɥɟɞɭɜɚʃɟ, ɚɧɚ-
ɥɢɡɚ ɢ ɦɚɤɫɢɦɭɦ ɭɫɩɟɲɧɨ ɩɪɟɞɨɱɭɜɚʃɟ ɧɚ ɱɢɬɚɬɟɥɢɬɟ – ɚ ɞɚ ɧɟ ɩɪɟɬɫɬɚɜɭɜɚ
ɬɨɚ ɬɟɦɟɥɧɚ, ɧɚʁɨɫɦɢɫɥɟɧɚ ɩɨɫɜɟɬɟɧɨɫɬ, ɩɨɞɝɨɬɜɟɧɚ ɩɨɧɟɤɨɝɚɲ ɢ ɧɚ
ɤɨɧɤɪɟɬɧɢ ɥɢɱɧɢ ɠɢɜɨɬɧɢ ɥɢɲɭɜɚʃɚ.


Ȼɢɞɟʁʅɢ ɧɟɞɚɦɧɚ ɢɡɥɟɡɟɧɚɬɚ ɤɧɢɝɚ ɩɨɞ ɧɚɫɥɨɜ „Ɇɨʁɚɬɚ ɫɥɢɤɚ“, ɤɨʁɚ
ɩɪɟɬɫɬɚɜɭɜɚ ɞɟɥ ɨɞ ɦɨʁɚɬɚ ɬɜɨɪɟɱɤɚ ɛɢɨɝɪɚɮɢʁɚ, ɟ ɛɨɝɚɬɚ ɫɨ ɞɨɠɢɜɟɚɧɢ ɪɚɡ-
ɦɢɫɥɢ ɢ ɫɨɡɧɚɧɢʁɚ ɲɬɨ ɦɟ ɫɥɟɞɟɥɟ ɜɨ ɩɢɲɭɜɚʃɟɬɨ, ɚ ɫɟ ɞɨɩɢɪɚɚɬ ɧɟɢɡɛɟɠɧɨ
ɫɨ ɩɪɚɲɚʃɟɬɨ ɡɚ ɜɚɠɧɨɫɬɚ ɢ ɫɦɢɫɥɚɬɚ ɧɚ ɟɞɧɨ ɬɜɨɪɟɲɬɜɨ, ɨɜɞɟ ʅɟ ɰɢɬɢɪɚɦ ɢɡ-
ɜɟɫɟɧ ɞɟɥ ɨɞ ɞɧɟɜɧɢɱɤɢɬɟ ɡɚɩɢɫɢ ɨɞ ɬɚɚ ɤɧɢɝɚ, ɧɨ ɛɟɡ ɞɚɬɭɦɢɬɟ, ɤɨɢ ɜɨ ɫɥɭɱɚ-
ʁɨɜ ɧɟ ɫɟ ɛɢɬɧɢ. ɋɟ ɧɚɞɟɜɚɦ, ɢɦɚ ɜɨ ɧɢɜ ɢ ɩɨ ɧɟɲɬɨ ɢɧɬɟɪɟɫɧɨ ɞɚ ɫɟ ɱɭɟ:




Деветта роднокрајна средба…


45


Ɂɚɩɢɫ: ÂA rabotata, pak, sekoga{ e vo vrska so smislata od nea.
Smisla ne od tipot na nekakva opipliva isplatlivost na dlabokata,
`ivotna posvetenost na ona {to vo ovie zapisi go podrazbiram pod
zborot rabota. Daleku, mnogu daleku od toa. Bezbroj pati, re~eno so
zborovi ili nere~eno, sum si povtoril na sebesi: Nemoj da ja bara{ na
taa strana smislata. Kaj tebe se raboti za ne{to sosem drugo. Zarem ne
si spomnal i pred drugi, iako retko nekojpat, deka pisatelstvoto, za te-
be, e prokletstvo i darba. Nema da se pokoristi{ materijalno, no oslo-
boduvawe ti nema! I prejasno ti e deka smislata od ovaa rabota,
popravo celosna anga`iranost, ti ostanuva edinstveno vo tvojata ideja,
{to zaveteno ja nosi{ vo sebe – sekako, so pridru`ni idei, – za{to bi
sakal barem del od toa da im bide od pomo{ na lu|eto, i veruva{ deka,
na ovoj ili onoj na~in, }e dopre do niv°.


Ɂɚɩɢɫ: ÂȽɨ ɡapo~nav ɪɨmanot ÂRasko°, za koj ɩɪɜ naslov ɦɢ ɛɟɲɟ
ÂMe|u dve veri°. Sakam da ja poka`am, i niz psiholo{ki tretman, gole-
mata nesre}nost na mlado lice kaj nas so koe sudbinata se poigrala da
pripa|a na dve veri i nacii (majka Makedonka, a tatko Albanec). Imam
golema `elba da pridonesam lu|eto od ovie prostori da se po~uvstvuva-
at pomalku tu|i i omrazni edni na drugi. Za{to, za `al, denes se slu~u-
vaat nekoi ne{ta koi gi dvojat, gi pravat neprijateli. Protiv taa tra-
gedija sakam da napi{am roman. I se razbira, vo nego }e nema politika,
tuku ona {to se zavrzalo vo du{ite, vo svesta na lu|eto. Se slu~ija
mnogu ne{ta na Balkanot, a potreben e mir, po~ituvawe, so`ivot na
lu|eto°.


Ɂɚɩɢɫ: ÂV~era ja kompletirav zbirkata ponovi raskazi Âɇov bran°,
pi{uvana poslednive dve godini. Posledniot raskaz, istoimen so zbir-
kata, go napi{av ɦɢɧɚɬɢɨɬ ɦɟɫɟɰ, a e najgolem, ɧɨ ɭɲɬɟ ɩɪɟɞ ɬɨɚ ɤɧɢɝɚɬɚ,
ja bev narekol so ova ime: ÂNov bran°, za{to ɜɨ ɫɢɬɟ ɪɚɫɤɚɡɢ ɫɟ ɢɫɬɚɤɧɚɬɢ
izraziti, duri drasti~ni priznaci na novoto, ɬɪɚɧɡɢɰɢɫɤɨ vreme, {to
ne mu slu`at mnogu na ~est.


Toa e eden period duri rizi~en so ve}e ocrtuvanite nasoki kon
idninata, ɤɚɤɨ ɲɬɨ ɢ ɦɨɬɨɬɨ ɧɚ ɤɧɢɝɚɬɚ ɧɚɜɟɫɬɭɜɚ:


„Ⱥɤɨ ɠɢɜɨɬɨɬ ɟ ɪɟɤɚ, ɩɪɨɦɟɧɢɬɟ ɜɨ ɧɟɝɨ ɫɟ ɧɚɞɨɚɼɚɱɤɢ ɛɪɚɧɨɜɢ. ɋɬɨ-
ɢɦɟ ɫɪɟɞ ɧɢɜ ɢɫɩɪɚɜɟɧɢ ɢɥɢ ɧè ɫɜɟɞɧɚɥɟ, ɧè ɭɪɧɚɥɟ ɫɬɪɭɢɬɟ, ɫɟɤɨʁ ɧɚ ɫɜɨʁ ɧɚ-
ɱɢɧ ɛɢɞɭɜɚ ɨɩɮɚɬɟɧ ɨɞ ɡɚɩɥɢɫɤɭɜɚʃɟɬɨ: ɧɟɤɨɢ ɭɲɬɟ ʇɜɪɫɬɢ ɧɚ ɧɨɡɟ ɢ ɩɪɢ-
ʁɚɬɧɨ ɪɚɫɤɨɤɨɬɤɚɧɢ, ɚ ɧɟɤɨɢ ɝɢ ɩɨɧɟɫɥɚ ɦɚɬɧɚɬɚ. ɇɚ ɤɨʁɚ ɫɬɪɚɧɚ ɫɟ ɧɚɲɥɟ
ɩɨɜɟʅɟɬɨ? ɂ ɧɟ ɫɬɚɧɭɜɚɚɬ ɥɢ ɫè ɩɨɝɪɚɧɞɢɨɡɧɢ, ɩɨɧɟɢɡɞɪɠɥɢɜɢ ɬɢɟ ɛɪɚɧɨɜɢ?
ɉɚ ɞɭɪɢ ɢ ɡɚ ɫɢɬɟ.



Ⱥɜɬɨɪɨɬ“



Ɂɚɩɢɫ: „Ɇɟɼɭɬɨɚ... ɞɟɧɟɫ ɡɚɦɚɟɰɨɬ ɬɪɨɚ ɤɚɤɨ ɞɚ ɤɢɧɢɫɚ. ȼɟʅɟ ɩɚɞɧɚɚ ɢ


ɩɪɜɢɬɟ ɪɟɱɟɧɢɰɢ, ɩɨɱɟɬɧɢɬɟ ɜɨ ɪɨɦɚɧɨɬ, ɨɞ ɤɨɢ ɞɟɥ ɢ ʅɟ ɨɫɬɚɧɟ. ɉɨɱɧɭɜɚɦ
ɭɲɬɟ ɟɞɧɚɲ ɞɚ ɜɟɪɭɜɚɦ ɞɟɤɚ ɧɚɦɢɫɥɟɧɨɬɨ ʅɟ ɭɫɩɟɚɦ ɞɚ ɝɨ ɫɬɨɪɚɦ. Ɉɜɚ ɦɢ ɝɨ




НУУБ „Св. Климент Охридски“– Битола


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ɩɪɚɜɢ ɞɟɧɨɬ ɤɚɤɨ ɩɪɚɡɧɢɤ. ȷɟ ɬɪɟɛɚ, ɫɟ ɪɚɡɛɢɪɚ, ɧɚɩɨɪɢ, ɧɨ ɫɟʅɚɜɚɦ ɞɟɤɚ ʅɟ
ɭɫɩɟɚɦ. Ɍɨɚ ɦɢ ɝɨ ɤɚɠɭɜɚ ɟɞɧɨ ɜɨɡɛɭɞɧɨ ɫɨɡɧɚɧɢɟ ɫɨ ɤɨɟ ɫɟ ɩɪɟɦɨɫɬɭɜɚɚɬ ɢɡ-
ɜɟɫɧɢ ɧɟɲɬɚ, ɲɬɨ ɢɡɝɥɟɞɚɲɟ ɧɟɫɨɜɥɚɞɥɢɜɨ.


ɋɚɤɚɦ ɞɚ ɟ ɪɨɦɚɧɨɜ ɲɬɨ ɩɨɦɚɥ. ɇɨ ɞɚ ɬɟɠɢ. ɉɨɩɪɚɜɨ, ɞɚ ʁɚ ɚɩɫɨɥɜɢɪɚɦ
ɨɧɚɚ ɝɨɥɟɦɚ, ɦɧɨɝɭ ɩɪɢɫɭɬɧɚ ɩɪɨɛɥɟɦɚɬɢɤɚ ɧɚ ɦɥɚɞɢɬɟ ɞɟɧɟɫ ɤɚʁ ɧɚɫ. ɇɚɫɥɨ-
ɜɨɬ, ɨɫɬɚɧɭɜɚ ɞɚ ɛɢɞɟ ɤɚɤɨ ɢ ɲɬɨ ɦɢɫɥɟɜ: „Ⱦɟɰɚ ɧɚ ɦɚʁɤɚɬɚ ɡɟɦʁɚ“, ɚ ɤɚɤɨ ɦɨ-
ɬɨ, ɜo ɩɨɱɟɬɨɤɨɬ ɧɚ ɪɨɦɚɧɢɨɬ ʅɟ ɫɬɨɢ:



„ɂ ɧɢɟ ɫɦɟ ɞɟɰɚ ɧɚ ɦɚʁɤɚɬɚ ɡɟɦʁɚ,
ɂ ɧɢɟ ɢɦɚɦɟ ɩɪɚɜɨ ɞɚ ɠɢɜɟʁɦɟ...“
Ɇɚɤɟɞɨɧɫɤɚ ɧɚɪɨɞɧɚ ɩɟɫɧɚ

ɇɨ, ɧɚ ɧɚɲɢɬɟ ɦɥɚɞɢ ɧɟ ɢɦ ɟ ɞɚɞɟɧɨ, ɩɨɬɨɱɧɨ, ɢɦ ɟ ɨɞɡɟɦɟɧɨ ɩɪɚɜɨɬɨ ɞɚ


ɠɢɜɟɚɬ ɞɨɫɬɨʁɧɨ ɢ ɡɚɛɟɥɟɠɚɧɨ ɱɨɜɟɱɤɢ. Ɇɟɫɬɨ ɬɨɚ, ʁɚɥɨɜɨɫɬ, ɧɚʁɠɚɥɧɚ ʁɚɥɨ-
ɜɨɫɬ ɢɦ ɝɢ ɝɨɥɬɚ ɞɟɧɨɜɢɬɟ. ȳɚ ɩɨɞɜɥɟɤɨɜ ɨɜɚɚ ɪɟɱɟɧɢɰɚ ɬɭɤɚ, ɡɚɲɬɨ ɛɢ ɫɚɤɚɥ
ɢ ɜɨ ɪɨɦɚɧɨɬ ɞɚ ɫɢ ɧɚʁɞɟ ɦɟɫɬɨ, ɞɚ ʁɚ ɩɪɟɧɟɫɚɦ“.


Ɂɚɩɢɫ: „Kniga na osuda. Nekoj im go odzede toa pravo na `ivotot.
Koj? Vo knigata ne e ni celta tolku da odgovoram na samovo ova pra{a-
we. Toa, vpro~em, e pra{awe na istorijata. A jas }e gi navedam prvite
stihovi od narodnata pesna (parafrazirana vo mojov roman), koi gi ze-
dov kako moto na knigata. Toa }e bide kniga za edna s o s t o j b a vo koja
se ostanalo bez pravo na ~ove~ko `iveewe. Podnesuva~ite na ovaa sos-
tojba se na{eto mlado pokolenie. Mnogu, mnogu izgubeno. Ili `rtvuva-
no, seedno“.


Ɂɚɩɢɫ: „Raskazot "Episkop#, denes nafrlen na listovi, e plod na
vozbuduvaweto {to me obzemalo i me obzema od ~inot na intelektualn-
oto tvore{tvo, nasledstvoto {to go ostava mislata kako poraka za id-
nite pokolenija. No, se razbira, toa ne e edinstvenata ideja {to ja po-
buduva ovoj prili~no obemen raskaz“.


Ɂɚɩɢɫ: „Zadovolen sum od prerabotuvaweto na raskazot "Godi{ni-
na#, koj sega stana "Godi{nina vo oslobodenata Makedonija#. Uspeav da
vnesam vo nego del od sebe. No ova i ne e samo del od sebe... Ɍɭɤɚ ɟ ɩɪɟɞɚ-
ɞɟɧ ɟɞɟɧ ɤɪɚʁɧɨ ɧɟɝɚɬɢɜɟɧ, ɫɟɛɢɱɟɧ ɥɢɤ, ɫɨɩɨɫɬɚɜɟɧ ɫɨ ɫɜɨɢɬɟ ɫɨɫɟɥɚɧɢ, ɡɚ
ɤɨɢ ɩɚɬɪɢɨɬɢɡɦɨɬ ɡɧɚɱɢ ɧɟɲɬɨ“.


Ɂɚɩɢɫ: „ȿɞɧɚ ɞɟɜɢɡɚ ɤɨʁɚ ɩɨɪɚɧɨ ɞɨɥɝɨ ɫɭɦ ʁɚ ɧɨɫɟɥ ɢ ɫɭɦ ɝɥɟɞɚɥ ɧɟɝɞɟ
ɞɚ ɨɫɬɚɧɟ ɡɚɛɟɥɟɠɚɧɚ, ɟ ɦɨʁɚɬɚ ɦɢɫɥɚ ɞɟɤɚ ɦɥɚɞɢɬɟ ɧɟ ʅɟ ɢɦɚɚɬ ɨɩɪɚɜɞɭɜɚʃɟ
ɡɚ ɫɜɨʁɚɬɚ ɦɥɚɞɨɫɬ ɚɤɨ ɧɟ ɧɚɩɪɚɜɚɬ ɜɨ ɫɜɨɟɬɨ ɩɨɫɬɨɟʃɟ ɦɚɤɚɪ ɟɞɟɧ ɱɟɤɨɪ ɩɨ-
ɧɚɩɪɟɞ ɨɞ ɨɧɚ ɲɬɨ ɝɨ ɡɚɬɟɤɥɟ ɨɞ ɩɪɟɬɯɨɞɧɢɰɢɬɟ (ɉɪɢ ɨɜɚ, ɭɲɬɟ ɩɪɟɞ ɞɚ ʁɚ ɞɨ-
ɩɢɲɚɦ ɰɟɥɨɫɧɚɬɚ ɦɢɫɥɚ, ɦɢ ɫɟ ɧɚɦɟɬɧɭɜɚ ɟɞɧɚ ɞɨɫɬɚ ɪɚɡɨɱɚɪɭɜɚɱɤɚ ɜɢɫɬɢɧɚ:
ɇɨ, ɡɚ ɠɚɥ, ɧɚɲɢɬɟ ɦɥɚɞɢ, ɝɥɟɞɚʁʅɢ ɞɚ ɫɢ ɧɚʁɞɚɬ ɡɚɧɢɦɚʃɟ ɡɚ ɤɨɟ ɝɢ ɲɤɨɥɭɜɚ-
ɥɚ ɨɜɚɚ ɡɟɦʁɚ, ʁɚ ɧɚɩɭɲɬɚɚɬ, ɧɟ ɧɢ ɦɢɫɥɟʁʅɢ ɧɚ ɧɟʁɡɢɧɢɬɟ ɜɟʅɟ ɩɨɞɢɜɟɧɢ ɩɨɥɢ-
ʃɚ, ɩɚ ɫɟ ɪɚɫɩɥɢɜɧɚɥɟ ɩɨ ɞɪɭɝɢɬɟ ɡɟɦʁɢ; ɬɭɤɚ ɫɩɚɼɚɚɬ ɢ ɦɨɢɬɟ ɱɟɞɚ). Ⱥ ɫɟɝɚ ɜɟ-
ʅɟ, ɦɨɠɟɛɢ ɩɨɱɧɭɜɚʁʅɢ ɫɨ ɞɨɫɬɚ ɪɚɫɤɚɡɢ ɜɨ „ȼɪɟɦɟɬɨ ɧɚ ɬɚɬɤɨɜɰɢɬɟ“, ɩɚ ɰɟɥɢ-
ɨɬ „ɇɨɜ ɛɪɚɧ“, ɨɫɨɛɟɧɨ ɨɬɤɚɤɨ ɩɨɱɧɚɜ ɫɨ ɪɚɛɨɬɚ ɧɚɞ „Ⱦɟɰɚ ɧɚ ɦɚʁɤɚɬɚ ɡɟɦʁɚ“,




Деветта роднокрајна средба…


47


ɜɬɨɪɚɬɚ, ɧɨɜɚ ɦɨʁɚ ɞɟɜɢɡɚ ɨɞ ɤɨʁɚ ɧɟ ɦɨɠɚɦ ɞɚ ɫɟ ɨɫɥɨɛɨɞɚɦ ɤɚɤɨ ɨɞ ɨɩɫɟɫɢʁɚ,
ɟ, ɞɟɤɚ ɫɬɚɪɢɬɟ ʅɟ ɛɢɞɚɬ ɫɨɫɟɦ ɛɟɡ ɨɩɪɚɜɞɚɧɢɟ ɡɚ ɫɜɨɟɬɨ ɬɨɥɤɭ ɞɨɥɝɨ ɠɢɜɟɟʃɟ,
ɚɤɨ ɧɟ ɨɫɬɚɜɚɬ ɩɨ ɫɟɛɟ ɰɜɪɫɬɨ, ɜɪɟɞɧɨ ɢ ɞɟɥɨɬɜɨɪɧɨ ɧɚɫɥɟɞɫɬɜɨ ɲɬɨ ʅɟ ɫɢ ɧɚʁ-
ɞɟ ɩɨɡɢɬɢɜɧɨ ɦɟɫɬɨ ɜɨ ɜɟɤɨɜɢɬɚɬɚ ɫɭɞɛɢɧɚ. Ɂɛɨɪɭɜɚɦ ɡɚ ɧɚɰɢɨɧɚɥɧɚɬɚ ɫɭɞɛɢ-
ɧɚ, ɡɚɲɬɨ ɫɭɦ ɡɚɝɪɢɠɟɧ, ɦɧɨɝɭ ɡɚɝɪɢɠɟɧ. Ɂɚɬɨɚ ɜɥɨɠɭɜɚɦ ɪɟɱɢɫɢ ɫè ɨɞ ɫɜɨɢɬɟ
ɜɟʅɟ ɩɨɨɞɦɚɥɟɧɢ ɫɢɥɢ ɜɨ ɪɚɛɨɬɟʃɟɬɨ ɧɚɞ ɪoɦɚɧɨɜ „ɋɨɫɟɞɨɜɚɬɚ ɤɨɤɨɲɤɚ“. Ɂɚ-
ɲɬɨ ɠɚɥɧɨ ɟ, ɦɧɨɝɭ. ɉɚ ɛɚɪɟɦ ɧɟɤɚ ɨɫɬɚɧɟ ɟɞɧɚ ɨɫɭɞɚ“...


Ɂɚɩɢɫ: Ʉɨɝɚ ɜɟɥɢɦɟ ɠɢɜɟɟ ɜɨ ɞɟɥɨɬɨ ɥɢɱɧɨɫɬɚ (ɩɨɥɧɨɤɪɜɧɨ ɢɥɢ ɫɥɢɱɧɨ),
ɜɫɭɲɧɨɫɬ, ɧɟ ɠɢɜɟɟ ɥɢɱɧɨɫɬɚ – ɠɢɜɟɟ ɫɬɪɟɦɟɠɨɬ ɲɬɨ ɩɢɫɚɬɟɥɨɬ ɝɨ ɢɫɬɪɝɧɚɥ
ɨɞ ɠɢɜɨɬɨɬ ɢ ɝɨ ɡɟɥ ɡɚ ɝɥɚɜɟɧ ɩɪɨɛɥɟɦ. ɋɨ ɫɢɬɟ ɩɪɢɞɪɭɠɧɢ ɤɜɚɥɢɮɢɤɚɬɢɜɢ.
ȼɨ „ɋɢɥɚ ɧɚ ɠɢɜɨɬɨɬ“ ɨɞ ȹɟɤ Ʌɨɧɞɨɧ, ɧɟ ɠɢɜɟɟ Ȼɢɥ, ɬɚɤɚ ɱɢɧɚɦ ɫɟ ɜɢɤɚ ɥɢ-
ɤɨɬ (ɫɭɦ ɝɨ ɱɢɬɚɥ ɬɨɚ ɜɨ ɦɨɢɬɟ ɦɨɦɱɟɲɤɢ ɝɨɞɢɧɢ), ɬɭɤɭ ɟ ɨɠɢɜɟɚɧ, ɩɪɟɬɫɬɚ-
ɜɟɧ ɫɬɪɟɦɟɠɨɬ ɞɚ ɫɟ ɨɩɫɬɨɢ ɢ ɫɨɨɱɟɧ ɫɨ ɧɚʁɫɭɪɨɜɨɬɨ, ɨɥɢɰɟɬɜɨɪɟɧɨ ɜɨ ɱɟɥɭɫ-
ɬɢɬɟ ɧɚ ɜɨɥɤɨɬ. ɂɥɢ ɜɨ „Ɂɥɨɫɬɨɪɫɬɜɨ ɢ ɤɚɡɧɚ“ ɧɚ Ⱦɨɫɬɨɟɜɫɤɢ, ɠɢɜɟɟ ɞɭɲɟɜɧɚ-
ɬɚ ɨɝɨɪɱɟɧɨɫɬ, ɯɚɨɫ ɢ ɛɟɫɩɚɬʁɟ ɧɚ ɦɥɚɞɢɨɬ ɱɨɜɟɤ ɜɨ ɧɟɤɨɝɚɲɧɨɬɨ ɪɭɫɤɨ ɨɩ-
ɲɬɟɫɬɜɨ ɢ ɫɬɪɟɦɟɠɨɬ ɬɨɚ ɧɚ ɧɟɤɨʁ ɧɚɱɢɧ ɞɚ ɝɨ ɢɡɪɢɝɧɟ ɨɞ ɫɟɛɟɫɢ. ɋɨ ɫɢɬɟ ɩɪɢ-
ɞɪɭɠɧɢ, ɩɫɢɯɨɥɨɲɤɢ ɢ ɨɩɲɬɟɫɬɜɟɧɢ, ɥɨɝɢɱɤɢ, ɬɟɲɤɢ ɩɟɪɢɩɟɬɢɢ ɜɨ ɤɨɢ ɫɟ ɞɨ-
ɡɚɩɥɟɬɤɭɜɚ ɬɚɤɜɢɨɬ ɢɡɝɭɛɟɧɢɤ, ɩɪɟɬɫɬɚɜɟɧ ɜɨ ɥɢɤɨɬ ɧɚ Ɋɚɫɤɨʂɧɢɤɨɜ, ɫè ɞɨɞɟ-
ɤɚ ɫɨ ɩɨɦɨɲɬɚ ɧɚ ɟɞɧɚ ɝɨɥɟɦɚ ɫɬɪɚɞɚɥɧɢɱɤɚ (Ɇɚɪɦɟɥɚɞɨɜɚ) ɧɟ ɩɨɛɚɪɚ ɩɪɨɲɤɚ
ɢ ɜɢɞ ɧɚ ɢɡɛɚɜ ɨɞ, ɜɫɭɲɧɨɫɬ, ɧɟɩɨɞɧɨɫɥɢɜɢɨɬ ɩɫɢɯɢɱɤɢ ɬɨɜɚɪ ɜɨ ɤɨʁ ɡɚɩɚɞɧɚɥ.
Ⱦɚ, ɬɨɚ ɟ ɭɫɩɟɯ ɧɚ ɩɢɫɚɬɟɥɨɬ, ɞɚ ɝɨ ɞɨɥɨɜɢ ɠɢɜɨɬɨɬ ɡɟɦɟɧ ɜɨ ɩɨɲɢɪɨɤɚ ɫɦɢɫ-
ɥɚ, ɜɨ ɫɟɤɨʁ ɫɥɭɱɚʁ ɡɧɚɱɢɬɟɥɟɧ ɞɟɥ ɨɞ ɧɟɝɨ, ɫɦɟɫɬɭɜɚʁʅɢ ɝɨ ɜɨ ɤɨɧɤɪɟɬɟɧ ɥɢɤ,
ɨɞɧɨɫɧɨ ɥɢɤɨɜɢ.


Ɂɚɩɢɫ: Ʉɧɢɝɚɬɚ „ɋɨɫɟɞɨɜɚɬɚ ɤɨɤɨɲɤɚ“ ɬɪɟɛɚ ɞɚ ɛɢɞɟ, ɢɡɝɥɟɞɚ ʅɟ ɛɢɞɟ
(ɦɚɤɚɪ ɢ ɞɚ ɧɟ ɫɭɦ ɧɚʁɡɚɞɨɜɨɥɟɧ ɨɞ ɢɡɪɚɡɨɜ:) ɜɢɞ ɢɫɬɨɪɢʁɚ ɧɚ ɱɨɜɟɤɨɜɨɬɨ ɚɥɱ-
ɧɨ ɩɨɬɪɱɭɜɚʃɟ ɩɨ ɫɪɟʅɚ, ɤɨɟ ɨɛɢɱɧɨ ɡɧɚɱɢ ɡɚɞɥɚɛɭɜɚʃɟ ɜɨ ɛɚɬɚɤ.


Ɂɚɩɢɫ: „Ɍɟɲɤɨ ɟ, ɡɚɲɬɨ ɬɟɠɢ ɤɚɤɨ ɠɢɜɨɬ, ɤɚɤɨ ɜɢɫɬɢɧɚ“, ɫɢ ɪɟɤɨɜ ɨɬɤɚ-
ɤɨ ʁɚ ɫɬɚɜɢɜ ɧɚ ɦɚɫɢɱɤɚ ɩɪɟɱɢɫɬɟɧɚ ɩɪɜɚɬɚ ɝɥɚɜɚ ɨɞ ɬɪɟɬɢɨɬ ɞɟɥ ɧɚ „Ʉɨɤɨɲɤɚ-
ɬɚ...“, ɝɥɚɜɚ ɤɨʁɚ ɧɟ ɟ ɦɧɨɝɭ ɝɨɥɟɦɚ, ɧɨ ɦɧɨɝɭ ɦɟ ɢɡɦɚɱɢ, ɤɚɤɨ, ɜɩɪɨɱɟɦ, ɢ
ɧɟɤɨɢ ɩɪɟɬɯɨɞɧɢ.


Ɂɚɩɢɫ: Ɍɢɜɤɢɬɟ, ɫɤɪɨɦɧɢ ɚ ɜɪɟɞɧɢ ɩɢɫɚɬɟɥɫɤɢ ɢɦɢʃɚ ɤɚʁ ɧɚɫ ɫɟ ɜɨ ɨɩɚɫ-
ɧɨɫɬ ɞɚ ɨɫɬɚɧɚɬ ɚɧɨɧɢɦɧɢ, ɢɥɢ ɛɚɪɟɦ ɩɨɥɭɚɧɨɧɢɦɧɢ, ɦɨɠɟɛɢ ɧɢɤɨɝɚɲ ɧɟɨɬ-
ɤɪɢɟɧɢ ɞɨɜɨɥɧɨ ɢ ɧɟɩɪɢɡɧɚɟɧɢ, ɛɢɞɟʁʅɢ ɩɨɪɚɞɢ ɧɟɫɪɟʅɧɨɬɨ ɦɚɥɨ ʁɚɡɢɱɧɨ ɩɨ-
ɞɪɚɱʁɟ ɫɢɬɟ ɩɢɫɚɬɟɥɢ ɢ ɩɢɲɭɜɚɱɢ ɫɟ ɧɚɫɬɪɟɦɢɥɟ ɞɚ ɞɨʁɞɚɬ ɩɨɞ ɦɢɥɨɫɬɚ ɧɚ ɞɪ-
ɠɚɜɧɢɬɟ „ʁɚɫɥɢ“... Ȼɢ ɛɢɥɚ ɜɢɫɬɢɧɫɤɚ ɫɪɟʅɚ ɢ ɡɚ ɫɩɨɦɧɚɬɢɜɟ ɩɢɫɚɬɟɥɢ, ɚ ɩɨ-
ɫɟɛɧɨ ɡɚ ɧɚɲɚɬɚ ɤɧɢɠɟɜɧɨɫɬ, ɤɨɝɚ ɩɨɧɭɞɭɜɚɱɤɨ-ɩɨɛɚɪɭɜɚɱɤɢɨɬ ɤɜɚɥɢɬɟɬ ɧɚ
ɤɧɢɝɢɬɟ ɧɚ ɩɪɢɜɚɬɧɨ-ɩɚɡɚɪɢɲɧɚ ɨɫɧɨɜɚ ɛɢ ɛɢɥɨ ɟɞɢɧɫɬɜɟɧ ɪɟɥɟɜɚɧɬɟɧ ɜɪɟɞ-
ɧɭɜɚɱ ɢ ɫɟɥɟɤɬɨɪ (ɩɚ ɞɭɪɢ ɢ ɧɟɝɭɜɚɱ) ɧɚ ɨɧɚ ɲɬɨ ɫɟ ɩɢɲɭɜɚ.


Ɂɚɩɢɫ: ȼɨɥɰɢ ɝɨɫɬɢ! ɂɡɪɚɡ, ɞɜɨɪɟɱɢɟ ɨɞ Ʉɨɥɟ ɇɟɞɟɥɤɨɜɫɤɢ, ɨɞ ɧɟɝɨɜɚɬɚ
ɩɨɡɧɚɬɚ ɩɟɫɧɚ! Ɍɚɤɚ ɦɨɠɚɦ ɞɚ ʁɚ ɧɚɫɥɨɜɚɦ ɡɛɢɪɤɚɬɚ ɪɚɫɤɚɡɢ ɲɬɨ ɟ ɜɟʅɟ ɨɮɨɪ-
ɦɟɧɚ, ɤɨɧɟɱɧɨ, ɫɨ ɪɚɫɤɚɡɨɬ „Ɇɨʁɚɬɚ ɬɪɚɭɪɧɚ ɤɥɚɫɧɚ“, ɞɟɧɟɫ ɡɚɜɪɲɟɧ. ɂ ɜɨ
„ɂɡɝɨɧɟɧɢɰɢ“ – ɜɨɥɰɢ ɝɨɫɬɢ, ɢ ɜɨ „ȿɞɟɧ ɟɩɢɥɨɝ“ ɫɨ ɭɱɢɬɟɥɨɬ ɋɪɛɢɧ, ɢ ɜɨ
„ȼɢɞɚɧɨɜɚɬɚ ɨɜɰɚ“ ɢ ɛɟɥɚɬɚ Ȼɨɫɢɥɤɚ ɫɨ ɮɚɲɢɫɬɢɱɤɢɬɟ ɧɚɫɢɥɧɢɰɢ, ɨɫɬɚɧɚɬɚ
ɜɨ ɪɟɤɚɬɚ ɲɬɨ ɝɢ ɨɞɧɟɫɭɜɚ ɧɟʁɡɢɧɚɬɚ ɤɪɜ ɢ ɠɢɜɨɬ... ɂ ɩɨɬɚɦɭ, ɜɨ „Ɋɟɱɨɜɢɬɨ




НУУБ „Св. Климент Охридски“– Битола


48


ɨɝɥɟɞɚɥɨ“, ɩɚ ɢ ɜɨ „Ɇɨʁɚɬɚ ɬɪɚɭɪɧɚ ɤɥɚɫɧɚ“. ɋɟɤɚɞɟ ɧɟɤɚɤɜɢ ɢɡɟɞɧɢɰɢ ɧɚ ɨɜɨʁ
ɧɚɪɨɞ! ɇɨ, ɩɪɨɞɨɥɠɭɜɚ ɨɫɢɩɭɜɚʃɟɬɨ, ɬɨʁ ɢ ɫɚɦɢɨɬ ɩɪɢɞɨɧɟɫɭɜɚ ɡɚ ɫɜɨɟɬɨ ɭɧɢ-
ɲɬɭɜɚʃɟ. ɇɟɤɚ ɫɟ ɩɨɬɫɤɪɲɧɟ ɩɨɝɥɟɞ ɧɚ „Ƚɢɝɨɜɢɨɬ ɪɨɞɢɬɟɥ“, ɥɢɤ ɲɬɨ ɫɟ ɡɚɛɨ-
ɪɚɜɚ ɫɪɟɞ ɫɥɭɠɛɟɧɢɱɤɚɬɚ ɤɨɦɨɬɧɨɫɬ, ɚ ɫɟ ɝɚɞɢ ɨɞ ɩɪɢɦɢɬɢɜɧɨɫɬɚ ɧɚ ɫɜɨʁɚɬɚ
ɫɨɫɟɞɫɤɚ ɫɪɟɞɢɧɚ ɢ ɝɨ ɩɨɭɱɭɜɚ ɫɢɧɱɟɬɨ ɞɚ ɧɟ ɫɟ ɞɪɭɠɢ ɫɨ ɜɪɫɧɢɱɢʃɚɬɚ ɜɨ ɧɟɚ;
ɢɥɢ ɧɚ Ƚɢɥɟ ɜɨ „Ƚɨɞɢɲɧɢɧɚ ɜɨ ɨɫɥɨɛɨɞɟɧɚɬɚ Ɇɚɤɟɞɨɧɢʁɚ“, ɢɥɢ ɩɨɧɚɬɚɦɭ...
ɍɱɢɧɨɤɨɬ ɧɚ ȼɨɥɰɢɬɟ ɝɨɫɬɢ, ɡɚ ɠɚɥ, ɢ ɨɞɧɚɬɪɟ ɫɟ ɩɪɨɞɨɥɠɭɜɚ, ɨɞ ɧɟɦɚʃɟ ɧɚ
ɨɫɜɟɫɬɟɧɨɫɬ, ɢ ɱɢɧɢɲ ɤɚɤɨ ɞɚ ɬɪɝɧɚɥ ɤɨɧ ɡɚɜɪɲɧɢɰɚ. ȼɧɚɬɪɟ, ɥɭɼɟɬɨ ɫɢ ɫɬɚɧɭ-
ɜɚɚɬ ɟɞɟɧ ɧɚ ɞɪɭɝ ɛɟɫɱɭɜɫɬɜɟɧɢɰɢ, ɧɟɦɢɥɨɫɪɞɧɢɰɢ, ɤɚɤɨ ɲɬɨ ɟ ɜɨ ɝɨɪɚɬɚ ɦɟɼɭ
ɾɜɟɪɨɜɢɬɟ. ɂ ɚɤɨ ɧɟɤɨʁ ɫɟ ɩɪɨʁɚɜɢ ɩɪɨɬɢɜ ɬɨɚ, ɡɚɲɬɨ ɜɟʅɟ ɧɟ ɦɭ ɨɫɬɚɧɚɥɨ ɡɨ-
ɲɬɨ ɩɨɜɟʅɟ ɞɚ ɬɪɚɟ – ʅɟ ɫɢ ɡɚɪɚɛɨɬɢ ɡɥɨɫɬɨɪɧɢɱɤɢ ɩɟɱɚɬ, ʅɟ ɛɢɞɟ ɩɪɨɝɥɚɫɟɧ ɧɟ
ɫɚɦɨ ɡɚ ɨɩɲɬɟɫɬɜɟɧ ɲɬɟɬɨɱɢɧɟɰ, ɬɭɤɭ ɢ ɡɚ „ɲɟɮ“ ɤɨʁ ɡɚɜɟɞɭɜɚ ɜɨ ɡɥɨ ɦɧɨɝɭ
ɩɨɦɥɚɞɢ ɨɞ ɫɟɛɟ (ɩɪɟɬɩɨɫɥɟɞɧɢɨɬ ɪɚɫɤɚɡ „Ȼɭɧɬɨɜɧɢɤ“). ɂ ɬɚɤɚ, ɨɞ ɧɚɪɨɞ ɤɨʁ
ɛɢɥ ɞɨɪɚɫɧɚɬ ɞɚ ɝɪɚɞɢ ɫɜɨʁ ɠɢɜɨɬ ɢ ɬɪɚɞɢɰɢʁɚ, ɞɚ ɫɨɡɞɚɜɚ ɜɪɟɞɧɨɫɬɢ ɲɬɨ ʅɟ
ɨɫɬɚɧɚɬ ɬɪɚʁɧɨ ɨɞ ɧɟɝɨ (ɤɚɤɨ ɲɬɨ ɟ ɢɫɤɭɫɬɜɨɬɨ ɲɬɨ ɝɨ ɨɫɬɚɜɚ ɛɨɥɧɢɨɬ ɟɩɢɫɤɨɩ
ɜɨ ɢɫɬɨɢɦɟɧɢɨɬ ɪɚɫɤɚɡ), ɢɥɢ ɧɟɢɫɰɪɩɧɢɨɬ ɤɭɩ ɨɞ ɠɢɜɨɬɧɚ ɦɭɞɪɨɫɬ ɫɨ ɤɨʁɚ ɫɟ
ɡɞɨɛɢɥ ɧɢɡ ɞɨɥɝɨɬɪɚʁɧɢɨɬ ɫɢɪɨɦɚɲɟɧ ɠɢɜɨɬ ɜɨ ɧɚɩɨɪɢɬɟ ɡɚ ɨɩɫɬɨʁ, (ɧɚ ɲɬɨ ʅɟ
ɩɨɬɫɟɬɢ ɪɚɫɤɚɡɨɬ „Ʉɚɲɚ ɫɥɚɬɤɚ ɢ ɝɨɪɱɥɢɜɚ“), ɨɞ ɧɚɪɨɞ ɨɞ ɤɨɝɨ ɦɧɨɝɭ ɬɪɭɞ ɢ
ɠɪɬɜɭɜɚʃɟ ɡɚ ɫɥɨɛɨɞɚ ɟ ɩɨɤɚɠɚɧɨ (ɤɚɤɨ ɜɨ „Ɍɢɜɤɚɬɚ ɞɪɚɦɚ ɧɚ ȳɚɧɤɭɥɚ ɢ ɇɚ-
ɞɟ“) – ɫɟ ɞɨɫɬɚɫɭɜɚ ɞɨ ɫɬɟɩɟɧ ɤɨɝɚ ɢɫɬɢɨɬ ɬɨʁ ɧɚɪɨɞ ɬɪɝɧɚɥ ɤɨɧ ɫɨɩɫɬɜɟɧɨɬɨ
ɩɪɨɩɚɼɚʃɟ ɢ ɪɟɬɱɟʃɟ, ɞɟɫɟɬɤɭɜɚʃɟ (ɪɚɫɤɚɡɢɬɟ „Ȼɚɞɧɢɤ“, „Ʉɨɝɚ ɞɭɲɚɬɚ ɞɨɛɢɜɚ
ɰɟɧɚ“), ɫɟ ɦɚɥɟɟ ɢ ɦɚɥɟɟ, ɬɚɤɚ ɲɬɨ ɦɭ ɧɟɦɚ ɛɟɥɚ ɜɢɞɟɥɢɧɚ ɡɚ ɧɚɩɪɟɞ, ɩɚ ɦɭ ɨɫ-
ɬɚɧɚɥɨ ɭɲɬɟ, ɜɨ ɡɚɝɭɛɟɧɨɫɬɚ, ɩɨɞɦɚɦɟɧ ɨɞ ɚɥɱɧɨɫɬɚ, ɞɚ ɫɟ ɨɬɱɨɜɟɱɭɜɚ (ɇɚ ɬɚɤ-
ɜɚ ɢɡɪɨɞɟɧɨɫɬ ʅɟ ɫɟ ɧɚɢɞɟ ɜɨ „Ɇɪɚɡɚɪɧɢɰɚ“, ɢɚɤɨ ɜɨ ɚɥɟɝɨɪɢɫɤɢ ɜɢɞ).


Ɍɨɚ!... ɉɨɢɦɨɬ ȼɨɥɰɢ ɝɨɫɬɢ ɡɚ ɧɚɫɥɨɜ ɧɚ ɧɨɜɚɬɚ ɡɛɢɪɤɚ! – ɧɟ ɜɨ ɩɪɟɞɝɨ-
ɜɨɪ ɫɚɦɨ ɫɩɨɦɧɚɬ!


Ɂɚɩɢɫ: Ɂɛɢɪɤɚɬɚ ɪɚɫɤɚɡɢ ɨɜɢɟ ɞɟɧɨɜɢ ʅɟ ʁɚ ɞɚɞɟ Ȼɚɲɟɜɫɤɢ ɜɨ ɩɟɱɚɬ. Ɉɞ
ɫɟɬɨ ɦɨɟ ɞɨɥɝɨ ɩɥɚɧɢɪɚʃɟ ɢ ɜɨɨɛɥɢɱɭɜɚʃɟ, ɢɫɩɚɞɧɚ ɫɚɦɨ ɤɧɢɝɚ ɫɨ ɩɪɢɥɢɱɧɨ
ɢɡɦɟɧɟɬɚ ɭɫɦɟɪɟɧɨɫɬ ɢ ɫɨ ɞɪɭɝ ɧɚɫɥɨɜ – „ɏɟɪɨʁɨɬ“. ɋɟ ɪɚɡɛɢɪɚ, ɫɨ ɦɨʁɚ ɫɨɝ-
ɥɚɫɧɨɫɬ. ɋɟɩɚɤ, ɫɭɦ ɡɚɞɨɜɨɥɟɧ, ɡɚɲɬɨ ɪɚɫɤɚɡɢɬɟ ɫɟ ɬɢɟ, ɫɚɦɨ ɠɚɥɚɦ ɡɚ ɩɪɟɞɝɨ-
ɜɨɪɨɬ, ɤɨʁ ɨɬɩɚɞɧɚ, ɚ ɫɟ ɜɤɥɨɩɭɜɚɲɟ ɜɨ ɞɨɫɬɚ ɧɚɝɥɚɫɟɧ ɩɚɬɪɢɨɬɫɤɢ ɬɨɧ, ɤɨʁ
(ɧɟɤɚɤɨ ɱɭɜɫɬɜɢɬɟɥɧɨ) ɫɟ ɩɪɨɜɥɟɤɭɜɚɲɟ ɤɚɤɨ ɥɚʁɬɦɨɬɢɜ ɧɢɡ ɰɟɥɚɬɚ ɤɧɢɝɚ, ɲɬɨ
ɢ ɫɟɝɚ ɩɨɱɧɭɜɚ ɫɨ ɟɞɟɧ ɢɫɬɨɪɢɫɤɢ ɦɚɫɚɤɪ ɫɨ ɧɚɰɢɨɧɚɥɟɧ ɩɪɟɞɡɧɚɤ ɜɨ ɧɚɲɟ
ɫɟɥɨ, ɚ ɡɚɜɪɲɭɜɚ ɫɨ ɡɚɝɢɧɭɜɚʃɟ ɧɚ ɫɟɫɪɞɧɨ ɩɪɟɞɚɞɟɧ ɤɨɧ ɬɚɬɤɨɜɢɧɚɬɚ ɩɚɬɪɢɨɬ
– ɦɨɲɧɟ ɫɟɪɢɨɡɟɧ ɦɢɝ, ɜɨ ɤɨʁ ɩɨɠɪɬɜɭɜɚɧɢɨɬ ɯɟɪɨʁ ɬɨɤɦɭ ɜɨ ɩɨɫɥɟɞɧɢɬɟ ɨɬɱɭ-
ɤɭɜɚʃɚ ɧɚ ɠɢɜɨɬɨɬ, ɩɨɬɫɟɬɟɧ ɧɚ ɫɢɬɟ ɧɟɫɥɨɝɢ ɜɨ ɡɟɦʁɚɬɚ, ɢɧɬɟɪɟɫɢ, ɦɟɼɭɫɟɛɧɢ
ɩɪɟɩɭɤɭɜɚʃɚ, ɫɟɛɢɱɧɨɫɬɢ, ɧɟɫɪɟʅɧɨ ɫɟ ɩɪɚɲɭɜɚ: „Ⱦɚɥɢ ɫɟ ɢɫɩɥɚʅɚ“?..., ɞɨɞɟɤɚ
ɡɚɟɞɧɨ ɫɨ ɩɨɫɥɟɞɧɢɬɟ ɩɭɥɫɢɪɚʃɚ ɧɚ ɛɥɟɞɧɟɟɱɤɚɬɚ ɫɜɟɫɬ, ɝɚɫɧɚɬ ɜɨ ɞɭɲɚɬɚ ɢ
ɫɢɬɟ ɧɚɞɟɠɢ...


ɇɟ ɦɨɠɚɦ ɬɚɤɚ ɥɟɫɧɨ ɞɚ ɫɟ ɨɬɤɚɠɚɦ ɨɞ ɩɪɜɨɛɢɬɧɚɬɚ ɢɞɟʁɚ ɡɚ ɨɜɚɚ ɡɛɢɪ-
ɤɚ, ɡɚɬɨɚ ɨɜɞɟ ɝɨ ɧɚɜɟɞɭɜɚɦ ɩɪɟɫɤɨɤɧɚɬɢɨɬ ɦɚɥ ɩɪɟɞɝɨɜɨɪ:


„Ɋɚɫɤɚɡɢɜɟ ɫɟ ɩɢɲɭɜɚɧɢ ɜɨ ɩɨɞɨɥɝɨ ɜɪɟɦɟ, ɢ ɬɨɚ ɫɟɤɚɤɨ ɫɢ ɢɦɚ ɫɜɨʁ ɨɞ-
ɪɚɡ ɧɚ ɧɢɜɧɨɬɨ ɜɨɨɛɥɢɱɭɜɚʃɟ, ɧɨ ɤɨɥɤɭ ɥɢ ɦɨɠɟ ɞɚ ɟ ɨɞ ɡɧɚɱɟʃɟ ɩɪɨɥɟɬɭɜɚ-
ʃɟɬɨ ɧɚ ɟɞɟɧ ɱɨɜɟɱɤɢ ɠɢɜɨɬ ɫɩɪɟɦɚ ɦɧɨɝɭ ɩɨɞɨɥɝɨɬɨ ɬɪɚɟʃɟ ɡɚ ɤɨɟ ɬɭɤɚ ɫɟ




Деветта роднокрајна средба…


49


ɡɛɨɪɭɜɚ? ɋɩɪɟɦɚ ɨɧɚ ɡɚ ɤɨɟ ɬɪɚɝɢɱɧɢɨɬ ɩɨɟɬ Ʉɨɥɟ ɇɟɞɟɥɤɨɜɫɤɢ ɫɟ ɝɧɟɜɢ ɧɚ
ɜɨɥɰɢɬɟ ɝɨɫɬɢ? ɂ ɞɚɥɢ ɫɚɦɨ ɬɢɟ ɜɨɥɰɢ ɫɟ ɡɚɫɥɭɠɧɢ ɡɚ ɝɧɟɜɨɬ? ɂ ɡɚ ɨɧɚ, ɩɨ-
ɛɨɥɧɨɬɨ ɨɞ ɝɧɟɜɨɬ?“


Ɂɚɩɢɫ: ɇɚʁɩɨɫɥɟ б ɫɟ ɩɪɟɞɚɞɨɜ ɧɚ ɟɞɧɚ ɬɟɦɚ. Ɇɟ ɩɨɜɥɟɱɟ. Ɂɚɛɟɥɟɠɭɜɚʃɚ-
ɬɚ ɛɟɚ ɤɪɚɬɤɢ, ɢɫɩɨɦɟɲɚɧɢ ɜɨ ɥɢɫɬɨɜɢ, ɧɟɲɬɨ ɛɢ ɬɪɟɛɚɥɨ ɞɚ ɦɢ ɩɨɦɨɝɧɟ ɬɭɤɚ
ɩɢɲɭɜɚʃɟɬɨ ɜɨ ɛɨɢ – ɧɨ ɬɟɲɤɨ, ɬɟɲɤɨ ɩɪɟɫɬɢɝɧɭɜɚɦ ɞɚ ɫɟ ɫɪɟɞɚɦ, ɧɟ ɭɫɩɟɜɚɦ
ɞɚ ɫɟ ɡɚɞɪɠɚɦ: ɞɨɞɟɤɚ ɫɟɬɨ ɩɨɩɪɟɝɥɟɞɧɨ ɞɚ ɝɨ ɢɡɡɚɜɟɞɚɦ, ɧɚɝɪɧɭɜɚ ɧɨɜɨ ɧɚɞɨ-
ɩɨɥɧɭɜɚʃɟ ɧɚ ɧɟɤɨʁɚ ɛɟɥɟɲɤɚ, ɢɥɢ ɩɪɨɞɨɥɠɭɜɚʃɟ ɫɨ ɧɟɚ. Ɂɚ ɞɨɾɢɪɧɭɜɚʃɟ ɧɚ
ɨɞɞɟɥɧɢ ɩɨɟɞɢɧɨɫɬɢ ɲɬɨ ɡɛɨɪɭɜɚɚɬ ɡɚ ɦɨɪɚɥɨɬ ɧɚ ɥɭɼɟɬɨ, ɡɚ ɧɟɝɨɜɚɬɚ ɤɪɟɜ-
ɤɨɫɬ, ɧɟɬɪɚʁɧɨɫɬ, ɜɫɭɲɧɨɫɬ, ɡɚ ɥɢɰɟɦɟɪɧɨɫɬɚ ɧɚ ɬɨɚ ɲɬɨ ɫɟ ɧɚɪɟɤɭɜɚ ɦɨɪɚɥ,
ɞɨɞɟɤɚ ɫɟ ɮɚɥɢ ɢ ɜɟɥɢɱɢ ɤɚɤɨ ɧɚɩɪɟɞɨɤ ɭɤɢɧɭɜɚʃɟɬɨ ɧɚ ɫɥɨɛɨɞɢɬɟ, ɚ ɢɫɬɨɜɪɟ-
ɦɟɧɨ ɫɨ ɬɨɚ ɢ ɟɞɧɢ ɧɨɜɢ ɟɤɫɩɟɪɢɦɟɧɬɢ ɫɨ ɥɭɼɟ. Ɂɚ ɞɪɚɫɬɢɱɧɢ ɧɨɜɢɬɟɬɢ ɧɚ ɧɨɜ,
ɜɨɟɧ ɦɨɪɚɥ, ɡɚ ɫɪɚɦɧɢɨɬ ɩɚɞ ɧɚ ɜɢɫɬɢɧɚɬɚ ɩɪɟɝɚɡɟɧɚ ɫɨ ɧɟɞɨɛɪɨʁɧɢ ɬɟɧɤɨɜɢ ɢ
ɥɭɼɟ ɜɨ ɜɨʁɧɢɱɤɢ ɱɢɡɦɢ ɢ ɭɧɢɮɨɪɦɢ ɨɤɨɥɭ ɧɢɜ, ɩɪɟɬɜɨɪɟɧɢ ɜɨ ɦɚɲɢɧɢ ɧɚ ɨɬ-
ɱɨɜɟɱɟɧɨɫɬɚ. ɉɚ ɩɨɞɚɬɨɰɢ ɧɟ ɫɚɦɨ ɡɚ ɩɪɨɫɬɨɪɨɬ, ɬɭɤɭ ɢ ɡɚ ɜɪɟɦɟɬɨ ɤɨɟ ɧɚ ɩɨ-
ɧɨɜɚɬɚ ɢɫɬɨɪɢʁɚ б ɟ ɞɨɛɪɨ ɩɨɡɧɚɬɨ. ɇɨɜɨɮɚɛɪɢɤɭɜɚɧɢ ɜɢɫɬɢɧɢ ɡɚ ɧɭɠɧɨɫɬɚ
ɨɞ ɨɫɜɨʁɭɜɚʃɟ ɧɚ ȿɜɪɨɩɚ ɢ ɩɨɬɚɦɭ, ɧɚ ɫɜɟɬɨɬ. Ʉɪɚʁ ɧɚ ɜɟɤɨɜɧɨɬɨ ɢ ɦɨɪɚɥɧɨ ɢ
ɪɟɥɢɝɢɫɤɨ ɦɢɥɨɫɪɞɢɟ... ȼɟʅɟ ɫɟ ɡɚɰɪɬɭɜɚ ɬɜɨɪɛɚ ɨɞ ɦɨɠɟɛɢ ɧɟɤɨɥɤɭ ɞɟɫɟɬɢɰɢ
ɫɬɪɚɧɢɰɢ, ɫè ɩɨɨɩɪɟɞɟɥɟɧɚ ɫɬɚɧɭɜɚ ɩɪɟɞ ɬɜɨɪɟɱɤɢɨɬ ɭɦ. Ʌɢɤɨɜɢɬɟ ɜɟʅɟ ɫɟ ɢɡ-
ɛɢɪɚɚɬ, ɨɛɟɡɛɟɞɟɧɚ ɟ ɢ ɭɫɬɚɧɨɜɚ ɜɨ ɤɨʁɚ ʅɟ ɡɚɠɢɜɟɟ ɞɟʁɫɬɜɨɬɨ...


Ɂɚɩɢɫ: ɉɢɲɭɜɚɦ ɪɚɫɤɚɡɢ ɡɚ ɫɭɞɛɢɧɚɬɚ ɧɚ ɱɨɜɟɤɨɬ ɜɨ ɪɚɡɧɢ ɢɫɬɨɪɢɫɤɢ
ɩɟɪɢɨɞɢ, ɧɨ ɢ ɜɨ ɪɚɡɧɢ ɦɟɫɬɚ ɧɚ ɫɜɟɬɨɬ. Ⱥɤɨ ɛɢɞɟ ɬɨɚ ɤɧɢɝɚ ɩɪɟɬɟɠɧɨ ɫɨ ɬɚɤ-
ɜɢ ɪɚɫɤɚɡɢ, ɟɜɟɧɬɭɚɥɟɧ ɧɚɫɥɨɜ ɡɚ ɧɟɚ ɛɢ ɦɨɠɟɥ ɞɚ ɛɢɞɟ: „ɆɂȽɈȼɂ ȼɈ
ȼɊȿɆȿɌɈ, ɌɈɑɄɂ ȼɈ ɉɊɈɋɌɈɊɈɌ“.


Ɂɚɩɢɫ: ȼɨ ɩɪɟɤɢɧ ɫɭɦ ɫɨ ɩɨɝɨɥɟɦɢɨɬ ɪɚɫɤɚɡ ɫɨ ɪɚɛɨɬɟɧ ɧɚɫɥɨɜ „Ɂɚ ɱɢɫɬɚ
ɪɚɫɚ“, ɫɨ ɬɚɤɚɧɚɪɟɤɭɜɚɧɢ ɧɚɭɱɧɢ ɟɤɫɩɟɪɢɦɟɧɬɢɪɚʃɚ ɫɨ ɥɭɼɟ, ɨɪɝɚɧɢɡɢɪɚɧɢ ɨɞ
ɧɚɰɢɫɬɢɱɤɚɬɚ ɜɥɚɫɬ ɜɨ Ƚɟɪɦɚɧɢʁɚ ɜɨ ɜɪɟɦɟ ɧɚ ȼɬɨɪɚɬɚ ɫɜɟɬɫɤɚ ɜɨʁɧɚ. ɉɪɟɦɧɨ-
ɝɭ ɫɟ ɛɟɜ ɨɬɩɭɲɬɢɥ ɫɨ ɫɜɨʁɚɬɚ ɢɦɚɝɢɧɚɰɢʁɚ: ɜɟʅɟ ɟ ɫɨɡɞɚɞɟɧɨ ɤɭɩɱɟ ɥɢɜɱɢʃɚ
ɢ ɥɢɫɬɨɜɢ ɫɨ ɞɟɥɭɦɧɨ ɩɨɞɪɚɫɤɚɠɚɧɢ ɦɨɦɟɧɬɢ, ɩɨɲɢɪɨɤ ɢɡɛɨɪ ɡɚ ɩɨɦɚɥɤɭ
ɜɢɫɬɢɧɫɤɢ ɫɨɫɬɚɜɤɢ ɧɚ ɪɚɫɤɚɡɨɬ... ɩɚ ɫɟ ɧɚʁɞɨɜ ɩɨɞɡɚɩɪɟɧ, ɟɞɧɨɫɬɚɜɧɨ ɧɟɦɨʅɟɧ
ɞɚ ɢɡɥɟɡɚɦ ɨɞ ɧɟɪɟɲɢɬɟɥɧɨɫɬɚ...


Ɇɟɼɭɬɨɚ, ɨɞ ɩɚɬɟɦɧɨ ɫɨɫɬɚɜɟɧɢ, ɫɩɨɪɟɞɧɢ ɛɟɥɟɲɤɢ, ɜɫɭɲɧɨɫɬ, ɢ ɧɟɩɨ-
ɬɪɟɛɧɢ ɡɚ ɩɪɨɡɚɬɚ ɲɬɨ ɟɬɟ ʁɚ ɨɞɥɚɝɚɜ, ɦɢ ɫɟ ɫɥɭɱɢ ɫɟɪɢɨɡɧɨ ɞɚ ɫɟ ɩɪɟɮɪɥɚɦ ɧɚ
ɞɪɭɝɚ, ɢɧɬɟɪɟɫɧɚ ɬɟɦɚ, ɩɪɢɛɥɢɠɧɚ ɧɚ ɫɩɨɦɧɚɬɚɬɚ, ɧɨ ɨɜɨʁɩɚɬ ɜɨɟɧɚ: ɜɟʅɟ ɫɨ
ɧɟɞɟɥɢ ɫɟ „ɪɚɫɩɪɚɜɚɦ“ ɫɨ ɪɚɫɤɚɡɨɬ „ȼɪɚʅɚʃɟ ɧɢɡ ɩɪɟɝɚɡɟɧɚɬɚ ɡɟɦʁɚ“, ɚ ɫɟ ɫɥɭ-
ɱɭɜɚ ɩɨ ɩɪɨɛɢɜɚʃɟɬɨ ɧɚ ɩɨɜɟʅɟɦɟɫɟɱɧɚɬɚ ɨɩɫɚɞɚ ɧɚ ɋɬɚɥɢɧɝɪɚɞ, ɜɨ 1943 ɝɨ-
ɞɢɧɚ, ɜɨ ɤɨʁ ɫɟ ɡɛɨɪɭɜɚ ɡɚ ɨɡɥɨɛɟɧɚɬɚ ɩɨɞɝɨɬɜɟɧɨɫɬ ɧɚ ɞɟɥ ɨɞ ɜɨʁɫɤɚɬɚ ɧɚ ɟɜ-
ɪɨɩɫɤɢɨɬ ɚɝɪɟɫɨɪ, ɫɩɪɟɦɧɚ ɢ ɡɚ ɧɨɜɢ ɡɥɨɫɬɨɪɫɬɜɚ ɧɚɞ ɧɟɞɨɥɠɧɨɬɨ ɧɚɫɟɥɟɧɢɟ
ɨɞ ɩɪɟɝɚɡɟɧɚɬɚ ɪɭɫɤɚ, ɬɨɝɚɲ ɫɨɜɟɬɫɤɚ ɬɟɪɢɬɨɪɢʁɚ, ɨɞ ɤɨʁɚ ɧɚ ɦɧɨɝɭ ɝɨɪɱɥɢɜ
ɧɚɱɢɧ ɫɟ ɜɪɚʅɚɚɬ, ɧɨ ɬɟɲɤɨ ɦɨɠɚɬ ɞɚ ɭɫɩɟɚɬ ɞɚ ɫɟ ɜɪɚɬɚɬ.


ȼɨ ɢɫɬɨɜɨ ɜɪɟɦɟ ɫɟ ɩɨɞɝɨɬɜɭɜɚɦ ɞɚ ɝɨ ɢɫɩɪɚɬɚɦ ɡɚ ɧɟɤɨɟ ɫɩɢɫɚɧɢɟ ɟɞɟɧ
ɩɪɟɬɯɨɞɧɨ ɧɚɩɢɲɚɧ ɪɚɫɤɚɡ ɨɞ ɨɜɚɚ ɝɪɭɩɚ: „ɉɨɬɪɟɛɧɨ ɛɟɲɟ“, ɡɚ ɤɨʁ ɧɟɲɬɨ ɩɨ-
ɜɟʅɟ ɧɚɜɟɫɬɭɜɚ ɪɚɛɨɬɧɢɨɬ ɧɚɫɥɨɜ „ɉɪɢɤɚɡɧɚ ɡɚ ɟɜɧɭɯɨɬ“.




НУУБ „Св. Климент Охридски“– Битола


50


Ɂɚɩɢɫ: Ɋɨɦɚɧɨɬ ɫɨ ɩɪɨɛɥɟɦɚɬɢɤɚ ɨɞ ȼɬɨɪɚɬɚ ɫɜɟɬɫɤɚ ɜɨʁɧɚ ɞɨɦɚ, ɜɨ ɫɪɟ-
ɞɢɧɚɬɚ ɢ ɚɦɛɢɟɧɬɨɬ ɧɚ ɝɥɚɜɧɢɨɬ ɟɜɪɨɩɫɤɢ ɚɝɪɟɫɨɪ, ɜɨ ɦɟɫɟɰ ʁɭɥɢ ɫɚɦɨ ɦɟ ɩɨɞ-
ɡɛɪɤɚ, ɚ ɫè ɞɨɫɟɝɚ, ɢɚɤɨ ɜɟʅɟ ɩɨɞɨɥɝɨ ɜɪɟɦɟ ɡɧɚɦ ɞɟɤɚ ɬɨɚ ʅɟ ɛɢɞɟ ɪɨɦɚɧ ɚ ɧɟ
ɪɚɫɤɚɡ, ɧɟɤɚɤɨ ɧɟ ɦɨɠɟɜ ɞɚ ɞɨʁɞɚɦ ɞɨ ɫɟɪɢɨɡɟɧ ɩɨɱɟɬɨɤ, ɫè ɭɲɬɟ ɪɚɡɜɥɟɤɭɜɚɧ
ɫɨ ɨɞɞɟɥɧɢ ɬɟɤɨɜɧɢ ɡɚɮɚɬɟɧɨɫɬɢ ɢ ɞɭɪɢ ɞɟɧɟɫ ɢɡɭɬɪɢɧɚ, ɧɚʁɩɨɫɥɟ, ɧɨɫɟɧ ɤɚɤɨ
ɨɞ ɧɟɲɬɨ ɲɬɨ ɧɟ ɫɟ ɫɢɦɧɭɜɚ ɨɞ ɭɦɨɬ, ɦɭ ɫɟ ɨɞɞɚɞɨɜ. ɇɟɦɚ ɞɚ ɛɢɞɟ ɝɨɥɟɦ, ɦɨ-
ɠɟɛɢ ɦɚɥɤɭ ɩɨɜɟʅɟ ɨɞ ɫɬɨɬɢɧɚ ɫɬɪɚɧɢɰɢ, ɧɨ ɧɢɲɬɨ ɞɪɭɝɨ ɧɟɦɚ ɞɚ ɡɚɮɚʅɚɦ ɞɨ-
ɞɟɤɚ ɧɟ ɝɨ ɡɚɜɪɲɚɦ. ɋɨɞɪɠɢɧɚɬɚ ɦɢ ɟ ɜɨ ɝɥɚɜɚɬɚ. Ɍɨɚ ʅɟ ɛɢɞɟ ɡɚ ɧɚɭɱɧɢɨɬ
ɩɪɨɝɪɟɫ ɧɚ ɧɚʁɧɨɜɢɬɟ ɨɫɜɨʁɭɜɚɱɢ ɧɚ ɫɜɟɬɨɬ, ɤɨɢ ɫɚɤɚɚ ɞɚ ʁɚ ɞɨɤɚɠɚɬ ɫɭɩɟɪɢɨɪ-
ɧɨɫɬɚ ɧɚ ɫɜɨʁɚɬɚ ɧɚɰɢʁɚ.


Ɇɢɫɥɚɦ ɞɟɤɚ ɞɨɜɨɥɧɨ ɡɚɩɢɫɢ ɰɢɬɢɪɚɜ.
ɂ ɤɨɧɟɱɧɨ: ɤɚɤɨ ɲɬɨ ɠɢɜɨɬɨɬ, ɜɨ ɦɨʁɚɜɚ ɫɟɝɚɲɧɚ ɜɨɡɪɚɫɬ, ɫɟ ɞɜɢɠɢ ɤɨɧ


ɫɜɨɟɬɨ ɪɟɡɢɦɟ, ɬɚɤɚ ɩɚɥɟɬɚɬɚ ɧɚ ɢɞɟʁɧɨ-ɬɟɦɚɬɫɤɢ ɢɧɬɟɪɟɫɢɪɚʃɚ, ɛɢ ɪɟɤɨɥ
ɩɪɢɪɨɞɧɨ, ɫɟ ɫɜɟɞɭɜɚ ɤɨɧ ɜɨɨɩɲɬɭɜɚʃɟ, ɝɟɧɟɪɚɥɢɡɚɰɢʁɚ ɧɚ ɨɞɞɟɥɧɢɬɟ ɧɚɜɟɜɢ
ɜɨ ɤɧɢɠɟɜɧɨɬɨ ɫɨɡɞɚɜɚʃɟ. ɉɪɢɬɨɚ, ɜɟʅɟ ɱɭɜɫɬɜɭɜɚɦ ɫɟɝɚ, ɨɞ ɧɟ ɬɨɥɤɭ ɦɚɥɢɨɬ
ɨɩɭɫ, ɧɟɤɚɤɨ ɫɚɦɢɬɟ ɩɨ ɫɟɛɟ ɫɢ ɞɨɚɼɚɚɬ ɧɟɲɬɚɬɚ (ɫɟɤɚɤɨ ɫɨɝɥɟɞɛɢɬɟ, ɢɥɢ ɤɨɧɫ-
ɬɚɬɚɰɢɢɬɟ) ɧɚ ɫɜɨɟ ɦɟɫɬɨ. Ɂɚ ɞɚ ɫɟ ɫɪɟɞɢ, ɞɟɮɢɧɢɬɢɜɧɨ, ɫɥɭɱɚʁɨɬ ɧɚ ɩɢɫɚɬɟɥɨɬ
ɇɢɤɨɥɚ Ʉɨɱɨɜɫɤɢ: ɢ ɱɟɫɬɨ ɩɪɢɫɭɬɧɢɨɬ ɩɚɬɪɢɨɬɢɡɚɦ, ɢɚɤɨ ɪɟɱɢɫɢ ɫɟɤɨɝɚɲ ɞɨ-
ɠɢɜɟɚɧ ɨɞ ɨɧɚɚ ɛɨɥɧɚɬɚ, ɚ ɧɟ ɨɞ ɫɥɚɜɟɧɢɱɤɚɬɚ ɫɬɪɚɧɚ, ɢ ɢɫɬɨɜɪɟɦɟɧɨ ɫɨ ɬɨɚ,
ɫɨɱɭɜɫɬɜɭɜɚʃɟɬɨ ɫɨ ɦɚɥɢɬɟ, ɨɛɟɫɩɪɚɜɟɧɢ ɥɭɼɟ ɢ... ɧɢ ɫɚɦɢɨɬ ɜɨ ɦɨɦɟɧɬɨɜ ɧɟ
ɛɢ ɦɨɠɟɥ ɞɚ ɫɟ ɫɟɬɚɦ ɲɬɨ ɫè ɛɢɥɨ ɩɚɬɨɤɚɡ ɩɨ ɤɨʁ ɫɭɦ ɫɟ ɞɜɢɠɟɥ, ɧɨ ɫɟ ɩɨɞɜɟ-
ɞɭɜɚ ɫɟɬɨ ɬɨɚ ɩɨɞ ɝɥɚɜɧɚɬɚ ɮɨɪɦɭɥɚ ɲɬɨ ɜɥɚɞɟɟ ɢ ɜɨ ɠɢɜɨɬɨɬ: ȻɈɊȻȺɌȺ Ɇȿ-
Ȯɍ ȾɈȻɊɈɌɈ ɂ ɁɅɈɌɈ. Ɍɚɤɚ ɲɬɨ, ɧɟ ɨɞ ɫɟɝɚ, ɛɢɞɟʁʅɢ ɬɚɚ ɛɨɪɛɚ ʁɚ ɢɦɚɥɨ
ɭɲɬɟ ɜɨ ɬɨɥɤɭ ɞɪɭɝɢ ɜɪɟɦɢʃɚ, ɢ ɭɲɬɟ ɜɨ ɬɨɥɤɭ ɞɟɥɨɜɢ ɨɞ ɬɨɩɤɚɬɚ ɧɚ ɧɚɲɢɨɬ
ɫɜɟɬ, ɡɚɦɢɠɚɜ ɢ, ɨɬɩɪɜɨ ɩɨ ɦɚɥɤɭ ɨɝɪɚɧɢɱɟɧɨ, ɧɨ ɫè ɩɨɪɟɲɢɬɟɥɧɨ, ɫɟ ɜɩɭɲɬɢɜ
ɜɨ ɩɪɚɲɚʃɚɬɚ ɧɚ ɡɥɨɬɨ ɜɨɨɩɲɬɨ, ɩɪɨɬɢɜ ɤɨɟ ɫɟɤɨɝɚɲ ɫɟ ɜɨɞɟɥɚ ɛɨɪɛɚ, ɧɨ ɬɨɚ,
ɧɚɦɟɫɬɨ ɞɚ ɢɫɱɟɡɧɟ, ɠɢɥɚɜɨ ɫɟ ɜɢɞɨɢɡɦɟɧɭɜɚ ɢ ɭɫɨɜɪɲɭɜɚ, ɢ ɨɩɫɬɨʁɭɜɚ ɧɟɛɚɪɟ
ɞɚ ɟ ɨɞ ɩɚɦɬɢɜɟɤ ɩɪɨɪɟɱɟɧ ɞɨɧɟɫɭɜɚɱ ɧɚ ɫɟɨɩɲɬɢɨɬ ɤɪɚʁ. ɋɟ ɪɚɡɛɢɪɚ, ɬɨɚ ɟ ɫɚ-
ɦɨ ɜɩɟɱɚɬɨɤ, ɚ ɡɥɨɬɨ ɟ ɨɧɚ, ɲɬɨ, ɩɨɤɪɚʁ ɞɪɭɝɨɬɨ, ɝɨ ɫɨɡɞɚɜɚɦɟ ɧɢɟ, ɥɭɼɟɬɨ ɧɚ
ɫɢɬɟ ɜɪɟɦɢʃɚ. Ɂɚɬɨɚ, ɫɨ ɬɚɚ ɱɨɜɟɱɤɚ, ɧɨ ɫɬɪɚɲɧɨ ɡɚɤɚɧɥɢɜɚ ɤɚɬɟɝɨɪɢʁɚ, ɧɟ ɛɢ
ɫɦɟɟɥɟ ɧɢɤɨɝɚɲ ɞɚ ɫɟ ɩɨɦɢɪɢɦɟ. Ⱦɥɚɛɨɤɨ ɫɭɦ ɭɛɟɞɟɧ ɜɨ ɬɨɚ. Ɉɜɚ ɟ ɢ ɦɨʁɚ ɚɤ-
ɰɟɧɬɢɪɚɧɚ ɫɟɝɚɲɧɚ ɬɜɨɪɟɱɤɚ ɨɪɢɟɧɬɚɰɢʁɚ, ɲɬɨ ɪɟɱɢɫɢ ɰɟɥɨɫɧɨ ɦɟ ɨɛɡɟɥɚ.




Деветта роднокрајна средба…


51




Nikola Kochovski





I WRITE AGAINST THE EVIL

Every serious writer knows the aim of writing and if he didn’t know he


wouldn’t dare write. Getting deep into the most sensitive categories of human
survival as a biologic specie and a part of the society, with his own psychological
and moral conditions, in accordance with nature, this real writer, finds himself
erected in the face of the possibilities, as well as the tasks, to influence these
categories: good, evil and others close to them.


And now, as my life with the years moves towards its summary, in the
same way the palette of my thematic interests comes to generalizations in my
literary creation. Although from this point of view, I cannot remember the ways I
have walked through, I summarize them as one battle, the battle of the good against
the evil. This is my current literary orientation which completely overwhelms me.





НУУБ „Св. Климент Охридски“– Битола


52





Весна Мундишевска-Велјановска



ВО УНИВЕРЗУМОТ НА ТВОРЕЧКАТА ИНИЦИЈАЦИЈА



Ɍɟɤɫɬɨɜ ʅɟ ɝɨ ɡɚɩɨɱɧɚɦ ɬɚɤɚ ɤɚɤɨ


ɲɬɨ ɢ ɪɚɡɦɢɫɥɭɜɚɦ – ɩɨɟɬɫɤɢ:
Ɍɪɚɝɚɬɚ ɧɚ ɩɟɪɨɬɨ
ɬɪɚɝɚ ɫɚɦɨ ɧɟ ɟ,
ɧɭɪɧɟɲ ɥɢ ɩɨɞɥɚɛɨɤɨ
ʅɟ ɞɨɡɧɚɟɲ ɫè.



Ɍɜɨɪɟɱɤɨɬɨ ɞɟɥɨ ɟ ɬɨɩ-ɤɪɟɚɰɢʁɚ


ɧɚ ɜɟɪɨɞɨɫɬɨʁɧɨɫɬɚ ɧɚ ɟɞɧɨ ɩɢɫɚɬɟɥɫɤɨ
ɩɚɬɭɜɚʃɟ ɩɨ ɬɪɚɟɤɬɨɪɢʁɚɬɚ ɧɚ ɭɧɢɜɟɪ-


ɡɭɦɨɬ (ɢ ɨɧɨʁ ɢɧɬɟɪɧɢɨɬ ɲɬɨ ʂɭɛɨɦɨɪɧɨ ɝɨ ɧɨɫɢɦɟ ɫɢɥɧɨɫɪɚɫɧɚɬ ɜɨ ɫɟɛɟ ɢ ɨɧɨʁ
ɟɤɫɬɟɪɧɢɨɬ ɜɨ ɤɨʁ ʂɭɛɨɩɢɬɧɨ ɧɚɫɬɨʁɭɜɚɦɟ ɞɚ ɧɚɾɪɟɦɟ ɢ ɞɚ ɝɨ ɞɨɫɟɝɧɟɦɟ), ɩɪɢɬɨɚ
ɩɪɟɩɥɟɬɭɜɚʁʅɢ ɝɢ ɬɪɚɧɫɜɟɪɡɚɥɢɬɟ ɧɚ ɤɨɦɭɧɢɤɚɰɢʁɚɬɚ ɧɚ ɦɢɫɥɨɜɧɨɫɬɚ ɢ ɞɭɯɨɜɧɨɫ-
ɬɚ. ȿɞɧɢɨɬ ɟɥɟɦɟɧɬ ɜɨ ɨɫɬɜɚɪɭɜɚʃɟɬɨ ɧɚ ɜɚɤɜɚɬɚ ɤɨɦɭɧɢɤɚɰɢʁɚ ɟ ɩɢɫɚɬɟɥɨɬ (ɫɨ
ɧɟɝɨɜɚɬɚ ɧɚɫɭɲɧɚ ɩɨɬɪɟɛɚ ɞɚ ɫɨɡɞɚɜɚ ɢ ɫɩɨɞɟɥɭɜɚ), ɚ ɞɪɭɝɢɨɬ – ɱɢɬɚɬɟɥɨɬ (ɢɫɩɪɚ-
ɜɟɧ ɩɪɟɞ ɩɪɟɞɢɡɜɢɤɨɬ ɧɚ ɧɟɢɡɜɟɫɧɨɫɬɚ ɢ ɨɱɟɤɭɜɚʃɚɬɚ).


ɉɢɲɭɜɚʃɟɬɨ ɩɨ ɚɧɚɥɨɝɢʁɚ ɡɧɚɱɢ ɫɨɡɞɚɜɚʃɟ, ɫɨɡɞɚɜɚʃɟɬɨ ɟ ɜɤɨɪɟɧɟɬɨ ɜɨ
ɤɪɟɚɬɢɜɧɨɫɬ, ɚ ɫɟɬɨ ɬɨɚ ɫɬɚɜɟɧɨ ɜɨ ɟɞɧɚ ɞɢɧɚɦɢɱɤɚ ɫɩɪɟɝɚ ɫɟ ɩɨɢɫɬɨɜɟɬɭɜɚ ɫɨ
ɢɧɨɜɚɬɢɜɧɨɫɬ.


Ⱦɚ ɫɟ ɩɢɲɭɜɚ ɢ ɬɨɚ ɞɚ ɫɟ ɩɢɲɭɜɚ ɤɪɟɚɬɢɜɧɨ ɡɧɚɱɢ ɞɚ ɫɟ ɫɥɭɲɚ ɫɟɛɟɫɢ,
ɞɚ ɫɟ ɬɪɚɝɚ, ɞɚ ɫɟ ɪɚɫɱɟɩɤɭɜɚ ɢ ɩɨ ɧɚʁɫɤɪɢɲɧɢɬɟ ɚɝɥɢ ɧɚ ɫɨɩɫɬɜɟɧɨɫɬɚ, ɧɨ
ɫɬɪɨɝɨ ɡɚɰɪɬɭɜɚʁʅɢ ʁɚ ɨɬɫɟɱɤɚɬɚ ɩɨ ɤɨʁɚ ɫɟ ɫɬɢɫɤɚɚɬ ɟɝɨɰɟɧɬɪɢɱɧɨɫɬɚ ɢ ɫɚɦɨ-
ɜʂɭɛɟɧɨɫɬɚ ɫɨ ɬɨɱɤɢ ɧɚ ɫɚɦɨɤɪɢɬɢɱɧɨɫɬɚ ɢ ɫɟɛɟɫɩɨɞɟɥɟɧɨɫɬɚ. Ⱦɚ ɫɟ ɩɢɲɭɜɚ
ɡɧɚɱɢ ɢ ɩɨɫɜɟɬɟɧɨɫɬ, ɢɫɬɪɚʁɧɨɫɬ, ɩɨɠɪɬɜɭɜɚɧɨɫɬ, ɨɞɪɟɤɭɜɚʃɟ, ɬɜɨɪɟɱɤɨ ɫɚɦɭ-
ɜɚʃɟ, ɬɪɩɟɥɢɜɨɫɬ, ɤɨɧɫɬɚɧɬɧɨɫɬ, ɨɬɫɬɪɚɧɭɜɚʃɟ ɧɚ ɫɢɬɟ ɝɪɚɧɢɰɢ ɢ ɫɬɟɝɢ ɧɚ ɞɭ-
ɯɨɜɧɨɫɬɚ, ɢɧɫɩɢɪɚɬɢɜɧɨɫɬ, ɢɧɢɰɢʁɚɬɢɜɧɨɫɬ, ɫɢɧɬɟɬɢɡɢɪɚʃɟ... ɇɟɞɨɝɥɟɞɟɧ
ɭɧɢɜɟɪɡɭɦ ɧɚ ɬɜɨɪɟɱɤɨɬɨ ɜɨ ɤɨʁ ɧɟɦɚ ɩɪɨɫɬɨɪ ɡɚ ɩɨɜɪɲɧɨɫɬ ɢ ɢɦɩɪɨɜɢɡɚɰɢɢ,
ɨɞɧɨɫɧɨ ɡɚɛɥɭɞɢ ɨɞ ɬɢɩɨɬ ɞɚ ɫɟ ɩɢɲɭɜɚ ɫɚɦɨ ɤɨɥɤɭ ɞɚ ɫɟ ɩɢɲɭɜɚ ɢɥɢ ɞɚ ɫɟ
ɨɛʁɚɜɢ ɧɟɲɬɨ ɤɨɥɤɭ ɞɚ ɫɟ ɛɪɨɢ ɜɨ ɨɩɭɫɨɬ ɧɚ ɩɢɫɚɬɟɥɨɬ, ɬɜɨɪɟɱɤɨɬɨ ɨɫɥɨɛɨɞɟ-
ɧɨ ɨɞ ɩɪɚɡɧɨɬɨ ɬɟɠɧɟɟʃɟ ɩɨ ɢɦɩɨɡɚɧɬɧɨɫɬ. ȼɫɭɲɧɨɫɬ, ɭɧɢɜɟɪɡɭɦ ɧɚ ɟɞɧɨɫ-
ɬɚɜɧɨɫɬ ɜɨ ɛɢɞɭɜɚʃɟɬɨ, ɟɞɧɨɫɬɚɜɧɨ – ɛɢɞɭɜɚʃɟ ɜɨ ɩɢɲɭɜɚʃɟɬɨ.


ɋɩɥɨɬɭɜɚʃɟ ɫɨ ɧɟɲɬɚɬɚ ɨɤɨɥɭ ɧɚɫ, ɫɬɚɧɭɜɚʃɟ ɟɞɧɨ ɫɨ ɤɨɫɦɨɫɨɬ, ɧɚɞɪɚɫ-
ɧɭɜɚʃɟ ɧɚ ɫɟɛɟɫɢ ɢ ɞɪɭɝɢɬɟ, ɧɚ ɝɪɚɧɢɰɢɬɟ ɧɚ ɞɭɯɨɬ ɢ ɩɪɨɫɬɨɪɨɬ, ɛɚɪɚʃɟ ɩɨɜɟ-
ʅɟ, ɭɲɬɟ, ɜɨ ɫɦɢɫɥɚɬɚ ɧɚ ɩɨɫɬɨɟʃɟɬɨ. ɍɤɚɠɭɜɚʃɟ ɞɟɤɚ ɫè ɢɦɚ ɫɜɨɟ ɥɢɰɟ ɢ ɨɩɚ-
ɱɢɧɚ, ɞɟɤɚ ɧɢɲɬɨ ɧɟ ɟ ɟɞɧɨɫɬɚɜɧɨ ɤɚɤɨ ɲɬɨ ɢɡɝɥɟɞɚ, ɞɟɤɚ ɬɪɟɛɚ ɞɚ ɫɟ ɢɦɚ ɢɫ-




Деветта роднокрајна средба…


53


ɬɪɚɠɭɜɚɱɤɢ ɞɭɯ, ɞɚ ɫɟ ɩɪɨɧɢɤɧɭɜɚ ɜɨ ɬɚʁɧɢɬɟ ɧɚ ɩɨʁɚɜɢɬɟ, ɱɭɜɫɬɜɚɬɚ, ɧɚɫɬɚ-
ɧɢɬɟ, ɧɟɲɬɚɬɚ ɲɬɨ ɧè ɨɩɤɪɭɠɭɜɚɚɬ ɡɚɲɬɨ


„Ⱦɭɲɚɬɚ
ɟ ɩɪɟɦɧɨɝɭ ɧɟɠɧɚ
ɡɚ ɤɚɦɲɢɰɢ ɨɞ
ɛɟɫɦɢɫɥɟɧɢ ʁɚɞɨɜɢ.“ („ɋɨɨɱɭɜɚʃɟ“ / „ɉɬɢɰɨɜɪɢɤ“, ȾɅɄ „Ɋɚɡɜɢɬɨɤ“,


Ȼɢɬɨɥɚ, 2000 ɝ., ɫɬɪ. 34)
Ⱦɟɤɚ ɩɪɟɞ ɛɪɟɦɟɬɨ ɧɚ ɠɢɜɨɬɨɬ ɧɚɦɟɫɬɨ ɛɟɡɠɢɜɨɬɧɨ ɞɚ ɫɟ ɤɪɤɨɪɢ ɜɨ ɚɝɨ-


ɧɢʁɚɬɚ ɧɚ ɫɨɩɫɬɜɟɧɨɬɨ ɫɬɪɚɞɚʃɟ ɬɪɟɛɚ ɝɪɚɞɟʃɟ, ɬɜɨɪɟʃɟ ɨɫɥɨɛɨɞɟɧɨ ɨɞ ɩɪɨɫ-
ɬɨɪɨɬ ɢ ɜɪɟɦɟɬɨ, ɤɪɟɢɪɚʃɟ ɞɟɥɚ ɫɨ ɩɪɢɜɢɞɟɧ ɤɪɚʁ – ɧɨɜɚ ɧɚɞɟɠ, ɛɟɫɤɪɚɟɧ ɪɚʁ.


Ⱦɟɤɚ ɧɟɩɨɬɪɟɛɧɨ ɫɟ ɪɚɫɩɚɪɱɭɜɚɦɟ ɜɨ ɦɟɥɧɢɤɨɬ ɧɚ ɠɢɜɨɬɧɚɬɚ ɪɭɬɢɧɚ
ɜɨɫɬɚɧɨɜɟɧɚ ɨɞ ɧɟɤɨɢ ɞɪɭɝɢ, ɞɟɤɚ ɟ ɞɨɫɬɚ ɞɚ ɛɢɞɟɦɟ ɫɥɭɝɢ ɧɚ ɧɟɫɦɚɫɧɨ ɫɦɢɫ-
ɥɟɧɢ ɧɨɪɦɢ ɢ ɦɨɪɚɥɧɢ ɨɝɪɚɧɢɱɭɜɚʃɚ, ɞɟɤɚ ɬɪɟɛɚ ɞɚ ɫɟ ɫɨɨɱɢɦɟ ɫɨ ɬɨɚ ɞɟɤɚ
ɠɢɜɨɬɨɬ ɟ ɬɚɤɨɜ ɤɚɤɨɜ ɲɬɨ ɧɢɟ ʅɟ ɝɨ ɫɤɪɨɢɦɟ. Ⱥɤɨ ɠɢɜɨɬɨɬ ɝɨ ɤɪɨɢɦɟ, ɩɥɟɬɟ-
ɦɟ, ɦɨɡɚɢɱɢɦɟ, ɤɨɩɚɧɢɱɢɦɟ – ɬɨɝɚɲ ɩɨɫɬɨɢɦɟ.


„ɂɫɱɟɤɨɬ
ɧɚ ɡɚɱɟɬɨɤɨɬ ɧɚ ɞɟɧɨɬ
ʁɚ ɧɚɩɪɟɝɧɭɜɚ ɧɟɢɡɜɟɫɧɨɫɬɚ
ɡɚ ɪɚɼɚʃɟɬɨ ɧɚ ɤɨɩɧɟɠɢɬɟ.
Ɋɢɬɭɚɥɨɬ ɧɚ ɜɞɚɯɧɨɜɟɧɢɟ
ɟ ɪɚɫɬɟɪɭɜɚɱ ɧɚ ɫɨɦɧɟɠɢɬɟ.
Ɋɚɡɞɟɧɭɜɚʃɟɬɨ
ʅɟ ɝɢ ɨɬɟɥɨɬɜɨɪɢ
ɧɚɞɟɠɢɬɟ.“ („Ɋɚɡɞɟɧɭɜɚʃɟ“ / „ɉɨɟɬɫɤɢ ɞɢʁɚɥɨɝ“, Ɇɚɬɢɰɚ ɦɚɤɟɞɨɧɫɤɚ,


ɋɤɨɩʁɟ, 2010 ɝ., ɫɬɪ. 7)
ɑɭɜɫɬɜɨɬɨ ɡɚ ɭɛɚɜɨɬɨ, ɡɚ ɠɢɜɨɬɧɢɬɟ ɪɚɞɨɫɬɢ, ʁɚ ɨɠɢɜɭɜɚ ɛɥɚɝɨɪɨɞɧɨɫɬɚ.


Ⱥ ɛɥɚɝɨɪɨɞɧɨɫɬɚ ɞɨɩɨɥɧɟɬɚ ɫɨ ɞɨɫɬɨɢɧɫɬɜɟɧɨɫɬ ɨɜɨɩɥɨɞɭɜɚ ɫɨ ɜɨɡɜɢɲɟɧɨɫɬ.
Ʉɨɝɚ ɨɞ ɬɚɤɜɚɬɚ ɜɨɡɜɢɲɟɧɨɫɬ ɨɠɢɜɭɜɚ ɝɨɜɨɪɨɬ, ɛɥɢɤɧɭɜɚ ɢɡɜɨɪɨɬ – ɢɡ-


ɜɨɪɨɬ ɧɚ ɦɢɫɥɨɡɛɨɪɨɬ.
ɇɟɨɩɢɫɥɢɜɚ ɟ ɫɟɧɡɚɰɢʁɚɬɚ ɨɞ ɛɢɞɭɜɚʃɟɬɨ ɜɨ ɟɩɢɰɟɧɬɚɪɨɬ ɧɚ ɞɪɚɡɛɢɬɟ ɨɞ


ɚɞɪɟɧɚɥɢɧɨɬ ɧɚ ɧɚɞɪɟɚɥɢɫɬɢɱɧɢɬɟ ɢɥɭɡɢɢ ɧɚ ɠɢɜɟɟʃɟɬɨ. ɉɢɲɭɜɚʃɟ ɛɟɡ ɞɨ-
ɠɢɜɭɜɚʃɟ ɧɚ ɱɭɜɫɬɜɭɜɚʃɟɬɨ ɢ ɧɚ ɧɚʁɟɥɟɦɟɧɬɚɪɧɢɨɬ ɫɟɝɦɟɧɬ ɨɞ ɡɛɨɪɨɬ ɟ ɜɟ-
ɬɪɨɩɢɪɟɫɬɨ ɩɨɢɝɪɭɜɚʃɟ ɫɨ ɢɧɬɟɥɢɝɟɧɰɢʁɚɬɚ ɧɚ ɱɢɬɚɬɟɥɨɬ.


ȼɨ „ɤɥɢɲɟɬɨ ɧɚ ɦɧɨɝɭɞɟɧɢʁɚɬɚ“ ɦɟɫɟɱɚɪɟʁʅɢ „ɩɨ ɩɪɨɜɢɞɧɚɬɚ ɧɢɲɤɚ ɦɟ-
ɼɭ ɛɨɥɨɬ ɢ ɫɧɨɜɢɞɟɧɢʁɚɬɚ“, ɩɢɫɚɬɟɥɨɬ ɫɟ ɧɚɨɼɚ ɡɝɪɱɟɧ ɩɪɟɞ ɧɚɝɨɧɨɬ ɞɚ ʁɚ „ɢɫ-
ɩɥɭɤɚ ɧɟɱɢɫɬɨɬɢʁɚɬɚ ɧɚ ɫɟɤɨʁɞɧɟɜɢʁɚɬɚ“,4 ɢɫɩɪɚɜɟɧ ɩɪɟɞ ɢɫɤɭɲɟɧɢɟɬɨ ɡɚ ɪɚɡ-
ɝɨɥɭɜɚʃɟ ɧɚ ɞɭɯɨɬ ɢ ɦɢɫɥɚɬɚ, ɩɪɟɞ ɫɬɪɚɜɨɬ ɨɞ ɪɟɚɤɰɢʁɚɬɚ ɧɚ ɜɨɫɩɪɢɟɦɚɱɨɬ,
ɩɪɟɞ ɧɟɞɨɭɦɢɰɚɬɚ ɡɚ ɞɨɡɢɪɚʃɟ ɧɚ ɫɟɛɟɨɬɜɨɪɟɧɨɫɬɚ. ȼɢɫɬɢɧɫɤɚ ɫɪɟʅɚ ɟ ɞɚ ɫɟ
ɩɨɫɬɢɝɧɟ ɯɚɪɦɨɧɢʁɚ ɧɚ ɜɧɚɬɪɟɲɧɢɬɟ ɢ ɧɚɞɜɨɪɟɲɧɢɬɟ ɨɩɫɬɨʁɛɢ ɧɚ ɞɭɯɨɬ. Ⱥ ɞɚ
ɫɟ ɧɚɩɪɚɜɢ ɢɡɛɨɪ ɞɚ ɫɟ ɝɨɥɬɚ ɞɨɠɞ ɡɚ ɞɚ ɫɟ ɢɫɩɢɟ ɧɟɦɢɪɨɬ ɧɚ ɜɪɟɦɟɬɨ, ɞɚ ɫɟ
ɜɤɭɫɢ ɧɟɢɡɜɟɫɧɨɫɬɚ ɧɚ ɞɟɧɨɬ ɢɥɢ ɞɚ ɫɟ ɪɚɡɛɭɞɢ ɜɨɥɲɟɛɧɨɫɬɚ ɧɚ ɫɨɧɨɬ, ɡɧɚɱɢ
ɩɨɫɟɞɭɜɚʃɟ ɧɚ ɯɪɚɛɪɨɫɬ.

4 „Ƚɪɱ“ / „ɉɨɟɬɫɤɢ ɞɢʁɚɥɨɝ“, Ɇɚɬɢɰɚ ɦɚɤɟɞɨɧɫɤɚ, ɋɤɨɩʁɟ, 2010 ɝ., ɫɬɪ. 17




НУУБ „Св. Климент Охридски“– Битола


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ɏɪɚɛɪɨɫɬ ɟ ɞɚ ɫɟ ɱɟɤɨɪɢ ɩɨ ɫɬɪɦɧɚɬɚ ɜɪɜɢɰɚ ɧɚ ɫɨɡɞɚɜɚʃɟɬɨ ɧɨɫɟʁʅɢ ɝɨ
ɧɚ ɝɪɛ ɛɪɟɦɟɬɨ, ɚ ɩɪɢɬɨɚ ɢɦɚʁʅɢ ɧɚ ɭɦ ɞɟɤɚ:


„ɂ ɞɚ ɫɟ ɧɚɞɪɚɫɧɟɦɟ ɫɟɛɟɫɢ
ɩɚɤ ʅɟ ɫɦɟ ɩɪɚɲɢɧɤɚ,
ɩɪɚɲɢɧɤɚ ɧɚ ɛɟɡɜɪɟɦɟɬɨ.“ („ɋɭɟɬɧɨɫɬ“ / „ɉɨɟɬɫɤɢ ɞɢʁɚɥɨɝ“, Ɇɚɬɢɰɚ ɦɚ-


ɤɟɞɨɧɫɤɚ, ɋɤɨɩʁɟ, 2010 ɝ., ɫɬɪ. 41)
Ⱦɚ ɫɟ ɩɨɫɟɝɧɟ „ɨɞ ɦɢɝɨɬ ɜɟɱɧɨɫɬ ɞɚ ɫɟ ɫɬɨɪɢ“ ɟ ɧɟɨɩɢɫɥɢɜɨ ɭɠɢɜɚʃɟ ɜɨ


„ɧɚɫɥɚɞɭɜɚʃɟɬɨ ɫɨ ɞɭɯɨɬ ɧɚ ɩɨɫɬɨɟʃɟɬɨ“.5. Ⱦɚ ɫɟ „ɢɫɤɨɩɚɚɬ ɾɜɟɡɞɢ, ɞɚ ɫɟ ɡɚɩɚ-
ɥɚɬ ɛɪɟɝɨɜɢɬɟ ɡɚ ɩɨɥɟɫɧɨ, ɦɨɠɟɛɢ, ɞɚ ɢɫɩɥɢɜɚɚɬ ɞɟɧɨɜɢɬɟ“, 6 ɡɚʁɞɢɫɨɧɰɟɬɨ ɧɢ-
ɤɨɝɚɲ „ɞɚ ɧɟ ɛɢɞɟ ɡɚɨɼɚʃɟ, ɞɚ ɧɟ ɛɢɞɟ ɭɦɢɪɚʃɟ... ɫɟɤɨɝɚɲ ɞɚ ɛɢɞɟ ɪɚɼɚʃɟ“, ɞɚ
„ɫɟ ɜɩɥɟɬɟ ɜɨ ʁɚɞɪɨɬɨ ɧɚ ɞɭɯɨɜɧɨɫɬɚ, ɞɚ ɫɟ ɫɟɬɢ ɧɨɜɚ ɧɚɨɪɚ ɢ ɜɨɧɡɟɦɫɤɢ ɞɚ ɫɟ
ɫɨɧɭɜɚ“7 ɡɧɚɱɢ ɞɚ ɫɟ „ɫɜɟɬɧɟ ɫɨ ɫɟɬɚ ɫɜɨʁɚ ɫɢɥɚ, ɞɚ ɫɟ ɛɥɟɫɧɟ ɫɨ ɫɟɬɚ ɫɜɨʁɚ ɞɭ-
ɲɚ – ɞɚ ɫɟ ɧɚʁɞɟ ɫɜɨɟɬɨ ɦɟɫɬɨ ɦɟɼɭ ɾɜɟɡɞɢɬɟ.“ 8


Ⱦɚ ɫɟ ɩɨɧɭɞɢ ɫɚɦɨɫɜɨʁɚ ɩɟɪɰɟɩɰɢʁɚ ɧɚ ɞɪɚɦɚɬɢɤɚɬɚ ɧɚ ɠɢɜɟɟʃɟɬɨ ɢ ɤɨɫ-
ɦɨɫɨɬ ɫɨ ɧɚɫɭɲɧɢ ɫɟɛɟɦɨɞɢɮɢɤɚɰɢɢ ɢ ɫɨɡɪɟɚɧɢ ɬɪɚɧɫɮɨɪɦɚɰɢɢ ɧɢɡ ɜɞɚɯɧɨ-
ɜɟɧɢ ɩɪɨɟɤɰɢɢ ɧɚ ɢɦɚɝɢɧɚɬɢɜɧɨɬɨ ɢ ɫɟɧɡɢɬɢɜɧɨɬɨ, ɡɧɚɱɢ ɞɚ ɫɟ ɨɫɬɚɜɢ ɩɟɱɚɬ, ɚ
ɧɟ ɛɟɡɧɚɱɚʁɧɢ ɬɪɚɝɢ ɜɨ ɛɥɟɞ ɨɬɩɟɱɚɬɨɤ.


ɋɨ ɦɨʅɬɚ ɧɚ ɫɩɨɡɧɚɟɧɚɬɚ ɧɟɫɤɪɨɬɥɢɜɨɫɬ ɧɚ ɫɟɛɟɢɡɜɨɪɢɬɟ, ɩɢɫɚɬɟɥɨɬ ɝɢ
ɨɜɨɩɥɨɬɭɜɚ ɩɨɟɬɨɬ, ɪɚɫɤɚɠɭɜɚɱɨɬ, ɢɫɬɪɚɠɭɜɚɱɨɬ, ɮɢɥɨɡɨɮɨɬ, ɧɚɭɱɧɢɤɨɬ, ɤɨɦ-
ɩɨɡɢɬɨɪɨɬ, ɫɥɢɤɚɪɨɬ, ɟɬɢɱɚɪɨɬ, ɟɫɬɟɬɢɱɚɪɨɬ... ɋɢɬɟ ɬɢɟ ɟɞɧɨɞɭɲɧɨ ɫɟ ɜɞɚɯɧɨ-
ɜɭɜɚɚɬ „ɩɪɟɞ ɨɥɬɚɪɨɬ ɧɚ ɩɨɛɪɚɬɢɦɭɜɚʃɟɬɨ ɧɚ ɞɭɯɨɬ ɧɚ ɫɢɬɟ ɩɨɤɨɥɟɧɢʁɚ“ ɢ „ɜɨ
ɤɪɟɚɬɢɜɟɧ ɜɨɡɧɟɫ ɝɨ ɤɪɟɩɚɬ ɛɪɟɦɟɬɨ ɦɚɼɟɩɫɚɧɢ ɨɞ ɜɨɧɡɟɦɧɨɫɬɚ ɧɚ ɥɟɛɞɟʃɟɬɨ
ɜɨ ɜɚɤɭɭɦɨɬ ɧɚ ɜɪɟɦɟɬɨ“..9


ɇɨɜɨɨɬɤɪɢɜɚʃɟɬɨ, ɧɨɜɨɥɢɤɭɜɚʃɟɬɨ, ɢɧɚɤɭ ɝɥɟɞɚʃɟɬɨ, ɪɚɫɩɥɟɬɭɜɚʃɟɬɨ ɢ
ɩɪɟɩɥɟɬɭɜɚʃɟɬɨ ɧɚ ɧɨɜɢ ɮɨɪɦɢ ɧɚ ɤɨɲɧɢɰɚɬɚ ɨɞ ɪɚɡɥɢɱɧɨɫɬɢ ɢ ɫɥɢɱɧɨɫɬɢ ɟ
ɫɬɢɦɭɥɢɪɚʃɟ ɧɚ ɫɟɤɨʁ ɜɢɞ ɧɚ ɱɭɜɫɬɜɭɜɚʃɟ – ɩɪɨɱɭɜɫɬɜɭɜɚɧɨɫɬ.


ɋɟɬɨ ɨɜɚ ɜɤɨɦɩɨɧɢɪɚɧɨ ɜɨ ɚɜɬɟɧɬɢɱɟɧ ɤɨɧɰɟɩɬɭɚɥɟɧ ɫɢɫɬɟɦ ɫɨ ɫɢɥɧɨ
ɢɡɪɚɡɟɧ ɢɞɟɧɬɢɬɟɬ ɧɚ ɫɟɛɟɢɞɟɧɬɢɮɢɤɚɰɢʁɚɬɚ ɢ ɩɨɥɢɫɢɦɮɨɧɢɱɧɨɫɬ ɧɚ ɧɨɜɨɫɨɡ-
ɞɚɞɟɧɢɬɟ ɫɨɡɜɭɱʁɚ ɧɟɦɢɧɨɜɧɨ ɬɪɟɛɚ ɞɚ ɩɪɨɞɭɰɢɪɚ ɬɪɚʁɧɨ ɜɪɟɞɧɚ ɫɚɬɢɫɮɚɤɰɢʁɚ
ɧɚ ɞɜɚɬɚ ɤɪɚʁɚ ɨɞ ɤɨɦɭɧɢɤɚɰɢʁɚɬɚ ɧɚ ɬɚɤɜɚɬɚ ɬɜɨɪɟɱɤɚ ɢɧɢɰɢʁɚɰɢʁɚ.


Ʉɨɦɭɧɢɰɢɪɚʁʅɢ ɧɟ ɫɚɦɨ ɫɨ ɱɢɬɚɬɟɥɨɬ ɬɭɤɭ ɢ ɫɨ ɫɟɛɟ ɢ ɫɨ ɫɜɨɟɬɨ ɞɟɥɨ,
ɩɢɫɚɬɟɥɨɬ ɨɫɬɜɚɪɭɜɚ ɫɢɥɧɨ ɢɧɬɢɦɧɚ ɢ ɦɧɨɝɭɫɥɨʁɧɚ ɢɧɬɟɪɚɤɰɢʁɚ ɜɨ ɤɨɦɩɨɧɢ-
ɪɚʃɟɬɨ ɧɚ ɟɤɫɩɪɟɫɢɢɬɟ ɧɚ ɜɢɡɭɟɥɧɨɬɨ, ɜɢɪɬɭɟɥɧɨɬɨ, ɟɦɨɰɢɨɧɚɥɧɨɬɨ, ɪɚɰɢɨ-
ɧɚɥɧɨɬɨ, ɢɪɚɰɢɨɧɚɥɧɨɬɨ...


ȼɨ ɬɨʁ ɧɟɩɪɟɤɢɧɚɬ ɫɢɧʇɢɪ ɧɚ ɟɤɫɩɪɟɫɢɨɧɢɡɦɢ, ɜɨ ɫɢɦɛɢɨɡɚɬɚ ɧɚ ɢɫɤɭɫ-
ɬɜɚɬɚ, ɠɢɜɨɬɧɢɬɟ ɦɭɞɪɨɫɬɢ ɢ ɟɦɨɬɢɜɧɚɬɚ ɥɚɜɚ, ɫɟɤɨʁ ɚɬɨɦ ɦɢɫɥɨɜɧɨɫɬ ɫɬɚɧɭɜɚ
ɫɢɦɛɨɥ, ɜɨ ɫɜɨʁɚɬɚ ɟɞɧɨɫɬɚɜɧɨɫɬ – ɫɢɦɛɨɥ ɧɚ ɩɢɫɦɨɬɨ, ɜɨ ɫɜɨʁɚɬɚ ɦɧɨɝɭɡɧɚɱ-
ɧɨɫɬ – ɫɢɦɛɨɥ ɧɚ ɬɜɨɪɟɲɬɜɨɬɨ, ɫɢɦɛɨɥ ɧɚ ɠɢɜɨɬɨɬ – ɢɧɞɢɜɢɞɭɚɥɟɧ ɢ ɫɟɱɢʁ,
ɫɩɨɞɟɥɟɧ ɢ ɭɧɢɜɟɪɡɚɥɟɧ.

5 „ɑɟɤɨɪ ɞɨ ɫɨɧɨɬ“ / „Ⱦɟɧ-ɞɟɧɭɜɚʃɟ“, ɂȾ ȾɈɈ „Ɋɚɡɜɢɬɨɤ“, Ȼɢɬɨɥɚ, 1999 ɝ., ɫɬɪ. 35.
6 „Ȼɢɞɭɜɚʃɟ“ / „Ⱦɟɧ-ɞɟɧɭɜɚʃɟ“, ɂȾ ȾɈɈ „Ɋɚɡɜɢɬɨɤ“, Ȼɢɬɨɥɚ, 1999 ɝ., ɫɬɪ. 25.
7 „Ɍɟɥɨ“ / „ɉɨɟɬɫɤɢ ɞɢʁɚɥɨɝ“, Ɇɚɬɢɰɚ ɦɚɤɟɞɨɧɫɤɚ, ɋɤɨɩʁɟ, 2010 ɝ., ɫɬɪ. 21.
8 „Ʉɨɝɚ ɞɟɧɨɬ ɜ ɩɨɫɬɟɥɚ ɫɟ ɫɩɭɲɬɚ“ / „ȼɨ ɫɨɧɨɬ ɫɨɧ“, ɄɆɆ, ɋɤɨɩʁɟ, 1994 ɝ., ɫɬɪ. 31.
9 „ȼɚɤɭɭɦ ɧɚ ɜɪɟɦɟɬɨ“ / „ȼɢɛɪɚɰɢɢ ɧɚ ɞɭɯɨɬ“, ɋɨɜɟɬ ɧɚ 34 Ʉɚɪɚɦɚɧɨɜɢ ɩɨɟɬɫɤɢ
ɫɪɟɞɛɢ, Ɋɚɞɨɜɢɲ, 2007 ɝ., ɫɬɪ. 33.




Деветта роднокрајна средба…


55




Vesna Mundishevska Veljanovska





IN THE UNIVERSE OF THE CREATIVE INIТIATION

Being in communication not only with the reader and one’s own work, the


writer realizes a strong private and multilayered interaction in composing the
expressions of the visual, virtual, emotional, rational, irrational… In this
uninterrupted range of expressionism, in the symbiosis of experiences, life wisdom
and emotional surge, every thought atom becomes a symbol in, in its simplicity –
symbol of the writing, in its meaning – symbol of creative work, symbol of life –
individual and everyone’s, common and universal. It is courageous to walk up the
path of literary creation, carrying on the burden of awareness that „even if one
overcomes oneself one will remain a dust – dust of the eternity “


Instead of one’s own suffering in agony under the life’s burden it is
necessary to build, a creative work freed from the limitations of time and space,
creating works imaginable end –new hope, unlimited heaven.




НУУБ „Св. Климент Охридски“– Битола


56




Сања Мучкајева Видановска





АКО НЕ ПИШУВАМ – НЕ ПОСТОЈАМ, НЕ ДИШАМ,
НЕ ЖИВЕАМ...













(ɉɪɨɫɬɟɬɟ ɦɢ ȼɢɟ, ɦɨɢ
ɧɚʁɦɢɥɢ ɥɢɤɨɜɢ...)




Ɂɚɫɟɤɨɝɚɲ ɡɚɦɢɧɭɜɚɦ ɨɞ ɨɜɚɚ ɡɟɦʁɚ! Ɂɟɦʁɚ ɧɚ ɧɟɞɨɮɚɬɧɢ ɠɟɥɛɢ, ɡɟɦʁɚ ɧɚ


ɱɭɞɚ ɤɨɢ ɧɟ ɫɟ ɨɫɬɜɚɪɭɜɚɚɬ, ɡɟɦʁɚ ɧɚ ɜɟɬɭɜɚʃɚ ɤɨɢ ɧɟ ɫɟ ɫɥɭɲɚɚɬ. Ɂɚɦɢɧɭɜɚɦ,
ɡɚɬɨɚ ɲɬɨ ɫɢɧɨʅɚ, ɬɨɤɦɭ ɫɢɧɨʅɚ, ɫɥɭɲɧɚɜ ɞɟɤɚ ɧɚɞɜɨɪ ɨɞ ɬɭɤɚ, ɩɨɫɬɨɢ ɟɞɧɚ
ɩɟɪɞɭɜɟɫɬɚ ɩɚʁɚɠɢɧɚ ɤɨʁɚ ɫɟɞɢ ɩɪɢɬɚɟɧɨ ɢ ɱɟɤɚ ɧɟɤɨʁ ɞɚ ʁɚ ɨɬɜɨɪɢ ɜɪɚɬɚɬɚ ɧɚ
ɩɨɫɟɬɢɬɟ. ɋɥɭɲɧɚɜ ɧɟɤɚɞɟ ɩɨɫɥɟ ɩɨɥɧɨʅ ɤɨɝɚ ɝɢ ɡɚɬɜɨɪɢɜ ɨɱɢɬɟ ɢ, ɫɚɦɨ ɲɬɨ
ɨɧɚɚ ɬɟɦɧɢɧɚ ɤɨʁɚ ɞɨɚɼɚ ɨɞ ɧɚɞɜɨɪ ɫɟ ɫɩɨɢ ɫɨ ɬɟɦɧɢɧɚɬɚ, ɝɢ ɡɚɬɜɨɪɢɜ ɨɱɢɬɟ ɢ
ɩɨɱɧɚɜ ɞɚ ɬɨɧɚɦ ɜɨ ɩɟɪɧɢɰɚɬɚ. Ⱦɭɯɨɬ ɩɨɥɟɤɚ ɫɟ ɨɫɥɨɛɨɞɢ ɨɞ ɩɪɚɩɨɱɟɬɨɤɨɬ, ɚ
ɫɟɤɨʁɚ ɦɢɫɥɚ ɟ ɩɪɚɩɨɱɟɬɨɤ ɧɚ ɡɚɪɨɛɭɜɚʃɟɬɨ. ɂ ɜɪɬɢ, ɜɪɬɢ ɧɢɡ ɝɥɚɜɚɬɚ, ʁɚ ɥɟɩɢ
ɧɚɪɟɞɧɚɬɚ, ʁɚ ɞɨɜɢɤɭɜɚ ɫɥɟɞɧɚɬɚ, ɚ ɩɟɪɧɢɰɚɬɚ ɫɬɚɧɭɜɚ ɝɨɥɟɦɚ ɢ ɬɜɪɞɚ, ɫɬɭɞɟɧɚ
ɢ ɢɫɬɨɜɪɟɦɟɧɨ ɠɟɲɤɚ. Ɉɞ ɫɬɪɚɧɚɬɚ ɧɚ ɤɨʁɚ ɥɟɠɚɦ ɧɢɡ ɜɪɚɬɨɬ ɩɨɱɧɭɜɚɚɬ ɞɚ ɫɟ
ɫɥɟɜɚɚɬ ɤɚɩɤɢ, ɚ ɨɞ ɞɪɭɝɚɬɚ ɫɬɪɚɧɚ ɟ ɥɚɞɧɨ. ȳɚ ɬɪɝɚɦ ɦɚɥɤɭ ɩɪɟɤɪɢɜɤɚɬɚ, ɧɨ
ɬɨɝɚɲ ɦɢ ɫɬɭɞɢ. ȳɚ ɧɚɜɥɟɤɭɜɚɦ, ɠɟɲɤɨ ɟ. Ⱥ, ɬɢɟ ɫɟ ɪɨʁɚɬ ɧɢɡ ɝɥɚɜɚɬɚ ɢ ɦɟ ɬɟ-
ɪɚɚɬ ɞɚ ɩɨɱɧɚɦ ɞɚ ɢɡɞɢɲɭɜɚɦ, ɞɚ ɡɟɦɚɦ ɞɥɚɛɨɤɨ ɜɨɡɞɭɯ. ɉɚ ɫɟ ɩɪɢɞɜɢɠɭɜɚɦ
ɩɨɥɟɤɚ ɫɨ ɟɞɧɚɬɚ ɪɚɤɚ, ɫɨ ɞɪɭɝɚɬɚ, ɫɨ ɧɨɡɟɬɟ. ɋè ɞɨɞɟɤɚ ɧɟ ɫɟ ɩɨɧɚɞɟɜɚɜ ɞɟɤɚ
ɚɤɨ ɫɟ ɫɜɪɬɚɦ ɧɚ ɞɪɭɝɚɬɚ ɫɬɪɚɧɚ, ɩɨɛɪɡɨ ʅɟ ɝɢ ɪɚɫɬɟɪɚɦ ɦɢɫɥɢɬɟ, ʅɟ ɝɢ ɨɞɥɟ-
ɩɚɦ, ɡɚɬɨɚ ɲɬɨ ɫɚɦɨ ɬɚɤɚ ɪɚɡɞɜɨɟɧɢ ɦɨɠɚɦ ɞɚ ɝɢ ɪɚɫɬɟɪɚɦ.


ɋɤɨɤɚɦ, ɢɚɤɨ ɩɟɪɧɢɰɚɬɚ ɦɢ ʁɚ ɥɟɩɢ ɝɥɚɜɚɬɚ. Ƚɨ ɩɚɥɚɦ ɫɜɟɬɥɨɬɨ ɢ ɩɪɚɡ-
ɧɢɨɬ ɥɢɫɬ ɫɟ ɢɫɩɨɥɧɭɜɚ, ɝɨ ɢɫɩɨɥɧɭɜɚɦ ɦɨʁɨɬ ɞɧɟɜɧɢɤ ɤɨʁ ɱɟɫɬɨ ɥɢɱɢ ɧɚ ɛɭɧɢ-
ɥɨ – ɜɨ ɞɥɚɛɨɤɚɬɚ ɧɨʅ ɧɚ ɢɥɭɡɢɢɬɟ. Ɍɢɟ, ɬɨɤɦɭ ɬɢɟ ʁɚ ɧɨɫɚɬ ɦɨʁɚɬɚ ɪɚɤɚ. ɉɪɟɞ-
ɜɨɞɟɧɚ ɨɞ ɫɥɢɤɨɜɢɬɢ ɨɛɥɢɤɭɜɚʃɚ ɧɚ ɠɟɥɛɢɬɟ ɢ ɧɚɞɟɠɢɬɟ. ɇɟɤɨɝɚɲ ɧɚ ɨɫɭɞɚɬɚ




Деветта роднокрајна средба…


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ɢ ɩɪɨɬɟɫɬɨɬ, ɚ ɧɟɤɨɝɚɲ ɩɨɪɚɞɢ ɩɨɬɪɚɝɚɬɚ ɧɚ ɛɟɫɦɪɬɧɨɫɬɚ ɢ ɨɧɚ ɲɬɨ ɫɟ ɧɚɪɟɤɭ-
ɜɚ ɝɪɱɟɜɢɬ ɫɬɪɚɜ ɨɞ ɡɚɛɨɪɚɜɨɬ, ɤɨɝɚ ɫɩɨɦɟɧɢɤɨɬ ɢ ɩɢɟɞɟɫɬɚɥɨɬ ɦɢɫɥɢɲ ɞɟɤɚ
ɝɢ ɝɪɚɞɢɲ ɜɨ ɜɚɤɜɢɬɟ ɧɨʅɢ ɧɚ ɢɥɭɡɢɢɬɟ.


Ɇɢɫɥɚɦ ɞɟɤɚ ɧɟ ɩɨɫɬɨɢ ɦɢɫɥɚ ɤɨʁɚ ɫɟ ɢɦɚ ɪɚɡɜɥɟɱɟɧɨ ɬɨɥɤɭ ɦɧɨɝɭ, ɲɬɨ
ɡɚɦɢɧɚɥɚ ɜɨ ɞɪɭɝɨ ɜɪɟɦɟ, ɚ ɬɨɤɦɭ ɬɨɚ ɝɨ ɫɥɭɲɧɚɜ ɫɢɧɨʅɚ. Ɇɢ ɩɪɟɥɟɬɚ ɬɢɜɤɨ,
ɫɨ ɧɚɞɟɠ ɞɟɤɚ ʅɟ ɭɫɩɟɟ ɞɚ ɦɟ ɭɛɟɞɢ ɞɚ ɡɚɦɢɧɚɦ ɨɞ ɡɟɦʁɚɬɚ. Ɍɨɤɦɭ ɬɨɝɚɲ, ɝɨ
ɜɢɞɨɜ ɦɚɥɢɨɬ ɩɪɨɰɟɩ ɧɚ ɩɚʁɚɠɢɧɟɫɬɚɬɚ ɫɥɢɤɚ ɤɨʁ ɫɟ ɪɚɡɞɟɥɭɜɚ ɧɢɡ ɞɪɭɝɨ ɜɪɟ-
ɦɟ. ɂ ɡɚ ɱɭɞɨ, ɫɥɢɤɢɬɟ ɧɚ ɡɚɥɟɩɟɧɢɬɟ ɦɢɫɥɢ ɫɟ ɪɚɡɞɟɥɭɜɚɚɬ, ɢɫɱɟɡɧɭɜɚɚɬ ɟɞɧɚ
ɩɨ ɟɞɧɚ ɧɟɨɫɟɬɧɨ, ɚ ɨɫɬɚɧɚ ɦɚɥɢɨɬ ɩɪɨɫɬɨɪ ɨɞ ɞɪɭɝɨɬɨ ɜɪɟɦɟ. ɉɟɪɧɢɰɚɬɚ ɫɟ
ɫɦɟɫɬɢ ɧɚ ɦɨʁɚɬɚ ɝɥɚɜɚ, ɤɨɫɚɬɚ ɧɟ ɦɢ ɫɦɟɬɚ ɢ ɩɨɱɧɚɜ ɞɚ ɬɨɧɚɦ ɭɞɨɛɧɨ, ɭɞɨɛ-
ɧɨ... ɞɨɞɟɤɚ ɩɢɲɭɜɚɦ.


ɂɦɚ ɫɟʅɚɜɚʃɚ ɤɨɢ ɧɟ ɫɟ ɡɚɛɨɪɚɜɚɚɬ ɢ ɢɦɚ ɫɟʅɚɜɚʃɚ ɤɨɢ ɫɬɚɧɭɜɚɚɬ ɡɚ-
ɤɨɩɚɧɨ ɦɢɧɚɬɨ, ɩɚ ɞɭɪɢ ɢ ɨɫɬɚɬɨɰɢɬɟ ɫɟ ɮɪɥɚɚɬ ɤɚɤɨ ɨɬɩɚɞɨɰɢ ɜɨ ɞɧɨɬɨ
ɧɚ ɞɭɲɚɬɚ. ɂ ɞɭɲɚɬɚ ɢɦɚ ɫɜɨʁ ɞɟɥ ɤɚɞɟ ɝɢ ɨɫɬɚɜɚ ɛɟɡ ɞɚ ɫɟ ɡɚɜɪɬɢ ɢ ɞɚ ɫɟ
ɡɚɩɪɚɲɚ ɡɨɲɬɨ ɝɢ ɨɫɬɚɜɢɥɚ ɬɚɦɭ. Ʉɨʁ ɛɢɥ ɩɨɜɨɞɨɬ. ȿɞɧɨɫɬɚɜɧɨ ɝɢ ɡɚɮɪɥɚ
ɞɥɚɛɨɤɨ ɜɨ ɫɟɛɟ, ɤɚɤɨ ɞɭɩɤɚ ɲɬɨ ɟ ɡɚɤɨɩɚɧɚ ɡɚɫɟɤɨɝɚɲ. ɇɨ ɢɦɚ ɡɧɚɰɢ, ɫɟ ɱɢɧɢ
ɧɚʁɦɚɥɢ ɡɧɚɰɢ ɤɨɢ ɧɟɨɱɟɤɭɜɚɧɨ ɡɧɚɚɬ ɞɚ ʁɚ ɩɨɬɪɟɫɚɬ ɞɭɲɚɬɚ ɫɨ ɫɢɥɢɧɚ ɧɚ
ɧɚʁɫɢɥɟɧ ɡɟɦʁɨɬɪɟɫ ɢ ɬɨɝɚɲ ɞɭɩɤɚɬɚ ɫɟ ɨɬɜɨɪɚ ɤɚɤɨ ɞɚ ɛɚɪɚ ɧɨɜɚ ɠɪɬɜɚ. Ⱥ
ɠɪɬɜɚɬɚ ɡɧɚɟ ɞɚ ɛɢɞɟ ɩɪɟɝɨɥɟɦɚ ɡɚ ɫɩɨɤɨʁɫɬɜɨɬɨ ɤɨɟ ɩɪɢɜɢɞɧɨ ɥɟɠɢ ɞɨɥɝɢ
ɝɨɞɢɧɢ. Ɍɨɚ ɫɟ ɩɪɢɪɨɞɧɢ ɤɚɬɚɫɬɪɨɮɢ ɧɚ ɞɭɲɚɬɚ ɲɬɨ ɧɟ ɫɟ ɡɚɥɟɱɭɜɚɚɬ. Ɉɫ-
ɬɚɧɭɜɚɚɬ ɰɟɥɢɨɬ ɠɢɜɨɬ. ɇɟɤɨɝɚɲ ɧɟɤɨʁ ɦɢɪɢɫ, ɩɨɬɫɟɬɭɜɚ ɧɚ ɦɢɪɢɫɨɬ ɧɚ
ɦɢɧɚɬɨɬɨ ɲɬɨ ɢ ʁɚɫ ɫɭɦ ɝɨ ɡɚɤɨɩɚɥɚ ɞɥɚɛɨɤɨ ɜɨ ɦɟɧɟ. Ɇɢɫɥɟɜ ɞɟɤɚ ɥɟɠɢ
ɦɢɪɧɨ, ɫɨɫɟɦɚ ɧɟɩɨɞɜɢɠɧɨ, ɚ ɡɚɥɚɠɭɜɚʃɟɬɨ ɟ ɩɨɝɨɥɟɦɨ ɫɨ ɧɟɤɨʁɚ ɩɨɦɢɫɥɚ
ɲɬɨ ɩɨɜɬɨɪɧɨ ɩɨɞɥɚɛɨɤɨ ɦɟ ɡɚɥɚɠɭɜɚ ɞɟɤɚ ɫɥɭɱɭɜɚʃɚɬɚ ɜɨ ɠɢɜɨɬɨɬ ɨɞɚɬ
ɩɨ ɫɜɨʁ ɬɟɤ ɢ ɞɟɤɚ ɧɢɲɬɨ ɧɚ ɨɜɨʁ ɫɜɟɬ ɧɟ ɦɨɠɟ ɞɚ ɫɟ ɫɩɨɪɟɞɢ ɫɨ ɧɚɩɥɢɜɨɬ ɧɚ
ɫɢɥɢɧɚɬɚ ɡɚ ɤɨʁɚ ɫɭɦ ɦɢɫɥɟɥɚ ɞɟɤɚ ɩɨɫɬɨɢ ɜɨ ɦɟɧɟ. Ɂɚ ɞɚ ʁɚ ɩɨɛɟɞɚɦ ɞɭɩɤɚɬɚ
ɢɥɢ ɞɚ ʁɚ ɢɫɩɨɥɧɚɦ ɩɨɜɪɲɢɧɚɬɚ ɫɨ ɧɟɲɬɨ ɧɨɜɨ. Ⱥ ɬɨɚ ɟ ɫɚɦɨ ɧɚɬɪɭɩɭɜɚʃɟ ɧɚ
ɢɥɭɡɢʁɚɬɚ ɞɟɤɚ ɫɟɤɨʁ ɧɨɜ ɞɟɧ ɦɟ ɦɟɧɭɜɚ. ɋɟ ɩɪɚɲɭɜɚɦ ɞɚɥɢ ɩɢɫɚɬɟɥɨɬ ɟ ɤɚɪ-
ɦɚ ɧɚ ɫɢɬɟ ɥɢɤɨɜɢ ɲɬɨ ɫɟ ɧɚɜɪɚʅɚɚɬ ɧɢɡ ɜɟɤɨɜɢɬɟ ɫɨ ɫɨɩɫɬɜɟɧɢɬɟ ɥɭɡɧɢ ɨɞ
ɦɢɧɚɬɨɬɨ? ɋɨ ɪɚɧɢ ɤɨɢ ɧɢɤɨɝɚɲ ɧɟ ɡɚɰɟɥɭɜɚɚɬ. Ɍɟɥɨɬɨ ɢɦɚ ɫɜɨʁ ɨɞɛɪɚɧɛɟɧ
ɦɟɯɚɧɢɡɚɦ, ɧɨ ɞɭɲɚɬɚ ɧɟ! ɂ ɤɨɝɚ ɟɞɟɧ ɞɟɧ ʅɟ ɦɨɪɚ ɞɚ ɫɟ ɪɚɡɞɟɥɢ ɨɞ ɬɟɥɨɬɨ,
ɬɚɚ ɬɚɥɤɚ ɡɚɫɟɤɨɝɚɲ ɧɢɡ ɛɟɫɤɪɚʁɨɬ ɫɨ ɫɢɬɟ ɬɢɟ ɪɚɧɢ ɤɨɢ ɧɟ ɡɚɰɟɥɭɜɚɚɬ. Ƚɢ
ɧɨɫɢ ɤɚɤɨ ɥɭɡɧɢ ɨɞ ɦɢɧɚɬɢɨɬ ɠɢɜɨɬ. ɂ ɚɤɨ ɩɨɜɬɨɪɧɨ ɫɟ ɜɫɟɥɢ ɜɨ ɞɪɭɝɨ ɬɟɥɨ,
ɜɨ ɧɟɤɨʁ ɢɞɟɧ ɠɢɜɨɬ, ɚɤɨ ɬɨɚ ɟ ɬɚɤɚ, ɝɢ ɧɨɫɢ ɢ ɜɨ ɧɟɝɨ. Ɍɨɚ ɟ ɤɚɪɦɚɬɚ ɧɚ
ɩɢɫɚɬɟɥɨɬ! Ⱦɨɞɟɤɚ ʁɚ ɩɢɲɭɜɚ ɫɟɤɨʁɚ ɤɧɢɝɚ, ɫɟ ɪɚɼɚ ɧɨɜ ɫɜɟɬ. ɂ ɠɢɜɟɟ,
ɠɢɜɟɟ, ɫè ɞɨ ɩɢɲɭɜɚʃɟɬɨ ɧɚ ɩɨɫɥɟɞɧɚɬɚ ɫɬɪɚɧɢɰɚ. Ⱦɨ ɤɪɚʁɨɬ. ɉɨɬɨɚ
ɫɜɟɬɨɬ ɭɦɢɪɚ, ɤɚɤɨ ɟɞɧɚ ɬɨɩɤɚ, ɦɚɥɚ ɩɥɚɧɟɬɚ ɧɚ ɩɨɫɟɛɟɧ ɫɜɟɬ, ɚ ɫɟɤɨɟ
ɬɚɤɜɨ ɭɦɢɪɚʃɟ ɟ ɛɚɜɧɨ ɭɦɢɪɚʃɟ ɧɚ ɩɢɫɚɬɟɥɨɬ.


ɒɬɨ ɛɢ ɡɧɚɱɟɥ ɧɟɤɨʁ ɛɟɡɧɚɱɚɟɧ ɦɢɪɢɫ, ɢɥɢ ɪɟɮɪɟɧ ɨɞ ɧɟɤɨʁɚ ɫɬɚɪɚ ɦɟɥɨ-
ɞɢʁɚ, ɤɨɝɚ ɬɨʁ ɫɜɟɬ ɧɟ ɛɢ ɩɨɫɬɨɟɥ. ɋɨɫɟɦɚ ɧɟɜɚɠɧɨ. Ⱥ, ɬɭɤɚ ɟ! ɋɟ ɩɨʁɚɜɭɜɚ
ɨɞɟɞɧɚɲ ɤɚɤɨ ɩɪɟɞɭɩɪɟɞɭɜɚʃɟ ɨɞ ɦɢɫɥɚ ɲɬɨ ɜɪɚʅɚ ɧɚɧɚɡɚɞ. ɋɟɤɨʁ ɱɨɜɟɤ ɢɦɚ
ɫɜɨɟ ɦɢɧɚɬɨ. ɂ ɫɜɨɢ ɬɚʁɧɢ ɤɨɢ ɨɞɜɪɟɦɟ-ɧɚɜɪɟɦɟ ɩɨɬɫɟɬɭɜɚɚɬ ɞɟɤɚ ɬɨɜɚɪɨɬ ɧɚ
ɢɥɭɡɢɢɬɟ ɨɞ ɦɢɧɚɬɨɬɨ ɫɟ ɫɟɧɤɢ ɲɬɨ ɧɟ ɢɫɱɟɡɧɭɜɚɚɬ. Ⱥɤɨ ɝɢ ɨɬɜɨɪɚɦ ɲɢɪɭɦ
ɨɱɢɬɟ, ɦɢɫɥɚɦ ɞɟɤɚ ɫɥɨɛɨɞɧɨ ɦɨɠɚɦ ɞɚ ɧɚɜɥɟɡɚɦ ɜɨ ɦɟɦɨɪɢʁɚɬɚ. ɋɚɦɨ ɤɨɝɚ ɛɢ




НУУБ „Св. Климент Охридски“– Битола


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ɢɦɚɥɚ ɯɪɚɛɪɨɫɬ! ɋɟ ɨɛɢɞɭɜɚɦ ɞɚ ʁɚ ɫɨɛɟɪɚɦ ɧɟɤɚɤɨ, ɤɚɤɨ ɞɟɥɨɜɢ ɨɞ ɡɛɨɪɨɜɢɬɟ
ɫɨ ɤɨɢ ɝɢ ɩɢɲɭɜɚɦ ɪɟɱɟɧɢɰɢɬɟ ɢ ɦɢɫɥɚɦ ɞɟɤɚ ɯɪɚɛɪɨɫɬɚ ɢɥɢ ʅɟ ɦɟ ɫɩɪɟɱɢ,
ɢɥɢ ʅɟ ɦɟ ɨɞɜɟɞɟ ɤɨɧ ɫɨɩɫɬɜɟɧɨɬɨ ɛɢɬɢɫɭɜɚʃɟ. Ɍɨɚ ɟ ɟɞɟɧ ɜɢɞ ɯɢɩɧɨɡɚ. ɏɢɩ-
ɧɨɡɚ ɟ ɢ ɩɨɡɧɚɬɢɨɬ ɦɢɪɢɫ, ɩɟɫɧɚɬɚ ɲɬɨ ɦɟ ɧɚɜɪɚʅɚ ɢɥɢ ɦɟɫɬɚɬɚ ɲɬɨ ɦɢ ɝɢ ɨɬ-
ɜɨɪɚɚɬ ɲɢɪɭɦ ɨɱɢɬɟ ɡɚ ɞɚ ɧɚɜɥɟɡɟ ɯɪɚɛɪɨɫɬɚ, ɩɨɱɧɭɜɚʁʅɢ ɝɨ ɞɧɟɜɧɢɤɨɬ ɡɚ ɟɞɧɨ
ɫɟɤɨʁɞɧɟɜɢɟ. ɏɢɩɧɨɡɚ ɟ ɢɫɩɢɲɚɧɚɬɚ ɫɬɪɚɧɢɰɚ, ɤɨʁɚ ɪɚɫɤɚɠɭɜɚ ɨɞ ɜɧɚɬɪɟɲɧɨɫ-
ɬɚ ɧɚ ɞɭɲɚɬɚ ɧɚ ɩɢɫɚɬɟɥɨɬ, ɬɨɤɦɭ ɫɨ ɬɢɟ ɥɭɡɧɢ. ɂ ɤɨɥɤɭ ɩɨɜɟʅɟ ɥɭɡɧɢ, ɬɨɥɤɭ
ɩɨɝɨɥɟɦ ɫɩɨɦɟɧɢɤ. ɋɩɨɦɟɧɢɤ ɨɞ ɱɢɬɚɬɟɥɢ, ɚɤɨ ɫɟɤɨʁ ɫɢ ʁɚ ɩɪɨɧɚʁɞɟ ɫɨɩɫɬɜɟɧɚ-
ɬɚ ɥɭɡɧɚ. ɋɟ ɩɪɟɩɨɡɧɚɟ ɫɟɛɟɫɢ. Ʉɚɤɨ ɟɞɟɧ ɜɢɞ ɟɤɫɩɟɪɢɦɟɧɬ, ɡɚ ɬɨɚ ɤɨɥɤɭ ɥɭɼɟ
ɝɨ ɱɭɜɫɬɜɭɜɚɚɬ ɢɫɬɨɬɨ, ɢɫɬɪɚɠɭɜɚʃɟ ɲɬɨ ɦɨɠɟɛɢ ʅɟ ɦɟ ɨɞɜɟɞɟ ɞɨ ɰɟɥɬɚ, ɢɥɢ
ɫɚɦɨ ʅɟ ɝɨ ɧɚɜɥɟɱɟ ɛɟɫɨɬ ɧɚ ɦɢɧɚɬɨɬɨ. Ɇɨɠɟɛɢ ɬɨɚ ɛɢ ɛɢɥ ɫɚɦɨɭɛɢɫɬɜɟɧ ɥɟɬ,
ɜɨ ɤɨɝɨ ɫɟ ɞɨɤɚɠɭɜɚ ɫɚɦɨ ɩɪɢɜɥɟɱɧɨɫɬɚ ɧɚ ɢɫɤɪɟɧɨɫɬɚ ɢ ɧɢɲɬɨ ɞɪɭɝɨ. ȼɪɜɨɬ
ɧɚ ɭɦɨɬ ɦɟ ɩɪɢɜɥɟɤɭɜɚ ɞɚ ʁɚ ɢɡɜɥɟɱɟ ɞɥɚɛɨɱɢɧɚɬɚ ɧɚ ɟɦɨɰɢɢɬɟ, ɤɚɞɟ ɪɚɦɧɨ-
ɞɭɲɧɨɫɬɚ ɫɚɦɨ ɛɢ ʁɚ ɩɨɬɬɢɤɧɚɥɚ ɤɪɢɬɢɤɚɬɚ ɡɚ ɧɟɜɚɠɧɨɫɬɚ ɧɚ ɦɢɫɥɚɬɚ. ɇɟɦɚ
ɦɢɫɥɚ ɤɨʁɚ ɟ ɧɚʁɜɚɠɧɚ, ɤɚɤɨ ɲɬɨ ɧɟɦɚ ɫɟʅɚɜɚʃɟ ɤɨɟ ɨɫɭɞɭɜɚ. ɋɟɤɨʁ ɢɡɦɢɧɚɬ
ɞɟɧ ɟ ɞɟɥ ɨɞ ɠɢɜɨɬɨɬ ɡɚ ɤɨʁ ɪɚɡɦɢɫɥɭɜɚɦ ɨɞ ɩɨɫɥɟ. Ɍɨɚ ɟ ɭɱɟʃɟ ɩɪɟɤɭ ɟɦɨɰɢɢ-
ɬɟ. Ⱥ, ɚɤɨ ɧɟ ɛɢ ɫɟ ɫɟʅɚɜɚɥɚ, ɫɨ ɤɚɤɜɢ ɟɦɨɰɢɢ ʅɟ ɪɚɫɩɨɥɚɝɚɦ? Ɍɭɤɚ ɧɟɦɚ ɮɚɤɬɢ
ɢ ɞɨɤɚɡɢ. ɂɦɚ ɫɚɦɨ ɡɛɨɪɨɜɢ, ɢɫɤɪɟɧɨɫɬ ɢɡɜɥɟɱɟɧɚ ɨɞ ɫɟɬɢɥɚɬɚ ɲɬɨ ɩɨɬɫɟɬɭɜɚ-
ɚɬ ɞɟɤɚ ɧɟɲɬɨ ɫɟ ɫɥɭɱɭɜɚɥɨ. ɂ ɞɟɤɚ ʅɟ ɫɟ ɫɥɭɱɭɜɚ. ɒɬɨ ɟ ɨɧɚ, ɫɟ ɩɪɚɲɭɜɚɦ
ɩɨɫɬɨʁɚɧɨ, ɲɬɨ ɦɟ ɜɥɟɱɟ ɤɨɧ ɬɨʁ ɫɜɟɬ? Ɇɨɠɟɛɢ ɧɟɝɨɜɨɬɨ ɩɨɜɬɨɪɧɨ ɪɚɼɚʃɟ, ɫɨ
ɫɟɤɨɟ ɧɨɜɨ ɩɪɟɱɢɬɭɜɚʃɟ ɧɚ ɱɢɬɚɬɟɥɨɬ. ɂɦɚ ɛɟɡɛɪɨʁ ɩɪɟɱɢɬɭɜɚʃɚ, ɚ ɫɚɦɨ ɟɞɧɨ
ɭɦɢɪɚʃɟ. ɂ ɧɟ ɡɧɚɟɲ ɞɚɥɢ ɧɚ ɬɨʁ ɤɪɚʁ ɨɞ ɬɜɨʁɨɬ ɩɚɬ ʅɟ ɫɟ ɪɚɡɨɱɚɪɚɲ, ɢɥɢ ʅɟ ɫɟ
ɢɡɪɚɞɭɜɚɲ. Ɇɨɡɨɤɨɬ ɟ ɤɧɢɝɚ ɧɚ ɫɟʅɚɜɚʃɚ. Ɉɬɜɨɪɢʁɚ ɤɨʁɚ ɫɬɪɚɧɢɰɚ ɫɚɤɚɲ, ɩɚ
ɱɢɬɚʁ. ɇɨ ɞɨɞɟɤɚ ɱɢɬɚɲ, ɬɪɟɛɚ ɞɚ ɛɢɞɟɲ ɯɪɚɛɚɪ. Ⱦɚ ɫɟ ɧɨɫɢɲ ɫɨ ɨɧɚ ɲɬɨ ɫɚ-
ɦɢɨɬ ɫɢ ɝɨ ɧɚɩɢɲɚɥ.


ɂɦɚ ɝɪɟɲɤɢ ɜɨ ɠɢɜɨɬɨɬ ɤɨɢ ɱɨɜɟɤ ɦɨɠɟ ɞɚ ɫɢ ɝɢ ɩɪɨɫɬɢ ɢ ɨɧɢɟ ɤɨɢ ɧɟ
ɦɨɠɟ. Ⱥ ɢɦɚ ɢ ɦɨɦɟɧɬɢ ɜɨ ɠɢɜɨɬɨɬ, ɤɨɢ ɫɟ ɧɚɜɪɚʅɚɚɬ ɧɚ ɝɪɟɲɤɢɬɟ ɢ ɬɨɝɚɲ
ɩɪɨɫɬɭɜɚʃɟɬɨ ɟ ɤɚɤɨ ɜɭɥɤɚɧ ɤɨʁ ɟ ɩɨɞɥɨ ɚɤɬɢɜɟɧ. ɇɢɤɨɝɚɲ ɧɟ ɡɧɚɟɲ ɤɨɝɚ ʅɟ ɫɟ
ɚɤɬɢɜɢɪɚ, ɡɚ ɞɚ ɬɟ ɢɫɩɟɱɟ ɢ ɞɚ ɬɢ ʁɚ ɩɨɜɪɟɞɢ ɞɭɲɚɬɚ. ȷɟ ɬɟ ɩɨɬɫɟɬɭɜɚ ɧɚ ɝɪɟɲ-
ɤɢɬɟ ɲɬɨ ɧɟ ɬɟ ɢɡɝɨɪɟɥɟ ɫɚɦɨ ɬɨɝɚɲ, ɩɚ ɫɟ ɡɚɛɨɪɚɜɢɥɨ. Ɍɟ ɩɟɱɚɬ ɢ ɝɨɪɚɬ ɫɟɤɨʁ
ɞɟɧ ɢ ɫɟɤɨʁɚ ɧɨʅ. Ʉɨɝɚ ɦɨɡɨɤɨɬ ɫɚɤɚ ɞɚ ɫɟ ɨɩɭɲɬɢ, ɬɚɚ ɥɚɜɚ ɧɟ ɬɢ ɞɚɜɚ ɞɚ ɾɢɪ-
ɧɟɲ ɜɨ ɫɩɨɤɨʁɨɬ ɢ ɬɨɝɚɲ, ɫɨ ɩɪɨɤɥɟɬɫɬɜɨɬɨ ɧɚ ɜɭɥɤɚɧɨɬ, ɡɧɚɟɲ ɞɟɤɚ ɫɟ ɚɤɬɢ-
ɜɢɪɚɥ ɡɚ ɞɚ ɬɟ ɩɨɬɫɟɬɢ ɞɟɤɚ ɩɟɩɟɥɬɚ ɩɨɜɬɨɪɧɨ ɡɧɚɟ ɞɚ ɫɟ ɪɚɡɝɨɪɢ ɜɨ ɧɟɨɱɟɤɭ-
ɜɚɧ ɦɨɦɟɧɬ. ɋɟ ɜɟɥɢ ɞɟɤɚ ɢɦɚ ɬɚʁɧɨ ɠɚɪɱɟ ɤɨɟ ɡɚ ɢɧɚɟɬ ɧɚʁɦɧɨɝɭ ɩɟɱɟ ɤɨɝɚ ʅɟ
ɩɨɫɚɤɚɲ ɦɚɥɤɭ ɦɢɪ. Ɂɚ ɩɟɬɧɚɟɫɟɬ ɦɢɧɭɬɢ, ʅɟ ɛɢɞɟ ɩɨɥɧɨʅ. ɇɨɜ ɞɟɧ. ɋɟ ɧɚɞɟ-
ɜɚɦ ɧɚ ɧɨɜɢɨɬ ɞɟɧ, ɫè ɬɚɤɚ ɨɞɧɨɜɨ ɢ ɨɞɧɨɜɨ ɢ ɩɨɫɥɟ ɫɟ ɱɭɞɚɦ ɤɚɤɨ ɩɨɦɢɧɚɥɚ
ɧɟɞɟɥɚɬɚ, ɞɟɧɨɬ, ɝɨɞɢɧɚɬɚ. ɋɚɤɚɦ ɞɚ ʁɚ ɩɪɟɦɨɥɱɚɦ ɛɨɥɤɚɬɚ, ɧɨ ɬɚɚ ɩɨɫɬɨɢ. Ɉɞ-
ɛɢɜɚɦ ɞɚ ɫɟ ɩɥɚɲɚɦ ɜɟʅɟ. ɋɤɨɤɚɦ ɧɚ ɫɟɤɨʁ ɡɜɭɤ, ɧɚ ɢɡɝɨɜɨɪɨɬ ɧɚ ɦɨɟɬɨ ɢɦɟ,
ɚɤɨ ɬɨɧɨɬ ɟ ɩɨɧɚɤɨɜ ɨɞ ɜɨɨɛɢɱɚɟɧɢɨɬ, ɾɜɨɧɟʃɟɬɨ ɧɚ ɬɟɥɟɮɨɧɨɬ, ɫè ɦɟ ɩɥɚɲɢ.
ɋɟ ɩɥɚɲɚɦ ɞɚ ɡɚɫɩɢʁɚɦ ɡɚ ɞɚ ɧɟ ɫɨɧɭɜɚɦ ɥɨɲ ɫɨɧ ɤɚɤɨ ɩɪɟɬɫɤɚɡɚɧɢɟ, ɢɥɢ ɞɚ ɧɟ
ɡɚɛɨɪɚɜɚɦ ɞɚ ɞɢɲɚɦ ɞɨɞɟɤɚ ɫɨɧɭɜɚɦ, ɚɤɨ ɬɚɦɭ ɦɢ ɟ ɩɨɭɛɚɜɨ. Ɉɞɛɢɜɚɦ ɞɚ ɫɟ
ɩɥɚɲɚɦ ɜɟʅɟ, ɚ ɫɚɤɚɦ ɞɚ ɭɠɢɜɚɦ ɜɨ ɭɛɚɜɢɧɚɬɚ ɧɚ ɞɟɧɨɬ, ɞɚ ɫɟ ɪɚɞɭɜɚɦ ɧɚ ɦɨ-
ɦɟɧɬɨɬ. Ɇɨɠɟɛɢ ɬɨɤɦɭ ɫɬɪɚɜɨɬ ɦɟ ɜɨɜɥɟɤɭɜɚ ɞɚ ɩɢɲɭɜɚɦ? Ɉɧɚ ɲɬɨ ɧɟɤɨɝɚɲ
ɛɟɲɟ ɫɟɤɨʁɞɧɟɜɟɧ ɨɛɢɱɟɧ ɦɨɦɟɧɬ, ɧɟɤɨɝɚɲ ɡɧɚɟ ɞɚ ɛɢɞɟ ɦɢɧɚɬɨ ɧɚ ɤɨɟ ɧɨɫ-




Деветта роднокрајна средба…


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ɬɚɥɝɢɱɧɨ ɫɟ ɫɟʅɚɜɚɦ, ɤɚɤɨ ɫɪɟʅɚ ɫɨ ɥɭɼɟ ɨɞ ɤɨɢ, ɡɚ ɠɚɥ, ɧɟɤɨɢ ɨɞ ɧɢɜ ɩɨɜɟʅɟ
ɝɢ ɧɟɦɚ. Ⱦɨɞɟɤɚ ɛɟɜ ɞɟɬɟ, ɧɟ ɠɢɜɟɟɜ ɫɨ ɫɬɪɚɜɨɜɢ. ɉɨɞɨɰɧɚ ɬɢɟ ɫɟ ɡɝɨɥɟɦɭɜɚɚ,
ɩɨɫɬɨʁɚɧɨ ɢ ɜɨ ɤɨɧɬɢɧɭɢɬɟɬ. Ɇɢɫɥɚɦ ɞɟɤɚ ɬɢɟ ɦɟ ɫɬɚɪɟɚɬ. Ʉɨɝɚ ɱɨɜɟɤ ɧɟ ɛɢ ɫɟ
ɩɥɚɲɟɥ, ɧɟ ɛɢ ɫɬɚɪɟɟɥ. ɇɟɜɢɧɨɫɬɚ ɧɚ ɨɩɤɪɭɠɭɜɚʃɟɬɨ, ɨɧɚ ɨɞ ɞɟɬɫɬɜɨɬɨ, ɫɟ ɦɟ-
ɧɭɜɚ ɫɨ ɫɪɟɞɛɢɬɟ ɫɨ ɧɨɜɢ ɥɭɼɟ ɢ ɝɨ ɩɪɟɬɜɨɪɚ ɜɨ ɧɢɜ ɧɢɜɧɢɨɬ ɦɨɞɟɥ ɧɚ ɨɩɤɪɭ-
ɠɭɜɚʃɟ. Ɂɚ ɞɚ ɡɝɪɚɩɱɭɜɚ ɫɨ ɫɢɬɟ ɞɨɛɥɟɫɬɢ ɢ ɦɚɧɢ, ɜɨ ɤɨɢ ɚɜɬɨɪɨɬ ɫɟ ɨɩɤɪɭɠɭ-
ɜɚ ɢ ɫ¡ ɡɚɫɬɚɧɭɜɚ. Ȼɟɡ ɞɚ ɡɧɚɦ, ɫɟ ɩɪɟɬɜɨɪɚɦ ɜɨ ɧɢɜ. Ɉɞ ɤɨɝɚ ɞɨɡɧɚɜ, ɜɟʅɟ ɛɟɲɟ
ɞɨɰɧɚ. Ɋɚɤɚɬɚ ɫɚɦɚɬɚ ɫɟ ɩɨɞɞɚɜɚ ɤɨɧ ɥɢɫɬɨɬ ɯɚɪɬɢʁɚ. ɒɬɨ ɡɚ ɛɪɡɨ ɜɪɟɦɟ ɝɨ ɨɛ-
ɥɢɤɭɜɚ ɫɜɟɬɨɬ ɧɚ ɧɨɜɚɬɚ ɪɟɚɥɧɨɫɬ, ɤɨʁɚ ɠɢɜɟɟ ɜɨ ɫɨɧɢɲɬɚɬɚ, ɚ ɬɢɟ ɫɨɧɢɲɬɚ ɨɞ-
ɥɟɬɭɜɚɚɬ ɫɨ ɧɨɜɚɬɚ ɤɚɪɦɚ ɤɨʁɚ ɩɢɫɚɬɟɥɨɬ ʁɚ ɜɧɟɫɭɜɚ ɫɨ ɫɟɤɨɟ ɧɨɜɨ ɪɚɼɚʃɟ ɢ
ɭɦɢɪɚʃɟ.


ɂ ɩɨɫɥɟ ɬɨɚ ɫɟ ɩɪɚɲɭɜɚɦ, ɲɬɨ ɫɭɦ ɧɚɩɪɚɜɢɥɚ? Ɂɨɲɬɨ ɫɟɤɨʁɚ ɢɫɩɢɲɚɧɚ
ɫɬɪɚɧɢɰɚ ɦɢ ʁɚ ɨɞɡɟɥɚ ɟɧɟɪɝɢʁɚɬɚ, ɚ ɱɢɬɚɬɟɥɨɬ ɟ ɨɧɨʁ ɤɨʁ ʅɟ ɫɭɞɢ ɡɚ ɧɢɜ. Ⱦɚɥɢ
ɡɚ ɧɢɜ ɩɢɲɭɜɚɦ, ɢɥɢ ɡɚ ɫɟɛɟ? ɋɦɢɫɥɚɬɚ ɧɚ ɩɨɫɬɨɟʃɟɬɨ ɧɚ ɥɢɫɬɨɜɢɬɟ, ɢɫɩɢɲɚ-
ɧɢ ɜɨ ɟɞɧɚ ɟɭɮɨɪɢɱɧɨɫɬ ɢ ɞɚɥɢ ɝɨ ɡɚɫɥɭɠɭɜɚɦ ɫɜɨɟɬɨ ɩɨɫɬɨɟʃɟ ɜɨ ɬɚɚ ɛɨɪɛɚ
ɫɨ ɱɢɬɚɬɟɥɨɬ. Ⱦɚ ɦɟ ɨɫɭɞɭɜɚ, ɢɥɢ ɞɚ ɦɟ ɨɬɮɪɥɢ ɡɚɟɞɧɨ ɫɨ ɥɢɫɬɨɜɢɬɟ ɯɚɪɬɢʁɚ,
ɩɚ ɡɚɩɚɼɚɦ ɜɨ ɛɟɫɦɢɫɥɟɧɨɫɬɚ ɧɚ ɩɨɫɬɨɟʃɟɬɨ ɧɚ ɫɜɟɬɨɜɢɬɟ ɲɬɨ ɝɢ ɫɨɡɞɚɜɚɦ,
ɤɨɢ ɱɟɫɬɨ ɫɚɤɚɦ ɞɚ ɝɢ ɨɬɮɪɥɚɦ ɜɨ ɩɥɚɦɟɧɨɬ ɧɚ ɧɟɩɨɫɬɨɟʃɟɬɨ. Ɂɚɩɚɼɚɦ ɢ ɜɨ
ɫɨɩɫɬɜɟɧɚɬɚ ɛɟɫɦɢɫɥɟɧɨɫɬ. Ⱦɚ ɫɬɚɜɚɦ ɤɪɚʁ ɧɚ ɫè! ɂ ɞɚ ɫɟ ɨɬɤɚɠɚɦ ɨɞ ɫɢɬɟ ɦɢɫ-
ɥɢ ɤɨɢ ɦɟ ɞɟɦɧɚɬ, ɚ ɩɟɪɧɢɰɚɬɚ ɨɜɚɚ ɧɨʅ ɞɚ ɦɢ ɛɢɞɟ ɦɟɤɚ ɢ ɬɨɩɥɚ. Ɂɚ ɫɦɢɪɭɜɚ-
ʃɟɬɨ ɧɚ ɭɦɟɬɧɢɱɤɚɬɚ ɟɭɮɨɪɢʁɚ, ɨɞ ɤɨʁɚ ɱɟɫɬɨ ɫɚɤɚɦ ɞɚ ɫɟ ɨɬɤɚɠɚɦ – ɧɨ ɧɟ ɫɟ
ɨɫɭɞɭɜɚɦ. ɉɨɪɚɞɢ ɤɚɪɦɚɬɚ ɲɬɨ ʁɚ ɧɨɫɚɦ, ɩɨɪɚɞɢ ɩɪɨɤɥɟɬɫɬɜɨɬɨ ɧɚ ɫɢɬɟ ɢɥɭ-
ɡɢɢ ɫɨɛɪɚɧɢ ɜɨ ɦɟɧɟ, ɨɞ ɜɪɟɦɟɬɨ ɤɚɤɨ ɞɢɦɟɧɡɢʁɚ ɲɬɨ ɧɟ ɩɨɫɬɨɢ, ɡɚɬɨɚ ɲɬɨ
ɫɚɦɨ ɤɚʁ ɩɢɫɚɬɟɥɨɬ ɜɪɟɦɟɬɨ ɟ ɞɢɦɟɧɡɢʁɚ ɤɨʁɚ ɢɫɱɟɡɧɭɜɚ. ɂ ɬɨɝɚɲ ɤɨɝɚ ɧɟɝɨɜɢ-
ɬɟ ɤɧɢɝɢ ɩɨɠɨɥɬɭɜɚɚɬ ɨɞ ɱɢɬɚɬɟɥɨɬ, ɢɥɢ ɩɨɠɨɥɬɭɜɚɚɬ ɨɞ ɪɟɚɥɧɨɬɨ ɜɪɟɦɟ ɧɚ
ɡɚɛɨɪɚɜɨɬ. Ɉɞ ɬɨɚ ɫɟ ɩɥɚɲɚɦ. Ɉɞ ɩɨɫɥɟɞɧɨɬɨ. ɉɨɫɥɟɞɧɚɬɚ ɧɚɪɚɰɢʁɚ ɲɬɨ ʅɟ ɛɢ-
ɞɟ ɨɬɮɪɥɟɧɚ ɤɚɤɨ ɫɭɪɨɜɚ ɜɢɫɬɢɧɚ ɧɚ ɧɟɭɦɟɬɧɢɱɤɨɬɨ ɩɨɫɬɨɟʃɟ, ɦɢ ɜɬɟɪɭɜɚ
ɫɬɪɚɜ ɜɨ ɤɨɫɤɢɬɟ, ɱɢɬɚɬɟɥɫɤɚɬɚ ɨɫɭɞɚ ɤɨʁɚ ɫɭɪɨɜɨ ʅɟ ɝɨ ɨɬɮɪɥɢ ɫɜɟɬɨɬ ɤɨʁ ɫɭɦ
ɝɨ ɫɨɡɞɚɥɚ. ɋɜɟɬɨɬ ɧɚ ɩɢɫɚɬɟɥɨɬ ɟ ɢɥɭɡɢʁɚ ɡɚɪɨɛɟɧɚ ɜɨ ɧɟɝɨɜɨɬɨ ɩɨɫɬɨɟʃɟ.
ɇɟɦɚ ɨɫɭɞɚ ɧɚ ɩɪɢʁɚɬɟɥɫɬɜɨɬɨ, ɧɢɬɭ ɡɥɨɛɚ ɤɨɧ ɛɥɢɠɧɢɨɬ ɲɬɨ ɝɢ ɞɟɥɢ ɦɢɫɥɢɬɟ
ɢɫɬɨ ɤɚɤɨ ɨɜɨʁ ɚɜɬɨɪ ɲɬɨ ɫɟɝɚ ɝɨ ɩɢɲɭɜɚ ɨɜɚ, ɤɚɤɨ ɲɬɨ ɧɟɦɚ ɢɞɟɧɬɢɱɧɚ ɦɢɫɥɚ
ɜɨ ɧɢɟɞɟɧ ɨɞ ɧɚɫ. ɋɟɤɨʁ ɝɨ ɝɥɟɞɚ ɧɚ ɫɜɨʁ ɧɚɱɢɧ ɫɜɟɬɨɬ ɲɬɨ ɝɨ ɫɨɡɞɚɜɚ ɨɤɨɥɭ ɫɟ-
ɛɟ ɢ ɫɟɤɨʁ ɧɚ ɫɜɨʁ ɧɚɱɢɧ ɝɨ ɩɪɟɪɚɫɤɚɠɭɜɚ ɨɞ ɩɨɱɟɬɨɤ ɫɨ ɲɟɩɨɬ, ɚ ɤɨʁ ɩɨɫɥɟ
ɡɧɚɟ ɞɚ ɫɟ ɩɪɟɫɬɨɪɢ ɜɨ ɜɪɟɫɨɤ – ɟɞɧɨɫɬɚɜɧɨ ɢɡɥɟɜɚʃɟ ɧɚ ɞɨɩɚɼɚʃɟɬɨ ɧɚ ɱɢɬɚ-
ɬɟɥɨɬ.


ɂ, ɞɚ! Ɍɚɚ ɢɥɭɡɢʁɚ, ɦɨɟɬɨ ɟɞɧɨɫɬɚɜɧɨ ɩɨɫɬɨɟʃɟ ɦɟ ɬɟɪɚ ɞɚ ɛɚɪɚɦ ɩɪɨɲɤɚ!
ɉɪɨɫɬɟɬɟ ɦɢ ɦɨɢ ɦɢɥɢ, ɦɨɢ ɡɧɚʁɧɢ ɢ ɧɟɡɧɚʁɧɢ ɱɢɬɚɬɟɥɢ, ɩɪɨɫɬɟɬɟ ɦɢ


ɫɢɬɟ ȼɢɟ ɤɨɢ ɦɟ ɨɫɭɞɭɜɚɬɟ, ɤɪɢɬɢɤɭɜɚɬɟ, ʂɭɛɢɬɟ, ɩɪɨɫɬɟɬɟ ɦɢ ɚɤɨ ɫɟ ɩɪɨ-
ɧɚɨɼɚɬɟ, ɧɚʁɦɢɥɢ ɦɨɢ, ȼɢɟ ɤɨɢ ʁɚ ɜɨɡɨɛɧɨɜɭɜɚɬɟ ɦɨʁɚɬɚ ɦɢɫɥɚ ɢ ɫɢɬɟ ɦɨɢ
ɠɢɜɨɬɢ ɤɨɢ ɫɭɦ ɝɢ ɞɚɥɚ, ɢɥɢ ɢɡɝɭɛɢɥɚ ɜɨ ɫɨɩɫɬɜɟɧɢɨɬ ɫɜɟɬ ɧɚ (ɧɟ)ɩɨɫɬɨɟʃɟ-
ɬɨ, ɩɪɨɫɬɟɬɟ ɦɢ ɡɚ ɧɚɜɪɟɞɢɬɟ ɚɤɨ ɫɬɟ ɫɟ ɩɪɨɧɚɲɥɟ ɬɚɦɭ ɜɨ ɧɟɤɨʁ ɡɚɪɨɛɟɧ
ɫɜɟɬ ɧɚ ɫɨɡɞɚɜɚʃɟɬɨ ɧɚ ɨɜɨʁ ɢɡɝɭɛɟɧ ɩɢɫɚɬɟɥ ɤɨʁ ɬɚɥɤɚ, ɫɚɦɨ ɡɚ ɞɚ ɫɟ ɩɪɨɧɚʁ-
ɞɟ ɫɟɛɟɫɢ! Ⱥɤɨ ʁɚɫ ɫɭɦ ɨɫɭɞɭɜɚɥɚ, ɦɟɫɬɨ ȼɢɟ ɞɚ ɦɟ ɨɫɭɞɭɜɚɬɟ ɦɟɧɟ, ɫɢɬɟ ɫɦɟ
ɝɪɟɲɧɢ, ɚ ɝɪɟɲɤɢɬɟ ɝɢ ɢɡɞɜɨʁɭɜɚɦ ɫɚɦɨ ʁɚɫ, ɫɨ ɤɚɤɜɚ ɥɢ ɯɪɚɛɪɨɫɬ? ɉɪɨɫɬɟɬɟ




НУУБ „Св. Климент Охридски“– Битола


60


ɦɢ ɢ ȼɢɟ, ɦɨɢ ɧɚʁɦɢɥɢ ɥɢɤɨɜɢ, ɲɬɨ ɤɨɝɚ ɜɟ ɫɨɡɞɚɜɚɜ ɬɨɚ ɝɨ ɩɪɚɜɟɜ ɫɨ ɞɪɫɤɚ
ɧɚɡɨɱɧɨɫɬ ɢ ɫɟɛɢɱɧɨɫɬ ɡɚ ɞɚ ɝɢ ɨɫɥɨɛɨɞɚɦ ɫɜɨɢɬɟ ɦɢɫɥɢ ɨɞ ȼɚɫ, ɫɨ ɧɚɞɟɠ
ɞɟɤɚ ʅɟ ɩɨɫɬɨɢɬɟ ɞɨɜɨɥɧɨ ɞɨɥɝɨ ɡɚ ɞɚ ɫɟ ɫɟʅɚɜɚɬɟ ȼɢɟ ɧɚ ɦɟɧɟ, ɚ ɧɟ ʁɚɫ ɧɚ
ɜɚɫ. Ɂɚ ɨɛɥɢɤɨɬ ɧɚ ɜɚɲɟɬɨ ɩɨɫɨɬɟʃɟ ɜɨ ɦɨʁɚɬɚ ɝɥɚɜɚ ɢ ɨɛɥɢɤɨɬ ɧɚ ɩɨɫɬɨɟ-
ʃɟɬɨ ɲɬɨ ʁɚɫ ɝɨ ɫɨɡɞɚɞɨɜ ɡɚ ɞɚ ȼɟ ɩɪɟɬɫɬɚɜɚɦ ɨɧɚɤɚ ɤɚɤɨ ɲɬɨ ɧɚʁɞɨɛɪɨ
ɭɦɟɟɜ. ɉɪɨɫɬɟɬɟ ɦɢ ɲɬɨ ȼɟ ɡɚɪɨɛɢɜ ɜɨ ɫɨɩɫɬɜɟɧɢɨɬ ɫɜɟɬ ɢ ɜɟ ɢɡɥɨɠɢɜ ɧɚ
ɩɨɝɥɟɞɢɬɟ ɧɚ ɫɢɬɟ ɲɬɨ ʅɟ ɩɨɫɚɤɚɚɬ ɞɚ ɝɨ ɨɬɜɨɪɚɬ ȼɚɲɢɨɬ ɫɜɟɬ. ɉɪɨɫɬɟɬɟ
ɦɢ, ɡɚɬɨɚ ɲɬɨ ɩɢɫɚɬɟɥɨɬ ɟ ɫɚɦɨ ɟɞɟɧ ɨɛɢɱɟɧ ɫɜɟɬ ɤɨʁ ɠɢɜɟɟ ɜɨ ɬɟɥɨɬɨ ɧɚ
ɪɚɫɤɚɠɭɜɚɱɨɬ, ɤɨʁ ɝɨ ɧɨɫɢ ɤɚɤɨ ɩɪɨɤɥɟɬɚ ɞɚɪɛɚ, ɫɚɦɨ ɡɚ ɩɨɜɬɨɪɧɨ ɧɟɤɨɝɚɲ
ɞɚ ɬɚɥɤɚ ɧɢɡ ɛɟɫɤɪɚʁɨɬ ɢ ɩɪɨɧɚɨɼɚ ɧɨɜ ɪɚɫɤɚɠɭɜɚɱ, ɢɡɝɭɛɟɧ ɬɚɦɭ ɧɟɤɚɞɟ, ɞɚ-
ɥɟɤɭ, ɞɚɥɟɤɭ... ɂ ʁɚɫ ʅɟ ɩɪɨɫɬɚɦ ɧɟɤɨɝɚɲ, ɤɨɝɚ ʅɟ ɞɨʁɞɟ ɜɪɟɦɟ ɡɚ ɬɨɚ, ɦɢɫɥɚɦ
ɞɟɤɚ ʅɟ ɫɢ ɩɪɨɫɬɚɦ ɫɟɛɟɫɢ!


Ɂɚɬɨɚ, ɡɚɫɟɤɨɝɚɲ ɡɚɦɢɧɭɜɚɦ ɨɞ ɨɜɚɚ ɡɟɦʁɚ! Ʉɚɞɟ ɪɟɚɥɧɨɫɬɚ ɦɟ ɪɚɫɤɢɧɭɜɚ
ɧɚ ɢɥʁɚɞɧɢɰɢ ɩɚɪɱɢʃɚ ɢ ɧɟ ɦɢ ɞɚɜɚ ɞɚ ɩɨɫɬɨʁɚɦ ɫɨ ɫɢɬɟ ɢɡɞɢɲɤɢ ɢ ɜɨɡɞɢɲɤɢ,
ɩɚ ɧɟɤɚ ɫɟ ɪɚɡɥɟɚɦ ɜɨ ɢɥɭɡɢʁɚɬɚ ɧɚ ɧɟɞɨɮɚɬɧɢɬɟ ɠɟɥɛɢ, ɜɨ ɡɟɦʁɚɬɚ ɧɚ ɱɭɞɚɬɚ,
ɤɚɞɟ ɠɢɜɟɚɦ ɨɧɚɤɚ ɤɚɤɨ ɲɬɨ ʁɚɫ ɫɚɤɚɦ – ɦɚɤɚɪ ɧɟɤɚ ɛɢɞɟ ɬɨɚ ɦɨɟ ɩɪɨɤɥɟɬɫɬɜɨ.
ɇɟ ɦɢ ɟ ɝɚʁɥɟ! ɋɟ ɧɚɞɟɜɚɦ ɞɟɤɚ ɟɞɟɧ ɞɟɧ ʅɟ ɫɢ ɝɢ ɩɪɨɫɬɚɦ ɢɥʁɚɞɧɢɰɢɬɟ ɧɚɩɢ-
ɲɚɧɢ ɫɬɪɚɧɢɰɢ, ɤɨɝɚ ɫɨ ɨɥɟɫɧɭɜɚʃɟ ʅɟ ɩɨɦɢɫɥɚɦ ɞɟɤɚ ɦɨʁɚɬɚ ɦɢɫɢʁɚ ɭɫɩɟɲɧɨ
ɡɚɜɪɲɭɜɚ. Ʉɨɝɚ ɫɢɬɟ ɦɨɢ ɫɨɡɞɚɞɟɧɢ ɫɜɟɬɨɜɢ ʅɟ б ɩɪɨɫɬɚɬ ɧɚ ɦɨʁɚɬɚ ɞɪɫɤɚ ɮɚɧ-
ɬɚɡɢʁɚ, ɡɚ ɤɨʁɚ ɧɟ ɡɧɚɦ, ɧɚɜɢɫɬɢɧɚ ɧɟ ɡɧɚɦ ɨɞ ɤɚɞɟ ɞɨɚɼɚ.


Ɂɧɚɦ, ɡɧɚɦ ɞɟɤɚ ɬɨɝɚɲ ʅɟ ɦɢ ɩɪɨɫɬɢ ɢ Ɉɧɨʁ ɲɬɨ ɝɨ ɫɨɡɞɚɥ ɫɜɟɬɨɬ ɧɚ
ɦɨɟɬɨ ɩɨɫɬɨɟʃɟ!




Деветта роднокрајна средба…


61





Sanya Muchkayeva Vidanovska



IF I DON’T WRITE I DON’T EXIST

I refuse to be afraid any more. I jump on every sound when my name is


spoken, if the tone is different than the usual one, the ringing of the telephone,
everything frightens. I am afraid to go asleep and to dream of a bad dream as a
prediction, or not to forget to breathe while dreaming, if I feel better there. I refuse
to be afraid any more, and I want to enjoy the beauty of the day, to feel joy in every
moment. Maybe, it is the freight that makes me write?


Then I ask myself, what have I done? Why every written page had taken my
energy away. The reader is the one who judges on them. Do I write for them, or for
myself? What’s the reason of the existence of the pages which were written in
euphoria and do I deserve my own existence in this battle with the reader. To
criticize me, or abandon myself together with the thrown pages, so I fall down in
the delusion of the worlds I create. I fall down in my own delusion to put an end to
all! I’ll give up of all the thoughts that keep an eye on me, and this night I wish my
pillow were soft un warm.




НУУБ „Св. Климент Охридски“– Битола


62




Доц. д-р Христо Петрески





ЗАБЛУДА Е ДЕКА ВО ТВОРЕШТВОТО ИМА ЗАБЛУДИ















1.
[to e toa zabluda i zo{to zabluda? Zarem ne e sè zabluda {to }e


gi izneveri pregolemite, naivni i nerealni o~ekuvawa? Toa mo`e da se
nare~e i zaludna ambicioznost, no pisatelskiot poriv, talent, darba,
pa i imaginacija – ne bi trebalo da se svede i identifikuva so zabluda.


Inaku, zabluda e termin i kategorija duri i vo pravoto, {to }e
re~e deka sekoj ima pravo na zabluda, pa taa pomalku boli koga e sop-
stvena i samo li~na.


Zabludite se pogre{ni pretstavi za nekoi pojavi, procesi, sostoj-
bi, fakti... Vsu{nost, toa se pogre{ni (u)veruvawa deka nekoi ne{ta
postojat, ili deka }e postojat (kako {to gra|anite naredeni postojat i
zavedeni postojuvaat pred {alterite), {to zna~i deka vo stvarnosta e
sosema poinaku. Ili, kako {to veli eden prekrasen grafit: vo stvar-
nosta e realnosta sosema poinakva!


Zabludi ima bezbroj: za ~ovekot i (s)li~nosta, za predmetot i do-
govorot, za zaklu~ocite i razgovorot, za temata i motivot (motivacija-
ta), za namerata i polzata, za kauzata i zloupotrebata...


Zatoa ima i nedorazbirawa, razo~aruvawa, izneveruvawa, pa i po-
kajuvawa.




Деветта роднокрајна средба…


63


No, pomalku boli koga lu|eto samite se doveduvaat vo zabluda, ot-
kolku koga }e doznaat deka nekoj drug sistematski i mudro gi vodel i
vovel vo bezdna!


Inaku, Branislav Nu{i} za vistinata ima re~eno deka ~esto e po-
nepostojana od zabludata.


Gete napi{al deka mnogu e polesno da se razbere zabludata, ot-
kolku da se otkrie vistinata. Zabludata le`i na povr{inata i so nea
lesno }e izlezeme na kraj. Vistinita po~iva vo dlabo~inata. Potragata
po nea ne e rabota za sekogo.


Johan Henrih Pestaloci veli: zabludata i nepravdata na kralevi-
te se pogrebuvaat zaedno so niv, no nepravdata na zakonodavcite trae
od generacija vo generacija.


Mak [eler, pak, zaklu~uva deka se boleduva nasekade i postojano
od ista zabluda, deka duhot i idejata poseduvaat izvorna mo}.


Tin Ujevi}, pak, vo „^asot na docnite spoznavawa“ podvlekuva de-
ka treba da se ~ekaat deset i dvaeset i mnogu pove}e godini za da mo`e
da se ka`e: bevme vo zabluda! Nas nè izmamija. Taa dale~na mudrost }e
stigne eden den da nè kazni pred smrtta za cel eden `ivot so zabludi i
propusti.


Visarion Belinski konstatira: Najgor~livata vistina e podobra
od najslatkata zabluda.


Zna~i, fantazijata, pretpostavkite, legendite i predanijata – po-
slatki se i poprivle~ni i od faktite i dokazite.


No, {to da re~e ~ovekot (slu~ajno pronajden na internet) koj se
vika Oleg Zabluda? Toj ima ime i prezime Zabluda, a mo`ebi postoi i
nekoj-a koj-a se vika Zabluda Zabluda, odnosno Zablud Zabludo(v)ski
ili Zabluda Zabludo(v)ska, no vo tvore{tvoto najgolema zabluda e deka
ima zabludi!



2.
Zabludi ima bezbroj: za hranata, zabludi za/na nau~nicite, zablu-


di za/na vojnicite, zabludi za/na sportistite, zabludi za/na umetnicite,
pa i za/na pisatelite...


Piramidata na zabludite e re~isi beskone~na (od detstvoto do
smrtta).


Vo zborot zabluda sodr`ani se i zborovite blud, buda, luda, lud,
ud, za, da, ab, blu, lu i drugi. Kako retko koj drug zbor - vo zborot zablu-
da se vgnezdeni i spoeni zborovi so mnogu razli~ni konotacii i zna~e-
wa, isto kako {to se prisutni i neodminlivi i site `ivotni i rabotni
nade`i, planovi i proekcii, od edna strana, i traumi, krizi i razo~a-
ruvawa, od druga strana. Voznesi, imaginacii, fantazii, zaleti, soni{-
ta, no i padovi, prizemjuvawa, soo~uvawa, rekapitulari, realnosti (re-
aliteti)...




НУУБ „Св. Климент Охридски“– Битола


64


No, tvore~kiot i kreativen ~in ne e nikoga{ (v)zaluden, pa ako
sakate i zabluden.


Ako gi nema zabludite, t.e. tie popusti nadevawa i ~ekorewa, }e
gi nema ni obidite i odot.


Zatoa, sekoj tvorec, pa i pisatel, ispraven i raspnat me|u mo`nos-
tite i namerite, odnosno ve~no postaven i prikle{ten pome|u me~tite
i potencijalite, ostanuva samiot da ja povle~e prvata brazda, pa i sekoj
den odnovo i odnovo da ja ora svojata (ne)plodna niva, postojano uveru-
vaj}i se i konstatiraj}i deka nitu sekoga{ }e bide prv i edinstven, ni-
tu deka nekoga{ }e gi izora site brazdi, za{to svetot e beskone~no po-
le – vo koe doprva }e kopaat, brazdat, oraat i prekopuvaat (arheolozi,
istra`uva~i...) od novite i sledni generacii...


Tvorecot na svojata rabotna masa, ili na lenenoto i filmsko
platno, na podiumot i scenata, gi otkriva i razgrnuva svoite kopne`i,
me~ti i tajni, no i esencijata, apstraktot i supstraktot na `ivotot...


Pisatelot e misioner i vizioner, ~ija{to pot nikoga{ ne pa|a
(v)zaludno, kako {to mnogu odamna imam zabele`ano vo edna svoja pes-
na, tuku od sekoja solena kapka pot nazemi, }e izrti, prkne i }e se izvi-
{i barem edna fidanka, koja }e (v)rodi najmalku barem eden plod...




Деветта роднокрајна средба…


65





Doc. d-r Hristo Petreski



IT IS DELUSION THAT THERE IS DELUSION IN THE LITERARY
CREATION



It hurts less when we deceive ourselves then when someone else


systematically and wisely deceives us and leads us into an abyss! We could name it
a vain ambition, but the writer’s urge, talent and gift, an imagination, also – it
shouldn’t be identified as delusion. If there are no delusions i.e. those vain hopes
and steps, there will be no tries and steps. That is why, every creator, and writer
also, standing upright and crucified between the possibilities and intentions, or
better eternally placed and trapped between the fantasies and potentials, he is
forced to withdraw the first furrow and continue every day anew plowing his own
(in)fertile field, constantly assuring himself and ascertaining that he will be always
neither first and unique nor he will finish plowing all furrows, because the world is
an infinite field which will be plowed and dug by archeologists and researchers
from the new and the next generations. The writer is a missionary and visionary
whose sweat never falls in vain, as I noted in one of my songs, „from every salty
drop of sweat on the ground at least one sapling will sprout and sweep through,
which will give at least one fruit“ …




НУУБ „Св. Климент Охридски“– Битола


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Ѓорѓи Прчков


МОЕТО ТВОРЕШТВО Е ЗА ДОБРОТО НА МОИТЕ
ЧИТАТЕЛИ





Ⱦ-ɪ ɇɢɤɨɥɱɟ ȼɟʂɚɧɨɜɫɤɢ


ɢɫɤɥɭɱɢɬɟɥɧɨ ɞɨɛɪɨ ɦɢ ɝɢ ɫɟɪ-
ɜɢɪɚ ɧɚɩɚɬɫɬɜɢʁɚɬɚ ɡɚ ɬɟɦɚɬɚ
Ⱦɟɜɟɬɬɚɬɚ ɪɨɞɧɨɤɪɚʁɧɚ ɫɪɟɞɛɚ
ɧɚ „ɛɢɬɨɥɫɤɢɬɟ“ ɩɢɫɚɬɟɥɢ ɞɚ ʁɚ
ɨɛɪɚɛɨɬɚɦ ɩɨ ɦɟɪɤɚ. Ɇɧɨɝɭ ɪɚ-
ɛɨɬɢ ɲɬɨ ɫɭɦ ɝɢ ɧɚɩɢɲɚɥ ɫɟ
ɫɤɪɢɥɟ ɜɨ ɞɥɚɛɨɱɢɧɚɬɚ ɧɚ ɦɨʁɚ-
ɬɚ ɞɭɲɚ, ɜɪɟɦɟɬɨ ɝɢ ɧɚɬɚɥɨɠɢɥɨ
ɢ ɬɢɟ ɫɟ ɩɪɢɬɚɢɥɟ. Ⱦ-ɪ ɇɢɤɨɥɱɟ
ȼɟʂɚɧɨɜɫɤɢ ɦɟ ɢɧɫɩɢɪɢɪɚ,
ɜɩɪɨɱɟɦ ɦɟ ɩɨɬɬɢɤɧɚ ɩɨɜɬɨɪɧɨ


ɨɞ ɩɪɢɬɚɟɧɨɫɬɚ ɞɚ ɝɢ ɢɡɜɚɞɚɦ, ɚɦɚ ɢ ɦɢ ɞɚɞɟ ɦɨɠɧɨɫɬ ʁɚɫɧɨ ɢ ɝɥɚɫɧɨ ɞɚ ɫɢ ɤɚ-
ɠɚɦ ɲɬɨ ɦɢ ɥɟɝɧɚɥɨ ɧɚ ɞɭɲɚɬɚ, ɜɫɭɲɧɨɫɬ, ɨɞ ɞɥɚɛɨɱɢɧɢɬɟ ɧɚ ɞɭɲɚɬɚ ɞɚ ɝɢ
ɢɡɜɚɞɚɦ ɧɚ ɩɨɜɪɲɢɧɚ, ɞɚ ɡɟɦɚɬ ɞɚ ɥɟɛɞɚɬ ɫɟɤɨʁ ɱɢɬɚɬɟɥ ɞɚ ɦɨɠɟ ɞɚ ɝɢ ɜɢɞɢ,
ɫɟɤɨʁ ɞɚ ɦɨɠɟ ɞɚ ɝɢ ɩɪɨɱɢɬɚ, ɞɭɪɢ ɢ ɚɧɚɥɢɡɚ ɞɚ ɡɟɦɟ ɞɚ ɢɦ ɩɪɚɜɢ. „Ɇɨɪɟ ɞ-ɪ
ɇɢɤɨɥɱɟ, ɬɜɨɪɚɦ ɢ ɬɨɚ ɤɚɤɨ ɬɜɨɪɚɦ“. ɋɨ ɫɜɨɢɬɟ ɨɛɟɦɧɢ ɞɟɥɚ ɱɟɬɢɪɢɟɫɟɬ ɢ ɫɟ-
ɞɭɦ ɧɚ ɛɪɨʁ, ɨɞɛɪɚɧɢ ɞɟɥɚ ɨɞ ɩɨ ɫɟɞɭɦ ɢ ɨɫɭɦ ɬɨɦɚ, ɧɚ ɨɤɨɥɭ ɞɟɫɟɬ ɢɥʁɚɞɢ
ɫɬɪɚɧɢɰɢ, ɨɫɬɚɧɚɬɢɬɟ ɤɧɢɝɢ ɧɚ ɩɟɬ-ɲɟɫɬ ɢɥʁɚɞɢ ɫɬɪɚɧɢɰɢ, ɟ ɦɨɪɚɦ, ɤɨɥɤɭ ɢ ɞɚ
ɫɭɦ ɢɡɥɟɝɨɥ ɫɤɪɨɦɟɧ, ɞɭɪɢ ɢ ɜɨ ɫɟɛɟ ɞɚ ɫɢ ɩɪɢɡɧɚɦ, ɚɦɚ ɢ ɞɚ ɛɢɞɚɦ ɝɨɪɞ, ɞɟɤɚ
ɬɨɚ ɧɟ ɟ ɦɚɥ ɤɧɢɠɟɜɟɧ ɨɩɭɫ, ɧɚʁɝɨɥɟɦ ɢɡɥɟɡɟɧɨ ɢɦɚ. Ɇɨʁɨɬ ɨɦɢɥɟɧ ɩɢɫɚɬɟɥ
ȼɥɚɞɢɦɢɪ Ʉɨɫɬɨɜ ɜɨ ɩɪɟɞɝɨɜɨɪɨɬ ɨɞ ɢɡɛɪɚɧɢɬɟ ɞɟɥɚ ʅɟ ɡɚɩɢɲɟ: „Ȯɨɪɼɢ ɉɪɱ-
ɤɨɜ ɟ ɟɞɟɧ ɨɞ ɧɚʁɩɥɨɞɧɢɬɟ ɩɢɫɚɬɟɥɢ ɜɨ ɦɚɤɟɞɨɧɫɤɚɬɚ ɥɢɬɟɪɚɬɭɪɚ ɫɨ ɥɢɬɟɪɚ-
ɬɭɪɧɢ ɤɜɚɥɢɬɟɬɢ ɢ ɫɬɨʁɧɨɫɬɢ ɫɨɨɞɜɟɬɧɢ ɧɚ ɧɢɜɧɢɨɬ ɤɜɚɧɬɢɬɟɬ. Ȼɟɡ ɞɢɞɚɤɬɢɱɤɢ
ɦɨɪɚɥɢɡɚɦ, ɚ ɱɭɜɫɬɜɢɬɟɥɟɧ ɤɨɧ ɦɨɪɚɥɧɚɬɚ ɩɪɨɛɥɟɦɚɬɢɤɚ, ɧɚʁɚɜɟɧɚ ɭɲɬɟ ɜɨ
ɬɜɨɪɟɲɬɜɨɬɨ ɡɚ ɞɟɰɚ ɢ ɦɥɚɞɢ, ɉɪɱɤɨɜ ɜɨ ɬɨʁ ɩɨɝɥɟɞ ɫɟ ɟɤɫɩɨɧɢɪɚ ɜɨ ɫɜɨʁɚɬɚ
ɥɢɬɟɪɚɬɭɪɚ ɩɢɲɭɜɚɧɚ ɡɚ ɜɨɡɪɚɫɧɢ.


Ɉɧɚ ɲɬɨ ɟ ɤɚɪɚɤɬɟɪɢɫɬɢɱɧɨ ɡɚ ɧɟɝɨɜɚɬɚ ɨɛɟɦɧɚ ɩɪɨɡɧɚ ɩɪɨɞɭɤɰɢʁɚ, ɝɥɚɜ-
ɧɨ ɦɚɧɢɮɟɫɬɢɪɚɧɚ ɩɪɟɤɭ ɪɨɦɚɧɟɫɤɧɢɨɬ ɠɚɧɪ, ɟ ɬɟɦɚɬɫɤɚ (ɤɚɤɨ ɪɟɬɤɨ ɤɨʁ) ɚɦ-
ɛɢɟɧɬɚɥɧɚ ɩɨɜɪɡɚɧɨɫɬ ɫɨ ɧɟɝɨɜɢɨɬ ɪɨɞɟɧ ɝɪɚɞ Ȼɢɬɨɥɚ. Ɋɨɞɟɧ ɛɢɬɨɥɱɚɧɟɰ, ɬɨʁ
ɫɭɩɬɢɥɧɨ ɢ ɦɢɧɭɰɢɨɡɧɨ ɭɫɩɟɜɚ ɞɚ ɝɢ ɞɨɮɚɬɢ ɢ ɭɦɟɬɧɢɱɤɢ ɭɜɟɪɥɢɜɨ ɞɚ ɝɢ ɩɪɟ-
ɞɚɞɟ ɛɢɬɧɢɬɟ ɩɫɢɯɨɥɨɲɤɢ ɰɪɬɢ ɧɚ ɝɪɚɼɚɧɢɧɨɬ ɨɞ „ɧɚʁɝɪɚɞɫɤɢɨɬ ɝɪɚɞ“ ɜɨ Ɇɚ-
ɤɟɞɨɧɢʁɚ ɤɨɢ ɩɪɨɞɟɮɢɥɢɪɚɚ ɧɢɡ ɧɟɝɨɜɚɬɚ ɩɪɟɛɨɝɚɬɚ ɫɨ ɞɢɧɚɦɢɱɧɢ ɧɚɫɬɚɧɢ ɨɞ
ɢɫɬɨɪɢʁɚɬɚ ɧɚ ɥɢɬɟɪɚɬɭɪɚɬɚ“. ȿɜɟ ɝɨ ɢ ɨɞɝɨɜɨɪɨɬ ɧɚ ɪɟɬɨɪɢɱɤɨɬɨ ɩɪɚɲɚʃɟ ɧɚ




Деветта роднокрајна средба…


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ɞ-ɪ ȼɟʂɚɧɨɜɫɤɢ. Ⱥ ɡɚ ɭɲɬɟ ɩɨʁɚɫɧɨ ʅɟ ɞɨɞɚɞɚɦ: Ⱦɨɥɠɧɨɫɬ ɧɚ ɫɢɬɟ ɧɢ ɟ ɞɚ ɫɜɟ-
ɞɨɱɢɦɟ ɡɚ ɋɜɟɬɥɢɧɚɬɚ ɡɚ ɞɚ ɫɟ ɨɫɜɟɬɥɢ ɫɟɤɨʁ ɱɨɜɟɤ ɲɬɨ ɞɨɚɼɚ ɜɨ ɫɜɟɬɨɬ ɞɟɤɚ
ɧɟɤɚɞɟ ɩɨɫɬɨɢ ɦɟɫɬɨ ɫɨ ɬɚɤɜɚ ɯɚɪɢɡɦɚ ɤɚɤɨ ɦɟɫɬɨɬɨ ɜɨ ɤɨɟ ɫɦɟ ɫɟ ɪɨɞɢɥɟ, ɨɜɨʁ
ɩɚɬ ɫɥɭɱɚʁɧɨ ɜɨ Ȼɢɬɨɥɚ, ɡɚɲɬɨ ɧɢɤɨʁ ɧɟ ɧè ɩɪɚɲɚɥ ɞɚɥɢ ɫɚɤɚɦɟ ɞɚ ɫɟ ɪɨɞɢɦɟ
ɜɨ ɝɪɚɞ ɢɥɢ ɜɨ ɫɟɥɨ, ɞɚ ɛɢɞɟɦɟ ɝɪɚɼɚɧɢ ɢɥɢ ɩɚɤ ɫɟɥɚɧɢ. ɂ ɜɨ ɟɞɧɢɨɬ, ɨɫɨɛɟɧɨ
ɜɨ ɜɬɨɪɢɨɬ ɫɥɭɱɚʁ ɞɚ ɫɟ ɞɟɤɥɚɥɢɪɚɦɟ ɤɚɤɨ ɝɨɥɟɦɢ ɝɪɚɼɚɧɢ, ɞɭɪɢ ɢ ɝɪɚɼɚɧɢ ɧɚɞ
ɝɪɚɼɚɧɢɬɟ. ɍɧɢɜɟɪɡɚɥɧɨ ɟ ɦɨɟɬɨ ɨɩɫɬɨʁɭɜɚʃɟ ɧɟ ɫɚɦɨ ɤɚɤɨ ɝɟɨɝɪɚɮɫɤɢ ɩɨɢɦ
ɢɥɢ ɫɬɚɧɛɟɧɚ ɥɨɤɚɰɢʁɚ, ɬɭɤɭ ɧɟɲɬɨ ɦɚɤɪɨɜɨɡɜɢɲɟɧɨ ɢ ɫɨɧɭɜɚɱɤɢ – ɡɚɟɞɧɨ.


ɍɧɢɜɟɪɡɚɥɧɨ ɟ ɞɟɤɚ ɦɨɠɟ ɫɟɤɨʁ ɞɚ ɫɟ ɨɛɢɞɟ ɞɚ ɢɦ ɝɨ ɩɪɟɪɚɫɤɚɠɟ ɧɚ ɞɪɭ-
ɝɢɬɟ, ɞɚ ɫɢɦɭɥɢɪɚ ɜɨɫɯɢɬ ɢ ɩɪɟɡɟɧɬɟɪɫɤɢ ɞɚɪ, ɧɨ ɨɫɜɟɧ ɧɚɫ ɧɢɤɨʁ ɧɟɦɚ ɞɚ ɝɨ
ɞɨɥɨɜɢ ɦɨɦɟɧɬɨɬ, ɛɢɬɧɨ ɟ ɤɧɢɝɚɬɚ ɨɞ ɪɚɤɚ ɞɨ ɪɚɤɚ ɞɚ ɡɟɦɟ ɞɚ ɲɟɬɚ, ɫɨ ɨɬɜɨɪɟ-
ɧɢ ɨɱɢ ɛɢɫɬɚɪ ɭɦ ɞɚ ɫɟ ɱɢɬɚ. ɍɧɢɜɟɪɡɚɥɧɚ ɟ ɢ ɩɪɟɝɪɚɬɤɚɬɚ ɤɨɝɚ ʅɟ ɩɨɫɬɢɝɧɚɦ
ɰɜɪɫɬɚ ɤɨɦɭɧɢɤɚɰɢʁɚ ɫɨ ɦɨɢɬɟ ɨɛɨɠɚɜɚɬɟɥɢ – ɜɟɪɧɢ ɱɢɬɚɬɟɥɢ, ɡɚɞɨɜɨɥɧɢ ɨɞ
ɞɪɭɠɛɚɬɚ ɫɨ ɦɨɢɬɟ ʁɭɧɚɰɢ ɤɨʁɚ ɞɨɡɜɨɥɭɜɚ ɩɪɟɦɢɧ ɜɨ ɧɢɜɧɢɨɬ ɫɜɟɬ, ɧɨ ɢ ɨɞ ɧɟ-
ɝɨ, ɚɦɚ ɧɟ ɫɨ ɨɧɢɟ ɱɟɤɨɪɢ ɲɬɨ ɡɧɚɱɚɬ ɩɨɬɬɪɱɧɭɜɚʃɟ ɫɨ ɧɟɦɢɪ ɨɞ ɧɚɲɢɬɟ ɧɨɡɟ.
ɋɨ ɨɝɥɟɞ ɧɚ ɧɟɦɚɲɬɢʁɚɬɚ ɜɨ ɤɨʁɚ ɠɢɜɟɚɬ ɦɨɢɬɟ ɥɢɤɨɜɢ, ɫɟ ɱɭɜɫɬɜɭɜɚ ɜɨ ɞɟɥɚ-
ɬɚ ɞɟɤɚ ʁɚɫ ɩɨɧɟɤɨɝɚɲ ɩɨɫɚɤɭɜɚɦ ɞɚ ʁɚ ɧɚɩɭɲɬɚɦ ɛɚɪɟɦ ɜɨ ɦɢɫɥɚɬɚ ɢ ɞɚ ɨɬɩɚ-
ɬɭɜɚɦ ɧɟɤɚɞɟ ɛɟɡ ɛɟɥ ɥɢɫɬ ɢ ɨɫɬɪɨ ɩɟɪɨ... ɚɪɧɨ ɚɦɚ ɡɚ ɞɚ ɧɟ ɛɢɞɚɦ ɩɢɫɚɬɟɥ, ɱɢ-
ɬɚɬɟɥɢɬɟ ɞɟɤɚ ɩɨɱɧɚɥɟ ɟɞɟɧ ɩɨ ɟɞɟɧ ɞɚ ɦɟ ɧɚɩɭɲɬɚɚɬ ɧɟ ɫɭɦ ɩɨɱɭɜɫɬɜɭɜɚɥ,
ɬɚɤɜɚ ɦɢɫɥɚ ɧɟ ɦɟ ɨɛɡɟɥɚ, ɧɟ ɡɟɥɚ ɞɭɪɢ ɧɢɬɭ ɞɚ ɦɟ ɝɪɢɰɤɚ ɜɨ ɞɭɲɚɬɚ ɢɥɢ, ɩɚɤ,
ɜɨ ɫɪɰɟɬɨ, ɡɧɚɱɢ ɫè ɭɲɬɟ ɫɭɦ ɢɦ ɢɧɬɟɪɟɫɟɧ, ɡɚ ɧɢɜ ɫè ɭɲɬɟ ɫɭɦ ɩɢɫɚɬɟɥ, ɜɟɪɨ-
ʁɚɬɧɨ ɫɭɦ ɜɨɫɩɨɫɬɚɜɢɥ ɰɜɪɫɬɚ ɫɤɨɪɨ ɢ ɧɟɪɚɫɤɢɧɥɢɜɚ ɤɨɦɭɧɢɤɚɰɢʁɚ ɢ ɬɟɲɤɨ ɢɦ
ɞɨɚɼɚ ɩɪɟɞɜɪɟɦɟ ɞɚ ɦɟ ɩɨɝɪɟɛɚɚɬ. ɇɚ ɩɨɥɨɜɢɧɚ ɩɚɬ ɦɟ ɜɪɚʅɚ ɨɛɜɪɫɤɚɬɚ ɤɨʁɚ ʁɚ
ɩɪɟɡɟɞɨɜ ɡɚɤɨɥɧɭɜɚʁʅɢ ɫɟ ɧɚ ɜɟɱɟɧ ɫɩɨɦɟɧ, ɱɢɬɚɬɟɥɨɬ ɞɚ ɛɢɞɟ ɲɬɨ ɩɨɡɚɞɨɜɨ-
ɥɟɧ, ɚ ɩɨɱɢɬɭɜɚʃɟɬɨ ɫɨ ɱɢɬɚɬɟɥɨɬ ɦɧɨɝɭ ɩɨɰɜɪɫɬɨ ɢ ɩɨɞɨɥɝɨɬɪɚʁɧɨ, ɞɭɪɢ ɢ
ɜɟɱɧɨ.


ɍɧɢɜɟɪɡɚɥɧɨɫɬɚ ɢ ɩɨɤɪɚʁ ɫɜɨɢɬɟ ɲɢɪɨɤɢ ɜɢɞɢɰɢ ɟ ɦɢɧɨɪɧɚ ɫɩɨɪɟɞ ɦɨʁɚ-
ɬɚ ɟɞɢɧɫɬɜɟɧɨɫɬ, ɮɚɤɬɨɪ ɤɨʁ ɦɢ ɧɭɞɢ ɩɨɜɟʅɟ ɢɧɫɩɢɪɚɰɢʁɚ ɨɬɤɨɥɤɭ ɞɚ ɩɢɲɭɜɚɜ
ɡɚ ɛɨɝɚɬɫɬɜɨ. ɋɢɦɛɨɥɢɬɟ ɝɭɥɚɛ ɢ ɡɦɢʁɚ ɜɪɟɠɚɧɢ ɧɚ ɩɟɬɧɚɟɫɟɬɬɢɨɬ ɤɚɦɟɧ, ɱɟɫɬɨ
ɝɢ ɤɨɪɢɫɬɚɦ ɡɚ ɞɨɥɨɜɭɜɚʃɟ ɧɚ ɜɟɱɧɚɬɚ ɛɨɪɛɚ ɩɨɦɟɼɭ ɞɨɛɪɨɬɨ ɢ ɡɥɨɬɨ ɤɨɟ ɝɨ
ɢɦɚ ɜɨ ɢɡɨɛɢɥɫɬɜɨ ɨɫɨɛɟɧɨ ɡɥɨɬɨ, ɩɚɤɨɫɬɚ. Ʉɚɤɨ ɲɬɨ ɪɟɤɨɜ ɬɢɟ ɫɟ ɩɪɢɫɭɬɧɢ ɢ
ɬɨɝɚɲ ɤɨɝɚ ɜɨ ɧɢɜ ɦɨɠɚɬ ɞɚ ɫɟ ɢɞɟɧɬɢɮɢɤɭɜɚɚɬ ɢ ɤɨɧɤɪɟɬɧɢ ɥɢɱɧɨɫɬɢ ɨɩɲɬɨ
ɜɨ ɥɢɬɟɪɚɬɭɪɧɨɬɨ ɦɢɥʁɟ, ɜɨ ɦɧɨɝɭ ɫɥɭɱɚɢ ɩɪɟɞɚɞɟɧɢ ɫɨ ɢɦɟ ɢ ɩɪɟɡɢɦɟ, ɧɟ ɫɚ-
ɦɨ ɦɨɢ ɧɟɩɪɢʁɚɬɟɥɢ ɚɦɢ ɢ ɧɟɩɪɢʁɚɬɟɥɢ ɧɚ ɥɢɬɟɪɚɬɭɪɚɬɚ ɜɨɨɩɲɬɨ, ɱɢɬɚɚɬ ɡɚ
ɠɢɜɢ ɥɢɤɨɜɢ ɫɤɨɪɨ ɢɫɤɥɭɱɢɜɨ ɦɨɢ ɫɨɝɪɚɼɚɧɢ, ɚɦɚ ɨɞ ɟɞɧɚ ɞɪɭɝɚ ɫɬɪɚɧɚ ɦɢ ɢɡ-
ɥɟɝɥɟ ɫɨɫɟɥɚɧɢ, ɚ ʁɚɫ ɩɨɦɟɼɭ ɧɢɜ ɧɟɛɚɪɟ ɫɭɦ ɢɡɥɟɝɨɥ ʁɚɝɧɟ ɩɨɦɟɼɭ ɜɨɥɰɢ.
Ɉɧɢɟ, ɦɢɫɥɚɦ ɧɚ ɧɟɭɬɪɚɥɧɢɬɟ ɱɢɬɚɬɟɥɢ ɲɬɨ ɧɟɦɚɚɬ ɧɢɲɬɨ ɡɚɟɞɧɢɱɤɨ ɫɨ ɨɛɪɚ-
ɛɨɬɟɧɢɬɟ ɥɢɤɨɜɢ ɫɨ ɡɚɞɨɜɨɥɫɬɜɨ ɢɦ ɝɢ ɚɧɚɥɢɡɢɪɚɚ ɞɨɛɪɢɬɟ ɫɬɪɚɧɢ, ɚɦɚ ɛɢɞɟʁ-
ʅɢ ɬɚɤɜɢ ɫɟ ɫɨɫɟɦɚ ɦɚɥɤɭ ɢɡɥɟɝɭɜɚ ɞɟɤɚ ɢɦ ɝɢ ɚɧɚɥɢɡɢɪɚɚɬ ɧɢɜɧɢɬɟ ɦɚɧɢ, ɧɟ-
ɞɨɫɬɚɬɨɰɢ, ɩɨɬɨɱɧɨ ɪɟɱɟɧɨ ɡɭɥɭɦɢ, ɩɚɤɨɫɬɢ ɲɬɨ ɡɟɥɟ ɞɚ ɦɢ ɝɢ ɩɪɚɜɚɬ. ɉɨɱɢ-
ɬɭɜɚɧ ɞ-ɪ ȼɟʂɚɧɨɜɫɤɢ ɞɚ, ɜɨ ɩɪɚɜɨ ɫɬɟ ɜɚɠɢ ɡɚ ɦɨɢɬɟ ɤɨɥɟɝɢ – ɩɢɫɚɬɟɥɢ, ɧɟ
ɦɨɠɚɦ ɞɚ ɪɟɱɚɦ ɞɟɤɚ ɧɟ ɝɢ ɩɪɢɡɧɚɜɚɦ, ɚɦɚ ɞɟɤɚ ɝɢ ɠɚɥɚɦ ɞɚ – ɜɟɥɚɦ ɢ ɬɨɚ
ʁɚɫɧɨ ɢ ɝɥɚɫɧɨ.




НУУБ „Св. Климент Охридски“– Битола


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ɋɨ ɫɜɨɢɬɟ ɞɟɥɚ ɧɟɦɚ ɞɚ ɫɢ ɩɨɞɢɝɧɚɦ ɫɩɨɦɟɧɢɤ, ɡɚɲɬɨ ɬɚɤɜɚ ɧɚɦɟɪɚɬɚ,
ɧɢɬɭ, ɩɚɤ, ɰɟɥɬɚ ɧɟ ɦɢ ɢɡɥɟɝɥɟ. Ɂɚɞɨɜɨɥɟɧ, ɪɚɞɨɫɟɧ ɫɭɦ ɤɨɝɚ ɞɟɥɨɬɨ ʅɟ ɢɡɥɟɡɟ
ɨɞ ɩɟɱɚɬ ɫɚɦɨ ɩɨ ɪɚɰɟɬɟ ɧɚ ɱɢɬɚɬɟɥɢɬɟ ɞɚ ɫɟ ɪɚɫɲɟɬɚ, ɤɨɥɤɭ ɧɢɡ ɩɨɜɟʅɟ ɪɚɰɟ
ɬɨɥɤɭ ɩɨɡɚɞɨɜɨɥɟɧ, ɡɚɲɬɨ ɬɢɟ ɫɟ ɫɬɪɨɝɢ ɫɭɞɢɢ ɡɚ ɧɚɩɢɲɚɧɨɬɨ, ɚ ɧɟ ɛɢɬɨɥɫɤɢ-
ɬɟ ɩɢɫɚɬɟɥɢ ɤɨɢ ɢɫɤɚɠɭɜɚɚɬ ɜɢɞɥɢɜɚ ɨɞɛɢɜɧɨɫɬ ɤɨɧ ɦɨʁɚɬɚ ɥɢɬɟɪɚɬɭɪɚ ɞɭɪɢ ɢ
ɤɚɤɨ ɥɢɱɧɨɫɬ, ɫɚɦɨ ɲɬɨ ʅɟ ɫɟ ɫɪɟɬɧɟɦɟ ɝɥɚɜɚ ɜɪɬɚɬ, ɨɞ ɦɟɧɟ ɛɟɝɚɚɬ ɧɟɛɚɪɟ ɼɚ-
ɜɨɥɨɬ ɨɞ ɬɟɦʁɚɧ. Ɂɚɜɢɫɬɚ, ɨɦɪɚɡɚɬɚ ɝɢ ɨɩɫɟɞɧɚɥɟ ɢ ɦɟɧɟ ɦɟ ɧɚɩɭɲɬɢɥɟ, ɚ ɬɨɚ
ɜɨ ɢɡɜɟɫɧɚ ɦɟɪɤɚ ɦɢ ɢɡɥɟɝɥɨ ɞɨɛɪɨ, ɡɟɥɨ ɞɚ ɦɢ ɝɨɞɢ, ɡɚɲɬɨ ɧɚ ɦɢɪ ɫɢ ɩɢɲɭ-
ɜɚɦ, ɧɚ ɩɟɪɨɬɨ ɦɭ ɞɚɜɚɦ ɩɨɥɧɚ ɫɥɨɛɨɞɚ ɞɚ ɢɫɩɨɥɧɭɜɚ ɫɨ ɢɥʁɚɞɧɢɰɢ ɛɟɥɢ ɫɬɪɚ-
ɧɢɰɢ ɢ ɡɚ ɧɢɜɧɢɬɟ ɧɟɱɟɫɧɢ ɪɚɛɨɬɢ ɲɬɨ ɡɟɥɟ ɞɚ ɦɢ ɝɢ ɩɪɚɜɚɬ, ɰɟɥ ɢɦ ɟ ɞɚ ɦɟ
ɨɦɚɥɨɜɚɠɚɬ, ɞɚ ɦɟ ɮɪɥɚɬ ɜɨ ɧɚʁɰɪɧɚɬɚ ɤɚɥ. ɋɚɦɨ, ɦɨʁ ɫɨɜɟɬ, ɧɟɤɚ ɛɢɞɚɬ ɩɪɟɬ-
ɩɚɡɥɢɜɢ ɞɚ ɧɟ ɢɦ ɫɟ ɫɥɭɱɢ ɤɚɤɨ ɧɚ ɋɚɪɚʁɥɢʁɚ. Ɍɨʁ ɫɪɟɞɟ Ȼɟɥɝɪɚɞ ɛɟɲɟ ɤɪɭɧɢ-
ɫɚɧ ɡɚ ɤɧɟɡ ɧɚ ɩɨɟɡɢʁɚɬɚ, ɚɪɧɨ ɚɦɚ ɫɟ ʁɚɜɢ ɤɪɢɬɢɱɚɪɨɬ ɋɤɟɪɥɢɱ ɢ ɪɚɛɨɬɢɬɟ ɝɢ
ɫɬɚɜɢ ɧɚ ɫɜɨɟ ɦɟɫɬɨ. ɋɤɟɪɥɢɱ ɧɟ ɪɚɛɨɬɟɲɟ ɩɨ ɛɚɛɢ ɢ ɫɬɪɢɤɨɜɰɢ, ɧɟ ɩɨ ɫɢɧ ɡɚ
ɬɚɬɤɨ, ɬɚɬɤɨ ɡɚ ɫɢɧ, ɬɨʁ ɞɟɥɚɬɚ ɝɢ ɰɟɧɟɲɟ ɢɫɤɥɭɱɢɜɨ ɩɨ ɤɜɚɥɢɬɟɬ. Ɉɬɤɚɤɨ ɞɟ-
ɬɚɥɧɨ ɝɢ ɪɚɡɪɚɛɨɬɢ ɧɟɝɨɜɢɬɟ „ɤɪɚɥɫɤɢ ɞɟɥɚ“ ɧɟɡɚɞɨɜɨɥɟɧ, ɤɚɤɨ ɲɬɨ ɛɟɲɟ ɜɢɜ-
ɧɚɬ ɜɨ ɨɛɥɚɰɢɬɟ ɝɨ ɫɥɟɡɟ ɜɨ ɧɚʁɰɪɧɚɬɚ ɤɚɥ, ɝɨ ɡɚɤɨɩɚ ɢ ɬɚɦɭ ɡɚ ɜɟɤ ɢ ɜɟɤɨɜ ɝɨ
ɨɫɬɚɜɢ, ɚɪɧɨ ɚɦɚ ɨɞ ɤɚɥɬɚ ɝɨ ɢɡɜɚɞɢ Ɂɦɚʁ ɢ ɜɨ ɨɛɥɚɰɢɬɟ ɝɨ ɜɢɜɧɚ (ɫɟɤɚɤɨ ɧɟ-
ɩɪɢɫɬɪɚɫɧɨ, ɫɟɤɨʁ ɫɩɨɪɟɞ ɡɚɫɥɭɝɢɬɟ). ɇɚɲɢɬɟ ɩɢɫɚɬɟɥɱɢʃɚ ɨɜɚɚ ɟɩɢɡɨɞɚ ɧɚ
ɩɢɫɚɬɟɥɫɬɜɨɬɨ ʁɚ ɡɚɛɨɪɚɜɢɥɟ ɢɥɢ ɜɨɨɩɲɬɨ ɧɟ ɧɢ ɩɨɦɢɫɥɢɥɟ, ɩɨɩɪɟɰɢɡɧɨ ɪɟɱɟ-
ɧɨ ɧɢɬɭ ʁɚ ɡɧɚɚɬ, ɚ ɤɚɤɨ ʅɟ ɩɨɦɢɫɥɚɬ ɤɨɝɚ ɫɚɦɢɬɟ, ɟɞɟɧ ɫɨ ɞɪɭɝ ɡɟɥɟ ɞɚ ɫɟ ɜɟɥɢ-
ɱɚɚɬ, ɧɟɛɚɪɟ ɢɡɥɟɝɥɟ ɩɢɫɚɬɟɥɢɲɬɚ ɨɞ ɝɨɥɟɦ ɤɚɥɢɛɚɪ, ɜɢɫɨɤ ɪɚɧɝ. ɋɦɟɲɧɨ ɧɟ-
ɥɢ? Ⱥ ɦɟɧɟ, ɫɟɩɚɤ, ɦɢ ɩɪɢɱɢɧɭɜɚ ɡɚɞɨɜɨɥɫɬɜɨ ɢ ɤɨɝɚ ʅɟ ɫɟ ɫɨɨɱɚɦ ɫɨ ɧɟɩɪɟɞ-
ɜɢɞɟɧɢɨɬ ɢɫɯɨɞ, ɛɢɞɟʁʅɢ ɦɨɢɬɟ ɱɢɬɚɬɟɥɢ ʅɟ ɦɨɠɚɬ ɞɚ ɫɟ ɫɩɪɚɜɚɬ ɫɨ ɦɨɢɬɟ ɥɢ-
ɤɨɜɢ, ɢɥɢ ɩɚɤ ɨɛɪɚɬɧɨ.


Ⱦɚɥɢ ɦɟ ɱɢɬɚɚɬ? Ⱦ-ɪ ɇɢɤɨɥɱɟ ȼɟʂɚɧɨɜɫɤɢ ɩɨɫɬɚɜɭɜɚ ɪɟɬɨɪɢɱɤɨ
ɩɪɚɲɚʃɟ. ȼɨ ɤɨɥɤɚɜɚ ɦɟɪɤɚ ɧɟ ɡɧɚɦ, ɚɦɚ ɦɨɟɬɨ ɡɚɞɨɜɨɥɫɬɜɨ ɧɟ ɦɨɠɟ ɞɚ ɫɟ
ɢɫɤɚɠɟ ɫɨ ɡɛɨɪɨɜɢ, ɤɨɝɚ ɧɟɤɨʁ ɱɢɬɚɬɟɥ ɩɨ ɾɜɨɧɟʃɟɬɨ ɧɚ ɬɟɥɟɮɨɧɨɬ ʅɟ ɦɢ ɫɟ
ɩɪɟɬɫɬɚɜɢ ɫɨ ɩɨɥɧɨ ɢɦɟ ɢ ɩɪɟɡɢɦɟ, ɡɚ ɦɟɧɟ ɧɟɩɨɡɧɚɬ ɢ ʅɟ ɩɨɱɧɟ: „Ɍɜɨɟɬɨ
ɧɚʁɧɨɜɨ ɞɟɥɨ ɝɨ ɩɪɨɱɢɬɚɜ, ɜɨɨɞɭɲɟɜɟɧ ɫɭɦ, ɜɚɤɜɨ ɧɟɲɬɨ ɫɨ ɜɚɤɨɜ ɫɬɢɥ ɞɨɫɟɝɚ
ɧɟ ɫɭɦ ɩɪɨɱɢɬɚɥ, ɚ ɦɧɨɝɭ ɱɢɬɚɦ. ɉɢɲɭɜɚɲ ɧɟɨɛɢɱɧɨ, ɩɪɨɡɚɬɚ ɜɨ ɬɜɨɟɬɨ ɞɟɥɨ
ɞɨɛɢɜɚ ɤɨɦɩɥɟɬɧɚ ɭɦɟɬɧɨɫɬ, ɫɨ ɥɢɤɨɜɢ ɢ ɧɚɫɬɚɧɢ ɭɦɟɬɧɢɱɤɢ ɞɟɮɢɧɢɪɚɧɢ. ȳɚɫ
ɫɭɦ ɩɪɨɱɢɬɚɥ ɦɚɫɚ ɤɧɢɝɢ! – ɩɪɨɞɨɥɠɭɜɚ, ɦɟɧɟ ɞɨ ɡɛɨɪ ɞɚ ɞɨʁɞɚɦ ɧɟ ɦɢ ɞɚɜɚ:
Ⱥɪɧɨ ɚɦɚ ɛɢɞɟʁʅɢ ɨɛɢɱɧɨ ɧɚɩɢɲɚɧɢ, ɫɚɦɨ ɪɚɫɤɚɠɭɜɚɱɤɢ, ɢɡɥɟɝɥɟ ɛɟɡ ɭɦɟɬ-
ɧɨɫɬ. ɋɨ ɬɚɤɜɢɬɟ ɤɧɢɝɢ ɫɢ ɝɨ ɩɨɬɩɚɥɭɜɚɜ ɫɨɛɭɥɱɟɬɨ, ɝɨɪɟɚ ɧɟɛɚɪɟ ɤɭɤɭɥɢɱɤɢ,
ɚɪɧɨ ɚɦɚ ɬɟɥɨɬɨ ɦɢ ɝɨ ɬɨɩɥɟɚ, ɚɦɚ ɞɭɲɚɬɚ ɦɢ ʁɚ ɦɪɡɧɟɚ. . . ɂ ɤɨɥɤɭ ɞɚ ɡɧɚɟɲ
ɜɨ ɧɚɲɢɨɬ ɝɪɚɞ ɩɨɜɟʅɟɬɨ ɤɧɢɝɢ ɢɦɚɚɬ ɢɡɥɟɡɟɧɨ ɨɞ ɜɚɤɨɜ ɜɢɞ, ɜɫɭɲɧɨɫɬ, ʅɟ ɝɢ
ɢɡɞɜɨʁɚɦ ɤɧɢɝɢɬɟ ɧɚ ȼɥɚɞɢɦɢɪ Ʉɨɫɬɨɜ, ɡɚɲɬɨ ɟ ɧɟɧɚɞɦɢɧɚɬ, ɚɤɨ ɩɪɨɞɨɥɠɢɲ
ɫɨ ɪɚɛɨɬɚ ɧɚ ɩɚɬ ɫɢ ɧɚ ɬɢɟ ɤɧɢɝɢ ɞɚ ɢɦ ɫɟ ɞɨɛɥɢɠɢɲ, ɚɦɚ ɫɚɦɨ ɞɚ ɢɦ ɫɟ
ɞɨɛɥɢɠɢɲ ɢ ɬɨɥɤɭ“. ɉɨ ɢɡɜɟɫɧɨ ɜɪɟɦɟ ɫɟ ʁɚɜɭɜɚ ɧɟɤɨʁɚ ɞɚɦɚ, ɝɨɜɨɪɢ ɦɨɲɧɟ
ɛɪɡɨ ɢ ɜɟɲɬɨ, ɜɟɥɢ: „ȼɢ ɝɨ ɩɪɨɱɢɬɚɜ ɬɨʁ ɢ ɬɨʁ ɪɨɦɚɧ, ɫè ɭɲɬɟ ɩɨɞ ɢɦɩɪɟɫɢʁɚ
ɫɭɦ, ɫɚɦɨ ɲɬɨ ʁɚ ɞɨɱɢɬɚɜ ɩɨɫɥɟɞɧɚɬɚ ɪɟɱɟɧɢɰɚ, ɡɚ ɪɨɦɚɧɨɬ ɧɟɲɬɨ ɞɚ ɜɢ ɤɚɠɚɦ
ɦɨɪɚɜ, ɞɚ ɞɨɬɪɚɚɦ ɧɟ ɦɨɠɟɜ. ȳɚɫ ɫɭɦ ɫɨɥɢɞɧɚ ɩɨɡɧɚɜɚɱɤɚ ɧɚ ɥɢɬɟɪɚɬɭɪɚɬɚ,
ɜɫɭɲɧɨɫɬ, ɩɪɨɮɟɫɨɪɤɚ ɩɨ ɦɚʁɱɢɧ ʁɚɡɢɤ, ɧɚʁɩɨɡɧɚɬɚ ɦɢ ɢɡɥɟɝɥɚ ɨɫɨɛɟɧɨ ɧɚɲɚɬɚ.




Деветта роднокрајна средба…


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Ȼɢ ɧɚɩɨɦɧɚɥɚ ɟɞɧɚ ɨɞ ɝɥɚɜɧɢɬɟ ɫɬɨʁɧɨɫɬɢ ɜɨ ɜɚɲɚɬɚ ɩɪɨɡɚ ɤɚɤɨ ɲɬɨ ɟ ɩɢɲɭ-
ɜɚʃɟ ɜɨ ɡɚɜɢɬɤɚɧɚ ɮɨɪɦɚ, ɜɨ ɩɪɟɜɪɬɟɧɚ ɧɚɪɚɤɜɢɰɚ, ɚ ɜɚɤɜɢ ɞɟɥɚ ɜɨ ɧɚɲɚɬɚ ɥɢ-
ɬɟɪɚɬɭɪɚ ɢɥɢ ɝɢ ɢɦɚ ɫɨɫɟɦɚ ɦɚɥɤɭ ɢɥɢ, ɩɚɤ, ɜɨɨɩɲɬɨ ɝɢ ɧɟɦɚ, ɫɨ ɦɚɥɢ ɢɫɤɥɭ-
ɱɨɰɢ. Ʉɚʁ ɜɚɫ ɩɪɟɜɪɬɟɧɚɬɚ ɧɚɪɚɤɜɢɰɚ ɟ ɫɢɦɛɨɥ ɧɚ ɪɟɱɢɬɨɫɬ ɢɫɩɨɥɧɟɬɚ ɫɨ ɫɟɬɨ
ɨɧɚ ɲɬɨ ɡɞɨɝɥɟɞɚɥɚ ɧɟʁɡɢɧɚɬɚ ɨɩɚɱɢɧɚ ɢ ɛɟɡɨɛɪɚɡɧɨ ɫɚɤɚ ɞɚ ɫɟ ɨɝɪɚɞɢ ɨɞ ɬɨɚ,
ɧɨ ɧɟ б ɞɨɡɜɨɥɭɜɚ ɡɚɬɨɚ ɲɬɨ ɬɚɚ ɨɞɥɭɱɢɥɚ ɞɚ ɩɪɨɝɨɜɨɪɢ. Ɇɨɪɚɦ ɞɚ ɜɢ ɪɟɱɚɦ
ɞɟɤɚ ɩɢɲɭɜɚɬɟ ɛɟɡ ɩɚɪɞɨɧ, ɧɟ ɡɚɨɛɢɤɨɥɭɜɚɬɟ, ɧɟ ɩɪɢɡɧɚɜɚɬɟ ɧɢɤɚɤɜɢ ɩɢɫɚɬɟɥ-
ɫɤɢ ɧɨɪɦɢ ɜɨ ɩɢɲɭɜɚʃɟɬɨ, ɤɚʁ ɬɟɛɟ ɨɬɤɪɢɜ ɧɨɜɚ ɭɦɟɬɧɨɫɬ, ɧɨɜɚ ɟɫɬɟɬɢɤɚ,
ɜɫɭɲɧɨɫɬ, ɬɜɨʁɚɬɚ ɥɢɬɟɪɚɬɭɪɚ ɫɩɨɪɟɞ ɦɟɧɟ ɟ ɭɧɢɤɚɬɧɚ, ɫɩɟɰɢɮɢɱɧɚ ɫɚɦɨ ɡɚ
ɬɟɛɟ, ɡɚ ɬɜɨʁɨɬ ɛɨɝɚɬ ɤɧɢɠɟɜɟɧ ɨɩɭɫ. ɍɲɬɟ, ɫɟ ɪɚɡɛɢɪɚ ɫɩɨɪɟɞ ɦɟɧɟ, ɬɨɚ ɩɨɜɥɟ-
ɤɭɜɚ ɥɢɤɨɜɢɬɟ ɞɚ ɝɢ ɞɟɮɢɧɢɪɚɦ ɤɚɤɨ ɩɪɟɩɨɪɨɞɰɢ, ɤɚɤɨ ɟɞɧɨɢɦɟɧɢ ɥɢɱɧɨɫɬɢ
ɫɨ ɩɨɜɟʅɟɞɢɦɟɧɡɢɨɧɚɥɧɚ ɫɬɪɭɤɬɭɪɚ ɤɨɢ ɧɚɩɚɬɢ ɦɟ ɜɨɨɞɭɲɟɜɭɜɚɚ ɫɨ ɚɤɬɢɬɟ ɧɚ
ɫɪɰɟɜɢɞɧɚ ɛɥɚɝɨɞɚɪɧɨɫɬ, ɧɨ ɩɨɜɟʅɟɩɚɬɢ ɧè ɫɪɚɦɧɭɜɚɚɬ ɫɨ ɡɟɦʁɚɬɚ, ɤɨɝɚ ɫɦɟ ɢɦ
ɞɨɞɟɥɢɥɟ ɞɨɠɢɜɨɬɧɨɫɬ ɨɞ ɫɟɬɨ ɬɨɚ. Ɍɢ ɫɢ ɢɡɧɟɫɭɜɚɲ ɫɨɩɫɬɜɟɧɨ ɦɢɫɥɟʃɟ ɤɚɤɜɚ
ɬɪɟɛɚ ɞɚ ɛɢɞɟ ɫɨɜɪɟɦɟɧɚɬɚ ɥɢɬɟɪɚɬɭɪɚ. Ɍɢ ɫɦɟɬɚɲ ɞɟɤɚ ɬɪɟɛɚ ɞɚ ɛɢɞɟ ɨɬɜɨɪɟ-
ɧɚ ɢ ɱɟɫɧɚ, ɫɨ ɜɢɫɬɢɧɚɬɚ ɧɚɩɪɟɞ ɞɚ ɱɟɤɨɪɢ, ɞɚ ɧɟ ɡɚɫɬɚɧɭɜɚ, ɨɞɥɢɤɚ ɜɢɫɨɤɨ
ɲɬɨ ʁɚ ɰɟɧɚɦ... Ⱦɨ ɫɥɟɞɧɢɨɬ ɪɨɦɚɧ ɞɨɫɥɭɲɚʃɟ!“ ɉɨɜɬɨɪɧɨ ɞɨ ɡɛɨɪ ɞɚ ɞɨʁɞɚɦ
ɧɟ ɦɢ ɞɚɞɟ, ɢ ɩɨɞɨɛɪɨ ɡɚ ɦɟɧɟ, ɡɚɲɬɨ ɨɬɤɚɤɨ ɩɨɪɚɡɦɢɫɥɢɜ ɚɤɨ ɡɛɨɪ ɦɢ ɞɚɞɟɲɟ
ɧɟɦɚɲɟ ɲɬɨ ɞɚ б ɤɚɠɚɦ, ɫɚɦɚɬɚ ɤɚɠɚ ɞɭɪɢ ɢ ɨɬɩɨɜɟʅɟ ɨɬɤɨɥɤɭ ɲɬɨ ɨɱɟɤɭɜɚɜ.
Ɇɨɠɟɛɢ ɢ ʅɟ ɫɟ ɩɨɫɪɚɦɨɬɟɜ ɡɚɦɨɥɱɟɧ ɧɟɛɚɪɟ ɫɭɦ ɢɡɥɟɝɨɥ ɪɢɛɚ, ɡɚɲɬɨ ɫɟɤɨ-
ɝɚɲ ɧɚ ɩɢɫɚɬɟɥɨɬ ɞɚ ɡɛɨɪɭɜɚ ɫɚɦɢɨɬ ɡɚ ɫɟɛɟ ɦɭ ɢɡɥɟɝɭɜɚ ɢɫɤɥɭɱɢɬɟɥɧɨ ɬɟɲɤɨ,
ɢɡɥɟɝɭɜɚ ɡɛɪɤɚɧ ɢ ɧɟ ɢɫɤɥɭɱɭɜɚɦ ɦɨɠɧɨɫɬ ɞɚ ɡɟɦɟ ɞɚ ɩɪɚɜɢ ɢ ɝɪɟɲɤɢ, ɞɚ ɡɟɦɟ
ɢɥɢ ɞɚ ɫɟ ɮɚɥɢ ɢɥɢ ɞɚ ɫɟ ɤɭɞɢ, ɬɪɟɬɨ ɧɟɦɚ.


ɉɨ ɢɡɜɟɫɧɨ ɜɪɟɦɟ ɬɟɥɟɮɨɧɨɬ ɾɜɨɧɢ, ɩɨ ɩɪɟɬɫɬɚɜɭɜɚʃɟɬɨ ɫɨ ɩɨɥɧɨ ɢɦɟ ɢ
ɩɪɟɡɢɦɟ, ɨɜɨʁ ɩɚɬ ɢ ɫɨ ɩɪɟɤɚɪ, ɱɢɬɚɬɟɥɨɬ ɜɨɡɛɭɞɟɧ ɜɟɞɧɚɲ ɞɚ ɡɛɨɪɭɜɚ ɩɨɱɧɭ-
ɜɚ: „ɉɨɱɢɬɭɜɚɧ ɝɨɫɩɨɞɢɧɟ ɉɪɱɤɨɜ, ɫɨ ɫɨɩɪɭɝɚɬɚ ɝɢ ɩɪɨɱɢɬɚɜɦɟ ɫɟɞɭɦɬɟ ɬɨɦɚ
ɨɞ ɩɪɜɢɬɟ ɢɡɛɪɚɧɢ ɞɟɥɚ. ȼɟɞɧɚɲ ɫɮɚɬɢɜɦɟ ɞɟɤɚ ɫɟ ɪɚɛɨɬɢ ɡɚ ɟɞɟɧ ɧɨɜɢɬɟɬ,
ɨɫɨɛɟɧɨ ɜɨ ʁɚɡɢɤɨɬ, ɜɨ ɫɬɢɥɨɬ, ɭɲɬɟ ɟɞɧɚ ɤɪɭɩɧɚ ɨɫɨɛɢɧɚ, ɤɨʁɚ ɜɟ ɩɪɚɜɢ ɫɜɨʁ ɢ
ɧɚ ɧɢɱɢʁ ɞɪɭɝ. ɂɫɩɪɟɜɪɬɟɧɚɬɚ ɫɢɧɬɚɤɫɚ, ɢ ɬɨɚ ɝɨ ɧɟɦɚ ɧɢɤɚɞɟ, ɢɧɜɟɪɡɢʁɚ ɜɨ
ɞɪɭɝɢ ɪɨɦɚɧɢ ɧɟɦɚ, ɬɨɤɦɭ ɬɨɚ ɟ ɢ ɟɞɟɧ ɧɨɜ ɩɪɨɧɚʁɞɨɤ ɜɨ ɥɢɬɟɪɚɬɭɪɚɬɚ, ɡɧɚɱɢ
ɧɟɩɪɨɰɟɧɥɢɜɚ ɫɚɦɨɫɬɨʁɧɨɫɬ ɡɚ ɜɚɲɢɬɟ ɞɟɥɚ. ɐɟɥɚɬɚ ɜɚɲɚ ɥɢɬɟɪɚɬɭɪɚ, ɦɢɫɥɚɦ
ɜɨ ɫɟɞɭɦɬɟ ɬɨɦɚ, ɟ ɦɨɞɟɪɧɨ ɤɨɧɰɟɩɢɪɚɧɚ, ɟ ɧɚɩɢɲɚɧɚ ɜɨ ɢɧɜɟɪɡɢʁɚ. ɋè ɟ ɢɡɜɢ-
ɬɨɩɟɪɟɧɨ, ɨɞ ɬɟɩɚɱɤɢ, ɛɨɤɫɨɜɢ, ɡɚɱɢɧɟɬɢ ɫɨ ɦɨʅɧɢɰɢ, ɩɪɟɜɪɬɟɧɚɬɚ ɧɚɪɚɤɜɢɰɚ
ɢ ɞɪɭɝɢ ɥɨɦɨɜɢ, ɞɟɥɚɬɚ ɬɢ ɝɢ ɩɪɚɜɚɬ ɭɧɢɤɚɬɧɢ, ɜɫɭɲɧɨɫɬ, ɜɟ ɢɧɞɢɜɢɞɭɚɥɢɡɢ-
ɪɚɚɬ. ɉɨɱɢɬɭɜɚɧ ɩɢɫɚɬɟɥɟ, ɡɚɮɚɬɟɧ ɨɞ ɫɢɥɧɚ ɟɭɮɨɪɢʁɚ ʅɟ ɜɢ ɤɚɠɚɦ ɭɲɬɟ ɧɟ-
ɲɬɨ ɚɦɚ ɜɨ ɞɨɜɟɪɛɚ, ɫɚɦɨ ɩɨɦɟɼɭ ɧɚɫ ɞɜɚʁɰɚɬɚ ɞɚ ɨɫɬɚɧɟ, ɧɟɦɚ ɧɢɤɨɦɭ ɧɢɬɭ ɞɚ
ɦɭ ɡɭɰɧɟɲ, ɚ...?“ Ʉɨɝɚ ɦɭ ɪɟɤɨɜ ɡɛɨɪɭɜɚʁɬɟ ɫɥɨɛɨɞɧɨ, ɧɟɬɪɩɟɥɢɜ ɫɭɦ ɞɚ ɜɟ
ɫɥɭɲɧɚɦ. Ɍɨʁ ɜɟɞɧɚɲ ɩɨɱɧɚ: „ɋɨ ɠɟɧɚ ɦɢ ɝɨ ɱɢɬɚɜɦɟ ɪɨɦɚɧɨɬ „Ɂɟɚ ɦɚɭɫ“.
ɉɪɜɨ ɬɚɚ ɱɢɬɚɲɟ, ʁɚɫ ɫɥɭɲɚɜ, ɩɚ ʁɚɫ ɱɢɬɚɜ ɬɚɚ ɫɥɭɲɚɲɟ, ɫɟ ɦɟɧɭɜɚɜɦɟ ɡɚɲɬɨ
ɪɨɦɚɧɨɬ ɢɦɚɲɟ ɢɡɥɟɡɟɧɨ ɩɨɡɚɦɚɲɟɧ, ɚ ɧɢɟ ɜɨ ɟɞɟɧ ɞɟɧ ɫɚɤɚɜɦɟ ɞɚ ɝɨ ɩɪɨɱɢɬɚ-
ɦɟ, ɡɚɲɬɨ ɫɦɟ ɡɟɥɟ ɞɚ ɱɢɬɚɦɟ ɧɟɜɨɨɛɢɱɚɟɧɚ ɪɚɛɨɬɚ, ɞɨ ɤɪɚʁɨɬ ɧɚ ɪɨɦɚɧɨɬ, ɞɨ
ɤɪɚʁɧɢɨɬ ɢɫɯɨɞ ɞɨɞɟɤɚ ɦɪɚɤɨɬ ɧɟ ɩɚɞɧɟ ɦɨɪɚɜɦɟ ɞɚ ɞɨʁɞɟɦɟ, ɢ ɡɚɮɚɬɟɧɢ ɨɞ
ɫɨɛɥɚɡɧɢɬɟɥɧɚ, ɫɥɚɞɨɫɬɪɚɫɧɚ ɩɨɯɨɬɚ, ɦɪɚɤɨɬ ɞɚ ɩɚɞɧɟ, ɚ ɧɢɟ ɪɨɦɚɧɨɬ ɞɚ ɝɨ ɞɨ-
ɱɢɬɚɦɟ ɨɞɜɚʁ ɞɨɱɟɤɚɜɦɟ, ɡɚɬɨɚ ɱɢɬɚɜɦɟ ɥɢ ɱɢɬɚɜɦɟ... ɉɢɫɚɬɟɥɟɟɟ, ɬɨʁ ɉɚɬɥɚɬɚ,




НУУБ „Св. Климент Охридски“– Битола


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ɨɫɨɛɟɧɨ ɬɨʁ Ȯɨɪɟ, ɡɚ ɧɟɝɨ ɫɨ ɠɟɧɚ ɦɢ ɞɨɥɝɨ ɫɩɨɪɟɜɦɟ, ʁɚɫ ɬɜɪɞɟɜ ɞɟɤɚ ɫɢ ɥɢɱɧɨ
ɬɢ, ɬɚɚ ɫɟ ɫɨɦɧɟɜɚɲɟ, ɧɚ ɤɪɚʁɨɬ ɫɬɚɜɨɜɢɬɟ ɝɢ ɭɫɨɝɥɚɫɢɜɦɟ ɞɟɤɚ ɝɥɚɜɧɢɨɬ ɥɢɤ
ɜɨ ɪɨɦɚɧɨɬ Ȯɨɪɟ ɫɢ ɬɢ, ɧɟʁɫɟ. ɋɭɦ ɡɟɥ ɞɚ ɨɞɨɥɝɨɜɥɟɤɭɜɚɦ, ɟɜɟ ɩɪɟɦɢɧɭɜɚɦ ɧɚ
ɝɥɚɜɧɨɬɨ, Ȯɨɪɟ, ɫɨ ɬɨʁ ɉɚɬɥɚɬɚ, ɩɪɢɪɨɞɚɬɚ ɱɭɞɚ ɩɪɚɜɢ, ɫɨ ɩɚɬɥɚɤɨ ɦɨɠɟ ɞɚ ɫɟ
ɡɚɪɚɛɨɬɢ ɦɧɨɝɭ, ɫɚɦɨ ɩɨɬɪɟɛɟɧ ɟ ɫɢɥɟɧ ɭɦ. ɂ ɞɜɚʁɰɚɬɚ ɫɨ ɩɚɬɥɚɰɢɬɟ ɫɬɟ ɡɟɥɟ
ɦɧɨɝɭ ɞɚ ɪɚɛɨɬɢɬɟ, ɚɦɚ ɞɚ ɢɡɜɪɲɭɜɚɬɟ ɟɞɧɚ ɦɧɨɝɭ ɛɥɚɝɨɪɨɞɧɚ ɦɢɫɢʁɚ. ɋɨ ɠɟ-
ɧɚ ɦɢ ɢɡɥɟɝɨɜɦɟ ɫɨ ɩɨɥɧɚ ɞɭɲɚ ɢ ɫɪɰɟ, ɦɧɨɝɭ ɧɢ ɨɥɟɫɧɚ ɤɚɤɨ ɢɡɥɟɝɥɨ ɜɨɡɦɨɠ-
ɧɨ ɩɪɟɤɭ ɟɞɧɨ ɥɢɬɟɪɚɬɭɪɧɨ ɞɟɥɨ ɨɝɪɚɛɟɧɢɬɟ ɩɚɪɢ ɨɞ ɧɚɪɨɞɨɬ, ɜɢɟ ɞɜɚʁɰɚɬɚ ɞɨ
ɧɚʁɫɢɬɧɚɬɚ ɩɚɪɢɱɤɚ ɞɚ ɢɦ ɝɢ ɜɪɚɬɢɬɟ, ɩɢɫɚɬɟɥɟ, ɬɚɤɚ, ɫɚɦɨ ɬɚɤɚ ɬɪɟɛɚ ɞɚ ɫɟ ɩɢ-
ɲɭɜɚ, ɫɚɦɨ ɬɚɤɚ ɩɪɨɞɭɤɬɢɜɧɨ ɢɡɥɟɝɭɜɚ, ɜɨɥɤɨɬ ɧɟ ɢɡɥɟɝɨɥ ɫɢɬ, ɚɦɚ ɡɚ ɧɚɫ ɲɬɨ
ɟ ɜɚɠɧɨ ɨɜɰɢɬɟ ɧɚ ɛɪɨʁ. ɍɲɬɟ ɧɟɲɬɨ ɲɬɨ ɬɪɟɛɚ ɞɚ ɝɨ ɩɪɟɦɨɥɱɢɲ. ɋɨ ɠɟɧɚ ɦɢ
ɩɨɥɧɢ ɡɚɞɨɜɨɥɫɬɜɨ, ɩɨɧɟɫɟɧɢ ɨɞ ɬɜɨʁɨɬ ɪɨɦɚɧ ɰɟɥɚ ɧɨʅ ɡɟɞɨɜɦɟ ɞɚ ɪɚɛɨɬɚɦɟ.
Ɋɚɛɨɬɟɜɦɟ, ɪɚɛɨɬɟɜɦɟ, ɚɦɚ ɭɬɪɢɧɚɬɚ ɢ ɞɜɚʁɰɚɬɚ ɞɨ ɡɚɤɥɭɱɨɤ ɞɨʁɞɨɜɦɟ ɤɚɤɨ ɜɢɟ
ɜɨ ɪɨɦɚɧɨɬ ɧɟ. ɂɡɦɨɪɟɧɢ, ɨɦɚɥɞɭɲɟɧɢ ɞɟɧɨɬ ɝɨ ɩɪɟɫɩɚɜɦɟ, ɞɜɚʁɰɚɬɚ ɧɚ ɪɚɛɨ-
ɬɚ ɧɟ ɨɬɢɞɨɜɦɟ. ȼɨ ɲɬɨ ɧɢ ɢɡɥɟɡɟ ɩɪɨɛɥɟɦɨɬ ɦɟɧɟ ɦɢ ɟ ʁɚɫɧɨ, ɩɢɫɚɬɟɥɟ ɜɨ
ɭɦɨɬ, ɜɢɟ ɫɬɟ ɢɡɥɟɝɥɟ ɦɧɨɝɭ ɩɨɫɢɥɧɢ ɨɞ ɦɟɧɟ, ɟɬɟ ɩɚɤ ʅɟ ɪɟɱɚɦ ɩɪɢɪɨɞɧɚ ɪɚ-
ɛɨɬɚ.... Ɂɚɫɟɝɚ ɬɨɥɤɭ ɞɨ ɫɥɟɞɧɨ ɞɨɫɥɭɲɚʃɟ“. Ɂɟɞɨɜ ɝɪɨɦɤɨ ɞɚ ɫɟ ɫɦɟɚɦ, ɚɦɚ ɪɨ-
ɦɚɧɨɬ „Ɂɟɚ ɦɚɭɫ“ ɩɨɱɧɚɜ ɤɨʁɡɧɚɟ ɩɨ ɤɨʁ ɩɚɬ ɞɚ ɫɢ ɝɨ ɩɪɟɩɪɨɱɢɬɭɜɚɦ.


ȿɞɟɧ ɫɨɧɱɟɜ ɞɟɧ, ɩɨɦɢɧɭɜɚʁʅɢ ɝɨ Ʌɟɧɫɤɢ ɦɨɫɬ ɦɟ ɡɚɩɪɟ ɟɞɧɚ ɝɨɫɩɨɼɚ. ȼɟ
ɩɪɟɩɨɡɧɚɜ, ɦɢ ɪɟɱɟ, ɨɞ ɮɨɬɨɝɪɚɮɢɢɬɟ ɧɚ ɜɚɲɢɬɟ ɞɟɥɚ ɜɟ ɩɪɟɩɨɡɧɚɜ ɢ ɲɬɨɦ ɜɟ
ɫɪɟɬɧɚɜ, ɚ ɨɞɚɦɧɚ ɜɚɤɜɚ ɫɪɟɞɛɚ ɱɟɤɚɜ, ɫɚɤɚɦ ɧɟɲɬɨ ɞɚ ɜɢ ɪɟɱɚɦ. ɂ ɝɨɫɩɨɼɚɬɚ
ɜɨ ɩɨɨɞɦɢɧɚɬɢ ɝɨɞɢɧɢ ɢɡɥɟɡɟɧɨ ɲɬɨ ɢɦɚɲɟ ɞɚ ɦɢ ɢɡɧɟɫɭɜɚ ɩɨɱɧɚ: „Ʌɢɱɧɨ ʁɚɫ
ɫɭɦ ɩɪɨɱɢɬɚɥɚ ɦɨɪɟ ɨɞ ɥɢɬɟɪɚɬɭɪɚ, ɤɧɢɝɢ ɫɨ ɬɨɧɢ, ɚɪɧɨ ɚɦɚ ɧɚ ɩɪɨɡɚ ɫɨ ʁɚɡɢɤ
ɤɚɤɨɜ ɲɬɨ ɟ ɜɨ ɜɚɲɢɬɟ ɞɟɥɚ ɧɟ ɫɭɦ ɫɪɟɬɧɚɥɚ ɜɨ ɧɚɲɚɬɚ ɥɢɬɟɪɚɬɭɪɚ, ɟɜɪɨɩɫɤɚ-
ɬɚ ɢ ɩɨɲɢɪɨɤɨ, ɜɫɭɲɧɨɫɬ, ɬɚɤɨɜ ʁɚɡɢɤ ɧɟ ɫɭɦ ɫɪɟɬɧɚɥɚ ɧɢɬɭ ɜɨ ɟɞɧɚ ɤɧɢɝɚ, ɧɢ-
ɬɭ ɤɚʁ ɟɞɟɧ ɩɢɫɚɬɟɥ. ȳɚɡɢɤɨɬ ɜɨ ɜɚɲɢɬɟ ɞɟɥɚ ɟ ɥɢɬɟɪɚɬɭɪɟɧ ɢ ɭɦɟɬɧɢɱɤɢ ɡɚɱɢ-
ɧɟɬ ɫɨ ɩɰɨɜɤɢ, ɧɚɩɚɬɢ ɟ ɢ ɜɭɥɝɚɪɟɧ, ɧɨ ɤɧɢɠɟɜɧɨ ɞɨɡɜɨɥɟɧ, ɨɛɟɥɟɠɚɧ ɤɚɤɨ ɤɨ-
ɩɪɨɥɚɪɢʁɚ. Ɂɚ ɞɚ ɫɟ ɪɚɡɛɟɪɟ ʁɚɡɢɤɨɬ ɜɨ ɬɜɨɢɬɟ ɞɟɥɚ ɧɟɨɩɯɨɞɧɨ ɟ ɞɚ ɫɟ ɩɪɨɱɢɬɚ,
ɞɚ ɫɟ ɚɧɚɥɢɡɢɪɚ, ɢ ɤɨɥɤɭ ɞɚ ɫɟ ɝɨɜɨɪɢ ɛɢ ɛɢɥɨ ɛɟɫɩɪɟɞɦɟɬɧɨ ɢ ɡɚ ɩɪɨɫɟɱɧɢɨɬ
ɱɢɬɚɬɟɥ ɢɡɥɟɝɭɜɚ ɧɟʁɚɫɧɨ. Ɂɚɛɟɥɟɠɢɬɟɥɧɨ ɟ ɞɟɤɚ ɜɨ ɬɜɨɟɬɨ ɬɜɨɪɟɲɬɜɨ ɧɟɦɚ ɢɧ-
ɬɟɪɧɚɰɢɨɧɚɥɢɡɦɢ, ɡɛɨɪɨɜɢ ɡɚ ɩɪɨɫɟɱɧɢɨɬ ɱɢɬɚɬɟɥ ɧɟɪɚɡɛɢɪɥɢɜɢ, ɚ ɝɢ ɡɚɦɟɧɭ-
ɜɚɲ ɫɨ ɫɬɚɪɢ ɦɚɤɟɞɨɧɫɤɢ ɡɛɨɪɨɜɢ, ɡɧɚɱɢ ɝɨ ɢɦɚɬɟ ɱɢɫɬɢɨɬ ɦɚɤɟɞɨɧɫɤɢ ʁɚɡɢɤ,
ɭɩɨɬɪɟɛɭɜɚɬɟ ɢ ɩɨ ɧɟɤɨʁ ɬɭɪɰɢɡɚɦ, ɫɚɦɨ ɨɞɨɦɚʅɢɧɟɬ ɜɨ ɦɚɤɟɞɨɧɫɤɢɨɬ ʁɚɡɢɤ.
ɑɢɬɚʁʅɢ ɝɢ ɜɚɲɢɬɟ ɪɨɦɚɧɢ ɞɨʁɞɨɜ ɞɨ ɫɨɡɧɚɧɢɟ ɤɚɤɨ ɦɟ ɜɨɜɟɞɭɜɚɬɟ ɜɨ ɞɟʁɫɬɜɨ-
ɬɨ, ɚɦɛɢɟɧɬɨɬ ɝɨ ɞɨɠɢɜɟɚɜ ɤɚɤɨ ɜɟɪɢɫɬɢɱɤɢ, ɤɚɤɨ ɞɟɥɚɬɚ ɧɚ ȹɨɜɚɧɢ ȼɟɪɝɚ,
ȼɚɫɤɨ ɉɪɚɝɨɥɢɧɢ ɢ ɞɪɭɝɢ ɩɪɟɬɫɬɚɜɧɢɰɢ ɧɚ ȼɟɪɢɡɦɨɬ. ɂɦɢʃɚɬɚ, ɨɫɨɛɟɧɨ ɩɪɟ-
ɤɚɪɢɬɟ ɧɚ ɥɢɤɨɜɢɬɟ ɫɨɞɪɠɚɬ ɞɥɚɛɨɤɚ ɜɟɪɢɫɬɢɱɤɚ ɫɟɦɚɧɬɢɤɚ. ȼɨ ɪɨɦɚɧɨɬ ȼɟ-
ɪɭɲɤɚ ɩɨɫɬɨɢ ɫɢɥɧɚ ɫɟɦɚɧɬɢɱɤɚ ɚɫɨɰɢʁɚɰɢʁɚ ɩɨɦɟɼɭ ɱɨɜɟɤɨɬ ɢ ɧɟɝɨɜɨɬɨ ɢɦɟ
ɢɥɢ ɩɪɟɤɚɪ ɤɨʁɲɬɨ ɨɞɥɢɱɧɨ ɮɭɧɤɰɢɨɧɢɪɚ ɢ ɢɦɚ ɫɜɨʁɚ ɞɨɫɬɨʁɧɚ ɡɚɞɚɱɚ ɢ ɜɥɢʁɚ-
ɧɢɟ ɜɪɡ ɞɟʁɫɬɜɨɬɨ, ɫɩɟɰɢɮɢɤɚ ɡɚ ɜɚɲɢɨɬ ɜɢɞ ɪɨɦɚɧɢ. Ƚɥɚɜɧɢɬɟ ɥɢɤɨɜɢ ɜɨ ɬɜɨ-
ɢɬɟ ɪɨɦɚɧɢ ɫɟ ɢɡɝɪɚɞɟɧɢ ɜɪɡ ɰɜɪɫɬɚ ɛɢɧɚɪɧɚ ɨɩɨɡɢɰɢʁɚ: Ⱦɭɯɨɜɧɨ ɢ ɢɧɬɟɥɟɤɬɭ-
ɚɥɧɨ ɛɨɝɚɬɫɬɜɨ, ɨɞ ɟɞɧɚ ɫɬɪɚɧɚ, ɧɨ ɢ ɤɪɚʁɧɚ ɛɟɞɚ ɜɨ ɦɚɬɟɪɢʁɚɥɧɚɬɚ ɩɪɨɟɤɰɢʁɚ
ɧɚ ɠɢɜɟɟʃɟɬɨ, ɨɞ ɞɪɭɝɚ ɫɬɪɚɧɚ... Ɂɚɫɟɝɚ ɬɨɥɤɭ, ɩɪɢ ɫɥɟɞɧɚ ɫɪɟɞɛɚ ɩɨɜɟʅɟ“, ɦɢ
ɪɟɱɟ ɝɨɫɩɨɼɚɬɚ ɢ ɫɨ ɩɨɞɡɢɧɚɬɚ ɭɫɬɚ ɧɚ Ʌɟɧɫɤɢ ɦɨɫɬ ɩɨɤɪɚʁ ɚɦɚɥɢɬɟ ɦɟ ɨɫɬɚɜɢ.




Деветта роднокрајна средба…


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Ɂɚɞɨɜɨɥɟɧ ɩɚɬɨɬ ɫɢ ɝɨ ɩɪɨɞɨɥɠɢɜ ɚɦɚ ɲɬɨ ɜɨɫɩɨɫɬɚɜɢɜ ɰɜɪɫɬɚ ɤɨɦɭɧɢɤɚɰɢʁɚ
ɫɨ ɟɞɧɚ ɱɢɬɚɬɟɥɤɚ, ɤɨʁɚ ɤɚɤɨ ɩɢɫɚɬɟɥ ɦɟ ɩɪɟɩɨɡɧɚɥɚ, ɦɨɢɬɟ ʁɭɧɚɰɢ ɫɨɜɪɲɟɧɨ ɢ
ɢɡɥɟɝɥɟ ʁɚɫɧɢ ɢ ɫɨ ɞɟɧɨɜɢ ɫɟ ɞɪɭɠɟɥɚ ɫɨ ɧɢɜ. Ɂɚɞɨɜɨɥɫɬɜɨɬɨ ɦɟɪɤɚ ɦɢ ɧɟɦɚ.


Ƚɨɪɞ ɧɟ ɫɭɦ, ɪɚɡɨɱɚɪɚɧ, ɢɡɧɟɜɟɪɟɧ ɨɞ ɩɢɫɚɬɟɥɱɢʃɚɬɚ ɞɚ, ɦɧɨɝɭ. ɉɨɝɥɟɞ-
ɧɚɜ ɜɨ ɠɢɜɨɬɨɬ ɫɜɨʁ ɫɨ ɧɚɫɦɟɜɤɚ ɢ ɧɚɞɦɟɧɚ ɫɢɝɭɪɧɨɫɬ. ɋɟ ɧɚɨɼɚɜ ɬɚɦɭ ɤɚɞɟ
ɲɬɨ ɛɟɜ, ɛɢɞɟʁʅɢ ɧɢɤɨɝɚɲ ɧɟ ɞɨɡɜɨɥɢɜ ɩɨɦɢɫɥɚɬɚ ɧɚ ɩɚɞ ɢ ɞɧɨ ɞɚ ɦɟ ɨɤɭɩɢɪɚ
ɩɨɜɟʅɟ ɨɞ ɧɟɤɨɥɤɭ ɪɟɞɨɜɢ. Ɍɨɚ ɦɢ ɭɫɩɟɚ ɧɟ ɬɨɥɤɭ ɩɨɪɚɞɢ ɥɢɱɧɚ ɫɩɨɫɨɛɧɨɫɬ
ɬɭɤɭ ɩɨɪɚɞɢ ɧɚɫɬɚɩɨɬ ɞɟɤɚ ɥɢɧɢɢɬɟ ɲɬɨ ɝɢ ɲɩɚɪɬɚɦ ɫɟ ɩɪɚɜɢɥɧɢ, ɚ ɝɪɟɲɤɢɬɟ
ɧɟɜɢɞɥɢɜɢ. Ɍɨɚ ɢ ɮɭɧɤɰɢɨɧɢɪɚɲɟ ɧɟ ɬɨɥɤɭ ɩɨɪɚɞɢ ɡɞɪɚɜɢɨɬ ɚɜɬɨɪɢɬɟɬ ɨɞ ɫɟ-
ɛɟɫɢ ɬɭɤɭ ɩɨɪɚɞɢ ɢɪɨɧɢɱɧɢɨɬ ɫɬɚɜ ɤɨɧ ɫɥɚɛɨɫɬɢɬɟ ɧɚ ɦɨɢɬɟ ɥɢɤɨɜɢ. Ɍɨɚ ɛɟɲɟ
ɪɟɡɭɥɬɚɬ ɧɟ ɧɚ ɦɨʁɚɬɚ ɫɢɥɚ, ɬɭɤɭ ɩɨɜɟʅɟ ɞɪɫɤɨɫɬ ɢ ɩɪɟɡɢɪ ɤɨɧ ɫɟɤɨɝɨ. ɋɟ ɧɚɨ-
ɼɚɦ ɬɚɦɭ ɤɚɞɟ ɲɬɨ ɫɭɦ ɢ ɦɢɫɥɚɦ ɞɟɤɚ ʅɟ ɨɫɬɚɧɚɦ ɪɟɡɨɧɢɪɚʁʅɢ ɞɟɤɚ ɢ Ȼɨɝ ɩɨɫ-
ɬɨɢ ɩɨɪɚɞɢ ɦɟɧɟ, ɞɚ Ɇɢ ɫɟ ɜɨɫɯɢɬɭɜɚ. ɋɟ ɧɚɨɼɚɦ ɬɚɦɭ ɤɚɞɟ ɲɬɨ ɫɭɦ ɢ ɫɚɤɚɦ
ɞɚ ɩɪɨɞɨɥɠɚɦ, ɢɚɤɨ ɧɟɦɚɦ ɫɨ ɤɨɝɨ ɞɚ ɫɟ ɫɩɨɪɟɞɭɜɚɦ. ɇɨ, ɧɚɬɩɪɟɜɚɪɨɬ ɫɨ ɫɚ-
ɦɢɨɬ ʁɚɫ ɦɨɠɟ ɞɚ ɫɬɚɧɟ ɤɨɧɬɪɨɜɟɪɡɟɧ ɢ ɞɚ ɨɬɤɪɢɟ ɧɟɲɬɨ ɲɬɨ ʅɟ ɦɟ ɪɚɡɧɢɲɚ. ɂ
ɬɚɤɚ ɩɪɜɨ ɦɢ ʁɚ ɨɬɤɪɢ ɫɦɪɬɬɚ. Ɇɢ ɬɪɟɛɚɲɟ ɜɪɟɦɟ ɞɚ ɫɟ ɩɨɦɢɪɚɦ ɫɨ ɧɟɚ, ɚ ɤɨɝɚ
ʁɚ ɢɫɩɥɚɧɢɪɚɜ ɧɚɢɞɟ ɩɟɤɨɥɨɬ. ɇɟɲɬɨ ɦɟ ɠɟɝɧɚ ɜɨ ɫɪɰɟɬɨ... Ɇɢ ɨɫɬɚɧɚ ɭɲɬɟ
ɬɨɥɤɭ, ɤɨɥɤɭ ɞɚ ɩɨɝɥɟɞɧɚɦ ɜɨ ɠɢɜɨɬɨɬ ɩɚɤ ɫɨ ɧɚɫɦɟɜɤɚ ɢ ɧɚɞɦɟɧɚ ɫɢɝɭɪɧɨɫɬ,
ɧɨ ɧɟɲɬɨ ɦɟ ɨɞɜɪɚʅɚɲɟ. Ȼɟɲɟ ɜɪɟɦɟ ɜɨ ɫɟɛɟ ɞɚ ɢɡɛɚɪɚɦ ɧɟɲɬɨ ɩɨɤɪɟɜɤɨ, ɤɨɟ
ɛɢ ɝɨ ɢɡɜɚɞɢɥ ɧɚ ɜɢɞɟɥɢɧɚ, ɤɨɟ ɛɢ ɝɨ ɩɨɜɪɟɞɢɥɟ. Ɍɚɤɚ ʅɟ ɛɟɜ ɩɨɱɭɫɬɜɭɜɚɥ ɡɨ-
ɲɬɨ ɞɪɭɝɢɬɟ ɫɟ ɩɨɧɢɠɟɧɢ ɢ ɩɥɚɱɚɬ. Ɍɨɚ ʅɟ ɦɟ ɞɨɛɥɢɠɟɲɟ ɭɲɬɟ ɩɨɜɟʅɟ ɞɨ ɇɟ-
ɝɨ ɢ ɰɟɥɬɚ ɩɨɪɚɞɢ ɤɨʁɚ ɫɦɟ ɫɟ ɡɚɡɟɦʁɢɥɟ. ɂ ɩɨɜɟʅɟ ɧɟɦɚ ɞɚ ɛɢɞɚɦ ɝɨɪɞ, ɚ ɦɨɟɬɨ
ɟɝɨ ʅɟ ɛɢɞɟ ɲɚɦɢɜɱɟ ɡɚ ɫɨɥɡɢ-ɩɨɤɚʁɧɢɱɤɢ.


ɇɟ, ɧɟ ɫɭɦ ʁɚɫ ɩɢɫɚɬɟɥ, ɤɨʁ ɡɧɚɟ ɦɨɠɟɛɢ ɢ ɫɭɦ, ɡɚɲɬɨ ɤɨɦɭɧɢɤɚɰɢʁɚɬɚ ɫɨ
ɱɢɬɚɬɟɥɨɬ ɟ ɩɪɜɨɫɬɟɩɟɧɚ, ɛɢɞɟʁʅɢ ɧɟ ɫɢ ɩɢɲɭɜɚɦ ɫɚɦɨ ɡɚ ɦɨʁɚ ɞɭɲɚ. Ƚɢ ɪɟɞɚɦ
ɛɭɤɜɢɬɟ ɜɨ ɥɨɝɢɱɟɧ ɧɢɡ, ɩɪɚɜɚɦ ɡɛɨɪɨɜɢ, ɪɟɱɟɧɢɰɢɬɟ ɫɚɦɢ ɧɚɞɨɚɼɚɚɬ ɢ ɩɪɟɞ
ɦɟɧɟ ɞɟɥɨɬɨ ɡɚɠɢɜɭɜɚ. ȳɚ ɩɪɚɲɭɜɚɦ ɞɭɲɚɜɚ ɞɚɥɢ ɟ ɫɪɟʅɧɚ, ɬɚɚ ɟ ɫɟɛɢɱɧɚ ɢ ɜɟ-
ɥɢ ɞɚ, ɫɟ ɧɚɫɦɟɜɧɭɜɚ ɜɨ ɧɟʁɡɢɧɢɬɟ ɞɚɦɚɪɢ. Ⱥɤɨ ɬɚɚ ɟ ɢɫɩɨɥɧɟɬɚ, ʁɚɫ ɭɲɬɟ ɩɨɜɟ-
ʅɟ, ɦɧɨɝɭ ɦɢɫɥɚɬ ɞɟɤɚ ɫɟɛɟɡɚɞɨɜɨɥɭɜɚʃɟɬɨ ɟ ɟɥɢɤɫɢɪ ɡɚ ɫɨɜɪɟɦɟɧɨɬɨ ɛɢɬɢɫɭ-
ɜɚʃɟ. Ƚɨ ɜɪɚɦɭɜɚɦ ɞɟɥɨɬɨ ɧɚ ɾɢɞɨɬ, ɝɨ ɩɨɝɥɟɞɧɭɜɚɦ ɫɟɤɨɟ ɭɬɪɨ ɩɪɟɞ ɤɨɧɫɭɦɢ-
ɪɚʃɟ ɧɚ ɤɚɮɟɬɨ, ɦɭ ɫɟ ɩɨɤɥɨɧɭɜɚɦ ɢ ɩɚɤ ʁɚ ɩɪɚɲɭɜɚɦ ɞɭɲɚɬɚ ɡɚ ɧɟʁɡɢɧɚɬɚ ɪɚ-
ɞɨɫɬ. ɂ ɲɬɨ ɟ ɧɚʁɥɨɲɨ, ɫɟɤɨɟ ɭɬɪɨ ɨɱɟɤɭɜɚɦ ɧɨɜ, ɩɨɢɧɬɪɢɝɚɧɬɟɧ ɨɞɝɨɜɨɪ, ɫɟ-
ɤɚɤɨ ɜɨ ɤɭɥɦɢɧɚɰɢʁɚ ɤɨɧ ɧɢɪɜɚɧɚɬɚ. ɇɨ, ɢɫɬɨ ɬɚɤɚ, ɫɟ ɢɡɦɚɦɢɥɚ ɢ ɜɟɲɬɟɪɤɚɬɚ,
ɦɚʅɟɚɬɚ ɧɚ ɋɧɟɠɚɧɤɚ ɤɨʁɚ ɝɨ ɩɪɢɬɢɫɤɚɥɚ ɨɝɥɟɞɚɥɨɬɨ ɫɨ ɤɨɧɬɢɧɭɢɪɚɧɨɬɨ ɩɪɚ-
ɲɚʃɟ: ɤɨʁ ɟ ɧɚʁɭɛɚɜ? ɇɨɪɦɚɥɧɨ ɟɞɟɧ ɞɟɧ, ɧɟɩɨɫɬɨʁɚɧɨɫɬɚ ɜɨ ɪɟɚɥɧɨɫɬɚ ɢ ɦɭ-
ɞɪɨɫɬɚ: ɫè ɬɟɱɟ ɢ ɫè ɫɟ ɦɟɧɭɜɚ, ʁɚ ɧɚɩɪɚɜɢ ɢ ɦɨʁɚɬɚ ɞɭɲɚ, ɚ ɢ ɦɚʅɟɚɬɚ ɞɟɩɪɟ-
ɫɢɜɧɚ ɨɞ ɧɟɨɱɟɤɭɜɚɧɢɨɬ ɨɞɝɨɜɨɪ. ɇɚʁɭɛɚɜɚ ɟ ɋɧɟɠɚɧɤɚ, ɚ ɬɟɫɧɚ ɟ ɦɨʁɚɬɚ ɞɭɲɚ,
ɧɚɞɭɟɧɚ ɤɚɤɨ ɛɚɥɨɧ ɫɨ ɫɟɤɨʁɞɧɟɜɧɨɬɨ ɩɪɟɠɢɜɭɜɚʃɟ ɧɚ ɫɭɟɬɚɬɚ ɞɟɤɚ ɞɟɥɨɬɨ ɟ
ɡɚ ɧɟɚ, ɫɚɦɨ ɡɚ ɧɟɚ. Ɍɚɤɚ ɩɨɪɚɡɟɧɚ, ɞɭɲɚɬɚ ɩɪɢɡɧɚ ɢ ɞɨɡɜɨɥɢ ɡɛɨɪɨɬ ɞɚ ɫɟ ɨɞ-
ɥɟɟ ɧɚɞɜɨɪ, ɤɚʁ ɫɟɤɨɝɨ ɤɨʁ ɫɟ ɧɚɪɟɤɭɜɚ ɠɟɞɧɢɤ.


Ɂɨɲɬɨ ɞɚ ʁɚ ɩɪɟɧɟɫɭɜɚɦ ɦɨʁɚɬɚ ɢɦɚɝɢɧɚɰɢʁɚ ɜɪɡ ɞɪɭɝɢɬɟ ɢ ɞɚ ɝɢ ɡɚɥɚɠɭ-
ɜɚɦ ɫɨ ɡɚɞɨɜɨɥɫɬɜɨ ɲɬɨ ɫɚɦɨ ʁɚɫ ɝɨ ɪɚɡɛɢɪɚɦ? Ⱦɚɥɢ ɬɨɚ ʅɟ ɛɢɞɟ ɧɚɦɟɬɧɚɬɨɫɬ
ɢɥɢ ɛɥɚɝɨɞeɬ? Ʉɨɩɧɟɠɨɬ ɧɟɲɬɨ ɞɚ ɫɟ ɢɡɪɟɱɟ ɧɨɫɢ ɫɜɨʁ ɩɪɟɜɟɡ ɫɨ ɡɚɜɟɫɚ ɨɞ
ɦɨɥɛɚ ɨɞ ɨɱɢɬɟ ɧɚ ɩɪɢɦɚɬɟɥɨɬ ɞɚ ɛɢɞɟ ɩɪɢɡɧɚɬ ɧɟɝɨɜɢɨɬ ɫɜɟɬ, ɢɥɢ ɛɚɪɟɦ ɜɨ




НУУБ „Св. Климент Охридски“– Битола


72


ɧɚʁɦɚɥɚ ɪɚɤɚ ɭɬɟɯɚ ɞɚ ɛɢɞɟ ɡɚɛɨɪɚɜɟɧ ɧɟɝɨɜɢɨɬ ɫɪɚɦ. ɂɦɚ ɫɜɨʁɚ ɫɨɛɚ ɡɚ ɩɥɚɱɟ-
ʃɟ, ɨɫɚɦɟɧɨ ɦɟɫɬɨ ɡɚ ɜɨɡɪɚɫɧɢ ɤɨɢ ɧɟ ɧɚɢɞɨɚ ɧɚ ɪɚɡɛɢɪɚʃɟ ɜɨ ɫɜɟɬɨɬ ɢ ɫɟ ɡɚ-
ɞɪɠɚɚ ɜɨ ɧɟɚ ɡɚ ɞɚ ʁɚ ɚɤɭɦɭɥɢɪɚɚɬ ɬɨɩɥɢɧɚɬɚ ɧɚ ɞɚɪɭɜɚʃɟɬɨ. ɂɦɚ ɫɜɨʁɚ ɝɨɪɚ ɡɚ
ɢɫɩɨɜɟɞ, ɜɢɫɨɤɨ ɦɟɫɬɨ ɤɚɞɟ ɪɚɡɝɨɜɨɪɨɬ ɫɨ Ȼɨɝɚ ɟ ɧɚɞɟɠɟɧ ɢ ɜɨɞɢ ɤɨɧ ɩɪɨɫɬɭ-
ɜɚʃɟ ɧɚ ɦɧɨɝɭ ɝɪɟɜɨɜɢ ɢɡɛɪɢɲɚɧɢ ɫɨ ɝɥɚɫɨɬ ɧɚ ɞɭɲɚɬɚ ɤɨʁɚ ɞɨɩɪɟɥɚ ɫɜɨʁɚ ɫɨɫ-
ɬɪɚɞɚɥɧɢɱɤɚ. ɉɢɲɭɜɚ ɞɟɫɧɚɬɚ ɪɚɤɚ ɢ ɧɟ ɤɚɠɭɜɚ ɧɢɲɬɨ ɧɢɤɨɦɭ. ɋɟ ɨɝɪɚɞɢɥɚ
ɨɞ ɥɟɜɚɬɚ ɤɨʁɚ ɦɨɠɟ б ɞɚ ɞɨɲɟɩɧɟ ɧɟɲɬɨ ɲɬɨ ɪɚɡɭɦɨɬ ʅɟ ɝɨ ɜɨɡɝɨɪɞɟɟ ɢ ʅɟ ʁɚ
ɭɧɢɲɬɢ ɪɚɞɨɫɬɚ ɲɬɨ ɩɪɟɬɫɬɨɢ. ɋɚɦɨ ɪɚɤɚ ɟ, ɧɨ ɡɧɚɟ ɞɚ ɱɭɜɚ ɬɚʁɧɚ, ɩɨɫɟɛɧɨ ɚɤɨ
ɦɨɥɤɨɬ ɝɨ ɡɚɝɧɟɡɞɭɜɚ ɫɪɰɟɬɨ ɜɨ ɧɟɠɧɚ ɨɛɜɢɜɤɚ ɫɨ ɫɢɦɩɬɨɦɢ ɧɚ ɫɩɨɤɨʁ ɢ ɨɧɚɤɚ
ɯɢɩɧɨɬɢɱɤɢ ɫɢɬɟ ɨɪɝɚɧɢ ɝɢ ɩɨɜɢɤɭɜɚ ɧɚ ɨɛɨɟɧɚ ɪɚɩɫɨɞɢʁɚ. ȼɨ ɬɨʁ ɫɬɪɟɦɟɠ ɧɢ-
ɤɨʁ ɧɟ ɧɢ ɩɨɦɢɫɥɭɜɚ ɧɚ ɧɚɝɪɚɞɚ. ɇɨ, Ɉɬɟɰɨɬ Ʉɨʁ ɝɥɟɞɚ ɬɚʁɧɨ, ʅɟ ɧè ɧɚɝɪɚɞɢ ʁɚɜ-
ɧɨ. ɂ ɞɪɭɝɢɬɟ ʅɟ ʁɚ ɜɢɞɚɬ ɡɟɦʁɚɬɚ ɧɚ ɫɩɨɤɨʁ ɩɨɦɟɼɭ ɠɟɥɛɚɬɚ ɞɚ ɫɟ ɤɚɠɟ ɧɟɲɬɨ
ɢ ɞɚ ɫɟ ɛɢɞɟ ɢɫɥɭɲɚɧ ɫɨ ɩɨɱɢɬ ɤɨɧ ɜɪɟɞɧɨɫɬɚ ɧɚ ɦɢɫɥɢɬɟ. Ɍɨɚ ɟ ɡɟɦʁɚ ɛɟɡ ɝɪɚɛ-
ɧɭɜɚɱɢ, ɤɚɞɟ ɫè ɟ ɧɚ ɫɢɬɟ ɢ ɧɢɱɢɟ, ɤɚɞɟ ɤɨɲɭɥɚɬɚ ɧɟ ɡɚɲɬɢɬɭɜɚ ɨɞ ɫɬɭɞɨɬ,
ɧɢɬɭ ʁɚ ɫɨɤɪɢɜɚ ɝɨɥɨɬɢʁɚɬɚ, ɬɭɤɭ ɫɥɭɠɢ ɡɚ ɩɪɟɩɨɡɧɚɜɚʃɟ ɧɚ ɪɨɞɨɬ ɧɚ ɚɧɝɟɥɢɬɟ.
Ɍɨɚ ɟ ɢ ɡɟɦʁɚ ɛɟɡ ɫɢɥɧɢɰɢ, ɤɚɞɟ ɫɢɥɚɬɚ ɫɥɭɠɢ ɫɚɦɨ ɡɚ ɩɨɞɢɝɚʃɟ ɧɚ ɱɚɲɚɬɚ ɧɚ-
ɬɨɩɟɧɚ ɜɨ ɢɡɜɨɪɨɬ ɧɚ ɠɢɜɚ ɜɨɞɚ ɢ ɡɚ ɤɢɧɟʃɟ ɧɚ ɥɢɫʁɚɬɚ ɨɞ ɞɪɜɨɬɨ ɧɚ ɠɢɜɨɬɨɬ.
Ɍɚɤɚ ɫɟ ɞɨɠɢɜɭɜɚ ɢ ɩɪɢɫɭɫɬɜɨɬɨ ɧɚ Ɉɧɨʁ, ɩɨɤɪɚʁ ɑɢɢ ɧɨɡɟ ɫɟɤɨʁ ʅɟ ɢɡɝɥɟɞɚ ɞɨ-
ɜɨɥɧɨ ɩɨɞɝɨɬɜɟɧ ɞɚ ɫɟ ɛɪɚɧɢ ɨɞ ɡɥɨɬɨ ɤɨɟ ɬɪɟɛɚ ɞɚ ɩɨɱɢɜɚ ɧɚ ɞɧɨɬɨ ɨɞ ɨɝɧɟɧɨ-
ɬɨ ɟɡɟɪɨ.


ɉɨɡɢɬɢɜɧɚ ɫɬɪɚɧɚ ʁɚ ɫɦɟɬɚɦ, ɩɨɱɢɬɭɜɚɧ ɞ-ɪ ȼɟʂɚɧɨɜɫɤɢ, ɲɬɨ ɦɨɢɬɟ
ɤɧɢɝɢ ɧɢɤɨɝɚɲ ɧɟ ɝɢ ɩɪɨɞɚɜɚɦ, ɤɧɢɝɢɬɟ ɫɚɦɨ ɝɢ ɩɨɞɚɪɭɜɚɦ ... ȼɨ ɤɧɢɝɚɬɚ ɢɦɚ
ɫɥɢɤɚ ɢ ɢɫɤɭɫɬɜɨ. ɂ ɞɜɟɬɟ ɢɦɚɚɬ ɫɪɰɟ. ɋɪɰɟɬɨ ɩɨɧɟɤɨɝɚɲ ɦɨɠɟ ɞɚ ɛɢɞɟ ɩɪɚɡ-
ɧɨ. ɇɟɞɨɫɬɢɝ ɨɞ ɟɦɨɰɢɢ ɢ ɞɟɩɪɟɫɢʁɚ ɝɨ ɧɚɫɟɥɢɥɟ ɢ ɲɬɨ ɛɢ ɦɨɠɟɥɨ ɞɚ ɨɩɫɬɨɢ
ɩɨɤɪɚʁ ɜɚɤɜɢɬɟ ɤɨɪɨɜɢ. ɋɨ ɫɬɚɤɥɟɧ ɩɨɝɥɟɞ ɢ ɪɚɦɧɨɞɭɲɧɨɫɬ ɫɟ ɩɪɟɱɟɤɭɜɚɚɬ ɢ
ɢɫɩɪɚʅɚɚɬ ɫɢɬɟ ɪɚɞɨɫɬɢ, ɧɚ ɬɚɝɚɬɚ б ɫɟ ɩɨɫɚɤɭɜɚ ɞɨɛɪɟɞɨʁɞɟ, ɫɨ ɫɦɪɬɬɚ ɫɟ ɩɪɚ-
ɜɚɬ ɱɟɫɬɢ ɩɪɟɝɨɜɨɪɢ. Ɂɚ ɠɚɥ, ɧɟ ɫɟ ɱɭɜɫɬɜɭɜɚ ɧɢɬɭ ɛɨɥɤɚ ɤɚɤɨ ɧɢ ɤɚʁ ɨɪɚɧɠɟ-
ɪɢɫɤɢɨɬ ɞɨɦɚɬ ɤɨʁ ɢɚɤɨ ɞɥɚɛɨɤɨ ɩɪɟɫɟɱɟɧ ɧɟ ɩɨɤɚɠɭɜɚ ɧɢɤɚɤɜɢ ɞɪɭɝɢ ɫɢɦɩɬɨ-
ɦɢ ɨɫɜɟɧ ɩɨɞɝɨɬɜɟɧɨɫɬ ɡɚ ɫɚɥɚɬɚ. Ɇɨɠɟɛɢ ɫɟ ɫɪɚɦɢ ɨɞ ɫɜɨʁɚɬɚ ɜɧɚɬɪɟɲɧɨɫɬ ɢ
ɩɨɫɚɤɭɜɚ ɞɚ ɪɟɚɝɢɪɚ ɧɚ ɫɨɧɱɟɜɨɬɨ ɭɬɪɨ, ɧɨ ʁɚ ɡɚɝɭɛɢɥ ɠɟɥɛɚɬɚ ɞɚ ɱɟɤɨɪɢ ɩɨ
ɉɚɬɨɬ. Ɇɢɥɨɫɬ ɟ ɞɚ ɫɟ ɞɚɞɟ ɧɟɤɨɦɭ, ɚ ɞɚ ɧɟ ɫɟ ɩɨɝɥɟɞɧɟɲ ɞɚɥɢ ɦɟɞɢɭɦɢɬɟ ɬɨɚ
ɝɨ ɪɟɝɢɫɬɪɢɪɚɥɟ, ɢ ɞɚ ɧɟ ɛɢɞɟ ɬɨɚ ɫɚɦɨ ɞɟɫɟɬɨɤ ɨɞ ɬɜɨʁɨɬ ɜɢɲɨɤ, ɢ ɞɚ ɧɟ ɩɨ-
ɦɢɫɥɢɲ ɞɟɤɚ ɫɢ ɜɟʅɟ ɫɥɢɱɟɧ ɧɚ Ȼɨɝɚ. Ɍɨɚ ɫɟ ɨɱɢ ɧɚ ɫɥɟɩɢɬɟ ɞɨɞɟɤɚ ɫɟ ɜɥɟɱɤɚ-
ɚɬ ɩɨ ɧɟɢɡɪɚɦɧɟɬɢɬɟ ɩɚɬɟɤɢ, ɡɛɨɪɨɬ ɧɚ ɝɥɭɜɢɬɟ ɧɢ ɩɟɫɧɚ, ɧɢɬɭ ɤɪɢɤ, ɚ ɨɛɢɱɟɧ
ɛɥɚɝɨɫɥɨɜ ɡɚ ɭɬɪɟɲɧɢɧɚɬɚ, ɧɨɡɟ ɧɚ ɯɪɨɦɢɬɟ ɤɨɢ ɫɚɦɢ ɝɨ ɡɧɚɚɬ ɩɚɬɨɬ ɞɨ ɧɟɛɨ-
ɬɨ, ɢ ɤɨɠɚ ɧɚ ɥɟɩɪɨɡɧɢɬɟ, ɩɨɥɧɚ ɫɨ ɥɭɡɧɢ ɨɩɪɨɫɬɟɧɢ, ɧɨ ɞɨɜɨɥɧɨ ɱɢɫɬɚ ɞɚ ɢɫ-
ɬɪɚɟ ɞɨ ɧɚʁɞɨɥɝɢɨɬ ɫɨɧ. ɂɥɢ ɧɚʁɜɚɠɧɨ ɨɞ ɫè, ɧɢɜɧɢɨɬ ɢɡɥɢɜ ɜɨ ɫɨɞɪɠɢɧɚɬɚ ɧɚ-
ɪɟɱɟɧɚ ɫɪɰɟ, ɤɨʁɚ ɧɢɤɚɤɨ ɧɟɦɚ ɞɚ ɛɢɞɟ ɩɪɚɡɧɚ.


Ʉɚɞɟ ɟ ɠɢɜɨɬɧɚɬɚ ɫɢɥɚ ɨɞ ɬɜɨɪɟʃɟɬɨ? ɂ ɚɤɨ ɩɪɚɲɭɜɚɦ ɤɚɞɟ, ɡɧɚɱɢ ɧɟ
ɡɧɚɦ, ɚɤɨ ɧɟ ɡɧɚɦ ɦɨɠɟɛɢ ɬɚɚ ɟ ɫɚɦɨ ɢɥɭɡɢʁɚ ɢ ɡɚɛɥɭɞɚ? Ɍɚɚ ɝɢ ɨɬɤɪɢɜɚ ɦɢɫ-
ɥɢɬɟ ɧɚ ʂɭɛɨɜɬɚ, ɪɚɞɨɫɬɚ, ɦɢɪɨɬ, ɬɪɩɟɧɢɟɬɨ, ʂɭɛɟɡɧɨɫɬɚ, ɞɨɛɪɢɧɚɬɚ, ɜɟɪɧɨɫ-
ɬɚ, ɤɪɨɬɤɨɫɬɚ... Ɍɨɥɤɭ ɦɚɥɟɱɤɚ, ɚ ɬɨɥɤɭ ɨɛɡɟɦɟɧɨɫɬ ɤɨʁɚ ɫɚɤɚ ɞɚ ɝɢ ɩɪɨɛɢɟ
ɫɜɟɬɫɤɢɬɟ ɛɚɪɢɟɪɢ ɢ ɝɨ ɩɪɟɩɥɚɜɢ ɛɥɢɠɧɢɨɬ, ɪɟɤɢɬɟ ɢ ɰɟɥɢɨɬ ɫɜɟɬ. ɋɚɦɢɨɬ ɧɨ-
ɫɢɬɟɥ ʅɟ ɞɨɡɧɚɟ ɞɟɤɚ ɛɢɥ ɜɨ ɢɡɛɪɚɧɢɬɟ, ɞɟɤɚ ɇɟɤɨʁ ɦɭ ʁɚ ɱɭɜɚ ɧɨɝɚɬɚ ɞɚ ɧɟ ɫɟ




Деветта роднокрајна средба…


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ɫɨɩɧɟ ɧɚ ɤɚɦɟɧ ɢ ɧɚɜɟɱɟɪ ɩɨɤɪɚʁ ɤɪɟɜɟɬɨɬ ɦɭ ɫɜɟɬɢ ɟɞɟɧ ɨɪɟɨɥ. Ɉɜɢɟ ɦɢɫɥɢ ɫɟ
ɜɨ ɢɡɭɦɢɪɚʃɟ ɢ ɩɨɥɟɤɚ ɩɥɨɜɚɬ ɜɨ ɛɪɨɞɨɬ ɧɚ ɞɟɞɨ ɇɨɟ ɤɨɧ ɦɟɫɬɨɬɨ ɩɨɡɧɚɬɨ ɩɨ
ɫɜɨʁɚɬɚ ɯɚɪɦɨɧɢʁɚ. Ɂɚ ɫɪɟʅɚ, ɜɚɤɜɢɬɟ ɥɭɼɟ ʅɟ ɩɨɫɬɨʁɚɬ ɩɨɞɨɥɝɨ ɨɞ ɟɞɟɧ ɩɪɨɫɟ-
ɱɟɧ ɱɨɜɟɤɨɜ ɜɟɤ ɧɚ ɠɢɜɟɟʃɟ ɜɨ ɮɨɪɦɚ ɧɚ ɬɟɥɨ. ɇɢɜɧɨɬɨ ɪɟɜɟʃɟ ʅɟ ɨɫɬɚɧɟ ɜɟɱ-
ɧɨ ɜɨ ɤɚɦɟʃɚɬɚ ɢ ɤɚɦɛɚɧɢɬɟ ɤɨɢ ɫɟ ɬɟɦɟɥ ɢ ʅɟ ɝɨ ɧɚʁɚɜɭɜɚɚɬ ɞɨɚɼɚʃɟɬɨ ɧɚ ɫɟ-
ɤɨɟ ɧɨɜɨ ɭɬɪɨ ɜɨ ɇɨɜɚɬɚ ɡɟɦʁɚ.


ɉɢɫɚɬɟɥɨɬ ɟ ɬɜɨɪɟɰ ɧɚ ɞɟɥɨɬɨ. ɂɥɢ ɞɟɥɨɬɨ ɟ ɬɜɨɪɟɰ ɧɚ ɩɢɫɚɬɟɥɨɬ? ɇɟɡɚ-
ɜɢɫɧɨ ɨɞ ɢɝɪɚɬɚ ɧɚ ɡɛɨɪɨɜɢ ɫɟ ɝɨɜɨɪɢ ɫɚɦɨ ɡɚ ɟɞɟɧ ɨɪɟɜ ɫɨ ɩɨɜɟʅɟ ʁɚɬɤɢ. ɇɚ-
ɝɪɚɞɚ ɡɚ ɞɟɥɨɬɨ ɟ ɥɨɜɨɪɨɜ ɜɟɧɟɰ. ɇɟɤɨɥɤɭ ɢɫɩɪɟɩɥɟɬɟɧɢ ɝɪɚɧɱɢʃɚ ɤɨɢ ɜɨ ɧɢ-
ɟɞɧɚ ɝɪɚɞɢɧɚ ɧɟɦɚɲɟ ɞɚ ɫɬɨʁɚɬ ɫɨ ɩɨɝɨɥɟɦ ɩɢɟɬɟɬ ɨɬɤɨɥɤɭ ɨɤɨɥɭ ɜɪɚɬɨɬ ɧɚ ɩɢ-
ɫɚɬɟɥɨɬ ɤɨʁ ɜɨ ɤɨɧɤɭɪɟɧɰɢʁɚ ɫɨ ɧɟɤɨɥɤɭ ɢɫɬɨɦɢɫɥɟɧɢɰɢ ɬɜɪɞɢ ɞɟɤɚ ɩɨɟɡɢʁɚɬɚ
ɝɨ ɪɚɡɝɨɪɭɜɚ ɩɥɚɦɟɧɨɬ ɜɨ ɫɪɰɟɬɨ. Ⱦɚ ɫɟ ɧɚɩɢɲɚɬ ɧɟɤɨɥɤɭ ɪɟɞɨɜɢ, ɞɚ ɫɟ ɩɨɜɪ-
ɡɚɬ ɜɨ ɪɢɦɢ ɢɥɢ ɞɚ ɫɟ ɢɫɤɚɠɚɬ ɫɥɨɛɨɞɧɨ, ɞɚ ɫɟ ɫɩɨɦɟɧɟ ɨɧɚ ɲɬɨ ɧɟ ɦɨɠɟ ɜ
ɨɱɢ, ɞɚ ɫɟ ɫɤɪɢɟ ɨɧɚ ɲɬɨ ɟ ʁɚɜɧɨ, ɞɚ ɫɟ ɩɥɚɱɟ ɫɨ ɧɚɫɦɟɜɤɚ, ɞɚ ɫɟ ɫɦɟɟ ɧɢɡ ɫɨɥ-
ɡɢ, ɞɚ ɨɠɢɜɢɲ ɩɨɫɥɟ ɧɢɜ, ɞɚ ɭɦɪɟɲ ɜɨ ɧɢɜ... Ɍɜɨɪɟɰɨɬ ɟ ɩɨɞɞɪɠɚɧ ɨɞ ɦɭɡɚ
ɤɨʁɚ ʁɚ ɨɬɫɥɢɤɭɜɚ ɩɨʁɚɜɚɬɚ ɤɨʁɚ ɟ ɰɟɧɬɚɪ ɧɚ ɜɧɢɦɚɧɢɟɬɨ ɧɚ ɬɨɥɩɚɬɚ, ɤɨʁɚ ɝɢ
ɧɚɞɦɢɧɭɜɚ ɫɩɨɫɨɛɧɨɫɬɢɬɟ ɧɚ ɥɢɱɧɨɫɬɚ ɛɟɡ ɢɧɬɟɪɟɫɧɚ ɫɭɞɛɢɧɫɤɚ ɨɩɪɟɞɟɥɟɧɨɫɬ
ɞɨɤɨɥɤɭ ɛɢ ɫɟ ɧɚɨɼɚɥɚ ɧɚ ɫɟɤɨɟ ɞɪɭɝɨ ɦɟɫɬɨ. ɇɟɤɨɝɚɲ ɧɟɦɚɲɟ ɩɨɬɪɟɛɚ ɞɚ ɫɟ
ɞɨɢɫɤɚɠɚɬ ɡɛɨɪɨɜɢɬɟ, ɛɢɞɟʁʅɢ ɬɢɟ ɡɚɜɪɲɭɜɚɚ ɫɨ ɭɞɚɪɨɬ ɧɚ ɤɪɜɬɚ ɜɨ ɫɥɟɩɢɬɟ
ɨɱɢ ɩɪɨɫɥɟɞɟɧɢ ɫɨ ɢɧɫɬɢɤɬɢɜɧɢ ɜɪɢɫɨɰɢ ɨɞ ɞɥɚɛɨɱɢɧɚɬɚ ɧɚ ɤɪɚʁɧɢɰɢɬɟ ɧɚ ɨɛ-
ɡɟɦɟɧɢɬɟ. Ⱦɟɧɟɫ ɞɟɥɨɬɨ ɫɬɚɧɚ ɬɪɨɲɤɚ ɜɨ ɫɩɨɧɡɨɪɫɤɢɬɟ ɩɟɩɟɥɧɢɰɢ, ɚ ɡɚ ɧɟɝɨɜɢ
ɱɢɬɚɬɟɥɢ ɫɟ ɩɨʁɚɜɢʁɚ ɪɨɞɢɬɟɥɢɬɟ ɧɚ „ɩɨɟɬɢɬɟ“ ɤɨɢ ɛɟɚ ɧɚɞɚɪɟɧɢ ɨɞ ɩɪɟɞ
ɪɚɼɚʃɟɬɨ. Ⱦɟɧɟɫ ɦɚɝɢʁɚɬɚ ɧɚ ɩɟɪɨɬɨ ɫɬɚɧɚ ɭɧɢɜɟɪɡɢɬɟɬ ɧɚ ɩɨɥɢɬɢɱɤɢɬɟ ɧɚɭɤɢ
ɫɨ ɞɜɟ ɧɚɫɨɤɢ: ɦɟɧɚʇɦɟɧɬ ɧɚ ɥɚɝɚɬɚ ɢ ɤɨɦɟɪɰɢʁɚ ɧɚ ɫɜɨɟɬɨ. ɉɢɫɚɬɟɥɭ ɞɪɚɝ, ɞɚ
ɡɚɜɪɲɢɦɟ ɫɨ ɧɚɪɨɞɧɢɬɟ ɜɨɡɧɟɦɢɪɭɜɚʃɚ: ɩɨɞɨɛɪɨ ɟ ɞɚ ɫɟ ɫɨɩɧɟɲ ɧɚ ɩɚɬɨɬ,
ɨɬɤɨɥɤɭ ɫɨ ʁɚɡɢɤɨɬ; ɢ ɦɭɞɪɚɬɚ ɩɪɢɤɚɡɧɚ ɟ ɨɞɜɪɚɬɧɚ ɜɨ ɭɫɬɚɬɚ ɧɚ ɝɥɭɩɚɜɢɨɬ,
ɡɚɲɬɨ ʁɚ ɤɚɠɭɜɚ ɤɚɞɟ ɧɟ ɬɪɟɛɚ.




НУУБ „Св. Климент Охридски“– Битола


74





Gjorgji Prchkov



MY LITERARY CREATION IS FOR THE WELFARE OF MY READERS

With my big forty seven works, selected works in seven or eight volumes in


around ten thousand pages, the rest of my works in around six thousand pages with
all my modesty I must admit with proudness that this is not a small literary
creation. With my works I do not intend to build a monument for myself. I am
satisfied only when my newly published work in the hands of the readers will find
the way. My satisfaction grows bigger with the increase of the number of hands
that touch it, because the readers a the best judges of the written. Only my fellow
writers from Bitola express an evident aversion towards my literary creation. Even
more, they show resentment towards me as a person. When we meet they turn their
heads on the other side, they ran away from me, as the devil from the insence.
Envy and hatred have possessed them all and they have abandoned me. This turned
to be for my benefit, because I write in peace, I give my pen full freedom to write
and fill in thousands of white pages even for their dishonest deeds towards me in
order to disdain myself and throw me in the blackest mud.




Деветта роднокрајна средба…


75





Богоја Таневски



ЈАС ПОЕТ – ПИСАТЕЛ




Ɋɚɡɦɢɫɥɭɜɚʁʅɢ ɩɨ ɨɜɚɚ


ɞɚɞɟɧɚ ɬɟɦɚ ɡɚ ɪɚɫɩɪɚɜɚ –
ɞɢɫɤɭɫɢʁɚ ɡɚ Ⱦɟɜɟɬɬɚɬɚ ɪɨɞ-
ɧɨɤɪɚʁɧɚ ɫɪɟɞɛɚ ɧɚ ɛɢɬɨɥ-
ɫɤɢɬɟ ɩɢɫɚɬɟɥɢ ɜɨ Ɇɚɤɟ-
ɞɨɧɢʁɚ, ɭɲɬɟ ɜɨ ɩɨɱɟɬɨɤɨɬ
ʅɟ ɪɟɱɚɦ ɞɟɤɚ ɧɟ ɟ ɦɨʁɚ ɡɚ-
ɛɥɭɞɚ.
ȳɚɫ ɫɨ ɦɨɟɬɨ ɬɜɨɪɟɲ-


ɬɜɨ ɜɨ ɦɚɤɟɞɨɧɫɤɚɬɚ ɤɧɢ-
ɠɟɜɧɨɫɬ ɢ ɜɨ ʁɚɜɧɚɬɚ ɱɢɬɚ-
ɬɟɥɫɤɚ ɫɪɟɞɢɧɚ ɫɭɦ ɩɪɢɫɭ-
ɬɟɧ ɢ ɨɩɫɬɨʁɭɜɚɦ ɭɲɬɟ ɨɞ


1956 ɝɨɞɢɧɚ ɤɨɝɚ ɩɪɜ ɩɚɬ ɫɟ ɩɨʁɚɜɢɜ ɫɨ ɩɟɫɧɢ ɜɨ ɦɚɤɟɞɨɧɫɤɢɬɟ ɤɧɢɠɟɜɧɢ ɜɟɫ-
ɧɢɰɢ ɢ ɫɩɢɫɚɧɢʁɚ. ȿɜɟ ɜɟʅɟ ɫɟ ɧɚɜɪɲɭɜɚɚɬ 58 ɝɨɞɢɧɢ ɤɚɤɨ ɫɭɦ ɩɪɢɫɭɬɟɧ ɜɨ ɦɚ-
ɤɟɞɨɧɫɤɚɬɚ ɤɧɢɠɟɜɧɚ ɫɪɟɞɢɧɚ, ɜɨ ɩɟɪɢɨɞɢɤɚɬɚ ɩɚɪɰɢʁɚɥɧɨ (ɜɨ ɪɚɡɧɢ ɜɟɫɧɢɰɢ,
ɫɩɢɫɚɧɢʁɚ, ɡɛɨɪɧɢɰɢ, ɚɧɬɨɥɨɝɢɢ), ɤɚɤɨ ɢ ɫɨ ɫɜɨɟɬɨ ɰɟɥɨɤɭɩɧɨ ɤɧɢɠɟɜɧɨ ɬɜɨ-
ɪɟɲɬɜɨ ɫɨ ɨɩɭɫ ɨɞ 18 ɨɛʁɚɜɟɧɢ ɤɧɢɝɢ. Ɍɨɚ ɟ ɪɟɚɥɧɨɫɬ, ɧɟ ɟ ɡɚɛɥɭɞɚ. Ɍɟɦɚɬɚ ɟ
ɞɨɛɪɚ ɡɚ ɞɢɫɤɭɫɢʁɚ, ɫɚɦɨ ɞɚ ɧɟɦɚ ɡɚɛɥɭɞɚ.


Ɇɨɟɬɨ ɬɜɨɪɟɲɬɜɨ ɩɪɜɟɧɫɬɜɟɧɨ ɟ ɩɨɟɬɫɤɨ, ɢɚɤɨ ɢɦɚɦ ɢ ɧɟɤɨɢ ɩɪɨɡɧɢ ɞɟ-
ɥɚ. ȳɚɫ ɤɚɤɨ ɩɨɟɬ ɢ ɩɢɫɚɬɟɥ ɫɭɦ ɡɚɞɨɜɨɥɟɧ ɨɞ ɦɨɟɬɨ ɞɨɫɟɝɚɲɧɨ ɬɜɨɪɟɲɬɜɨ,
ɢɦɚʁʅɢ ɝɢ ɩɪɟɞɜɢɞ ɮɢɧɚɧɫɢɫɤɢɬɟ ɢ ɦɚɬɟɪɢʁɚɥɧɢɬɟ ɭɫɥɨɜɢ ɜɨ ɢɡɞɚɜɚɲɬɜɨɬɨ.
Ɂɚɞɨɜɨɥɟɧ ɫɭɦ ɢ ɫɨ ɬɨɚ ɲɬɨ ɢɦɚɦ ɞɨɛɪɚ ɤɨɦɭɧɢɤɚɰɢʁɚ ɫɨ ɦɨɢɬɟ ɱɢɬɚɬɟɥɢ ɢ
ɨɛɨɠɭɜɚɬɟɥɢ. Ɂɚɞɨɜɨɥɟɧ ɫɭɦ ɢ ɫɨ ɬɨɚ ɲɬɨ ɫɨ ɦɨɟɬɨ ɬɜɨɪɟɲɬɜɨ ɨɫɬɚɜɚɦ ɬɪɚʁɧɢ
ɬɪɚɝɢ ɨɞ ɠɢɜɨɬɨɬ ɧɚ ɧɚɲɢɬɟ ɥɭɼɟ ɜɨ ɦɢɧɚɬɨɬɨ ɜɨ ɫɟɝɚɲɧɨɫɬɚ ɢ ɡɚ ɢɞɧɢɧɚɬɚ.
ȼɨ ɦɨɟɬɨ ɬɜɨɪɟɲɬɜɨ ɟ ɢɫɤɚɠɚɧɚ ɪɟɚɥɧɨɫɬ ɢ ɡɚ ɩɭɫɬɟʃɟɬɨ ɧɚ ɧɚɲɟɬɨ ɦɚɤɟɞɨɧ-
ɫɤɢ ɫɟɥɨ, ɧɨ ɜɨ ɢɫɬɨɬɨ ɢɦɚɦ ɢ ɧɚʁɚɜɚ ɜɨ ɢɞɟɧ ɩɟɪɢɨɞ ɡɚ ɩɨɜɪɚɬɨɤ ɧɚ ɢɫɟɥɟɧɢ-
ɬɟ, ɞɚ ɞɨʁɞɚɬ ɜɨ ɫɜɨɢɬɟ ɧɚɩɭɲɬɟɧɢ ɪɨɞɧɢ ɨɝɧɢɲɬɚ, ɬɭɤɚ ɞɚ ʁɚ ɛɚɪɚɚɬ ɫɜɨʁɚɬɚ
ɢɞɧɚ ɟɝɡɢɫɬɟɧɰɢʁɚ, ɧɟ ɫɚɦɨ ɬɢɟ ɲɬɨ ɫɟ ɪɨɞɟɧɢ ɜɨ ɬɢɟ ɫɟɥɚ, ɬɭɤɭ ɢ ɧɢɜɧɢɬɟ ɩɨ-
ɬɨɦɰɢ ɚɤɨ ɧɟ ɫɟ ɪɨɞɟɧɢ ɜɨ ɬɢɟ ɫɟɥɚ. Ȼɟɡɪɚɛɨɬɢɰɚɬɚ ɝɢ ɬɟɪɚ ɫɟɝɚ ɥɭɼɟɬɨ ɞɚ ɛɚ-
ɪɚɚɬ ɨɩɫɬɚɧɨɤ ɜɨ ɨɛɪɚɬɧɚ ɧɚɫɨɤɚ, ɞɚ ɫɟ ɜɪɚʅɚɚɬ ɧɚ ɫɟɥɨ ɢ ɬɚɦɭ ɞɚ ɨɛɚɜɭɜɚɚɬ ɡɚ-
ɪɚɛɨɬɭɜɚɱɤɚ. Ɍɨɚ ɧɟ ɟ ɡɚɛɥɭɞɚ ɬɨɚ ɧɟ ɟ ɢɥɭɡɢʁɚ, ɬɭɤɭ ɟ ɪɟɚɥɧɨɫɬ.


ȳɚɫ ɩɨɟɬ – ɩɢɫɚɬɟɥ ɫɨɡɞɚɞɨɜ ɞɟɥɚ ɩɨ ɤɨɢ ɦɟ ɩɨɡɧɚɜɚɚɬ ɱɢɬɚɬɟɥɢɬɟ, ɤɨɢ
ɩɨɡɢɬɢɜɧɨ ɫɟ ɢɫɤɚɠɭɜɚɚɬ ɡɚ ɦɨɢɬɟ ɞɟɥɚ. ɋɟɤɚɤɨ ɞɟɤɚ ɩɢɫɚɬɟɥɫɤɚɬɚ ɪɚɛɨɬɚ ɟ
ɝɨɥɟɦɚ ɦɚʁɫɬɨɪɢʁɚ ɩɨɫɬɢɝɧɚɬɚ ɫɨ ɩɟɪɨɬɨ, ɫɟɤɚɤɨ ɞɟɤɚ ɫɭɦ ɢ ɝɨɪɞ ɢ ɬɨɚ ɲɬɨ ɦɢ




НУУБ „Св. Климент Охридски“– Битола


76


ɝɨɞɢ ɧɚ ɦɨɟɬɨ ȿȽɈ. ɋɟ ɪɚɡɛɢɪɚ ɞɟɤɚ ɬɨɚ ɟ ɞɚɪɛɚ ɧɚ ɚɜɬɨɪɨɬ, ɧɟɤɨɦɭ ɩɨɦɚɥɤɭ,
ɧɟɤɨɦɭ ɩɨɜɟʅɟ, ɧɨ ɧɟ ɟ ɡɚɛɥɭɞɚ.


ȼɨ ɬɟɦɚɬɫɤɚɬɚ ɧɚɫɨɤɚ ɞɚɞɟɧɚ ɟ ɦɢɫɥɚ ɞɟɤɚ ɚɤɨ ɱɢɬɚɬɟɥɨɬ ɝɨ ɧɚɩɭɲɬɢ ɩɢ-
ɫɚɬɟɥɨɬ, ɞɚɥɢ ʅɟ ɛɢɥ ɩɚɤ ɩɢɫɚɬɟɥ? Ɍɨɚ ɟ ɚɩɫɭɪɞɧɨ ɩɪɚɲɚʃɟ. ɋɢɝɭɪɧɨ ɞɟɤɚ ʅɟ
ɛɢɞɟ ɩɚɤ ɩɢɫɚɬɟɥ. ɇɟ ɦɨɠɟ ɱɢɬɚɬɟɥɨɬ ɜɟɱɧɨ ɞɚ ɛɢɞɟ ɩɪɢɞɪɭɠɟɧ, ɩɪɢɜɪɡɚɧ ɫɨ
ɩɢɫɚɬɟɥɨɬ, ɬɨɚ ɟ ɪɟɥɚɬɢɜɧɚ ɩɨɫɬɚɜɤɚ. ɑɢɬɚɬɟɥɨɬ ɤɨɝɚ ʅɟ ɢɦɚ ɩɨɬɪɟɛɚ ɡɚ ɤɧɢɝɚ
ɨɞ ɫɨɨɞɜɟɬɟɧ ɩɢɫɚɬɟɥ, ɬɨɝɚɲ ʅɟ ʁɚ ɩɨɛɚɪɚ.


Ʉɨɝɚ ɫɩɨɦɧɚɜɦɟ ɩɨɝɨɪɟ ɞɟɤɚ ɩɢɫɚɬɟɥɫɤɚɬɚ ɪɚɛɨɬɚ ɟ ɦɚʁɫɬɨɪɢʁɚ, ɞɚ ɤɚɠɟ-
ɦɟ ɲɬɨ ɪɟɤɨɥ ɢ ɪɭɫɤɢɨɬ ɩɨɟɬ ɏɥɟɛɧɢɤɨɜ (1886-1923), ɬɨʁ ɜɟɥɢ: „ɋɨɡɞɚɜɚʃɟɬɨ
ɧɚ ɡɛɨɪɨɬ ɩɪɟɬɫɬɚɜɭɜɚ ɟɤɫɩɥɨɡɢʁɚ ɧɚ ʁɚɡɢɱɧɢɨɬ ɦɨɥɤ, ɧɚ ɝɥɭɜɨɧɟɦɢɬɟ ʁɚɡɢɱɧɢ
ɫɥɨɟɜɢ“, ɲɬɨ ʅɟ ɪɟɱɟ ɞɟɤɚ ɩɢɫɚɬɟɥɨɬ ɝɨ ɨɠɢɜɭɜɚ ɡɛɨɪɨɬ. ɑɢɬɚɬɟɥɨɬ ɧɟ ɦɨɠɟ ɞɚ
ɝɨ ɧɚɩɪɚɜɢ ɩɢɫɚɬɟɥɨɬ ɧɟɩɢɫɚɬɟɥ. Ɍɨʁ ɫɢ ʁɚ ɢɦɚ ɞɚɪɛɚɬɚ ɡɚ ɩɢɫɚɬɟɥ, ɡɚ ɬɜɨɪɟ-
ʃɟ. ɉɢɫɚɬɟɥɨɬ ɞɚɥɢ ʅɟ ɛɢɞɟ ɩɨɦɚɥɤɭ ɱɢɬɚɧ ɢɥɢ ɩɨɜɟʅɟ ɬɨɚ ɟ ɞɪɭɝɚ ɫɢɬɭɚɰɢʁɚ.
ɉɢɫɚɬɟɥ ɤɨʁ ɢɦɚ ɝɨɥɟɦ ɬɜɨɪɟɱɤɢ ɨɩɭɫ ɧɟ ɦɨɠɟ ɞɚ ɛɢɞɟ ɜɨ ɡɚɛɥɭɞɚ.


ɇɟ ɫɚɦɨ ɱɢɬɚɬɟɥɢɬɟ ɲɬɨ ɢɫɤɚɠɭɜɚɚɬ ɛɥɚɝɨɞɚɪɧɨɫɬ ɢ ɩɨɱɢɬ ɤɨɧ ɦɨɟɬɨ
ɬɜɨɪɟɲɬɜɨ ɭɫɧɨ, ɭɲɬɟ ɩɨɜɟɪɨɞɨɫɬɨʁɧɨ ɫɟ ɢɫɤɚɡɢɬɟ ɧɚ ɦɧɨɝɭ ɩɢɫɚɬɟɥɢ ɢ ɞɪɭɝɢ
ɤɭɥɬɭɪɧɢ ɞɟʁɰɢ, ɤɧɢɠɟɜɧɢ ɤɪɢɬɢɱɚɪɢ, ɤɨɢ ɜɨ ɩɢɲɚɧɚ ɮɨɪɦɚ ɨɫɬɚɜɢɬɟ ɬɪɚʁɧɢ
ɬɪɚɝɢ ɜɨ ɪɚɡɧɢ ɤɧɢɝɢ ɢ ɩɭɛɥɢɤɚɰɢɢ. Ɇɨɢ ɩɟɫɧɢ ɫɟ ɩɪɟɜɟɞɟɧɢ ɧɚ ɫɪɩɫɤɢ, ɯɪ-
ɜɚɬɫɤɢ ɢ ɩɨɥɫɤɢ ʁɚɡɢɤ. Ɂɚɫɬɚɩɟɧ ɫɭɦ ɜɨ ɩɨɜɟʅɟ ɡɛɨɪɧɢɰɢ ɢ ɚɧɬɨɥɨɝɢɢ ɢ ɬɨɚ:
„Ⱥɥɦɚɧɚɯ ɧɚ ɦɥɚɞɢɬɟ“, ɋɤɨɩʁɟ, 1959 (ɉɪɜ ɪɟɩɭɛɥɢɱɤɢ ɚɥɦɚɧɚɯ), „Ɂɛɨɪɧɢɤ ɧɚ
ɩɟɫɧɢ ɨɞ ɩɨɟɬɢ ɩɪɨɫɜɟɬɧɢ ɪɚɛɨɬɧɢɰɢ“, ɋɤɨɩʁɟ, 1978, „Ʌɢɪɫɤɢ ɦɟɦɨɚɪɢ“ – Ⱥɧ-
ɬɨɥɨɝɢʁɚ ɧɚ ɦɚɤɟɞɨɧɫɤɚ ɩɨɟɡɢʁɚ, ɋɤɨɩʁɟ, 1982 ɨɞ Ɇɢɨɞɪɚɝ Ⱦɪɭɝɨɜɚɰ, „ɂɥɢɧ-
ɞɟɧɫɤɢ ɨɞɝɥɚɫɢ“, Ȼɢɬɨɥɚ, 1983 ɨɞ Ⱦɨɧɟ ɉɚɧɨɜɫɤɢ, „ɉɨɟɬɢ, ɩɟɫɧɢ, ɱɨɜɟɤɨʂɭ-
ɛɢɟ“ – Ȼɢɬɨɥɚ, 1988, Ɂɛɨɪɧɢɤ ɫɨ ɚɜɬɨɪɢ ɨɞ ɡɛɪɚɬɢɦɟɧɢɬɟ ɝɪɚɞɨɜɢ ɨɞ ɉɨɠɚɪɟ-
ɜɚɰ, Ɋ.ɋɪɛɢʁɚ ɢ ɋɢɫɚɤ, Ɋ,ɏɪɜɚɬɫɤɚ ɜɨ ɩɨɪɚɧɟɲɧɚ ȳɭɝɨɫɥɚɜɢʁɚ, „Ȼɢɬɨɥɫɤɢ ɩɢɫɚ-
ɬɟɥɢ“ – Ȼɢɬɨɥɚ, 1996, ɜɨ ɤɧɢɝɚɬɚ „Ɂɧɚɱɚʁɧɢ ɥɢɱɧɨɫɬɢ ɡɚ Ȼɢɬɨɥɚ – ɩɢɫɚɬɟɥɢ“ –
Ȼɢɬɨɥɚ, 2008 ɢ ɞɪɭɝɢ.


ȷɟ ɩɨɫɨɱɚɦ ɧɟɤɨɥɤɭ ɩɢɫɚɬɟɥɢ ɤɨɢ ɩɢɲɭɜɚɥɟ ɡɚ ɦɨɟɬɨ ɬɜɨɪɟɲɬɜɨ (ɝɢ ɢɦɚ
ɩɨɜɟʅɟ ɨɞ ɞɜɚɟɫɟɬ).


Ȼɢɬɨɥɫɤɢɨɬ ɢ ɦɚɤɟɞɨɧɫɤɢ ɤɧɢɠɟɜɟɧ ɤɪɢɬɢɱɚɪ ɢ ɤɧɢɠɟɜɟɧ ɢɫɬɨɪɢɱɚɪ,
Ⱦɨɧɟ ɉɚɧɨɜɫɤɢ, ɧɚɩɢɲɚ: „ɍɲɬɟ ɜɨ 1956 ɝɨɞɢɧɚ ɩɨɡɧɚɬɢɨɬ ɦɚɤɟɞɨɧɫɤɢ ɩɨɟɬ
Ʌɚɡɨ Ʉɚɪɨɜɫɤɢ, ɩɪɨɮɟɫɨɪ ɧɚ Ȼɨɝɨʁɚ Ɍɚɧɟɜɫɤɢ ɜɨ ɍɱɢɬɟɥɫɤɚɬɚ ɲɤɨɥɚ ɜɨ Ȼɢɬɨ-
ɥɚ, ɜɨ ɥɢɬɟɪɚɬɭɪɧɢɨɬ ɜɟɫɧɢɤ „ɏɨɪɢɡɨɧɬ“ ɝɨ ɨɬɤɪɢ Ɍɚɧɟɜɫɤɢ ɤɚɤɨ ɧɚɞɚɪɟɧ
ɢɞɟɧ ɩɨɟɬ“. ɉɨɧɚɬɚɦɭ Ⱦɨɧɟ ɉɚɧɨɜɫɤɢ ɜɟɥɢ: „ȼɨ ɫɟɤɨʁ ɫɥɭɱɚʁ Ɍɚɧɟɜɫɤɢ ɫɢ ɨɫ-
ɬɚɧɚ ɧɚɞɚɪɟɧ ɢ ɨɪɢɝɢɧɚɥɟɧ ɩɨɟɬ... ɩɨɬɩɢɪɚʁʅɢ ɫɟ, ɩɪɟɞ ɫè, ɜɪɡ ɫɜɨʁɨɬ ɟɜɢɞɟɧ-
ɬɟɧ ɬɚɥɟɧɬ ɢ ɜɪɡ ɡɞɪɚɜɢɬɟ ɩɨɟɬɫɤɢ ɬɪɚɞɢɰɢɢ ɧɚ ɩɨɟɡɢʁɚɬɚ ɧɚ ɤɨʁɚ б ɩɪɢɩɚɼɚ.
Ȼɨɝɨʁɚ Ɍɚɧɟɜɫɤɢ ɟ ɡɧɚɱɚɟɧ ɩɨɟɬ ɜɨ ɬɚɤɚɧɚɪɟɱɟɧɢɨɬ Ȼɢɬɨɥɫɤɢ ɥɢɬɟɪɚɬɭɪɟɧ
ɤɪɭɝ“ (ɨɞ ɤɧɢɝɚɬɚ „ɑɟɤɨɪɢ ɜɨ ɦɟɧɟ“ ɨɞ Ȼɨɝɨʁɚ Ɍɚɧɟɜɫɤɢ, 1997, ɫɬɪ. 43 – 49).


Ȼɢɬɨɥɫɤɢɨɬ ɤɧɢɠɟɜɧɢɤ Ɋɚɞɨɜɚɧ ɉ. ɐɜɟɬɤɨɜɫɤɢ ɜɨ ɤɧɢɝɚɬɚ „Ɋɚɡɞɟɧɭɜɚ-
ʃɟ“ ɨɞ Ȼɨɝɨʁɚ Ɍɚɧɟɜɫɤɢ, ɜɨ ɧɟɝɨɜɢɨɬ ɬɪɭɞ „ɉɨɟɡɢʁɚɬɚ ɧɚ Ȼɨɝɨʁɚ Ɍɚɧɟɜɫɤɢ“ ɫɬɪ.
41, ɭɲɬɟ ɜɨ ɩɪɜɚɬɚ ɪɟɱɟɧɢɰɚ ɜɟɥɢ: „ɂ Ȼɨɝɨʁɚ Ɍɚɧɟɜɫɤɢ ɩɪɢɩɚɼɚ ɧɚ ɛɢɬɨɥɫɤɢɨɬ
ɤɧɢɠɟɜɟɧ ɤɪɭɝ“, ɚ ɫɟɝɚ ɪɚɤɨɜɨɞɫɬɜɨɬɨ ɧɚ ɬɨʁ ɛɢɬɨɥɫɤɢ ɤɧɢɠɟɜɟɧ ɬɪɭɞ ɬɨʁ ɢɫ-
ɤɚɡ ɝɨ ɧɟɝɢɪɚ ɢ ɦɟɧɟ ɦɟ ɧɟɝɢɪɚ, ɤɚɤɨ ɢ ɞɪɭɝɢ ɛɢɬɨɥɫɤɢ ɩɢɫɚɬɟɥɢ“.




Деветта роднокрајна средба…


77


ɉɪɨɮ. ɞ-ɪ Ȼɥɚɝɨʁɚ Ȼɪɚʁɚɧɨɜɫɤɢ, ɤɨʁ ɟ ɝɨɥɟɦ ɩɪɨɫɥɟɞɭɜɚɱ ɧɚ ɦɨɟɬɨ ɬɜɨ-
ɪɟɲɬɜɨ, ɦɟɼɭ ɞɪɭɝɨɬɨ ʅɟ ɪɟɱɟ ɡɚ ɦɨʁɚɬɚ ɤɧɢɝɚ „ɇɚɝɪɢɡɟɧɢ ɯɨɪɢɡɨɧɬɢ“ – Ȼɢɬɨ-
ɥɚ 2002: „ɇɟ ɫɚɦɨ ɝɨɥɟɦɢɬɟ ɭɦɟɬɧɢɱɤɢ ɞɨɫɬɪɟɥɢ ɧɚ ɨɜɚɚ ɩɨɟɡɢʁɚ, ɬɭɤɭ ɞɚɞɟɧɚ-
ɬɚ ɩɨɟɬɫɤɚ ɯɪɨɧɨɥɨɝɢʁɚ ɧɚ ɧɚɫɬɚɧɢɬɟ (ɬɪɚɝɢɤɚɬɚ) ɧɚ ɝɪɚɞɟʃɟɬɨ ɧɚ ɊȿɄ – Ȼɢɬɨ-
ɥɚ ɢ ɭɧɢɲɬɭɜɚʃɟɬɨ ɧɚ ɩɨɜɟʅɟ ɫɟɥɚ ɨɞ ɧɨɜɚɱɤɢɨɬ ɪɟɝɢɨɧ. ɍɜɟɪɟɧ ɫɭɦ ɞɟɤɚ
ɬɟɲɤɨ ɟ ɞɚ ɫɟ ɧɚʁɞɟ ɦɚɤɟɞɨɧɫɤɢ ɚɜɬɨɪ (ɩɨɟɬ) ɤɨʁ ɧɚ ɜɚɤɨɜ ɧɚɱɢɧ (ɩɨɟɬɫɤɢ) ɯɪɨ-
ɧɨɥɨɲɤɢ ʅɟ ɝɨ ɨɬɫɥɢɤɚ ɟɞɟɧ ɧɚɫɬɚɧ, ɟɞɧɨ ɜɪɟɦɟ, ɟɞɧɚ ɬɪɚɝɢɤɚ ɨɞ ɧɚɲɚɬɚ ɢɫɬɨ-
ɪɢʁɚ“ (ɉɟɥɚɝɨɧɫɤɢ ɧɚɭɱɧɢ ɫɪɟɞɛɢ – ɇɨɜɚɰɢ, Ɂɛɨɪɧɢɤ ɛɪ. 2, ɫɬɪ. 120 – 132).


Ɇɚɤɟɞɨɧɫɤɢɨɬ ɩɢɫɚɬɟɥ Ɋɢɫɬɨ Ȯ. ȳɚɱɟɜ ɡɚ ɦɨʁɚɬɚ ɩɨɟɬɫɤɚ ɤɧɢɝɚ „ɋɭɞɛɢ-
ɧɢ“ – Ȼɢɬɨɥɚ 1999, ɜɨ ɫɜɨʁɚɬɚ ɪɟɰɟɧɡɢʁɚ ɦɟɼɭ ɞɪɭɝɨɬɨ ɜɟɥɢ: „Ʉɧɢɝɚɬɚ ɟ ɞɨɛɪɨ
ɭɦɟɬɧɢɱɤɨ ɨɫɬɜɚɪɭɜɚʃɟ, ɢɦɚ ɥɢɬɟɪɚɬɭɪɧɢ ɫɬɨʁɧɨɫɬɢ, ɤɨɢ ʁɚ ɩɨɬɜɪɞɭɜɚɚɬ ɩɪɢ-
ɫɭɬɧɨɫɬɚ ɧɨ ɦɚɤɟɞɨɧɫɤɚɬɚ ɥɢɬɟɪɚɬɭɪɚ“.


ɉɨɡɧɚɬɢɨɬ ɝɨɥɟɦ ɛɢɬɨɥɫɤɢ ɢ ɦɚɤɟɞɨɧɫɤɢ ɩɢɫɚɬɟɥ ɩɪɨɮ. ɞ-ɪ ȼɥɚɞɢɦɢɪ
Ʉɨɫɬɨɜ ɡɚ ɦɨʁɚɬɚ ɩɨɟɡɢʁɚ ɜɨ ɤɧɢɝɚɬɚ „ɀɢɜɨɬɨɬ ɟ ɛɨɞɥɢɤɚɜɚ ɭɝɨɪɧɢɧɚ“ – Ȼɢɬɨ-
ɥɚ 2011 (ɂɡɛɨɪ), ɦɟɼɭ ɞɪɭɝɨɬɨ ɜɟɥɢ: „ɉɨɟɡɢʁɚɬɚ ɧɚ Ȼɨɝɨʁɚ Ɍɚɧɟɜɫɤɢ ɟ ɢɫɩɢɪɚ-
ɬɢɜɧɚ... ɩɟɫɧɢɬɟ ʁɚ ɢɦɚɚɬ ɬɚɚ ɦɨʅ ɞɚ ɢɧɫɩɢɪɢɪɚɚɬ, ɢɫɤɪɟɧɨ ɞɚ ɝɨ ɩɨɬɬɢɤɧɚɬ ɱɢ-
ɬɚɬɟɥɨɬ ɞɚ ɧɚɩɢɲɟ ɩɟɫɧɚ“ (ɉɟɥɚɝɨɧɫɤɢ ɧɚɭɱɧɢ ɫɪɟɞɛɢ – ɇɨɜɚɰɢ, Ɂɛɨɪɧɢɤ ɛɪ.
8, 2012, ɫɬɪ. 9 – 13).


Ɇɚɤɟɞɨɧɫɤɢɨɬ ɩɢɫɚɬɟɥ, ɤɨɦɟɞɢɨɝɪɚɮ Ɇɢɥɟ ɉɨɩɨɫɤɢ, ɦɨʁ ɩɪɨɮɟɫɨɪ, ɱɟɫ-
ɬɨ ɩɚɬɢ ɦɢ ɜɟɥɟɲɟ: „Ȼɨɝɨʁɚ ɫɟ ɝɨɪɞɟɚɦ ɫɨ ɬɟɛɟ ɢ ɬɜɨɟɬɨ ɬɜɨɪɟɲɬɜɨ, ɛɨɝɚɬɨ ɢ
ɜɪɟɞɧɨ ɜɨ ɦɚɤɟɞɨɧɫɤɚɬɚ ɤɧɢɠɟɜɧɨɫɬ“.


Ɂɚ ɦɨɟɬɨ ɬɜɨɪɟɲɬɜɨ ɢɦɚɦ ɞɨɛɢɟɧɨ ɩɨɜɟʅɟ ɧɚɝɪɚɞɢ ɢ ɩɪɢɡɧɚɧɢʁɚ, ɲɬɨ ʅɟ
ɪɟɱɟ ɞɟɤɚ ɦɨʁɚɬɚ ɩɢɫɚɬɟɥɫɤɚ ɪɚɛɨɬɚ ɧɟ ɟ ɦɨʁɚ ɡɚɛɥɭɞɚ. ɋɢɬɟ ɨɜɢɟ ɩɪɟɬɯɨɞɧɨ
ɧɚɜɟɞɟɧɢ ɢɫɤɚɡɢ ɨɞ ɩɨɜɟʅɟ ɩɢɫɚɬɟɥɢ ɢ ɞɪɭɝɢ ɤɭɥɬɭɪɧɢ ɞɟʁɰɢ ɦɭ ɝɨɞɚɬ ɧɚ
ɦɨɟɬɨ ɥɢɬɟɪɚɬɭɪɧɨ ȿȽɈ. ɒɬɨ ɫɟ ɨɞɧɟɫɭɜɚ ɫɨ ɤɨɦɭɧɢɤɚɰɢʁɚɬɚ ɫɨ ɦɨɢɬɟ ɱɢɬɚ-
ɬɟɥɢ, ɬɚɚ ɟ ɧɚ ɦɧɨɝɭ ɜɢɫɨɤɨ ɧɢɜɨ, ɦɧɨɝɭ ɞɨɛɪɢ ɨɞɧɨɫɢ, ɱɟɫɬɢɬɚɚɬ, ɩɨɮɚɥɧɨ ɫɟ
ɢɡɪɚɡɭɜɚɚɬ ɡɚ ɦɨɟɬɨ ɬɜɨɪɟɲɬɜɨ.


Ʉɚɤɨ ɲɬɨ ɩɨɬɫɟɬɭɜɚɬɟ ɡɚ ɨɞɧɨɫɢɬɟ ɧɚ ɧɟɤɨɢ ɦɨɢ ɤɨɥɟɝɢ ɩɢɫɚɬɟɥɢ, ɛɨ-
ɠɟɦ ɩɪɢʁɚɬɟɥɢ, ɧɟ ɫɟ ɞɨɛɪɢ. Ʉɚʁ ɧɟɤɨɢ ɨɞ ɧɢɜ ɩɨɬɚʁɧɨ ɫɟ ʁɚɜɭɜɚ ɡɚɜɢɞɥɢɜɨɫɬ,
ɨɦɪɚɡɚ, ʂɭɛɨɦɨɪɚ. Ɉɞ ɬɚɤɜɢ ɧɟ ɫɚɦɨ ʁɚɫ, ɬɭɤɭ ɢ ɞɪɭɝɢ ɩɢɫɚɬɟɥɢ ɨɞ Ȼɢɬɨɥɚ ɧɟ-
ɦɚɦɟ ɩɪɢɫɬɚɩ ɜɨ ɬɚɤɚɧɚɪɟɱɟɧɢɨɬ Ȼɢɬɨɥɫɤɢ ɤɧɢɠɟɜɟɧ ɤɪɭɝ, ɤɚɤɨ ɲɬɨ ɫɩɨɦɧɚɜ
ɩɨɝɨɪɟ Ⱦɨɧɟ ɉɚɧɨɜɫɤɢ ɢ Ɋɚɞɨɜɚɧ ɉ. ɐɜɟɬɤɨɜɫɤɢ ɪɟɤɥɟ ɩɪɟɞ ɦɧɨɝɭ ɝɨɞɢɧɢ ɞɟ-
ɤɚ ɩɪɢɩɚɼɚɦ ɧɚ ɬɨʁ ɤɧɢɠɟɧɟɧ ɤɪɭɝ.


Ɉɞ ɡɚɜɢɞɥɢɜɢ ɩɪɢɱɢɧɢ ɧɟ ɦɨɠɚɦ ɞɚ ɛɢɞɚɦ ɩɪɢɦɟɧ ɧɢ ɜɨ Ⱦɪɭɲɬɜɨɬɨ ɧɚ
ɩɢɫɚɬɟɥɢɬɟ ɧɚ Ɇɚɤɟɞɨɧɢʁɚ ɤɚɤɨ ɢ ɞɪɭɝɢ ɦɨɢ ɤɨɥɟɝɢ – ɩɢɫɚɬɟɥɢ ɨɞ Ȼɢɬɨɥɚ,
ɢɚɤɨ ɜɨ ɦɚɤɟɞɨɧɫɤɚɬɚ ɤɧɢɠɟɜɧɨɫɬ ɫɭɦ ɩɪɢɫɭɬɟɧ 58 ɝɨɞɢɧɢ ɢ ɢɦɚɦ ɨɛʁɚɜɟɧɨ
ɨɫɭɦɧɚɟɫɟɬ ɤɧɢɝɢ. Ɍɨɚ ɟ ɬɚɤɚ ɤɚɤɨ ɲɬɨ ɜɟɥɢ ɧɚɪɨɞɧɚɬɚ ɩɨɝɨɜɨɪɤɚ: „Ⱦɚ ɦɭ
ɩɭɤɧɟ ɤɨɡɚɬɚ ɧɚ ɤɨɦɲɢʁɚɬɚ“. Ɍɨɚ ɟ ɬɚɤɚ ɜɪɨɞɟɧɨ ɜɨ ɩɭɫɬɢ ɧɚɲɢ ɦɚɤɟɞɨɧɫɤɢ
ɝɟɧɢ ɦɟɼɭɫɟɛɧɨ ɞɚ ɧɟ ɫɟ ɜɢɞɢɦɟ, ɞɚ ɫɟ ɡɚɝɭɲɭɜɚɦɟ ɜɨ ɫɢɬɟ ɫɟɝɦɟɧɬɢ, ɜɨ ɫɢɬɟ
ɧɚɲɢ ɩɨɡɢɰɢɢ ɧɚ ɧɚɲɟɬɨ ɨɩɫɬɨʁɭɜɚʃɟ ɜɨ ɦɢɧɚɬɨɬɨ, ɜɨ ɫɟɝɚɲɧɨɫɬɚ ɚ ɦɨɠɟɛɢ ɢ
ɜɨ ɢɞɧɢɧɚ.


ɇɟɦɚ ɩɨɬɪɟɛɚ ɞɚ ɫɟ ɫɩɨɪɟɞɭɜɚɦɟ ɫɨ ɒɟɤɫɩɢɪ, ɫɨ ɉɭɲɤɢɧ ɢɥɢ ɫɨ ɧɟɤɨɢ
ɞɪɭɝɢ ɫɜɟɬɫɤɢ ɤɧɢɠɟɜɧɢ ɤɥɚɫɢɰɢ. ɇɢɟ ɧɟ ɩɪɟɮɟɪɢɪɚɦɟ ɡɚ ɬɚɤɜɢ ɩɨɡɢɰɢɢ. ɇɢɟ
ɫɟɝɚ ɫɦɟ ɜɨ ɞɪɭɝɨ ɜɪɟɦɟ. ɋɢ ɢɦɚɦɟ ɢ ɧɢɟ ɤɧɢɠɟɜɧɢ ɜɪɟɞɧɨɫɬɢ.




НУУБ „Св. Климент Охридски“– Битола


78


ɋɢɬɟ ɦɨɢ ɤɧɢɝɢ ɝɢ ɢɦɚɦ ɩɨɞɚɪɟɧɨ ɧɚ ɦɨɢɬɟ ɱɢɬɚɬɟɥɢ, ɧɟ ɫɭɦ ɩɪɨɞɚɥ ɧɢ-
ɲɬɨ. ɂ ɫɨ ɬɨɚ ɫɟ ɝɨɪɞɟɚɦ ɲɬɨ ɰɟɥɢɨɬ ɦɨʁ ɬɜɨɪɟɱɤɢ ɨɩɭɫ ɟ ɤɚʁ ɦɨɢɬɟ ɱɢɬɚɬɟɥɢ.
ɇɟ ɩɢɲɭɜɚɦ ɡɚ ɫɜɨʁɚ ɞɭɲɚ, ɬɭɤɭ ɡɚ ɫɜɨɢɬɟ ɱɢɬɚɬɟɥɢ, ɡɚ ɤɧɢɠɟɜɧɚɬɚ ɢɫɬɨɪɢʁɚ,
ɞɚ ɨɫɬɚɜɚɦ ɤɧɢɠɟɜɧɢ ɬɪɚɝɢ ɡɚ ɢɞɧɢɬɟ ɝɟɧɟɪɚɰɢɢ, ɡɚ ɡɚɰɜɪɫɬɭɜɚʃɟ ɧɚ ɧɚɲɢɨɬ
ɦɚɤɟɞɨɧɫɤɢ ɢɞɟɧɬɢɬɟɬ, ɡɚ ɩɪɨɬɢɜ ɞɪɭɝɢɬɟ ɲɬɨ ɧɢ ɤɪɨʁɚɬ ɚɫɢɦɢɥɚɰɢʁɚ, ɨɬɤɨɪ-
ɧɭɜɚʃɟ. Ɍɨʁ ɲɬɨ ɩɢɲɭɜɚ ɡɚ ɫɜɨʁɚ ɞɭɲɚ ɬɨɚ ɬɜɨɪɟɲɬɜɨ ɝɨ ɱɭɜɚ ɞɨɦɚ. ɉɢɫɚɬɟɥ
ɲɬɨ ɨɛʁɚɜɢɥ ɤɧɢɝɢ ɩɭɲɬɟɧɢ ɜɨ ʁɚɜɧɨɫɬɚ ɬɢɟ ɜɟʅɟ ɧɟ ɫɟ ɡɚ ɫɜɨʁɚ ɞɭɲɚ ɢ ɬɨɚ ɧɟ ɟ
ɡɚɛɥɭɞɚ.





Деветта роднокрајна средба…


79





Bogoya Tanevski



I AM A POET - WRITER


I, as a poet – writer have created literary works by which the readers know


me and they have positive criticism on them. The writer’s work is a big mastery
achieved by the pen. This suits my ego, of course. Every writer has to be gifted and
we all are more or less. I must say that it is no delusion at all.


I have been present with my literary works in Macedonia and the public
since 1956 when I started publishing songs in the Macedonian literary magazines.


I have published 18 works. This is reality, not delusion. Because of the envy
of some of my fellow writers I am not still accepted in the Macedonian Writers
Association.




НУУБ „Св. Климент Охридски“– Битола


80





Биљана Талевска Димко



ЗАБЛУДАТА НÈ ПРАВИ ПИСАТЕЛИ


















ȿɞɟɧ ɜɢɫɬɢɧɫɤɢ ɩɢɫɚɬɟɥ ɦɨɪɚ ɩɨɫɬɨʁɚɧɨ ɞɚ ɩɥɨɜɢ ɧɚ ɝɪɚɧɢɰɚɬɚ ɩɨɦɟɼɭ


ɜɢɫɬɢɧɚɬɚ ɢ ɡɚɛɥɭɞɚɬɚ, ɩɨɫɬɨʁɚɧɨ ɞɚ ɩɪɨɧɚɨɼɚ ɧɨɜɢ ɫɜɟɬɨɜɢ ɢ ɜɟɲɬɨ ɦɚɧɢɩɭ-
ɥɢɪɚʁʅɢ ɫɨ ɨɩɲɬɟɫɬɜɟɧɢɬɟ ɤɨɞɟɤɫɢ ɞɚ ɩɨɫɬɚɜɢ ɡɞɪɚɜ ɬɟɦɟɥ ɧɚ ɟɞɟɧ ɫɜɨʁ – ɫɨɩ-
ɫɬɜɟɧ ɫɜɟɬ ɜɨ ɤɨʁɲɬɨ ɧɟɝɨɜɢɬɟ ɪɚɡɦɢɫɥɢ ʅɟ ɛɢɞɚɬ ɡɚɲɬɢɬɟɧɢ ɢ ɡɚɫɨɥɧɚɬɢ ɨɞ
ɧɟɩɪɟɛɨɥɨɬ ɢ ɡɚɛɨɪɚɜɨɬ ɧɚ ɨɜɨʁ ɫɜɟɬ.


ɋɜɟɬɨɬ ɝɨ ɪɚɡɛɢɪɚɦ ɤɚɤɨ ɩɪɢɥɢɱɧɨ ɬɚɠɧɨ, ɰɢɧɢɱɧɨ, ɧɚɲɦɢɧɤɚɧɨ ɢ ɭɛɚ-
ɜɨ ɭɪɟɞɟɧɨ ɦɟɫɬɨ ɤɨɟ ɤɚɤɨ ɦɥɚɞɚ ɞɟɜɨʁɤɚ ɜɟɲɬɨ ɫɢ ɝɨ ɩɨɞɝɨɬɜɭɜɚ ɫɜɨʁɨɬ ɦɢɪɚɡ
ɢ ɫɨ ɧɟɬɪɩɟɧɢɟ ɱɟɤɚ ɞɚ ɛɢɞɟ ɨɦɚɠɟɧɚ ɡɚ ɧɟɤɨʁ ɧɟɪɚɧɢɦɚʁɤɨ, ɚ ɧɟ ɞɟɤɚ ɜɨ ɰɟɥɚ-
ɜɚ ɨɜɚɚ ɩɪɢɤɚɡɧɚ ɧɟɦɚ ɬɪɨɲɤɚ ɪɚɡɭɦ, ɧɢʁɚɧɫɚ ʂɭɛɨɜ ɢ ɫɤɪɢɟɧ ɦɨɪɚɥ... ɧɨ ɤɨʁ
ɢɦɚ ɜɪɟɦɟ ɜɨ ɨɜɨʁ ɠɢɜɨɬ ɞɚ ɩɪɚɜɢ ɫɚɦɨ ɪɚɡɭɦɧɢ ɪɚɛɨɬɢ ɢ ɬɪɩɟɧɢɟ ɞɚ ɝɢ ɢɫɬɪ-
ɩɢ ɫɢɬɟ ɚɤɚɞɟɦɫɤɢ ɤɨɧɜɟɧɰɢɢ.


ȳɚɫ ɛɢ ɧɚɩɢɲɚɥɚ ɡɚɛɥɭɞɚɬɚ ɧè ɧɚɩɪɚɜɢ ɩɢɫɚɬɟɥɢ ɢ ɛɢ ɧɚɡɞɪɚɜɢɥɚ ɜɨ ɢɦɟ
ɧɚ ɡɚɛɥɭɞɚɬɚ. ɇɟɦɚ ɧɢɲɬɨ ɩɨɫɤɨɤɨɬɥɢɜɨ ɨɞ ɧɭɪɧɭɜɚʃɟɬɨ ɜɨ ɫɟɛɟ, ɢɫɩɢɬɭɜɚʁʅɢ
ʁɚ ɫɟɤɨʁɚ ɤɥɟɬɤɚ ɜɨ ɫè ɫɟɛɟ ɩɨɫɟɛɧɨ, ɚɧɚɥɢɡɢɪɚʁʅɢ ʁɚ... ɩɪɢɬɨɚ ɞɚ ɫɟ ɫɥɚɜɢ ɠɢ-
ɜɨɬɨɬ, ʂɭɛɨɜɬɚ ɧɚ ɧɟɤɨʁ ɢɧɬɟɪɟɫɧɨ ɢɞɢɨɬɫɤɢ ɧɚɱɢɧ... ɛɢɞɟʁʅɢ ɜɟɪɭɜɚɦ ɞɟɤɚ
ɨɜɨʁ ɧɚɲ ɠɢɜɨɬ ɟ ɟɞɧɚ ɝɨɥɟɦɚ ɡɚɛɥɭɞɚ, ɚ ɩɨɦɟɲɭɜɚʁʅɢ ʁɚ ɬɭɤɚ ɢ ʂɭɛɨɜɬɚ, ɤɨʁɚ
ɟ, ɢɫɬɨ ɬɚɤɚ, ɫɚɦɨ ɞɨɛɪɨ ɨɛʁɚɫɧɟɬɚ ɤɚɤɨ ɢ ɠɢɜɨɬɨɬ, ɚɦɚ ɧɢɤɨɝɚɲ ɧɟɞɨɞɟɮɢɧɢ-
ɪɚɧɚ, ɤɨɧɤɪɟɬɧɨ ɩɨɫɬɚɜɟɧɚ ɜɨ ɥɟɤɫɢɤɨɧ, ɱɨɜɟɤɨɜɨɬɨ ɟɝɡɢɫɬɢɪɚʃɟ ɧɚɥɢɤɭɜɚ ɧɚ
ɪɢɧɝɢɲɩɢɥ.




Деветта роднокрајна средба…


81


ɇɨ, ɞɚ ɫɟ ɫɜɪɬɚɦ ɤɨɧ ɦɨɟɬɨ – ʁɚɫ. ȳɚɫ ɤɚɤɨ ɩɢɫɚɬɟɥ. Ʉɨɝɚ ʅɟ ɦɟ ɩɪɚɲɚɚ
ɤɚɤɨ ɦɚɥɚ – ɒɬɨ ɫɚɤɚɲ ɞɚ ɛɢɞɟɲ ɤɨɝɚ ʅɟ ɩɨɪɚɫɧɟɲ? – ɫɟ ɱɭɜɫɬɜɭɜɚɜ ɤɚɤɨ ɞɚ
ɦɟ ɩɨɫɬɚɜɭɜɚɚ ɩɪɟɞ ɫɜɪɲɟɧ ɱɢɧ ɜɨ ɠɢɜɨɬɨɬ. Ɍɨɝɚɲ ɢɦ ɤɚɠɭɜɚɜ ɞɟɤɚ ɧɟ ɡɧɚɦ ɢ
ɫɟ ɨɛɢɞɭɜɚɜ ɞɚ ɫɢ ɝɨ ɩɨɩɪɚɜɚɦ ɦɚɥɤɭ ɪɚɫɢɩɚɧɨɬɨ ɪɚɫɩɨɥɨɠɟɧɢɟ ɫɨ ɬɨɚ ɲɬɨ
ɲɢɪɨɤɨ ɫɟ ɧɚɫɦɟɜɧɭɜɚɜ ɢ ɫɟ ɨɛɢɞɭɜɚɜ ɧɚ ɧɟɤɨʁ ɧɚɱɢɧ ɞɚ ɝɢ ɫɮɚɬɚɦ ɢ ɢɫɬɨɜɪɟ-
ɦɟɧɨ ɞɚ ɝɢ ɢɝɧɨɪɢɪɚɦ. Ɇɨɪɚ ɞɚ ɧɚɝɥɚɫɚɦ ɞɟɤɚ ɧɚ ɬɚɚ ɜɨɡɪɚɫɬ ɧɟ ɡɧɚɟɜ ɜɚɤɚ ɞɚ
ɝɨ ɤɚɠɚɦ ɨɜɚ, ɚɦɚ ɝɨ ɱɭɜɫɬɜɭɜɚɜ. Ʉɚɤɨ ɲɬɨ ɪɚɫɬɟɜ, ɚ ɪɚɫɬɟɜ ɜɨ ɟɞɧɨ ɧɟɩɪɢɥɢ-
ɱɧɨ ɜɪɟɦɟ, ɤɨɝɚ ɩɨɫɬɚɜɟɧɢɬɟ ɦɨɪɚɥɧɢ ɤɨɞɟɤɫɢ ɩɨɱɧɚɚ ɞɚ ɫɟ ɭɪɧɭɜɚɚɬ, ɜɟʅɟ
ɩɨɱɧɚɚ ɞɚ ɫɟ ʁɚɜɭɜɚɚɬ ɦɧɨɝɭ ɂɫɭɫɢ, ɧɚɦɟɫɬɨ ɞɚ ɬɢ ɤɚɠɭɜɚɚɬ ɤɨɢ ɫɟ ɩɪɚɜɢɬɟ ɩɚ-
ɬɢɲɬɚ, ɬɢɟ ɩɨɫɬɨʁɚɧɨ ɬɟ ɡɚɫɬɚɪɲɭɜɚɚɬ. Ɍɟ ɩɨɤɚɧɭɜɚɚɬ ɧɚ ɨɛɢɥɧɚ ɢ ɛɨɝɚɬɚ ɜɟɱɟ-
ɪɚ, ɚ ɩɪɢɬɨɚ ɬɢ ɞɪɠɚɬ ɩɪɟɞɚɜɚʃɟ ɡɚ ɞɨɛɥɟɫɬɢɬɟ ɧɚ ɩɨɫɬɨɬ. Ɋɚɫɬɟɜ ɜɨ ɜɪɟɦɟ ɜɨ
ɤɨɟ ɛɟɲɟ ɧɟɜɨɡɦɨɠɧɨ ɞɚ ɧɟ ɫɟ ɩɨɥɭɞɢ, ɚɦɚ ɟ ɧɟɨɩɯɨɞɧɨ ɞɚ ɫɟ ɨɫɬɚɧɟ ɧɨɪɦɚ-
ɥɟɧ, ɫɚɦɨ ɬɚɤɚ ʅɟ ɫɟ ɫɩɚɫɢ ɱɨɜɟɤ ɨɞ ɫɨɩɫɬɜɟɧɢɬɟ ɞɟɦɨɧɢ. ɂ ɲɬɨ ɫɟ ɫɥɭɱɢ?
ɉɨɱɧɚɜ ɞɚ ɩɢɲɭɜɚɦ, ɧɚ ɩɨɱɟɬɨɤɨɬ ɫɤɪɨɦɧɢ ɝɥɭɩɨɫɬɢ... ɡɚʁɚɞɥɢɜɢ ɦɟɬɚɮɨɪɢ ɢ
ɩɪɨɫɬɢ ɤɨɦɩɚɪɚɰɢɢ, ɡɚ ɩɨɞɨɰɧɚ, ɤɚɤɨ ɲɬɨ ɞɨɚɼɚɚ ɝɨɞɢɧɢɬɟ ɢ ɥɭɞɢɥɨɬɨ ɫɟ ɡɝɨ-
ɥɟɦɭɜɚɲɟ, ɞɚ ɫɢ ɩɪɟɪɚɫɧɚɦ ɫɚɦɚɬɚ ɡɚ ɫɟɛɟ ɜɨ ɰɟɥ ɟɞɟɧ ɫɜɟɬ, ɤɚɞɟ ɟɞɢɧɫɬɜɟɧɨ
ɧɚʁɝɨɥɟɦɚ ɤɜɚɞɪɚɬɭɪɚ ɡɚɡɟɦɚ ɤɧɢɠɟɜɧɨɫɬɚ...


Ⱦɚɥɢ ɫɨɡɞɚɜɚɦ ɞɟɥɚ ɢɥɢ ɫɢ ʁɚ ɥɟɱɚɦ ɦɟɥɚɧɯɨɥɢʁɚɬɚ ɜɨ ɠɢɜɨɬɨɬ? ȼɨ ɟɞɧɚ
ɩɪɢɥɢɤɚ, ȼɥɚɞɚɧ Ⱦɟɫɧɢɰɚ ʅɟ ɪɟɱɟ: „ɋɢɬɟ ɧɢɟ ɫɟ ɥɟɱɢɦɟ ɨɞ ɠɢɜɨɬɨɬ, ɫɨ ɩɨɦɨɲ
ɧɚ ɭɦɟɬɧɨɫɬɚ“. Ɋɚɞɨɫɬɚ ɢ ɛɨɥɤɚɬɚ ɧɟ ɫɟ ɦɟɪɥɢɜɢ, ɚɦɚ ɫɟ ɦɢɧɥɢɜɢ. Ɉɦɪɚɡɚɬɚ
ɫɟ ʁɚɜɭɜɚ ɨɧɚɦɭ ɤɚɞɟ ɲɬɨ ɧɟ ɟ ɩɪɢɫɭɬɧɚ ʂɭɛɨɜɬɚ. ȿ ɫɟɝɚ, ɚɤɨ, ɤɨɝɚ ɜɟʅɟ ɝɥɟ-
ɞɚɦ ɧɚ ɨɜɢɟ ɪɚɛɨɬɢ ɜɚɤɚ, ɚ ɫɟ ɩɨʁɞɨɜɧɢ ɜɨ ɫɨɡɞɚɜɚʃɟɬɨ ɧɚ ɞɟɥɨ... ɡɚɤɥɭɱɭɜɚɦ
ɞɟɤɚ ɩɢɫɚɬɟɥɨɬ ɇȿ ɟ ɬɜɨɪɟɰ, ɬɭɤɭ ɢɫɬɪɚɠɭɜɚɱ ɧɚ ɱɨɜɟɤɨɜɨɬɨ ɟɝɡɢɫɬɢɪɚʃɟ, ɧɚ
ɱɨɜɟɱɤɢɨɬ ɪɚɡɜɨʁ ɢ ɪɚɫɩɚɞ, ɧɚ ɩɨɞɟɥɟɧɨɫɬɚ ɩɨɦɟɼɭ ɧɟɝɨɜɚɬɚ ɦɚɬɟɪɢʁɚɥɧɚ ɢ ɞɭ-
ɯɨɜɧɚ ɩɪɢɪɨɞɚ. ɉɢɫɚɬɟɥɨɬ ɟ ɫè, ɚɦɚ ɟ ɫɨɫɟɦ ɦɚɥ ɱɨɜɟɤ ɤɨʁ ɧɟ ɫɦɟɟ ɞɚ ɩɪɟɬɟɧ-
ɞɢɪɚ ɞɚ ɛɢɞɟ ɝɨɥɟɦ, ɨɫɜɟɧ ɚɤɨ ɬɨɚ ɨɞ ɧɟɝɨ ɧɟ ɝɨ ɩɨɛɚɪɚ ɧɟɝɨɜɨɬɨ ɞɟɥɨ, ɚɦɚ
ɚɤɨ ɬɨɚ ɫɟ ɫɥɭɱɢ, ɧɚʁɱɟɫɬɨ ɫɟ ɫɥɭɱɭɜɚ ɩɨɫɥɟ ɧɟɝɨɜɚɬɚ ɫɦɪɬ. ȼɨ ɜɪɫɤɚ ɫɨ ɨɜɚ
ɝɟɪɦɚɧɫɤɢɨɬ ɩɢɫɚɬɟɥ ɢ ɧɨɛɟɥɨɜɟɰ, ɏɟɪɦɚɧ ɏɟɫɟ, ʅɟ ɡɚɛɟɥɟɠɢ: „Ⱥɤɨ ɧɟɤɨʁ ɡɛɨ-
ɪɭɜɚ ɥɨɲɨ ɡɚ ɧɟɤɨʁɚ ɤɧɢɝɚ ɢɥɢ ɧɟɤɨɟ ɭɦɟɬɧɢɱɤɨ ɞɟɥɨ ɲɬɨ ɜɢɟ ɝɨ ɫɚɤɚɬɟ, ɡɚ-
ɥɭɞɧɨ ɟ ɞɚ ɫɟ ɥɭɬɢɬɟ ɢɥɢ ɞɚ ɫɟ ɨɛɢɞɭɜɚɬɟ ɞɚ ɝɨ ɨɞɛɪɚɧɢɬɟ. Ɍɪɟɛɚ ɞɚ ɫɟ ɨɫɬɚɧɟ
ɜɟɪɟɧ ɧɚ ɫɜɨʁɚɬɚ ʂɭɛɨɜ ɢ ɬɚɚ ɨɬɜɨɪɟɧɨ ɞɚ ɫɟ ɢɡɪɚɡɭɜɚ, ɬɨɚ ɟ ɜɨ ɪɟɞ, ɧɨ ɧɟ ɬɪɟɛɚ
ɞɚ ɞɨɚɼɚ ɞɨ ɪɚɫɩɪɚɜɢɢ ɩɨɪɚɞɢ ɬɨɚ ɲɬɨ ɫɟ ɫɚɤɚ. Ɉɞ ɬɨɚ ɧɟɦɚ ɩɨɥɡɚ. ɉɨɟɬɫɤɢɬɟ
ɞɟɥɚ ɧɟɦɚɚɬ ɧɢɤɚɤɜɚ ɩɨɬɪɟɛɚ ɨɞ ɨɛʁɚɫɧɭɜɚʃɟ ɢɥɢ ɨɞɛɪɚɧɚ, ɬɢɟ ɫɟ ɢɫɤɥɭɱɢɬɟɥ-
ɧɨ ɬɪɩɟɥɢɜɢ ɢ ɡɧɚɚɬ ɞɚ ɱɟɤɚɚɬ; ɚɤɨ ɜɪɟɞɚɬ, ʅɟ ɠɢɜɟɚɬ“.


Ʉɨɦɭɧɢɤɚɰɢʁɚɬɚ ɫɨ ɱɢɬɚɬɟɥɨɬ ɟ ɭɛɚɜɚ ɜɪɫɤɚ, ɧɨ ɧɟ ɫɟɤɨɝɚɲ ɝɨɥɟɦɚɬɚ ɱɢ-
ɬɚɧɨɫɬ ɧɚ ɨɞɪɟɞɟɧɨ ɤɧɢɠɟɜɧɨ ɞɟɥɨ ɟ ɩɪɢɡɧɚɜɚʃɟ ɧɚ ɧɟɝɨɜɢɨɬ ɤɜɚɥɢɬɟɬ. Ɍɜɪ-
ɞɚɦ ɞɟɤɚ ɤɚʁ ɧɚɫ, ɚ ɦɨɠɟɛɢ ɢ ɩɨɲɢɪɨɤɨ, ɨɬɤɚɤɨ ɧɚɫɬɚɧɚ ɞɢɝɢɬɚɥɢɡɚɰɢʁɚɬɚ,
ɦɧɨɝɭ ɟ ɨɩɚɞɧɚɬɚ ɱɢɬɚɱɤɚɬɚ ɤɭɥɬɭɪɚ ɬ.ɧ „ɥɢɦɨɧɚɞɚ“ ɪɨɦɚɧɢ ɩɨɦɢɧɭɜɚɚɬ ɦɧɨ-
ɝɭ ɥɟɫɧɨ ɧɚ ɤɚɫɢɬɟ ɩɨ ɤɧɢɠɚɪɧɢɰɢɬɟ, ɡɚ ɪɚɡɥɢɤɚ ɨɞ ɤɧɢɝɢɬɟ ɤɨɢ ɧɟɝɭɜɚɚɬ ɦɨ-
ɦɟɧɬɢ ɩɨɪɚɞɢ ɤɨɢ ɬɨɱɧɨ ɩɨɫɬɨɢ ɤɧɢɠɟɜɧɨɫɬɚ. Ɍɚɤɚ, ɫɬɨʁɚɦ ɧɚ ɬɨɚ ɞɟɤɚ ɩɢɫɚɬɟ-
ɥɨɬ ɬɪɟɛɚ ɞɚ ɩɢɲɭɜɚ, ɨɞɧɨɫɧɨ ɞɚ ɫɨɡɞɚɜɚ ɨɧɚɤɚ ɤɚɤɨ ɲɬɨ ɝɨ ɜɨɞɢ ɧɟɝɨɜɢɨɬ
ɞɭɯ, ɧɟɝɨɜɚɬɚ ɜɞɚɯɧɨɜɟɧɨɫɬ, ɚ ɱɢɬɚɬɟɥɨɬ ɟ ɬɨʁ ɤɨʁ ɬɪɟɛɚ ɞɚ ɫɢ ʁɚ ɧɚʁɞɟ ɜɢɫɬɢɧ-
ɫɤɚɬɚ ɤɧɢɝɚ ɡɚ ɧɟɝɨ. Ʉɨɦɟɪɰɢʁɚɥɧɨ ɢ ɩɨɞɥɨ ɡɜɭɱɢ ɞɨɤɨɥɤɭ ɧɚɜɢɫɬɢɧɚ ɫɟ ɨɫɬɜɚ-
ɪɢ ɢɞɟʁɚɬɚ ɩɢɫɚɬɟɥɨɬ ɞɚ ɦɭ ɩɨɧɭɞɢ ɱɟɬɢɜɨ ɧɚ ɱɢɬɚɬɟɥɨɬ ɲɬɨ ɬɨʁ ɫɚɤɚ ɞɚ ɝɨ




НУУБ „Св. Климент Охридски“– Битола


82


ɩɪɨɱɢɬɚ... ɬɨɚ ɟ ɢɫɬɨ ɤɚɤɨ ɧɟɤɨʁ ɩɨɫɬɨʁɚɧɨ ɞɚ ɝɨ ɥɚɠɟɲ, ɡɚɬɨɚ ɲɬɨ ɡɧɚɟɲ ɞɟɤɚ
ɚɤɨ ʁɚ ɞɨɡɧɚɟ ɜɢɫɬɢɧɚɬɚ ʅɟ ɩɨɱɧɟ ɞɚ ɩɥɚɱɟ. ɏɪɚɛɪɢɨɬ ɢ ɦɭɞɚɪ ɩɢɫɚɬɟɥ ɫɨɡɞɚɜɚ
ɧɨɜɢ ɨɩɲɬɟɫɬɜɟɧɢ ɤɨɧɜɟɧɰɢɢ ɢɥɢ ɞɚɜɚ ɫɭɩɬɢɥɧɢ ɢɧɰɢʁɚɬɢɜɢ, ɬɨʁ ɧɟ ʁɚ ɛɟɬɨɧɢ-
ɪɚ ɫɜɟɫɬɚ ɤɚʁ ɱɢɬɚɬɟɥɨɬ ɬɭɤɭ ɫɚɤɚ ɞɚ ʁɚ ɞɨɜɟɞɟ ɜɨ ɟɥɚɫɬɢɱɧɚ ɮɨɪɦɚ ɢ ɩɨɫɬɨʁɚɧɨ
ɞɚ ɛɢɞɟ ɛɭɞɧɚ ɢ ɚɤɬɢɜɧɚ ɨɧɚɦɭ ɤɚɞɟ ɲɬɨ ɢɦɚ ɩɨɬɪɟɛɚ ɨɞ ɨɜɚ.


ȳɚɫ ɤɚɤɨ ɱɨɜɟɤ, ʁɚɫ ɤɚɤɨ ɠɟɧɚ, ɞɚ, ɫɟ ɫɦɟɬɚɦ ɫɟɛɟɫɢ ɡɚ ɩɢɫɚɬɟɥ, ɧɟ ɩɨɪɚɞɢ
ɬɨɚ ɲɬɨ ɭɛɚɜɨ ɡɧɚɦ ɞɚ ɫɟ ɢɡɪɚɡɚɦ ɤɨɝɚ ɬɨɚ ɫɟ ɛɚɪɚ ɨɞ ɦɟɧɟ, ɬɭɤɭ ɩɨɪɚɞɢ ɬɨɚ
ɲɬɨ ɨɧɚ ɲɬɨ ɫɚɤɚɦ ɞɚ ɝɨ ɤɚɠɚɦ, ɧɟɜɚɠɧɨ ɞɚɥɢ ɟ ɫɭɪɨɜɨ ɢɥɢ ɧɟɠɧɨ, ɝɨ ɤɚɠɭ-
ɜɚɦ ɧɚ ɭɛɚɜ ɧɚɱɢɧ, ɢɦɚɦ ɬɟɧɞɟɧɰɢʁɚ ɞɚ ɝɢ ɦɟɧɭɜɚɦ ɪɚɛɨɬɢɬɟ ɧɚ ɩɨɞɨɛɪɨ,
ɢɦɚɦ ɪɚɡɜɢɟɧɚ ɮɚɧɬɚɡɢʁɚ, ɱɭɜɫɬɜɨ ɡɚ ɦɚɧɢɩɭɥɚɰɢʁɚ ɫɨ ɩɨɫɬɨɟɱɤɚɬɚ ɢ ɨɩɲɬɨ
ɩɪɢɮɚɬɟɧɚ ɪɟɚɥɧɨɫɬ, ɜɨɨɩɲɬɨ ɧɟ ɦɢ ɟ ɬɟɲɤɨ ɞɚ ɩɚɬɭɜɚɦ ɜɨ ɦɢɧɚɬɨɬɨ ɢɥɢ ɞɚ
ɩɪɟɫɬɨʁɭɜɚɦ ɜɨ ɢɞɧɢɧɚɬɚ, ɚ ɩɪɢɬɨɚ ɬɨɚ ɞɚ ɝɨ ɩɪɚɜɚɦ ɫɚɦɨ ɧɚ ɦɨʁ ɧɚɱɢɧ.


ɋɨɡɞɚɜɚʃɟɬɨ ɧɚ ɤɧɢɝɚ, ɬɜɨɪɟʃɟɬɨ ɜɨ ɞɟɥɨɬ ɧɚ ɤɧɢɠɟɜɧɨɫɬɚ ɟ ɦɧɨɝɭ ɩɨ-
ɜɟʅɟ ɨɞ ɪɚɛɨɬɚ, ɬɨɚ ɟ ɤɨɦɭɧɢɤɚɰɢʁɚ ɩɨɦɟɼɭ ɭɧɢɜɟɪɡɭɦɨɬ ɢ ɨɜɚɚ ɩɥɚɧɟɬɚ. Ʉɧɢ-
ɝɚɬɚ ɬɪɟɛɚ ɞɚ ɫɥɭɠɢ ɤɚɤɨ ɨɝɥɟɞɚɥɨ ɜɨ ɤɨɟ ɱɨɜɟɤ ɩɨɫɬɨʁɚɧɨ ɫɟ ɨɝɥɟɞɭɜɚ ɢ ɛɥɚ-
ɝɨɞɚɪɟɧɢɟ ɧɚ ɬɨɚ ɨɝɥɟɞɭɜɚʃɟ ɬɨʁ ɫɢ ɝɨ ɩɨɩɪɚɜɚ ɠɢɜɨɬɨɬ, ɡɚ ɜɨ ɦɨɦɟɧɬɢɬɟ ɧɚ
ɫɬɚɪɨɫɬ ɞɚ ɛɢɞɟ ɨɥɢɰɟɬɜɨɪɟɧɢɟ ɧɚ ɜɢɫɬɢɧɫɤɚ ɦɭɞɪɨɫɬ, ɬɨɱɧɨ ɫɩɨɡɧɚɧɢɟ ɩɨɦɟ-
ɼɭ ɡɚɛɥɭɞɚɬɚ ɢ ɜɢɫɬɢɧɚɬɚ.




Деветта роднокрајна средба…


83





Biljana Talevska Dimko



THE DELUSION MAKES US WRITERS

I would say the delusion made us writers and I would toast in the name of the


delusion. There is nothing more challenging then diving into oneself, examining
each cell in oneself, analyzing it… at the same time to glorify the life, love in a
certain interesting idiotic way. .. because I believe that our life is one big delusion.


The creation of a book, the literary creation is more than only a work, it is a
communication between the universe and this planet. The books serves as a mirror
in which man is constantly reflected and thanks to it he corrects his life, so that in
the moments of old age to be embodiment of real wisdom, exact cognition between
the delusion and the truth.




НУУБ „Св. Климент Охридски“– Битола


84





Добре Тодоровски



ТВОРЕЧКО ДЕЛО, ЗАНЕС, НАДЕЖ ИЛИ НЕШТО ТРЕТО




















I od ednoto i od drugoto i od tretoto. Od sè po ne{to i u{te ne-


{to go pravat literaturniot opus na umetnikot za kogo }e re~eme deka
e avtor – pisatel. Barem po mene, {to se odnesuva op{to do umetnosta,
u{te od najrana vozrast ja do`ivuvav kako ne{to vozvi{eno, a na umet-
nicite gledav kako kon lu|e so poseben lik i karakter. Vo sekoj slu~aj
ne{to povozvi{eno od obi~niot ~ovek. Ete, takva slika mi se vre`ala
u{te odamna.


Vo pomladi godini, podu~en od iskustvoto na moite povozrasni
kolegi pisateli, osobeno bliskata sorabotka so pisatelot Radovan P.
Cvetkovski, postoe{e eden mlade{ki zanes, {to e razbirlivo za eden
mlad ~ovek, da napi{am kniga vo koja bi se sodr`ele visoki umetni~ki
vrednosti, po koi }e me prepoznavaat, odnosno }e bide toa delo so moj
beleg. Ottamu ~ove~ki e da se nadeva{ deka si uspeal i postignal odre-
den uspeh, barem vo potesni ramki i si pobudil interes kaj odreden
broj ~itatelska publika i kni`evna kritika. Takvo ~uvstvo imav vo
moite mlade{ki denovi, po prvite obidi da se napi{e ne{to, da se iz-
dade kniga, odnosno po izleguvaweto od pe~at na romanot „Siviloto na
odot“.




Деветта роднокрајна средба…


85


Kaj mene odamna e prisutno soznanieto deka kako avtor, moe e da
pi{uvam, a otkako }e izleze deloto }e go cenat drugi, obi~no se veli,
vistinskoto vrednuvawe doa|a po pove}e godini. Seto toa pravi vo se-
koj pogled, pri sozdavawe na odreden tekst, raskaz, roman, pesna, drama
ili monodrama, da bidam pretpazliv vo odbir na temata, likovite, lo-
kacijata, jazikot...


So temata na ovaa Rodnokrajna sredba ni e dadena mo`nost da se
iska`eme na koj na~in gi sozdavame literaturnite tvorbi, {to sè mu e
potrebno na avtorot za da se zafati so pi{uvawe.


Po moe, kako najva`na specifikacija go smetam priodot za obra-
botka na odreden tekst. Sè dodeka ne go osmislam, ne go odberam i ne se
so`iveam so likovite, barem onie koi }e go nosat dejstvieto, ne ja od-
`iveam fabulata, nose~kata prikazna, kako mestoto i pridru`nite dej-
stvija, ne go po~nuvam deloto. Tokmu ovde nao|am, kolku temata }e bide
originalna, interesna, odnosno }e go zadr`i vnimanieto na ~itatelot.


Iskustvoto mi ka`uva za toa deka tokmu onie literaturni tvorbi
za koi smetame deka se nekakvo dostignuvawe, ne dobivaat na zna~ewe,
ami istoto }e se slu~i za nekoe drugo delo, za koe so rezerva pomislu-
va{ deka }e pobudi odreden interes.


Ovde }e go istaknam moeto viduvawe za romanot ,,Nad tagata“, vo
koj koristev univerzalna tematika i koj se nao|a{e vo grupata na mo`-
ni dobitnici za roman na godinata, nekako srame`livo ja `ivee sudbi-
nata na pojavuvaweto, iako ve}e ima treto izdanie. Dodeka, pak, roma-
not „Prokoba“, za koj koristev lokalna tema, pobudi osoben interes kaj
~itatelskata publika i e eden, po moi soznanija, od naj~itanite i
najbaranite romani.


Ako vrednosta na knigata ja odbele`uva kritikata, mora da se ima
predvid i kritikata od ~itatelite, {to mu dava odli~na mo`nost na
avtorot vo koj pravec da se naso~i pri sozdavaweto na drugi dela.


Se smetam za avtor koj ne robuva na negativnite kriti~ki stavo-
vi, zna~i ne sum od onie koi ja posakuvaat samo pozitivnata kritika,
voden od soznajbata i ednostavna pri~ina deka ~ovek koj raboti, osobe-
no se zanimava so literatura, mo`e i da pogre{i.


Iluzorno e da se veruva deka sekoj te ceni i po~ituva po ona {to
si go napi{al. Naprotiv, ako e taka toga{ ne{to ne e vo red so deloto,
ili so avtorot. Svesen sum deka ima i takvi ~itateli, pa i kolegi pisa-
teli, koi ne bi dale ni preodna ocenka za ona {to sum go napi{al, no
ima i takvi koi davaat visoki umetni~ko-vrednosni oceni po istoto.
Na moe osobeno zadovolstvo, ovie prvite se vo mnogu pomal broj.


Ako e od nekoe zna~ewe, da otkrijam deka ponekoga{ i jas se zane-
suvam, no samo koga gi rabotam likovite i nastanite. Me obzema zanes,
nalik na moite platonski vqubuvawa od mladite godini, a toa se dol`i
najverojatno od nekoe silno ~uvstvo na zadovolstvo od napi{anoto,
opi{anoto.




НУУБ „Св. Климент Охридски“– Битола


86


Ne se optovaruvam so toa deka sum postignal golem uspeh, odnosno
deloto }e do`ivee golemina, a najmalku da se zamisluvam kako golem
pisatel. Toa go ostavam na ~itatelite i vremeto. No, najiskreno, nema
edine~na merka za moeto du{evno zadovolstvo koga od pe~at }e izleze
knigata kako moe novo delo. So toa mo`am da se pofalam pred moite
likovi, za koi e znajno deka se realni i vistinski, `ivi i istite se del
od moeto opkru`uvawe.


Ne retko se slu~uvalo vo odreden lik da se prepoznaat mnogumina,
odnosno }e ja prepoznaat svojata sudbina ili nekoi migovi od `ivotot
koj go bitisuvaat na ova podra~je, pa posakuvaat da porazgovarame oko-
lu sodr`inata na knigata. Mo`na e i analiza na odredeni delovi od
knigata ili analiza na pridru`en lik, nastan itn. Osobeno sum zadovo-
len koga }e go osoznaam toa {to, pokraj razbiraweto na temata, razbra-
na e i porakata koja vo tekstot se trudam i sakam da ja upatam kon ~ita-
telot.


Toa e komunikacijata so ~itatelot, {to mislam e i najvrednosna-
ta potvrda za eden pisatel, vo smisla dadena ocenka za negovoto tvo-
re{tvo. Vsu{nost, sakale nie ili ne, po ona {to go ostavame kako tra-
en pi{an beleg, }e nè prepoznavaat i cenat ne samo sega{nite, tuku i
generaciite {to doa|aat.


Iako se dvoumev ~itaj}i ja pokanata i poso~eniot tekst za sredba-
ta, samo kratko bi podvlekol, iako toa ne e predmet na moeto izlagawe,
no e vo vrska so temata, a se odnesuva za zabludata na pisatelot. Ne sme-
tam deka e zabluda sekoj {to }e pi{uva i se posveti na odreden litera-
turen `anr. Obidot e zna~aen onolku kolku }e se posveti vnimanie za
ostvaruvawe na zamislata. Mo`ebi pove}e pisatelska zabluda bi bilo
ako eden oformen i doka`an avtor, so prepoznatliv stil na pi{uvawe,
}e prestane da veruva vo ona {to go raboti, veruvaj}i deka e vo zabluda
ili zaludno negovoto tvore{tvo, ili mo`e da konstatira, otkako }e
otkrie deka se dvi`i vo pogre{na nasoka, vo smisla na negovata
literatura. Ova go prezentiram, ako se odnesuva na zabluda vo tvore{-
tvoto. Ako se odnesuva na druga zabluda, toa e ve}e druga tema.


Bi bilo sosema nekorektno da se re~e deka ne sakam moite dela da
se ~itaat, da se cenat, da bidat barani, pa i jas kako avtor da go najdam
mestoto pod kni`evnoto nebo. Na krajot od krai{tata, neli e toa tok-
mu smislata na eden pisatel i negovoto tvore{tvo?





Деветта роднокрајна средба…


87



Dobre Todorovski





THE LITERARY CREATION, ELATION,
HOPE OR SOMETHING THIRD



Human is to hope for success at least to arouse interest in certain number of


readers and literary critics. This was my feeling in my youth, my first tries to write,
especially when I published the book „The grayness of the walk“. The
communication with the readers is the worthiest confirmation in a sense of the
evaluation of the writer’s work. Inevitably, writers leave a lasting written mark by
which we will be recognized and respected from the present as well from the
generations to come. I feel that it is not correct to say that I do not want my works
to be read, to be respected, and myself as an author to find the place under the
literature. After all, is this not the meaning the writer and his literary creation?




НУУБ „Св. Климент Охридски“– Битола


88





Петко Шипинкаровски



МОЈАТА МИСЛА ПАТОВОДИЛКА



ȳɚɫ – ɩɢɫɚɬɟɥ ɫɨ ɨɩɬɢɦɢɫ-


ɬɢɱɤɢ ɩɪɢɨɞ, ɰɜɪɫɬɨ ɪɟɲɟɧ
ɞɚ ɫɟ ɩɨɫɬɢɝɧɟ ɡɚɰɪɬɚɧɚɬɚ ɰɟɥ
ɢ ɞɚ ɫɟ ɫɬɢɝɧɟ ɧɚ ɫɚɦɢɨɬ
ɫɥɢɜ, ɨɞɧɨɫɧɨ ɢɡɜɨɪɨɬ ɧɚ
ɩɪɢɤɚɡɧɚɬɚ. Ȼɟɡ ɩɪɢɬɨɚ ɞɚ
ɦɢɫɥɚɦ ɧɚ ɫɟɛɟɫɢ, ɞɚ ɫɢ ɧɚʁ-
ɞɚɦ ɦɟɫɬɨ ɜɨ ɨɞɪɟɞɟɧɚ ɝɟɧɟ-
ɪɚɰɢʁɚ ɦɚɤɟɞɨɧɫɤɢ ɚɜɬɨɪɢ,
ɨɞɧɨɫɧɨ ɧɟɫɜɟɫɧɨ, ɫɨ, ɢɥɢ ɩɨ-
ɦɟɼɭ ɧɢɜ. Ⱥ ɤɨɧ ɬɨɚ, ɛɢ ɫɚɤɚɥ
ɞɚ ɞɨɞɚɞɚɦ: ɇɢɤɨɝɚɲ ɧɟ ɫɭɦ
ɩɨɦɢɫɥɭɜɚɥ ɞɟɤɚ ɫɨ ɡɚɩɨɱɧɭ-


ɜɚʃɟɬɨ ɧɚ ɥɢɬɟɪɚɬɭɪɧɚɬɚ ɬɜɨɪɛɚ ɢɥɢ ɞɟɥɨ, ʅɟ ɫɬɚɧɚɦ ɩɨɩɨɡɧɚɬ, ɩɨɜɥɢʁɚɬɟɥɟɧ,
ɩɨɛɨɝɚɬ, ɢɥɢ, ɩɚɤ, ɞɨɛɢɬɧɢɤ ɧɚ ɩɪɟɫɬɢɠɧɚ ɧɚɝɪɚɞɚ... ɇɟ! Ɉɞ ɩɨɱɟɬɨɤ ɩɢɲɭɜɚ-
ʃɟɬɨ – ʂɭɛɨɜɬɚ ɤɨɧ ɥɢɬɟɪɚɬɭɪɚɬɚ ɢ ɩɭɛɥɢɰɢɫɬɢɤɚɬɚ ɢ ɪɟɲɟɧɨɫɬɚ ɞɚ ɫɟ ɨɞɛɟ-
ɥɟɠɢ ɬɨɚ ɲɬɨ ɦɨɠɟ ɞɚ ɫɟ ɨɛɪɚɛɨɬɢ ɡɚ ɞɚ ɫɟ ɡɚɩɪɟ, ɡɚɫɬɨɢ, ɢɥɢ ɞɚ ɫɟ ɨɞɛɟɥɟɠɢ
ɜɪɟɦɟɬɨ ɢ ɧɚɫɬɚɧɢɬɟ ɜɨ ɰɟɥɧɚɬɚ ɬɨɱɤɚ ɢɥɢ ɬɨɱɤɢ ɧɚ ɞɟʁɫɬɜɢʁɚɬɚ ɢ ɫɥɭɱɭɜɚʃɚɬɚ
ɤɚɤɨ ɫɜɟɞɨɲɬɜɚ ɢ ɫɨɡɧɚɧɢʁɚ, ɦɢ ɛɢɥɟ ɦɢɫɥɚ ɩɚɬɨɜɨɞɢɥɤɚ. ɉɢɫɚɬɟɥ ɤɨʁ ɫɜɨɟɬɨ
ɬɜɨɪɟɲɬɜɨ ɝɨ ɬɟɦɟɥɢ ɧɚ ɨɫɧɨɜɧɢɬɟ ɮɭɧɞɚɦɟɧɬɢ:


– ʂɭɛɨɜ, ɤɚɤɨ ɨɫɧɨɜɟɧ ɥɚʁɬɦɨɬɢɜ: ʂɭɛɨɜ ɤɨɧ ɤɧɢɝɚɬɚ ɢ ʂɭɛɨɜ ɡɚ ɰɟɥɨɫɧɚ
ɩɨɫɜɟɬɟɧɨɫɬ ɢ ɩɨɫɬɚɜɭɜɚʃɟ ɧɚ ɫɬɪɭɤɬɭɪɚɬɚ ɧɚ ɞɟɥɨɬɨ; ɜɨɜɟɞ, ɞɟʁɫɬɜɢɟ, ɟɩɢɥɨɝ...


– ɩɪɟɦɨɫɬɭɜɚʃɟ, ɩɪɢɤɚɠɭɜɚʃɟ ɧɚ ɧɚɫɬɚɧɢɬɟ ɢ ɩɭɲɬɚʃɟ ɜɨ ɬɟɱɟɧɢɟɬɨ ɧɚ
ɱɨɜɟɤɨɜɚɬɚ ɢɞɧɢɧɚ, ɤɚɤɨ ɡɧɚɟʃɟ, ɩɨɭɤɚ ɢ ɩɪɟɞɭɩɪɟɞɭɜɚʃɟ,


– ɦɨɬɢɜɢɪɚɧɨɫɬ ɢ ɪɚɡɪɚɛɨɬɤɚ ɧɚ ɝɥɚɝɨɥɢɬɟ ɬɟɦɟɥɟɧɚ ɜɪɡ ɨɫɧɨɜɚ ɧɚ ɜɢɫ-
ɬɢɧɚɬɚ ɢ ɤɨɞɟɤɫɨɬ ɧɚ ɦɨɪɚɥ ɢ ɩɨɱɢɬɭɜɚʃɟ ɧɚ ɟɬɢɱɤɢɬɟ ɧɨɪɦɢ,


– ɩɪɢɦɟɧɚ ɧɚ ɦɚɤɟɞɨɧɫɤɢɨɬ ɥɢɬɟɪɚɬɭɪɟɧ ʁɚɡɢɤ ɢ ʁɚɡɢɤɨɬ ɧɚ ɞɢʁɚɥɟɤɬɨɥɨ-
ɝɢʁɚɬɚ – ɧɚɪɨɞɧɢɨɬ ɝɨɜɨɪ ɜɨ ɦɨɧɨɥɝ-ɞɢʁɚɥɨɡɢɬɟ, ɫɦɟɬɚʁʅɢ ɝɨ ɤɚɤɨ ɩɪɢɞɨɛɢɜɤɚ
ɢ ɛɨɝɚɬɫɬɜɨ.


ɋè ɡɚɩɨɱɧɚ ɜɨ ɦɥɚɞɟɲɤɢɬɟ ɝɨɞɢɧɢ. Ʉɚɤɨ ɭɱɟɧɢɤ ɜɨ ɨɫɧɨɜɧɨɬɨ ɭɱɢɥɢɲɬɟ
ɜɨ ɋɬɚɪɚɜɢɧɚ, ɞɨɦɚ ʁɚ ɫɥɭɲɚɜ ɨɬɜɨɪɟɧɚɬɚ ɩɪɨɝɪɚɦɚ ɧɚ Ɋɚɞɢɨ Ȼɢɬɨɥɚ, ɟɦɢɫɢʁɚ-
ɬɚ ɧɚɦɟɧɟɬɚ ɡɚ ɭɱɟɧɢɰɢɬɟ ɨɞ ɨɫɧɨɜɧɢɬɟ ɭɱɢɥɢɲɬɚ ɜɨ Ȼɢɬɨɥɫɤɨ: „Ⱦɚɜɚɦɟ ɧɚʁ-
ɞɭɯɨɜɢɬ ɨɞɝɨɜɨɪ“. ȿɦɢɫɢʁɚɬɚ ɢɦɚɲɟ ɧɚɬɩɪɟɜɚɪɭɜɚɱɤɢ ɤɚɪɚɤɬɟɪ. ȼɨ ɟɞɧɚ ɨɞ
ɟɦɢɫɢɢɬɟ ɩɪɚɲɚʃɟɬɨ ɛɟɲɟ: „ɒɬɨ ɩɪɟɬɫɬɚɜɭɜɚ ɲɤɨɥɫɤɢɨɬ ɞɧɟɜɧɢɤ?“, „ɋɭɞɢʁɚ
ɤɨʁ ɜɨɞɢ ɧɚɬɩɪɟɜɚɪ ɜɨ ɞɜɟ ɟɬɚɩɢ ɫɨ ɟɞɧɨ ɩɨɥɭɜɪɟɦɟ“ – ɛɟɲɟ ɦɨʁɨɬ ɨɞɝɨɜɨɪ.
ɋɥɟɞɧɚɬɚ ɟɦɢɫɢʁɚ ɛɟɲɟ ɨɛʁɚɜɟɧɨ ɞɟɤɚ ɫɭɦ ɞɨɛɢɬɧɢɤ ɧɚ ɩɪɜɚɬɚ ɧɚɝɪɚɞɚ.




Деветта роднокрајна средба…


89


Ʉɚɤɨ ɫɪɟɞɧɨɲɤɨɥɟɰ, ɛɟɜ ɪɟɞɨɜɟɧ ɱɥɟɧ ɧɚ Ƚɪɚɞɫɤɚɬɚ ɛɢɛɥɢɨɬɟɤɚ ɜɨ Ȼɢ-
ɬɨɥɚ ɢ ɬɭɤɚ ɝɨ ɝɪɚɞɟɜ ɦɨɟɬɨ ɡɧɚɟʃɟ. ɑɢɬɚɜ ɤɧɢɝɢ, ɚ ɜɨ 1965 ɝɨɞɢɧɚ ɫɪɟɞɛɚɬɚ
ɲɬɨ ʁɚ ɢɦɚɜɦɟ ɫɨ ɩɢɫɚɬɟɥɨɬ ɋɬɚɥɟ ɉɨɩɨɜ ɤɚʁ ɦɟɧɟ ɨɫɬɚɧɚ ɜɨ ɬɪɚʁɧɨ ɫɟʅɚɜɚʃɟ,
ɧɨ ɢ ɢɞɟɨɥɨɝɢʁɚ ɢ ɦɨɬɢɜ!


ȼɨ ɬɟɤɨɬ ɧɚ ɲɤɨɥɭɜɚʃɟɬɨ ɢ ɪɚɛɨɬɚɬɚ ɛɟɜ ɧɟɨɩɬɨɜɚɪɟɧ ɡɚ ɨɛʁɚɜɭɜɚʃɟ
ɬɟɤɫɬɨɜɢ ɢ ɫɥɚɜɚ. ɉɨɜɪɟɦɟɧɨ ʅɟ ɧɚɩɢɲɟɜ ɧɟɤɨʁ ɪɚɤɨɩɢɫ ɢɥɢ ɩɟɫɧɚ, ɝɨ ɢɫɩɪɨ-
ɛɭɜɚɜ ɫɜɨʁɨɬ ɬɚɥɟɧɬ, ɫè ɞɨ ɜɥɟɝɭɜɚʃɟɬɨ ɜɨ ɫɪɟɞɨɜɟɱɢɟɬɨ, ɤɨɝɚ ɤɚʁ ɦɟɧɟ ɠɟɥɛɚ-
ɬɚ ɡɚ ɩɢɲɭɜɚʃɟ ɢ ɨɛʁɚɜɚ ɫè ɩɨɫɢɥɧɨ ɢ ɩɨɫɢɥɧɨ ɱɭɤɚɲɟ.


ɇɚɫɬɚɧɢɬɟ ɤɨɢ ɝɢ ɩɪɢɛɢɪɚɜ ɜɨ ɫɟɛɟ ɨɞ ɪɚɡɥɢɱɟɧ ɤɚɪɚɤɬɟɪ: ɥɟɝɟɧɞɢɬɟ,
ɩɪɢɤɚɡɧɢɬɟ ɢ ɜɢɫɬɢɧɫɤɢɬɟ ɪɚɫɤɚɠɭɜɚʃɚ ɜɨ ɞɟɬɫɤɢɬɟ ɢ ɦɥɚɞɟɲɤɢɬɟ ɝɨɞɢɧɢ,
ɨɫɨɛɟɧɨ ɨɧɢɟ ɞɨɠɢɜɟɚɧɢ ɧɚ ɫɟɥɨ ɢ ɜɨ ɝɪɚɞɨɬ, ɤɚɤɨ ɢ ɢɫɬɨɪɢʁɚɬɚ, ʂɭɛɨɜɬɚ ɤɨɧ
ɦɨɢɬɟ ɪɨɞɢɬɟɥɢ, ɩɨɬɟɫɧɨɬɨ ɢ ɩɨɲɢɪɨɤɨ ɫɟɦɟʁɫɬɜɨ ɢ ɬɚɬɤɨɜɢɧɚɬɚ, ɛɟɚ ɝɥɚɜɧɚɬɚ
ɩɪɟɨɤɭɩɚɰɢʁɚ ɡɚ ɞɚ ɫɟ ɡɚɩɨɱɧɟ ɩɨɫɟɪɢɨɡɧɨ ɞɚ ɫɟ ɬɜɨɪɢ ɢ ɫɨɡɞɚɜɚ.


ɉɪɜɢɨɬ ɩɨɫɟɪɢɨɡɟɧ ɧɚɫɬɚɩ ɝɨ ɢɦɚɜ ɜɨ ɜɟɫɧɢɤɨɬ ɇɨɜɚ Ɇɚɤɟɞɨɧɢʁɚ.
ɉɚɬɭɜɚʁʅɢ ɤɨɧ ɦɨɟɬɨ ɪɨɞɧɨ ɫɟɥɨ Ȼɭɞɢɦɢɪɰɢ, ɩɨɝɥɟɞɨɬ ɤɨɧ ɩɥɚɧɢɧɚɬɚ


ɇɢʇɟ ɦɢ ɝɨ ɡɚɩɪɟ ɡɞɢɜɨɬ. Ɂɚɛɟɥɟɠɚɜ ɞɟɤɚ ɜɨ ɩɨɞɧɨɠʁɟɬɨ ɧɚ ɩɥɚɧɢɧɚɬɚ ɩɨ ɩɥɚ-
ɧɢɧɫɤɢɬɟ ɜɟɧɰɢ ɢ ɫɬɪɚɧɢ, ɩɨɝɨɥɟɦɢ ɩɪɨɫɬɪɚɧɫɬɜɚ ɧɚ ɲɭɦɚɬɚ ɫɟ ɢɫɟɱɟɧɢ – ɩɨ-
ɩɭɥɚɪɧɨ ɤɚɠɚɧɨ, ɝɨɥɨɫɟɤ. – Ʉɚɤɨ ɟ ɬɨɚ ɦɨɠɧɨ – ɫɢ ɪɟɤɨɜ.


ɋɬɚɫɚɜ ɜɨ ɫɟɥɨɬɨ ɢ ɜɨ ɦɨʁɨɬ ɞɨɦ. ɇɚɩɢɲɚɜ ɬɟɤɫɬ: „ɋɟɤɰɢʁɚ ɧɚ ɛɟɥɢɬɟ
ɞɪɨɛɨɜɢ ɧɚ Ʉɚʁɦɚɤɱɚɥɚɧ“. ɉɢɫɦɨɬɨ ɝɨ ɢɫɩɪɚɬɢɜ ɢ ɛɟɲɟ ɨɛʁɚɜɟɧɨ ɜɨ ɜɟɫɧɢɤɨɬ
„ɇɨɜɚ Ɇɚɤɟɞɨɧɢʁɚ“. ȼɨ ʁɚɜɧɨɫɬɚ, ɩɢɫɦɨɬɨ ɞɨɛɪɨ ɛɟɲɟ ɩɪɢɦɟɧɨ. ɋɥɟɞɭɜɚɚ ɭɲ-
ɬɟ ɧɟɤɨɥɤɭ ɨɛʁɚɜɢ, ɩɪɟɞ ɫè, ɩɢɫɦɚ ɜɨ ɢɫɬɢɨɬ ɜɟɫɧɢɤ, ɚ ɩɨɬɨɚ ɜɨ ɞɨɝɨɜɨɪ ɫɨ ɪɟ-
ɞɚɤɰɢʁɚɬɚ ɧɚ ɜɟɫɧɢɤɨɬ, ɛɟɜ ɜɨɧɪɟɞɟɧ ɞɨɩɢɫɧɢɤ ɡɚ Ɇɚɪɢɨɜɨ, ɡɚɩɨɱɧɚɜ ɞɚ ɩɢ-
ɲɭɜɚɦ. ɋɥɟɞɭɜɚɚ ɩɨɜɟʅɟ ɨɛʁɚɜɢ ɫɨ ɞɧɟɜɧɢ ʁɚɜɭɜɚʃɚ ɢ ɪɟɩɨɪɬɚɠɢ ɨɞ Ɇɚɪɢɨɜɨ,
ɧɨ ɢ ɩɨɲɢɪɨɤɨ. ɇɚɛɪɝɭ, ɝɨ ɧɚɩɢɲɚɜ ɢ ɜɨ „ɇɨɜɚ Ɇɚɤɟɞɨɧɢʁɚ“ ɛɟɲɟ ɨɛʁɚɜɟɧ
ɮɟʂɬɨɧɨɬ: „Ɋɭɞɨɥɮ Ⱥɪɱɢɛɚɥɞ Ɋɚʁɫ, ɡɚ Ɇɚɤɟɞɨɧɢʁɚ ɢ ɡɚ Ɇɚɤɟɞɨɧɰɢɬɟ“, ɤɨʁ ɜɨ
ɩɨɲɢɪɨɤɚɬɚ ʁɚɜɧɨɫɬ ɛɟɲɟ ɞɨɛɪɨ ɩɪɢɦɟɧ.


ɇɚɫɬɚɧɢɬɟ ɨɞ ɉɪɜɚɬɚ ɫɜɟɬɫɤɚ ɜɨʁɧɚ, ɇɈȻ ɢ ɪɚɡɜɨʁɨɬ ɧɚ Ɇɚɤɟɞɨɧɢʁɚ ɜɨ
ɪɚɦɤɢɬɟ ɧɚ ȳɭɝɨɫɥɚɜɢʁɚ, ɤɚʁ ɦɟɧɟ ɫɟ ɜɥɟɱɟɚ ɤɚɤɨ ɫɟɧɤɚ. ɉɨɫɬɨʁɚɧɨ ɦɟ ɩɪɢɬɢɫ-
ɤɚɚ. Ɍɚɤɚ, ɜɬɭɪɧɚɬɢ ɜɨ ɩɟɤɨɥɨɬ ɧɚ ɉɪɜɚɬɚ ɫɜɟɬɫɤɚ ɜɨʁɧɚ: ɫɟɦɟʁɫɬɜɨɬɨ ɧɚ ɦɨɢɬɟ
ɩɪɟɞɰɢ ɢ ɫɟɥɚɬɚ ɜɨ Ɇɚɪɢɨɜɨ, ɨɞɥɭɱɢɜ ɞɚ ɫɟ ɡɚɮɚɬɚɦ ɫɨ ɨɛʁɚɜɭɜɚʃɟɬɨ ɧɚ ɪɨ-
ɦɚɧ, ɱɟɬɢɜɨ ɤɨɟ ʅɟ ɫɜɟɞɨɱɢ ɢ ɩɪɟɞɭɩɪɟɞɭɜɚ ɡɚ ɡɥɨɬɨ ɩɪɟɞɢɡɜɢɤɚɧɨ ɨɞ ɱɨɜɟɤɨ-
ɜɨɬɨ ɛɟɡɭɦɢɟ...


„Ɉɬɤɨɪɧɚɬɢ ɞɭɲɢ“ e ɩɪɜɢɨɬ ɪɨɦɚɧ. ɋɢɥɧɨ ɨɞɟɤɧɚ ɜɨ ɦɚɤɟɞɨɧɫɤɚɬɚ ʁɚɜ-
ɧɨɫɬ. Ɇɟɞɢɭɦɫɤɢ: ɜɨ „Ɇɚɤɟɞɨɧɫɤɨ ɫɨɧɰɟ“ ɢ „ɍɬɪɢɧɫɤɢ ɜɫɧɢɤ“ ɢɦɚɲɟ ɨɛʁɚɜɢ
ɜɨ ɜɢɞ ɧɚ ɪɟɩɨɪɬɚɠɚ ɢ ɪɚɡɝɨɜɨɪ, ɚ ɢɧɮɨɪɦɚɰɢɢ ɩɪɨɬɟɤɨɚ ɢ ɧɚ Ɇɚɤɟɞɨɧɫɤɚɬɚ
ɬɟɥɟɜɢɡɢʁɚ, ɧɚ Ɋɚɞɢɨ ɋɤɨɩʁɟ ɢ ɧɚ ɞɪɭɝɢ ɩɟɱɚɬɟɧɢ ɢ ɟɥɟɤɬɪɨɧɫɤɢ ɦɟɞɢɭɦɢ.
ɉɪɨɦɨɰɢɢɬɟ ɜɨ ɋɬɪɭɝɚ ɢ Ȼɢɬɨɥɚ ɞɚɞɨɚ ɞɨɩɨɥɧɢɬɟɥɧɚ ɥɟɝɚɥɢɡɚɰɢʁɚ ɢ ɜɟɪɢɮɢ-
ɤɚɰɢʁɚ ɧɚ ɞɟɥɨɬɨ.


ɋɨ ɫɚɦɨɩɨɬɜɪɞɭɜɚʃɟɬɨ ɢ ɩɨɲɢɪɨɤɨɬɨ ɩɪɢɡɧɚɧɢɟ ɧɚ ʁɚɜɧɨɬɨ ɦɢɫɥɟʃɟ,
ɤɚʁ ɦɟɧɟ ɩɪɨɞɨɥɠɢ ɞɚ „ɩɟɟ ɩɢɥɟɬɨ“ ɢ ɞɚ ɤɨɩɚ „ɤɥɭɤɚʁɞɪɜɱɟɬɨ“ ɩɨ ɪɚɡɥɢɱɧɢ ɬɟ-
ɦɢ, ɧɨ ɧɟ ɛɟɝɚʁʅɢ ɨɞ ɫɥɭɱɭɜɚʃɚɬɚ ɜɨ ɪɨɞɧɚɬɚ ɡɟɦʁɚ ɜɨ ɦɢɧɚɬɨɬɨ ɢ ɞɟɧɟɫ. ɋɥɟ-
ɞɭɜɚɚ ɪɨɦɚɧɢɬɟ „ɉɟɬɪɚ“, „ɐɪɧɚ ʂɭɛɨɜ“, „Ⱦɚɛʁɚɤ“, „Ɂɥɚɬɧɢ ɨɛɟɬɤɢ ɡɚ Ɇɚɪɢʁɚ
(ɞɨɛɢɬɧɢɤ ɧɚ ɧɚɝɪɚɞɚɬɚ ɋɬɪɭɲɤɨ ɢɡɝɪɟʁɫɨɧɰɟ, ɩɨɬɨɚ, ɨɛʁɚɜɟɧ ɜɨ Ȼɭɝɚɪɢʁɚ,




НУУБ „Св. Климент Охридски“– Битола


90


2013, ɩɪɟɜɟɞɟɧ ɜɨ ɋɪɛɢʁɚ), ɢ „Ⱦɟɰɚɬɚ ɧɚ Ɇɚɪɢʁɚ“ – ɞɨɛɢɬɧɢɤ ɧɚ ɧɚɝɪɚɞɚɬɚ
„ɉɪɨɡɧɢ ɦɚʁɫɬɨɪɢ“, ɡɚ 2013. ɉɨɦɟɼɭ ɧɢɜ ɢ ɩɨɬɨɚ, ɧɚɩɢɲɚɧɢ ɢ ɨɛʁɚɜɟɧɢ ɫɟ ɩɨ-
ɜɟʅɟ ɤɧɢɝɢ ɫɨ ɪɚɡɥɢɱɧɚ ɬɟɦɚɬɢɤɚ, ɤɚɤɨ ɢ ɩɨɜɟʅɟ ɩɨɟɬɫɤɢ ɤɧɢɝɢ.


Ɂɚɱɥɟɧɭɜɚʃɟɬɨ ɜɨ Ⱦɪɭɲɬɜɨɬɨ ɧɚ ɧɨɜɢɧɚɪɢɬɟ ɧɚ Ɇɚɤɟɞɨɧɢʁɚ ɢ Ⱦɪɭɲɬɜɨ-
ɬɨ ɧɚ ɩɢɫɚɬɟɥɢɬɟ ɧɚ Ɇɚɤɟɞɨɧɢʁɚ, ɤɚʁ ɦɟɧɟ ɛɟɲɟ ɞɨɩɨɥɧɢɬɟɥɟɧ ɮɚɤɬ ɢ ɩɨɲɢɪɨ-
ɤɨ ɩɪɢɡɧɚɧɢɟ – ɜɥɟɝɭɜɚʃɟ ɜɨ ɞɜɟɬɟ ɧɚʁɭɝɥɟɞɧɢ ɩɢɫɚɬɟɥɫɤɢ ɚɫɨɰɢʁɚɰɢɢ, ɚ
ɭɱɟɫɬɜɨɬɨ ɧɚ ɩɨɜɟʅɟ ɦɟɼɭɧɚɪɨɞɧɢ ɦɚɧɢɮɟɫɬɚɰɢɢ ɟ ɩɨɬɜɪɞɚ ɢ ɩɪɢɡɧɚɧɢɟ ɡɚ
ɩɪɢɞɨɧɟɫɨɬ ɢ ɜɪɟɞɧɨɫɬɚ ɧɚ ɦɨɟɬɨ ɬɜɨɪɟɲɬɜɨ.


ɇɟɤɨɥɤɭɬɟ ɧɚɝɪɚɞɢ ɢ ɩɪɢɡɧɚɧɢʁɚ ɝɢ ɫɦɟɬɚɦ ɡɚ ɨɞɪɚɡ ɧɚ ɫɟɬɨ ɬɨɚ, ɧɨ ɤɚʁ
ɦɟɧɟ ɜɥɚɞɟɟ ɦɢɫɥɟʃɟɬɨ ɞɟɤɚ ɢɫɤɚɠɚɧɢɨɬ ɡɛɨɪ ɨɞ ɨɞɪɟɞɟɧɢ ɚɜɬɨɪɢ ɢ ɡɛɨɪɨɬ ɧɚ
ɱɢɬɚɬɟɥɨɬ ɫɟ ɩɨɜɚɠɧɢ ɨɞ ɫè.



Ⱦɪɭɝɢɬɟ ɪɟɤɨɚ ɡɚ ɦɟɧɟ:
Ⱥɤɚɞɟɦɢɤ Ʌɭɚɧ ɋɬɚɪɨɜɚ: „Ⱥɜɬɨɪɨɬ ɒɢɩɢɧɤɚɪɨɜɫɤɢ, ɨɫɬɜɚɪɭɜɚʁʅɢ ɲɢ-


ɪɨɤ ɢ ɭɜɟɪɥɢɜ ɤɧɢɠɟɜɟɧ ɡɚɝɪɚɛ, ɬɪɚɝɚʁʅɢ ɩɨ ɨɬɤɨɪɧɚɬɢɬɟ ɨɞɢɫɟɢ ɧɚ ɞɭɲɢɬɟ ɧɚ
ɫɜɨɢɬɟ Ɇɚɪɢɨɜɰɢ, ʅɟ ʁɚ ɩɨɱɭɜɫɬɭɜɚ ɩɨɬɪɟɛɚɬɚ ɞɚ ʁɚ ɩɪɨɲɢɪɢ ɫɜɨʁɚɬɚ ɩɨɬɪɚɝɚ
ɧɚ ɡɧɚɱɚʁɧɢɬɟ ɞɨɤɭɦɟɧɬɢ, ɩɪɨɬɚɝɨɧɢɫɬɢ ɨɞ ɉɪɜɚɬɚ ɫɜɟɬɫɤɚ ɜɨʁɧɚ, ɧɟɩɨɫɪɟɞɧɨ
ɩɨɜɪɡɚɧɢ ɫɨ ɫɭɞɛɢɧɚɬɚ ɧɚ ɫɜɨɢɬɟ ɦɚɪɢɨɜɫɤɢ Ɇɚɤɟɞɨɧɰɢ, ɧɨ ɢ ɩɨɲɢɪɨɤɨ. ɇɟɝɨ
ɩɨɫɟɛɧɨ ʅɟ ɝɨ ɢɦɩɪɟɫɢɨɧɢɪɚ ɥɢɤɨɬ ɧɚ ɝɟɪɦɚɧɫɤɨɬ ɒɜɚʁɰɚɪɟɰ Ɋɭɞɨɥɮ Ⱥɪɱɢ-
ɛɚɥɞ Ɋɚʁɫ, ɤɨʁ ɤɚɤɨ ɞɨɩɢɫɧɢɤ ɨɞ ɩɨɜɟʅɟ ɫɜɟɬɫɤɢ ɚɝɟɧɰɢɢ, ɜɨ ɪɚɡɝɨɪɨɬ ɧɚ ɛɚɥ-
ɤɚɧɫɤɢɬɟ, ɚ ɩɨɬɨɚ ɧɚ ɫɜɟɬɫɤɢɬɟ ɜɨʁɧɢ, ɞɨɠɢɜɭɜɚʁʅɢ ʁɚ ɫɭɞɛɢɧɚɬɚ ɧɚ ɦɚɤɟɞɨɧ-
ɫɤɢɨɬ ɧɚɪɨɞ, ɧɟ ɫɚɦɨ ɲɬɨ ɩɨɤɚɠɭɜɚ ɝɨɥɟɦɚ ɫɨɥɢɞɚɪɧɨɫɬ, ɬɭɤɭ ɢ ɡɚɫɬɚɧɭɜɚ ɜɨ
ɨɞɛɪɚɧɚ ɧɚ ɧɟɝɨɜɢɨɬ ɢɞɟɧɬɢɬɟɬ. ɇɟɫɥɭɱɚʁɧɨ ɚɜɬɨɪɨɬ ɜɨ ɦɨɬɨ ɧɚ ɫɜɨʁɚɬɚ ɤɧɢɝɚ
ʅɟ ɝɢ ɢɫɬɚɤɧɟ ɡɛɨɪɨɜɢɬɟ ɧɚ Ɋɚʁɫ: ɋɩɨɪɟɞ ɦɟɧɟ Ɇɚɤɟɞɨɧɟɰɨɬ ɧɟ ɦɨɠɟ ɞɚ ɫɟ ɧɚ-
ɪɟɱɟ ɧɢ Ȼɭɝɚɪɢɧ ɧɢ ɋɪɛɢɧ, ɬɭɤɭ ɩɪɨɫɬɨ Ɇɚɤɟɞɨɧɟɰ (Ɋɭɞɨɥɮ Ⱥɪɱɢɛɚɥɞ Ɋɚʁɫ, ɡɚ
Ɇɚɤɟɞɨɧɢʁɚ ɢ ɡɚ Ɇɚɤɟɞɨɧɰɢɬɟ“ 2006).


ȼɚɧɱɨ Ɇɟɚɧʇɢɫɤɢ: „Ɋɟɬɤɢ ɫɟ ɫɥɭɱɚɢɬɟ ɢ ɜɨ ɝɨɥɟɦɢɬɟ ɥɢɬɟɪɚɬɭɪɢ, ɤɨɢ
ɢɦɚɚɬ ɞɨɥɝɨɜɟɤɨɜɧɢ ɬɪɚɞɢɰɢɢ ɢ ɢɫɤɥɭɱɢɬɟɥɧɨ ɛɨɝɚɬ ɢ ɪɚɡɧɨɜɢɞɟɧ ɤɧɢɠɟɜɟɧ
ɮɭɧɞɭɫ, ɩɪɜɨɬɨ ɞɟɥɨ ɧɚ ɧɟɤɨʁ ɚɜɬɨɪ ɧɟ ɫɚɦɨ ɞɚ ʁɚ ɩɨɝɨɞɢ ɰɟɥɬɚ, ɞɚ ɝɨ ɨɩɪɚɜɞɚ
ɜɨ ɰɟɥɨɫɬ ɫɜɨɟɬɨ ɨɛʁɚɜɭɜɚʃɟ, ɬɭɤɭ ɢ ɞɚ ɩɨɫɬɢɝɧɟ ɫɨɫɟɦɚ ɫɨɥɢɞɧɢ ɥɢɬɟɪɚɪɧɨ-
ɟɫɬɟɬɫɤɢ ɪɟɡɭɥɬɚɬɢ. ɍɲɬɟ ɩɨɜɟʅɟ, ɚɤɨ ɫɬɚɧɭɜɚ ɡɛɨɪ ɡɚ ɚɜɬɨɪ ɱɢɢ ɩɪɨɮɟɫɢɨɧɚɥ-
ɧɢ ɨɩɪɟɞɟɥɛɢ ɢ ɤɨɧɤɪɟɬɟɧ ɨɩɲɬɟɫɬɜɟɧ ɚɧɝɚɠɦɚɧ ɢɦɚɚɬ ɦɚɥɤɭ ɞɨɩɢɪɧɢ ɬɨɱɤɢ
ɫɨ ɥɢɬɟɪɚɬɭɪɚɬɚ“(Ɇɚɤɟɞɨɧɫɤɨ ɫɨɧɰɟ, 2003).


ȳɨɜɚɧ Ȯɭɪɨɜɫɤɢ: „ɑɨɜɟɤ ɧɚ ɱɨɜɟɤ ɟ ɜɨɥɤ“ ɪɟɤɨɥ Ɇɚɤɫɢɦ Ƚɨɪɤɢ, ɧɨ ɜɨɥ-
ɤɨɬ ɧɟ ɦɨɠɟ ɞɚ ɫɟ ɤɚɟ, ɧɢɬɭ ɞɚ ʁɚ ɭɜɢɞɢ ɫɜɨʁɚɬɚ ɝɪɟɲɤɚ ɤɚɤɨ Ⱥɧɞɨɧ. ɂ ɧɟ ɫɚɦɨ
ɬɨʁ. Ʉɨɞɨɲɢɬɟ ɲɬɨ ɝɢ ɤɨɞɨɲɟɚ ɱɟɫɧɢɬɟ ɥɭɼɟ ɜɨ ɫɟɥɨɬɨ, ɩɨɞɨɰɧɚ ɫɟ ɤɚɟʁɚ; ɧɨ
ɫɬɨɪɟɧɨɬɨ ɧɟ ɦɨɠɟ ɞɚ ɫɟ ɢɡɛɪɢɲɟ ɢ ɡɚɛɨɪɚɜɢ. Ⱦɢɦɢɬɚɪ Ɉɜɱɚɪɨɜɫɤɢ, Ⱦɢɦɤɨ
Ʉɥɟɩɚɥɨ ɨɞ Ⱦɨɥɧɨ ɋɟɥɨ, ɟ ɞɟɞɨ ɧɚ Ʉɚɪɨɥɢɧɚ, ɦɚɤɟɞɨɧɫɤɚɬɚ ɒɜɟɼɚɧɤɚ ɤɨʁɚ ʁɚ
ɩɨɫɜɪɲɭɜɚ Ȼɨɝɞɚɧ, ɧɨ ɬɚɬɤɨ ɦɭ, ɧɚ ɫɚɦɚɬɚ ɫɜɪɲɭɜɚɱɤɚ ɫɮɚʅɚ ɞɟɤɚ ɫɢɧ ɦɭ ɝɨ
ɞɨɜɟɥ ɜɨ ɤɭʅɚɬɚ ɧɚ ɫɜɨʁɨɬ ɤɨɞɨɲ, ɩɨɪɚɞɢ ɤɨɝɨ ɨɞɥɟɠɚ ɧɚ Ƚɨɥɢ Ɉɬɨɤ, ɢɚɤɨ ɫɨ
ɝɪɚɞɢ ɫɟ ɛɨɪɟɥ ɩɪɨɬɢɜ ɨɤɭɩɚɬɨɪɨɬ ɜɨ ɛɨɪɛɚɬɚ. Ʉɨɝɚ ɝɨ ɩɪɟɩɨɡɧɚ Ⱦɢɦɤɨ
Ʉɥɟɩɚɥɨ ɧɨɜɢɨɬ ɫɜɚɬ, ɦɭ ɨɫɬɚɧɚ ɞɚ ɦɭ ɪɟɱɟ ɫɚɦɨ ɬɨɚ: „Ⱦɚ ʁɚ ɝɥɟɞɚɦɟ ɫɚɦɨ ɢɞ-
ɧɢɧɚɬɚ ɧɚ ɞɟɰɚɬɚ ɢ ɞɚ ɝɨ ɡɚɛɨɪɚɜɢɦɟ ɦɢɧɚɬɨɬɨ“ (ȳɨɜɚɧ Ȯɭɪɨɜɫɤɢ, „ɐɪɧɚ ʂɭ-
ɛɨɜ, ɪɨɦɚɧ, 2006).




Деветта роднокрајна средба…


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ɂɧɚ Ʉɪɟʁɧ, Ȼɭɝɚɪɢʁɚ: „ɉɪɚɲɚʃɚɬɚ ɡɚ ɩɪɢʁɚɬɟɥɫɬɜɨɬɨ, ɩɪɟɞɚɜɫɬɜɨɬɨ, ɡɚ
ɨɧɢɟ ɫɢɥɢ, ɧɚɞ ɤɨɢ ɥɭɼɟɬɨ ɭɲɬɟ ɧɟɦɚɚɬ ɜɥɚɫɬ (ɢ ɦɨɠɟɛɢ ɟ ɩɨɞɨɛɪɨ, ɞɟɤɚ ɟ ɬɚ-
ɤɚ); ɝɨɥɟɦɚɬɚ ɛɨɥɤɚ ɡɚ ɩɨɞɟɥɟɧɢɬɟ ɮɚɦɢɥɢɢ, ɩɪɢɧɭɞɟɧɢ ɞɚ ɝɨ ɡɚɪɚɛɨɬɭɜɚɚɬ ɜɨ
ɫɬɪɚɧɫɬɜɨ ɫɜɨʁɨɬ ɥɟɛ; ɦɨɬɢɜɢɬɟ ɡɚ ɜɪɚʅɚʃɟɬɨ, ɡɚ ɤɚɤɜɚ ɛɢɥɨ ɡɚɝɭɛɚ ɢ ɢɡɧɚɨɼɚ-
ʃɟ ɤɚɤɨ ɭɧɢɜɟɪɡɚɥɧɢ ɩɪɨɛɥɟɦɢ ɢɫɬɨ ɧɚɨɼɚɚɬ ɫɜɨɟ ɦɟɫɬɨ ɜɨ ɬɟɤɫɬɨɬ“ (Ɂɥɚɬɧɢ
ɨɛɟɬɤɢ ɡɚ Ɇɚɪɢʁɚ, ɪɨɦɚɧ, ɨɛʁɚɜɟɧɚ ɜɨ Ȼɭɝɚɪɢʁɚ, 2013).


ɋɧɟɠɚɧɚ Ⱦɚɛɢʅ, ɋɪɛɢʁɚ: „ɀɟɧɚɬɚ-ɪɢɛɚ ɟ ɞɟɥ ɨɞ ɧɨɜɢɨɬ ɬɜɨɪɟɱɤɢ ɨɛɪɚ-
ɡɟɰ ɧɚ ɉɟɬɤɨ ɒɢɩɢɧɤɚɪɨɜɫɤɢ. Ɍɚɚ ɟ ɫɢɦɛɨɥ ɧɚ ɟɥɟɦɟɧɬɨɬ ɜɨɞɚ ɢ ɫɢɦɛɨɥ ɧɚ
ɠɢɜɨɬɨɬ. Ʉɭɥɬɨɬ ɧɚ ɜɨɞɚɬɚ ɢ ɢɡɜɨɪɨɬ ɟ ɫɪɟɞɢɲɟɧ ɤɭɥɬ ɤɨʁɲɬɨ ɟ ɜɤɥɭɱɟɧ ɜɨ
ɦɚɬɟɪɢʁɚɥɨɬ ɧɚ ɦɢɬɨɥɨɲɤɚɬɚ ɦɟɬɚɮɨɪɢɤɚ ɢ ɜɨ ɩɥɚɧɨɬ ɧɚ ɢɞɟʁɧɚɬɚ ɤɨɧɤɪɟɬɢɡɚ-
ɰɢʁɚ ɧɚ ɮɚɛɭɥɚɬɚ“ (ɋɧɟɠɚɧɚ Ⱦɚɛɢʅ, „Ɂɥɚɬɧɢ ɨɛɟɬɤɢ ɡɚ Ɇɚɪɢʁɚ“, 2011, ɤɨɩɪɟ-
ɜɟɞɭɜɚɱ ɧɚ ɫɪɩɫɤɢ, 2013).


Ɇɟɪɫɢɯɚ ɂɫɦɚʁɥɨɫɤɚ: „ɋɨ ɨɜɚɚ ɤɧɢɝɚ ɚɜɬɨɪɨɬ ɫɟ ɜɪɚʅɚ ɢ ɤɨɧ ɫɨɩɫɬɜɟɧɢ-
ɬɟ ɤɨɪɟɧɢ, ɤɨɧ ɦɟɫɬɚɬɚ ɨɞ ɤɨɢ ɢ ɬɨʁ ɩɨɬɟɤɧɭɜɚ ɩɨɬɜɪɞɭɜɚʁʅɢ ɝɨ ɫɬɚɜɨɬ: ɨɞɢ ɢ
ɜɪɚɬɢ ɫɟ ɧɚ ɫɬɚɪɢɬɟ ɤɨɪɟʃɚ, ɩɪɢɫɭɬɟɧ ɢ ɦɟɼɭ ɨɜɢɟ ɪɟɞɨɜɢ. Ɍɨɚ ɜɪɚʅɚʃɟ ɧɟ ɟ
ɫɚɦɨ ɛɭɤɜɚɥɧɨ, ɬɭɤɭ ɢ ɫɢɦɛɨɥɢɱɧɨ, ɨɫɬɜɚɪɟɧɨ ɩɪɟɤɭ ɧɟɝɨɜɨɬɨ ɚɜɬɨɪɫɤɨ
ɩɢɫɦɨ, ɛɢɞɟʁʅɢ ɒɢɩɢɧɤɚɪɨɜɫɤɢ ɧɚʁɦɧɨɝɭ ɨɞ ɫè ɝɨ ɩɪɢɜɥɟɤɭɜɚɚɬ ɬɟɦɢ ɜɪɡɚɧɢ
ɫɨ ɢɫɬɨɪɢʁɚɬɚ, ɨɧɚɚ ɚɤɬɭɟɥɧɚɬɚ ɢ ɨɧɚɚ ɩɪɟɤɚɠɚɧɚɬɚ, ɩɪɟɤɚɠɚɧɚ ɩɪɟɤɭ ɝɥɚɫɨɜɢ-
ɬɟ ɧɚ ɧɟɝɨɜɢɬɟ ɥɢɤɨɜɢ. ɇɚɨɼɚʁʅɢ ɢɧɫɩɢɪɚɰɢʁɚ ɜɨ ɦɢɧɚɬɨɬɨ, ɬɨʁ ɝɨ ɩɪɟɫɨɡɞɚɜɚ
ɢɫɮɪɥɚʁʅɢ ɧɚ ɩɨɜɪɲɢɧɚ ɧɟɲɬɚ ɤɨɢ ɝɢ ɡɧɚɟ ɫɚɦɨ ɬɨʁ, ɚ ɧɚ ɨɜɨʁ ɧɚɱɢɧ ɫɬɚɧɭɜɚɚɬ
ɱɢɬɥɢɜɢ ɢ ɡɚ ɞɪɭɝɢɬɟ“(Ⱦɟɰɚɬɚ ɧɚ Ɇɚɪɢʁɚ, 2012).


ɏɪɢɫɬɨ ɉɟɬɪɟɫɤɢ: „Ɋɟɱɢɫɢ ɜɨ ɫɢɬɟ ɫɜɨɢ ɩɪɨɡɧɢ ɞɟɥɚ, ɉɟɬɤɨ ɒɢɩɢɧɤɚ-
ɪɨɜɫɤɢ ʁɚ ɨɛɪɚɛɨɬɭɜɚ ɬɟɦɚɬɚ, Ɇɚɪɢɨɜɨ, Ɇɚɪɢɨɜɨ ɧɟɤɨɝɚɲ ɢ ɫɟɝɚ, ɩɨɦɟɼɭ ɠɢ-
ɜɨɬɨɬ ɢ ɫɦɪɬɬɚ, ɜɨʁɧɢɬɟ, ɫɬɪɚɞɚʃɚɬɚ ɧɚ ɦɚɤɟɞɨɧɫɤɨɬɨ ɧɚɫɟɥɟɧɢɟ, ɪɚɫɟɥɭɜɚʃɚ-
ɬɚ, ɢ ɩɨɬɨɚ, ɩɨɫɬɨɫɥɨɛɨɞɢɬɟɥɧɢɨɬ ɩɟɪɢɨɞ ɢ ɦɢɝɪɚɰɢɢɬɟ ɞɨ ɢɫɬɪɟɛɭɜɚʃɟɬɨ ɧɚ
Ɇɚɤɟɞɨɧɟɰɨɬ ɨɞ ɬɢɟ ɩɪɨɫɬɨɪɢ; ɩɚɬɨɬ ɩɨ ɫɜɟɬɫɤɢɬɟ ɦɟɪɢɞɢʁɚɧɢ ɢ ɧɨɜɢɬɟ ɠɢɜɟ-
ɚɥɢɲɬɚ, ɦɢɝɪɚɰɢɢɬɟ ɨɞ ɫɟɥɚɬɚ ɜɨ ɝɪɚɞɨɜɢɢɬɟ ɲɢɪɭɦ ɧɚ Ɇɚɤɟɞɨɧɢʁɚ ɢ ɩɭɫɬɨ-
ɲɨɬ ɤɨʁ ɰɚɪɭɜɚ ɜɨ ɧɟɤɨɝɚɲ ɠɢɜɨɬɨ Ɇɚɪɢɨɜɨ, ɫɨ ɬɟɧɞɟɧɰɢʁɚ ɞɚ ɫɟ ɩɨɤɪɢɟ ɢ
ɩɨɫɥɟɞɧɚɬɚ ɬɪɚɝɚ ɧɚ Ɇɚɪɢɨɜɟɰɨɬ ɬɚɦɭ. ɇɚɫɩɪɨɬɢ ɧɢɜ, ɉɟɬɤɨ ɒɢɩɢɧɤɚɪɨɜɫɤɢ
ɝɢ ɨɛʁɚɜɢ ɢ ɪɨɦɚɧɢɬɟ „Ⱦɚɛʁɚɤ“, ɜɨ ɤɨʁ ɝɨ ɬɪɟɬɢɪɚ ɠɢɜɨɬɨɬ ɢ ɝɪɚɛɟɠɢɬɟ ɡɚ ɜɪɟ-
ɦɟ ɧɚ ɬɭɪɫɤɨɬɨ ɪɨɩɫɬɜɨ ɢ ɩɨɫɥɟɞɢɰɢɬɟ ɨɞ ɧɟɝɨ; ɝɪɚɛɟɠɢɬɟ, ɢɫɥɚɦɢɡɚɰɢʁɚɬɚ,
ɫɟɦɟʁɧɢɬɟ ɞɪɚɦɢ ɢ ɩɨɪɨɰɢɬɟ ɤɚɤɨ ɩɨɫɥɟɞɢɰɚ ɡɚ ɪɚɫɩɚɞ ɧɚ ɫɟɦɟʁɫɬɜɨɬɨ, ɢɥɢ
ʂɭɛɨɜɬɚ ɢ ɝɨɥɟɦɚɬɚ ɪɨɞɢɬɟɥɫɤɚ ɝɪɢɠɚ ɤɨɧ ɧɟɝɨ. Ⱦɨɞɟɤɚ, ɩɚɤ, ɜɨ ɪɨɦɚɧɨɬ
„Ɂɥɚɬɧɢ ɨɛɟɬɤɢ ɡɚ Ɇɚɪɢʁɚ“, ɉɟɬɤɨ ɒɢɩɢɧɤɚɪɨɜɫɤɢ ɩɢɲɭɜɚ ɡɚ ɦɚɬɟɪɢʁɚɥɧɨɬɨ,
ɚɪɯɟɨɥɨɝɢʁɚɬɚ ɢ ɞɭɯɨɜɧɨɬɨ ɛɨɝɚɬɫɬɜɨ ɧɚ Ɇɚɤɟɞɨɧɢʁɚ, ʂɭɛɨɜɬɚ ɤɨɧ ɫɟɦɟʁɫɬɜɨ-
ɬɨ ɢ ɤɨɧ ɫɜɨʁɚɬɚ ɡɟɦʁɚ (ɏɪɢɫɬɨ ɉɟɬɪɟɫɤɢ - Ʉɨɧ ɩɪɨɡɧɨɬɨ ɬɜɨɪɟɲɬɜɨ ɧɚ ɧɚ ɉɟɬ-
ɤɨ ɒɢɩɢɧɤɚɪɨɜɫɤɢ Ⱦɨɛɢɬɧɢɤ ɧɚ ɧɚɝɪɚɞɚɬɚ „ɉɪɨɡɧɢ ɦɚʁɫɬɨɪɢ“, 2013).


Ɇɢɥɢɰɚ Ⱦ. Ɋɚɞɟɜɫɤɚ: „ɉɟɬɤɨ ɒɢɩɢɧɤɚɪɨɜɫɤɢ ɟ ɚɜɬɨɪ ɧɚ ɫɬɢɯɨɡɛɢɪɤɢɬɟ
„ɋɟɞɟɥɨ ɧɚ ɨɪɥɢɰɚ“, „Ȼɟɥɢ ɜɟɬɪɨɜɢ“, „Ɂɥɨɭɦɢ“ ɢ, ɫɟ ɪɚɡɛɢɪɚ, ɧɚ ɧɚʁɧɨɜɚɬɚ
ɫɬɢɯɨɡɛɢɪɤɚ „Ȼɟɥɢ ɭɬɪɚ“. Ⱦɚ ɫɟ ɩɪɚɜɚɬ ɤɚɤɜɢ ɢ ɞɚ ɛɢɥɨ ɢɦɩɥɢɤɚɰɢɢ ɧɚ ɨɜɚɚ
ɫɬɢɯɨɡɛɢɪɤɚ, ɦɚɤɚɪ ɢ ɜɨ ɤɨɧɬɟɤɫɬ ɧɚ ɧɟɤɚɤɜɢ ɞɚɥɟɱɧɢ ɨɝɥɚɫɢ ɫɨ ɩɨɟɡɢʁɚɬɚ ɧɚ
Ɋɚɰɢɧ ɫɚɦɨ ɩɨ ɫɟɛɟ ɟ ɨɞɞɚɥɟɱɭɜɚʃɟ ɨɞ ɨɧɚ ɲɬɨ ɩɪɟɬɫɬɚɜɭɜɚ ɤɨɧɬɢɧɭɢɬɟɬ ɜɨ
ɩɨɬɪɚɝɚɬɚ ɧɚ ɡɛɨɪɨɬ ɤɚʁ ɨɜɨʁ ɚɜɬɨɪ“ (Ɇɢɥɢɰɚ Ⱦ. Ɋɚɞɟɜɫɤɚ, „Ȼɟɥɢ ɭɬɪɚ“, ɩɨɟɡɢ-
ʁɚ, 2013). Ɉɜɚ ɫɟ ɫɚɦɨ ɞɟɥ ɨɞ ɩɨɜɟʅɟɬɨ ɤɪɢɬɢɱɚɪɢ ɤɨɢ ʁɚ ɞɚɞɨɚ ɩɨɡɢɬɢɜɧɚɬɚ
ɨɰɟɧɤɚ ɡɚ ɦɨɟɬɨ ɬɜɨɪɟɲɬɜɨ ɩɟɪɰɢɩɢɪɚʁʅɢ ɝɨ ɞɨɬɢɱɧɨɬɨ ɞɟɥɨ ɤɚɤɨ ɭɦɟɬɧɨɫɬ ɢ
ɜɪɟɞɧɨɫɬ.




НУУБ „Св. Климент Охридски“– Битола


92





Petko Shipinkarovski



MY THOUGHT - PATH LEADER


Myself – writer with optimistic approach, with firm decision to achieve the


objective, to arrive at the source of the story without thinking on where is my place
among the certain generation of Macedonian writers. I have never thought that by
publishing of the literary work I am going to become known, affirmed, rich or be
awarded by a prestigious award.


Writing – the love towards the literature and journalism and the decision to
mark the events that can be stopped in time in one point, or experiences and
testemonies of others were my thought – path leader. I am a writer who all his
literary creation founds on the basic fundamentals: love, the moral code and the
ethical norms of behavior in accordance with the truth that I impose on the reader
through advices and warnings as my message.





Деветта роднокрајна средба…


93





ɋɈȾɊɀɂɇȺ



ДЕВЕТТА РОДНОКРАЈНА СРЕДБА......................................................................... 5

Проф. д-р Вера Стојчевска–Антиќ
КОН МОЕТО АВТОРСКО ДЕЛО.............................................................................. 7

Проф. д-р Благоја Брајановски
ВИСТИНАТА Е ЕДНА, НО СЕКОЈ ЈА ПОИМА НА СВОЈ НАЧИН ................. 12

Димитар Богдановски
П И С А Т Е Л С К А ТА РАБ О Т А ПРЕТСТАВУВА УМЕТНОСТ................ 17

Ванде Ганчевски
ДУШЕВНА ХРАНА ЗА ДУШЕВНА ЛЕСНОТИЈА ................................................. 21

Петре Димовски
МОЈАТА ПИСАТЕЛСКА РАБОТА – ТВОРЕЧКО ДЕЛО СО МАГИЈА ОД
ЗАНЕС ............................................................................................................................... 25

Јован Ѓуровски
ЧОВЕШТИНАТА НЕ Е САМО ВО ХРИСТОС ....................................................... 30

Елизабета Јончиќ
ПИСАТЕЛОТ СЕ ДАРУВА СЕБЕСИ И ДРУГИТЕ................................................. 35

Проф. д-р Владимир Костов
ЗОШТО ПИШУВАМ?.................................................................................................... 40

Никола Кочовски
ШТО ПРЕТСТАВУВА ЗА МЕНЕ МОЕТО ПИШУВАЊЕ................................ 44

Весна Мундишевска-Велјановска
ВО УНИВЕРЗУМОТ НА ТВОРЕЧКАТА ИНИЦИЈАЦИЈА ................................. 52




НУУБ „Св. Климент Охридски“– Битола


94



Сања Мучкајева Видановска
АКО НЕ ПИШУВАМ – НЕ ПОСТОЈАМ, НЕ ДИШАМ, НЕ ЖИВЕАМ... ....... 56

Доц. д-р Христо Петрески
ЗАБЛУДА Е ДЕКА ВО ТВОРЕШТВОТО ИМА ЗАБЛУДИ .................................. 62

Ѓорѓи Прчков
МОЕТО ТВОРЕШТВО Е ЗА ДОБРОТО НА МОИТЕ ЧИТАТЕЛИ ................... 66

Богоја Таневски
ЈАС ПОЕТ – ПИСАТЕЛ ................................................................................................ 75

Биљана Талевска Димко
ЗАБЛУДАТА НÈ ПРАВИ ПИСАТЕЛИ..................................................................... 80

Добре Тодоровски
ТВОРЕЧКО ДЕЛО, ЗАНЕС, НАДЕЖ ИЛИ НЕШТО ТРЕТО .............................. 84

Петко Шипинкаровски
МОЈАТА МИСЛА ПАТОВОДИЛКА ......................................................................... 88